Composed by Franz Xaver Scharwenka
with Garbis Atmacayan , Levon Chilingirian , Seta Tanyel , Ivo Jan Van der Werff
2. Trio for piano, violin, & cello in A minor, Op. 45
Composed by Franz Xaver Scharwenka
with Garbis Atmacayan , Levon Chilingirian , Seta Tanyel , Ivo Jan Van der Werff
Piano Quartet / Piano Trio 2,Scharwenka,Tanyel,Chilingirian,Collins Classics,Classical
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Essential Mozart: 32 Of His Greatest Masterpieces
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005A8JZ Release Date: 2001-03-13 |
Tracks:
- Eine kleine Nachtmusik, K525: Allegro - Academy Of St Martin-In-The-Fields
- Piano Concerto No.21 In C Major, K467: Andante - Radu Lupu
- Le nozze di Figaro: Voi che sapete - Cecilia Bartoli
- Clarinet Quintet In A Major, K581: Largetto - Peter Schmidl
- Ave verum Corpus, K618 - James Vivian
- Vesperae solennes de confessore in C major: Laudate Dominum - Emma Kirkby
- Concerto For Flute And Harp In C Major: Andantino - Lisa Beznosiuk
- Le nozze di Figaro: Overture - London Philharmonic Orchestra
- Cosi fan tutte: Trio: Soava sia il vento - Renee Fleming
- Symphony No.39 in E-flat Major, K495: Andante con moto - Chicago Symphony
- Horn Concerto: Rondo - Barry Tuckwell
- Don Giovanni: Serenade Deh, vieni alla finestra - Bryn Terfel
- Contredanse In C Major, K609 No.1 'Non piu andrai' - Vienna Mozart Ensemble
- German Dance, K605 No.3 'Sleigh Ride' - Vienna Mozart Ensemble
- Piano Concerto No.23 In A Major, K488: Adagio - Vladimir Ashkenazy
- A Musical Joke, K522: Presto - Vienna Mozart Ensemble
Tracks:
- Symphony No.40 In G Minor, K550: Molto allegro - Vienna Philharmonic
- Piano Sonata No.16 In C Major: Allegro - Andras Schiff
- The Magic Flute: Queen Of The Night: Der Holle Rache - Sumi Jo
- Clarinet Concerto In A Major, K622: Adagio - Franklin Cohen
- Don Giovanni: La ci darem la mano - Cecilia Bartoli
- Serenade in Bb Major, K361: Adagio - London Wind Soloists
- Der Vogelfanger bin ich ja - Hermann Prey
- Le nozze di Figaro: Dove sono - Kiri Te Kanawa
- Violin Concerto No.3 in G Major, K216: Adagio - Joshua Bell
- Requiem, K626: Lacrimosa - Vienna Philharmonic
- Litaniae de venerabili altaris sacramento: Dulcissimum convivium - Margaret Marshall
- Piano Sonata No.11 In A Major, K331: Rondo alla turca - Andras Schiff
- Don Giovanni: Champagne aria: Fin ch'chan dal vino - Bryn Terfel
- Divertimento No.17 in D Major, K334: Minuet & trio - Vienna Mozart Ensemble
- Exsultate, jubilat, K165: Alleluja - Leontyne Price
- Symphony No.41 In C Major, K551 'Jupiter': Finale: Molto allegro - Vienna Philharmonic
Customer Reviews:
Gorgeous music, bad quality cd........2007-04-13
stutters halfway through, and seizes up my system. I don't have time to return items to Amazon. On the positive side, most of the time Amazon provides quality products and service. I gave 3 stars because I love the music.
Great music, low quality reproduction.......2007-01-30
A nice introduction.......2006-02-22
Mozart is the reference point for good classical music........2005-10-20
"We exposed these animals [rats] in utero and then sixty days after birth to different types of auditory stimulation and then we ran them in a spatial maze. And sure enough, the animals that were exposed to the Mozart completed the maze faster and with fewer errors. And now what we're doing is we're removing their brains so we can slice them and see neuro-anatomically precisely what has changed as a function of this exposure. So it may be that this intense exposure to the music is a type of enrichment that has similar effects on the spatial areas of the hippocampus of the brain." --Dr. Frances Rauscher
Dr. Frances Rausher sums up what I feel happening when I expose myself to this incredible composer (Mozart).
I have yet to grow tired of any of the tracks yet, but I will invest in more of his work soon.
Mozart's music.......2005-10-17
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The Essential Yo-Yo Ma
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A7Q29G Release Date: 2005-08-16 |
Tracks:
- Prde from Suite No. 1 in G Major for Cello, BWV 1007
- II. Largo from "Winter", Op. 8, No. 4, RV 297 from the Four Seasons
- Jesus, bleibet meine Freude (Jesu, Joy of Man's Desiring), BWV 147
- Schafe kn sicher weiden (Sheep May Safely Graze), BWV 208
- Wachet auf, ruft uns die Stimme (Sleepers Awake), BWV 645
- The Swan from Carnival of the Animals (Chamber Version)
- Havanaise, Op. 83
- Mtation from Tha
- Liebesfreud Instrumental
- Allegro ben ritmato e deciso from Three Preludes
- Vocalise Vocal
- IV. Allegro from Sonata in D minor for Cello and Piano, Op. 40
- Andante Cantabile for Cello Solo and String Orchestra, Op. posth.
- IV. Rondo alla Zingarese. Presto from Quartet No. 1 in G minor for Piano and Strings, Op. 25
- III. Finale. Allegro moderato from Concerto in B minor for Cello and Orchestra, Op. 104
Tracks:
- Cristal
- A lenda do caboclo
- Chega de Saudade Live
- Wapango Live
- Libertango
- Appalachia Waltz Solo Cello Version
- Butterfly's Day Out
- 1B
- Pickin' from Three Pieces for Solo Cello
- Simple Gifts
- The Mission
- Gabriel's Oboe
- The Falls Album Version
- The Eternal Vow from Crouching Tiger, Hidden Dragon
- The Cellist of Sarajevo - A Lament in Rondo Form for Solo 'Cello, Op. 12
- Chi passa per'sta strada
- Mido Mountain (Chinese Traditional)
- Mohini (Enchantment)
- Baroque in Rhythm from Suite for Cello and Jazz Piano Trio
- Anything Goes Instrumental
- I Could Have Danced All Night Extended version
Amazon.com
Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the "Meditation" from Thais simply ravishing, "Anything Goes" a romp, and the Appalachian music performed with both respect and a great twang, while the traditional Chinese music is fascinating. It's really a matter of how much Ma loves whatever he plays here, how entirely he becomes involved in it, and what a fine partner he invariably is to other musicians. This collection is a doozy--it is truly "essential." --Robert LevineCustomer Reviews:
pure genius.......2007-05-21
Yo Yo Ma shows to be master of the instrument and his interpretations en technique are pure genius. Everyone should have this album in his (or hers of course) basic classical collection
Another great Yo-Yo Disc.......2007-05-15
first disc great- second a flop.......2007-04-12
Encore.......2007-03-31
The Versatile Yo-Yo Ma.......2007-03-29
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Debussy for Daydreaming: Music to Caress Your Innermost Thoughts
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041CL Release Date: 1995-04-11 |
Tracks:
- Syrinx
- Maid With The Flaxen Hair
- Clair de lune
- Petit Suite - En Bateau
- Reverie
- La plue que lente (Valse)
- Prelude To The Afternoon Of A Faun
- String Quartet In G minor: Andantino doucement expressif
- Sonata For Flute, Viola And Harp: Interlude
- Arabesque No. 1
- Valse romantique
- Images For Orchestra: Perfumes Of The Night
Customer Reviews:
Life Is But A Dream..........2006-08-30
Debussy was a composer who lived very close to this Invisible Stream. His music reflects a gentleness and yet a strength that flows throughout each composistion. The arrangements are dreamy and mystical and allows one to go into their "inner chamber" and pray in secret to the One who knows their heart as well as their soul.
As much as I love this CD, I tend not to listen to it in the car. I once listened to it while making a routine drive to Santa Monica. The CD stopped and I had somehow missed all of my exits and ended up in Ventura...talk about being in dreamland!
It's a great CD to put in your walkman and go to an outdoor cafe' where you can sip a cafe latte and write poems to an unknown lover whose face you cannot remember, but whose gentle breath is the scent of lavendar...oh, I wax poetic...so sorry...
If you are into quiet and stillness, get this CD...it's truly a breath of fresh air in this noisy, crowded, extreme world we have to be in but not necessarily of...
Peace & Blessings
Beautiful, dreamy.......2006-07-17
Fabulous collection !.......2005-09-13
An excellent introduction to Debussy and French music.......2005-06-30
One interesting music history tidbit on Debussy that might interest the new listener: Even though Debussy did not like the label, his music was labeled "Expressionism" for the similarities to what the French artists like Monet were doing at the same time. In Debussy's case, his intent was to create "emotional impressions" with music that evoked specific moods and images in the mind - not unlike what the "impressionistic painters" were trying to do on canvas using pure color and form to evoke the fleeting, emotional moment of a landscape scene. "Prelude of the Afternoon of the Fawn" is a good example of this dreamy, lingering, emotive style of music.
Dream and Classical music are magic.......2005-02-16
Classical music is magic.
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Schumann: Complete Piano Trios
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041N8 Release Date: 1997-11-11 |
Tracks:
- Piano Quintet In E-flat, Op. 44: Allegro brillante
- Piano Quintet In E-flat, Op. 44: In modo d'una marcia. Un poco largamente
- Piano Quintet In E-flat, Op. 44: Scherzo. Molto vivace
- Piano Quintet In E-flat, Op. 44: Allegro, ma non troppo
- Piano Quartet In E-flat, Op. 47: Sostenuto assai - Allegro ma non troppo
- Piano Quartet In E-flat, Op. 47: Scherzo. Molto vivace
- Piano Quartet In E-flat, Op. 47: Andante cantabile
- Piano Quartet In E-flat, Op. 47: Finale. Vivace
- Piano Trio No. 1 In D Minor, Op. 63: Mit Energie und Leidenschaft
- Piano Trio No. 1 In D Minor, Op. 63: Lebhaft, doch nicht zu rasch
Tracks:
- Piano Trio No. 1 In D Minor, Op. 63: Langsam, mit inniger Empfindung
- Piano Trio No. 1 In D Minor, Op. 63: Mit Feuer
- Piano Trio No. 2 In F, Op. 80: Sehr lebhaft
- Piano Trio No. 2 In F, Op. 80: Mit innigem Ausdruck
- Piano Trio No. 2 In F, Op. 80: In massiger Bewegung
- Piano Trio No. 2 In F, Op. 80: Nicht zu rasch
- Piano Trio No. 3 In G Minor, Op. 110: Bewegt, doch nicht zu rasch
- Piano Trio No. 3 In G Minor, Op. 110: Ziemlich langsam
- Piano Trio No. 3 In G Minor, Op. 110: Rasch
- Piano Trio No. 3 In G Minor, Op. 110: Kraftig, mit Humor
Amazon.com
This two-CD set, offering Schumann's groundbreaking Piano Quintet, the Piano Quartet, and the three piano trios, is an exceptional bargain. The approach of the Beaux Arts players and their associates is essentially reflective: they let the music speak for itself and avoid the rhetorical excesses other interpreters often fall victim to. In their hands the quintet, one of Schumann's most inspired creations, receives an especially polished and poised performance, with a lovely dovetailing of voices. The analog recordings are warm and detailed, and they have been optimally transferred to CD. --Ted LibbeyCustomer Reviews:
holy smoke........2007-04-17
A linkage between the past and the modernism!.......2006-11-28
On the other hand, the set of Trios surmounted the well known Op. 54's Piano Concerto. That reveals a very careful design in the tonal architecture, interlinking parts and polyphonal material which points to the future and Brahms securely had to have discussed this issue with his friend.
Such emblematic attitude made that composers such Mahler and Schoenberg were so influenced due its modernist projections.
The second is by far, the most romantic of the set with Schubertian reminiscences try to realize th far echoes of the last movement of Cesar Franck's Sonata for violin in the third movement of this trio, while the last one is evidently as we expected the most futurist of the three; and you certainly may find seminal seeds for modern age and the Viennese school of the early ages of the XX Century.
So, consider a wise acquisition to have these distinguished and refined Trios because reflect fundamental works that far to be transitional were the most perfect linkage between the dying Romanticism and the arousing musical modernism and illustrates wisely that smart statement of Octavio Paz: "The past is function of the future. The will of future makes the dead bodies stand and puts order in its works..."
great deal.......2005-10-12
Personally I found Schumann's compositions excessively mercurial at times but that's my problem. If you like him this should'nt be missed.
Excellent performances, superb value.......2002-04-07
Not just for chamber musik freaks! This is Schumann's best........1999-10-09
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Mozart for Morning Coffee: Freshly Brewed to Perk Up Your Day
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041FN Release Date: 1996-08-13 |
Tracks:
- Violin Sonata In G, K. 301: Allegro
- Violin Sonata In C, K. 296: Andante sostenuto
- Violin Sonata In B-Flat, K. 378: Allegro moderato
- Violin Sonata In F, K. 376: Andante
- Violin Sonata In C, K. 296: Allegro (Rondo)
- Piano Trio In D Minor, K. 442: Tempo di minuetto
- Violin Sonata In C, K. 303: Adagio-Molto allegro
- Piano Trio In B-Flat, K. 254: Rondeaux (Tempo di menuetto)
- Piano Trio In G, K. 496: Allegro
- Piano Quartet In E-Flat, K. 493: Allegretto
Customer Reviews:
why?.......2005-10-28
Wake Up To Mozart.......2005-09-25
Corny title - great CD.......2004-12-02
Absolutely splendid sampler (but its one disc not two).......2003-06-19
For the the not-so-casual listener of Mozart, having Grumiaux and the Beaux Arts trio as performers means you get about the best Philips ever put on their catalogue. Much easier to shell out $$ for these selected performances by these musicians than to pay multiples of that to get the full sets. A "teaser...".
Excellent Recording Quality!.......1999-08-23
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Beethoven for Book Lovers: An Intimate Companion for Reading
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041FA Release Date: 1996-06-11 |
Tracks:
- Sonata No.5 In F (Spring): Adagio molto espessivo
- Sonata #10 In G: Adagio espressivo
- Sonata #2 In A: Andante piu tosto allegretto
- String Quartet No.16 In F: Lentp assai, cantante e tranquillo
- Sonata #7 In C Minor: Adagio cantabile
- Sonata #8 In G: Tempo di minuetto
- Sonata #3 In E- Flat: Adagio con molt' espressione
- String Quartet No 6 In B-Flat: Adagio ma non troppo
- 'Archduke' Trio In B-Flat: Andante cantabile, ma pero con moto
Customer Reviews:
Just what the title promises........2007-03-29
Real Relaxation.......2007-02-19
The gentle side of Beethoven.......2005-08-10
But this is not the case for the Beethoven music on this CD. There was another side of this fiery composer - one that revealed a tender-hearted composer capable of very calm, lovely and song-like instrumental music. And it is this side of Beethoven that is captured in the nine very serene and lyrical selections on this CD. What is great about this compliation of Beethoven music is that many of Beethoven's most sentimental and beautiful slower movements have been "cherry picked" and grouped into one CD that is MUCH more condusive for leisurely listening (no loud banging on the piano or surges from the huge symphony). The music is pure Beethoven talent, but these selections do not demand to be heard and serve well to create a wonderful backdrop for relaxing, reading or late-night entertaining. Sometimes the music is so calm in one or two movements it seems to lack forward movement but - given its purpose for background music - this should not be objectionable.
The music on this CD features mostly piano and violin duets (termed violin sonatas) along with two inspiring string quartet selections and one famous piano/violin/cello song. By the way, this kind of music with a small number of instruments is called "chamber music." The violin/piano selections are very well chosen from the legendary recordings of violinist David Oistrakh and partner Orbinin - musicians known for their more relaxed playing of Beethoven and beautiful tone - all of which is perfect for such a "book reading" CD. (Other performers of the same music tend to put more "edge" and drama into these songs which can be more distracting for leisurely pursuits). All the music is touching and beautiful - with only a few of those typical loud Beethoven "surprizes" amist the quiet bliss - although there are some brief shifts to minor-key anguished tones at times that might disrupt some readers concentration.
Perhaps the highlight of the CD is one of the very last string quartets Beethoven wrote before his death - years into his total deafness and ill health (track 4). In this slow and sublime movement can be heard the most personal and spiritual aspects of this great composer. It is played by one of the greatest string quartets in history (Quartetto Italiano) with a deeply touching sentimentality. Listening to it, you can sense a man who has suffered much but who has come into a final rest and new depth of spiritual awareness at the end of his life. It was his final "swan song" and is surely one of the greatest and most poinant compositions he wrote. All-in-all, this CD is a very high-quality set of inspiring recordings that make not only for calm background music, but also for moments of introspection and growing musical appreciation. The non-techical music notes included give a helpful and interesting background on the music and composer. The sound quality is fine and not distracting in any way. A beautiful introduction to Beethoven's chamber music (for 2-5 instruments) and one you can listen to often and most any time.
Relaxing and soothing.......2001-11-29
a great way to appreciate beethoven's music.......2001-08-13
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Brahms: Complete Piano Quartets
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041EI Release Date: 1996-04-09 |
Tracks:
- Piano Quartet In G Minor, Op. 25: 1. Allegro - J. Brahms
- Piano Quartet In G Minor, Op. 25: 2. Intermezzo. Allegro ma non troppo - J. Brahms
- Piano Quartet In G Minor, Op. 25: 3. Andante con moto - J. Brahms
- Piano Quartet In G Minor, Op. 25: 4. Rondo alla Zingarese. Presto - J. Brahms
- Piano Quartet in C minor, Op. 60: 1. Allegro ma non troppo - J. Brahms
- Piano Quartet in C minor, Op. 60: 2. Scherzo. Allegro - J. Brahms
- Piano Quartet in C minor, Op. 60: 3. Andante - J. Brahms
- Piano Quartet in C minor, Op. 60: Finale. Allegro - J. Brahms
Tracks:
- Piano Quartet in A, Op. 26: 1. Allegro non troppo - Brahms
- Piano Quartet in A, Op. 26: 2. Poco adagio - Brahms
- Piano Quartet in A, Op. 26: 3. Scherzo. Poco allegro - Brahms
- Piano Quartet in A, Op. 26: 4. Finale. Allegro - Brahms
- Piano Trio in A, Op. posth.: 1. Moderato - Brahms
- Piano Trio in A, Op. posth.: 2. Vivace - Brahms
- Piano Trio in A, Op. posth.: 3. Lento - Brahms
- Piano Trio in A, Op. posth.: 4. Presto - Brahms
Customer Reviews:
great musicians.......2005-10-09
An older recording, but still amazing.......2002-06-23
I like to say about Brahms' music that it is airtight. There is never a wasted note. Every bit of melody, every nuance and texture in the harmony are masterfully crafted and serve a purpose. There is never a moment when you look at your watch and wonder when the composer is going to get around to wrapping this or that section up and get to the exciting stuff.
The Beaux Arts Trio along with Walter Trampler do a commendable job of bringing every moment of beauty and excitement out. They balance the sweetness of the slow movements and melodies well with the aggression and rhythmic complexities of the quicker movements. My current favorite quartet is the A Major. There is a singable melody or rhythmic puzzle in every movement. I listened to the final movement four times today (excessive I know, but it's just so much fun to try to figure out how Brahms manipulates those melodies within the time signatures)!
great recording.......2002-05-17
Very good!.......2001-04-01
stirring!.......2000-01-10
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Brahms: Complete String Quartets, Quintets & Sextets
Karl Leister , Johannes Brahms , Christoph Eschenbach , Cecil Aronowitz , Norbert Brainin , Siegmund Nissel , and Amadeus Quartet Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008RWRG Release Date: 2003-10-14 |
Customer Reviews:
Very Good, but beware technical problems.......2007-05-26
1. In the first movement of the Brahms G Major Op.111, the string quintet elects not to take the repeat in m.56, so you will never hear the first ending on this recording and thus only get one shot at the awesome cello opening. I haven't listened closely enough to the other pieces on this set to discern if they avoided other repeats or not, but for the most part, they appear to be there.
2. There are technical printing problems. Though the recording is so live that you can hear the breath of the musicians and their fingers fall on the strings, there are some actual technical pops in the recording. Perhaps it was a transfer problem from analog to digital, as the recordings are old. Most of these pops are minor, but they are dissapointing for an audiophile such as myself. My CDs are pristine (no scratches at all), and even the first time playing them these pops were there. So, here's the list of what I've found thus far:
CD 3:
Track 6: Pops & clicks at 1:19 & 1:22.
CD 5:
Track 1: Pops at 6:01.
Track 2: Pops & clicks at 0:13, 3:56, & 6:16.
Track 5: Pop at 12:07.
Track 7: Pop & clicks at 6:11, 7:45, 7:51-7:52 (these are quite noticable), 7:59, 8:03, 8:11.
Track 8: Pop at 7:34.
It is a well-played set; hopefully they will get the printing correct on the next batch.
This is how all Brahms should be played!.......2007-02-14
Mastery and joy.......2006-12-12
Because they lasted such a long time and toward the end didn't play at their best, I found reasons to overlook the Madeus Qt. But in this 9-CD set of the complete chamber music of Brahms, there are some sublime performances--I would especially point to both String Sextets, for example. In every instance the style of the Amadeus is full of vibrancy and joy, and their ensemble isn't baased on technical perfection but rather a kinship of musical taste and feeling (this puts them poles apart from the Emerson Qt., for me at least). I also love the Brahms chamber performances on Sony with Yo-Yo Ma, Isaac Stern, emanuel Ax, and friends, but this DG set is altogether sweeter and more lyrical.
Since Amazon neglects to list the additional players who join the Amadeus for the works that aren't soely for a string quartet, here's the run-down from Tower:
1. Quartet for Strings no 1 in C minor, Op. 51 no 1
Ensemble: Amadeus String Quartet
2. Quartet for Strings no 2 in A minor, Op. 51 no 2
Ensemble: Amadeus String Quartet
3. Quartet for Strings no 3 in B flat major, Op. 67
Ensemble: Amadeus String Quartet
4. Quintet for Piano and Strings in F minor, Op. 34
Ensemble: Amadeus String Quartet
Performer: Eschenbach, Christoph
5. Quintet for Strings no 1 in F major, Op. 88
Ensemble: Amadeus String Quartet
Performer: Aronowitz, Cecil
6. Quintet for Strings no 2 in G major, Op. 111
Ensemble: Amadeus String Quartet
Performer: Aronowitz, Cecil
7. Trio for Clarinet, Cello and Piano in A minor, Op. 114
Performer: Leister, Karl; Eschenbach, Christoph; Donderer, Georg
8. Quintet for Clarinet and Strings in B minor, Op. 115
Ensemble: Amadeus String Quartet
Performer: Leister, Karl
9. Sextet for Strings no 1 in B flat major, Op. 18
Ensemble: Amadeus String Quartet
Performer: Aronowitz, Cecil; Pleeth, William
10. Sextet for Strings no 2 in G major, Op. 36
Ensemble: Amadeus String Quartet
Performer: Aronowitz, Cecil; Pleeth, William
9 CDs with THE AMADEUS: WHAT A BARGAN!.......2005-10-04
This is a really nice set at a bargan price.
Exquisite music performed with exquisite artistry.......2005-05-20
3 string quartets;
2 string quintets;
2 string sextets;
a quintet for piano, 2 violins, viola, and violoncello;
a trio for piano, clarinet, and violoncello;
and a quintet for clarinet, 2 violins, viola, and violoncello.
All this wealth of extraordinary music is in a 5 CD set, performed by one of the finest chamber music ensembles in the world, with the added artistry of Christoph Eschenbach (piano), Cecil Aronowitz (viola), and Karl Leister (clarinet).
One CD is 50' 36 in length, 2 are in the low 60's, and 2 are in the low 70's.
I have an inexpensive CD player, but this music emerges from it with the sharpness of etched glass, the smoothness of warmed honey, and the softness of rivers of silver in moonlight.
This is music to celebrate the joy and the pathos of life, played with soul, sensitivity, and power. Buy it and treasure this gift to yourself.
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating: |
The Mozart Effect Music for Babies, Vol. 3: Daytime Playtime
Manufacturer: Children's Group ProductGroup: Music Binding: Audio CD |