Amazon.comI have now heard two recordings of Brahms's Cello Sonatas on period instruments. The older instruments make sense in this music, which is so thickly written for the piano that the cello can easily be overwhelmed. Peter Wispelwey and Paul Komen play these pieces like the romantic outpourings they are, with plenty of gusto and as wide a dynamic range as they can get. You can still hear more power and energy in some of the best performances of this music on modern instruments, but for those who want to investigate what the music sounds like on period instruments, the disc is quite recommendable and vividly recorded.
-- Leslie Gerber
Brahms Sonatas,Pieter Wispelwey,Johannes Brahms,Paul Komen,Channel Classics,Cello with Keyboard,Chamber,Classical,Classical Music
Average customer rating:
- Brahms Violin Sonatas
- these are really good sonatas
- Brahms
- Finest Brahms
- Perlman and Ashkenazy do it again
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Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy
Itzhak Perlman , and Vladimir Ashkenazy
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Similar Items:
- Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter
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- Dvorák: Cello Concerto; Tchaikovsky / Karajan, Rostropovich,
- Mozart: The Violin Sonatas
ASIN: B00000I7VT
Release Date: 1999-03-09 |
Tracks:
- Violin Sonata No.1 In G, Op.78: I: Vivace ma non troppo
- Violin Sonata No.1 In G, Op.78: II: Adagio
- Violin Sonata No.1 In G, Op.78: III: Allegro molto moderato
- Violin Sonata No.2 In A, Op.100: I: Allegro amibile
- Violin Sonata No.2 In A, Op.100: II: Andante tranquillo - Vivace
- Violin Sonata No.2 In A, Op.100: II: Allegretto grazioso (quasi andante)
- Violin Sonata No.3 In D Minor, Op.108: I: Allegro
- Violin Sonata No.3 In D Minor, Op.108: II: Adagio
- Violin Sonata No.3 In D Minor, Op.108: III: Un poco presto e con sentimento
- Violin Sonata No.3 In D Minor, Op.108: IV: Presto agitato
Amazon.com essential recording
Itzhak Perlman is the greatest living exponent of the Romantic, sentimental style of violin playing. As in his reading of the Brahms concerto, he shows sovereign mastery in these accounts, which are characterized by intense emotion and heated expression (Perlman's warm vibrato and carefully placed portamentos quickly give him away), but are also gripping in the quiet, meditative pages. The first two sonatas' relationship to songs could easily be guessed from the way Perlman plays them in a single, seamless line, marked by soaring climaxes and tender, haunting pianissimos. The treatment sometimes does seem a bit premeditated, but it is so compelling as to sweep aside any criticism. In this 1983 recording (sonically superior to Perlman's later remake with pianist Daniel Barenboim, for Sony), the violin sounds slightly forward, though not unpleasantly so. Warm, supportive, lyrical playing from Vladmir Ashkenazy rounds out a marvelous offering. --Ted Libbey
Customer Reviews:
Brahms Violin Sonatas.......2007-01-11
Good but not top flight. This is an old recording--sounds a little tired.
these are really good sonatas.......2005-10-10
These three sonatas are in my opinion some of the best compositions of Brahms. They are wonderfully tunefull and each sets a distinct mood (although all three are somewhat melancholic). The interaction of the violin and piano is just fantastic and Perlman and Ashkenazy pull it off well. Sound quality is great as well.
Brahms.......2005-10-07
I bought this for my college age daughter's music class and I am enjoying it as well. Violin music, of any sort, is enjoyable to listen to and this one is a wonderful addition to a music library.
Finest Brahms.......2002-05-22
I've always enjoyed Brahms' chamber works more than his symphonies. Somehow his intent comes off more clearly; the desperation and anger and melancholy of the music is more exposed, as if juggling an entire orchestra in the composition could dull the edges of these emotions. Of course the quality of any piece is tied with the quality of the performers (who invariably stamp then with their own personalities), and here we have a brilliant union: Perlman and Ashkenazy play flawlessly. Perlman's tonality is clear and sonorous, but never treacly; it still maintains the edge that these pieces require. From the sweet lilting melodies of the first sonata to simmering violence of the third, it is a commanding performance. The piano part in these works is equally demanding, and Ashkenazy is more than a match for Perlman's virtuosity.
If you're looking for the third sonata specifically, Vengerov and Barenboim turn in a more stirring (but somewhat looser) performance on the Teldec label. I actually prefer that version as it's more intense, more intimate. But if you're looking for a complete collection of these wonderful sonatas, you simply can't go wrong with Perlman and Ashkenazy.
Perlman and Ashkenazy do it again.......2001-07-24
The combination of these two great artists continually results in some of the finest music making ever. The two seem to almost share a mind while performing so perfectly in tune with each other they come across. I don't think Brahms has ever sounded so beautiful and alive as this recording manages to sound.
Average customer rating:
- JOHANNES, ANNE-SOPHIE AND ALEXIS --WHAT A TEAM!
- Trio of great violin sonatas
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Brahms: Violin Sonatas
Manufacturer: EMI Classics
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- Bach: Violin Concertos
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- Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77
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- Lalo: Symphonie espagnole; Sarasate: Zigeunerweisen: Massenet: Thaïs - Meditation
ASIN: B00005NPJ2
Release Date: 2003-01-07 |
Tracks:
- I. Vivace Ma Non Troppo
- II. Adagio
- III. Allegro Molto Moderato
- I. Allegro Amabile
- II. Andante Tranquillo - Vivace
- III. Allegretto Grazioso
- I. Allegro
- II. Adagio
- III. Un Poco Presto E Con Sentimento
- IV. Presto Agitato
Customer Reviews:
JOHANNES, ANNE-SOPHIE AND ALEXIS --WHAT A TEAM!.......2007-06-19
In this recording we have three of Brahms' greatest chamber works (the violin sonatas) played by, in my humble opinion, two of classical music's greatest performers--Anne-Sophie Mutter, on violin and Alexis Weissenberg, on piano. The "wow factor" is very much in evidence in this recording--great music (some of the finest chamber music that ever has been penned) fabulous violin playing and marvelous piano playing coming together in such a way that I just sat back listening in total awe feeling that life really ain't too bad when one can hear music and performances like those contained on this recording at such a reasonable (cheap!) price! (Anne-Sophie and Alexis have a wonderful "go at it" in the fourth movement of the 3rd Sonata--wow!)
Although this disc is at the "bargain basement" price of four dollars and ninety-seven cents ($4.97), the sound is superb. EMI is really to be commended for offering these superb performances at such a "rock bottom" price. I truly loved this recording as you will too if you purchase it!
Trio of great violin sonatas.......2005-09-08
While Brahms wrote only three sonatas, they are a great trio of works. The first is the most intense, the second the most lyrical and the last one the most inspired with a slow movement that is arguably Brahms most beautiful melody. The two famous musicians here give us radiant performances. At almost 10 bucks less than a full-priced version of this music, this CD represents great value.
Average customer rating:
- Heart on the sleeve
- STEPHEN AND STEVEN ARE A GREAT MUSICAL TEAM
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Brahms: Cello Sonatas
Manufacturer: Hyperion UK
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ASIN: B000BOIWU0
Release Date: 2006-01-10 |
Tracks:
- Allegro Non Troppo
- Allegretto Quasi Menuetto
- Allegro
- Waldesruhe Op.68 No.5
- Rondo In G Minor Op.94
- Ballade In D Minor Op.3 No.1
- Serenade In A Major Op.3 No.2
- Allegro Vivace
- Adagio Affettuoso
- Allegro Passionato
- Allegro Molto
Amazon.com
Steven Isserlis is not only one of our best, but one of our most adventurous cellists, always searching out neglected works as well as both personal and artistic links between composers. On this recording, the Brahms Sonatas flank less-familiar pieces by two composers intimately related to each other and also connected with Brahms: Dvorák and his pupil and son-in-law, Josef Suk. In "Silent Woods," arranged from one of his own piano duets, Dvorák's gift for capturing the sounds and atmosphere of nature beautifully evokes the forest's repose and awakening. The Rondo contrasts a song-like, pensive, gracious theme with more vigorous, brilliant episodes; minor and major alternate and combine in the coda. Suk's Ballade is passionate, dramatic and rhapsodic; the Serenade is a lively, charming dance, whose light-heartedness is interrupted by a startling modulation like a passing cloud. The playing throughout is superb: technically impeccable, tonally beautiful, warm and varied, deeply expressive. With the close rapport of frequent partners, Isserlis and the splendid pianist Stephen Hough engage in wonderful conversational interplay. They give Brahms' first sonata an inward, autumnal mellowness and the second - amazingly written 20 years later - a youthful, vigorous exuberance; the sunlit Finale floats on air. One can hardly imagine a better performance. --Edith Eisler
Customer Reviews:
Heart on the sleeve.......2006-02-19
Isserlis' playing seems even more passionate than in previous recordings, if that is possible. The tone is juicy and emotional, with a great range of colors, matching the musical content. The vibrato is so incredibly expressive; it is a lesson for other cellists. The gems are the two pieces by Suk and the Dvorak. "Silent Woods" is played very poetically, with a touch of melancholy. The partnership with Hough is ideal, perfect balance and blend. Sure, the balance is set in the studio by the engineers, but if you hear the duo live, you will see that the recording matches the perfection of balance on stage. The two Brahms sonatas are played with great respect for the architecture of the works, but with a refreshing approach to timing and phrasing. The first movement of the E Minor Sonata has a beautiful pace, telling a musical story that is captivating. Perfect tempo, unlike older recordings by Du Pre or Rostropovich that are ponderous. Drama is present throughout. This is a great recording, very inspiring, worthy of a Grammy. Hope it gets nominated.
STEPHEN AND STEVEN ARE A GREAT MUSICAL TEAM.......2006-01-24
As I have previously expressed on this board, I feel that Stephen Hough and Steven Isserlis make a stupendous duo for chamber music. Individually they are, of course, masters of their chosen instrument. When they team up, the sparks DO fly in a most marvelous way. This album of the Brahms's Cello Sonatas is no exception. These works, to me, are at the pinnacle of chamber music for cello and piano. I personally don't feel that there are any better that have been written. Brahms obviously loved the cello and the piano; these works could have only been written by someone that had a deep affection for both instruments. The aforesaid certainly comes through most clearly in this recording! Always the sensitive artist, Hough never over powers Isserlis's cello (as could so easily be done in these works). Nevertheless, he plays his part passionately as does Isserlis who spins out Brahms's melodies beautifully with none of those (what I call) "glottal" (aka rough/harsh) attacks on the strings. In other words they form a team-a sublime Chamber Musical team that, in this album, is at the very peak of its form.
I love Brahms and I especially love his chamber music. This recording of the Cello sonatas certainly satisfies, in a big way, my insatiable appetite for chamber music by Brahms! In addition to the Brahms, included in the album are works by Suk and Dvorak works which are wonderful with Stephen and Steven investing them too with their usual divine artistry. As a recent convert to the music of Suk, I particularly enjoyed the two works by that composer
Believe me, I've spent many enjoyable hours listening to this album-I just can't take it off of my CD player! Therefore, I listen to it repeatedly. If you love Brahms's chamber music, as I do, buy this CD. Your ears will thank you!
Average customer rating:
- a beautiful expression of a musical dialogue in the great Romantic fashion...
- Good, but not great.
- Beautiful, just beautiful!
- THIS ONE WILL GROW ON YOU
- When the Rich Russian Sound Meets the Soulful German....
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Brahms: The Cello Sonatas
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Similar Items:
- Rostropovich, Master Cellist
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ASIN: B000001G4M
Release Date: 1990-10-25 |
Tracks:
- Sonate fur Klavier und Violoncello e-moll Op. 38: 1. Allegro non troppo
- Sonate fur Klavier und Violoncello e-moll Op. 38: 2. Allegretto quasi Menuetto
- Sonate fur Klavier und Violoncello e-moll Op. 38: 3. Allegro
- Sonate fur Klavier und Violoncello F-dur Op. 99: 1. Allegro vivace
- Sonate fur Klavier und Violoncello F-dur Op. 99: 2. Adagio affettuoso
- Sonate fur Klavier und Violoncello F-dur Op. 99: 3. Allegro passionato
- Sonate fur Klavier und Violoncello F-dur Op. 99: 4. Allegro molto
Customer Reviews:
a beautiful expression of a musical dialogue in the great Romantic fashion..........2007-05-20
Two of classical musics most remarkable artists meet at the full blossoming of thier careers: Mstislav Rostropovich who plays out the sadness of these pieces in his natural Russian style, and Rudolf Serkin who plays flawlessly.
These sonatas for cello and piano make for a beautiful expression of a musical dialogue in the great Romantic fashion, and I am not even a very big fan of Brahms.
Good, but not great........2005-01-22
While this recording is performed well, after listening to Jacqueline Dupré's rendition of this piece it is hard to rate this performance with the full five stars. Dupré takes the music to another level with even richer tones and smoother legatos. Another difference when comparing these two recordings is the coordination between the cellist and the accompanist. Dupré played with her husband, the pianist and conductor Daniel Barenboim. Those two connect at a much deeper level than the pair in Rostropovich's recording, who at times are clearly not together. However, this review is by no means intended as an affront on Rostropovich's clearly masterful abilities as a cellist. It is just that in the comparison of the two recordings, I feel that Ms. Dupré's passionate and more liberal style of play better suits this particular piece.
Beautiful, just beautiful!.......2004-01-16
I have never cared much for Brahm's music. Yet, I play this cd over and over again. The music is glorious and because of this recording, I have started to sample more of his works. This is a cd truly worth owning.
THIS ONE WILL GROW ON YOU.......2003-08-15
The balance is not quite right, with the cello too prominent, but once I got used to that the performances started to take me over. Here we have two of the greatest classical interpreters of their time taking us into the special world of Brahms, and they had me thinking about the composer in a way I have not done in years. Most books and articles I have read about him have a lot to say about Beethoven, but I really doubt whether Brahms's music would have been much different if Beethoven had never lived. Both consciously and by instinct, Brahms was the guardian of the great German musical tradition embodied above all in Bach -- a tradition where pure 'absolute' music expressed itself through an intellectual apparatus of polyphonic and structural devices. Since Bach's time Haydn and Mozart had perfected for instrumental music a compositional system usually called the 'sonata' style. Beethoven had naturally picked this up, but what he forced on to it was a special dimension of highly personalised expression, and it is precisely this way of treating it that Brahms turned his back on. With him we are back, in his own deeply original way, to music using the composer to express ITself.
I seem to find that Brahms gets more instinctive understanding from performers than Beethoven does, and I believe quite simply that that is because he understands himself better than Beethoven does himself. Teetering on the verge of incoherence at times was all part of Beethoven's unique greatness, and it is not disrespectful -- quite the reverse -- to say so. I have heard far more good performances than bad ones of these two wonderful sonatas, and the special meaning these particular accounts have for me is not something that I felt at first hearing. When a pianist of very special and unusual gifts is aged 80 or so and has retained his technique and evenness of touch, when he has spent a lifetime developing an austere and uncompromising vision of the instrumental music that we normally think of as being the 'greatest', when he studies completely afresh the works he is to perform with the greatest cellist of the next generation, there is a good chance we are going to get something very special, and I do not believe I am imagining it. This is a totally unique artistic combination offering a very special -- not eccentric in any way but still very special -- insight into a composer that many of us know by heart without really getting our minds round the phenomenon he represents. This record is a milestone in my musical pilgrimage and maybe it will be in yours.
When the Rich Russian Sound Meets the Soulful German...........2001-04-11
From the very first note of the e minor sonata, one can notice how perfectly the warmth and control in Rostropovich's sound match the cogitating works of Brahms. In such maturiy and wisdom gained over many a decade, there are things to learn from this recording. The full and rich, yet sensitive tone draws the listener through every movement with assuarance and thrill, and the complete control -- especially apparent in the unhurried tempi -- of both of these maestros should be especially admired. Of course, control and maturity do not mean lack of passion and vigour by any means; the series of robust broken chords of the first movement of the E minor sonata, and the passionate third movement of the F major sonata are no less powerful than any younger perfomers' recordings, if not greater. This is a recording to be enjoyed and studied by all.
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Brahms: Cello Sonatas
Brahms , Yo-Yo Ma , and Emanuel Ax
Manufacturer: RCA
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Similar Items:
- Simply Baroque
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ASIN: B0001TSWLE
Release Date: 2004-04-20 |
Tracks:
- Allegro Non Troppo
- Allegretto Quasi Menuetto
- Allegro
- Allegro Vivace
- Adagio Affettuoso
- Allegro Passionato
- Allegro Molto
Customer Reviews:
Amazing.......2005-03-24
Some people may say Yo-Yo Ma is overrated, unprofessional, and most of his fame is due to his name. I, sadly, used to be a believer in this notion, but I realized that I was terribly wrong. Yo-Yo Ma played a concert on TV along with Itzhak Perlman, and it was one of the most professional displays of musicianship I have ever seen. Every note and every gesture seemed deeply inspired, and he seemed to have a very firm grasp on what the music was about. This CD is no exception. Every song is wonderfully performed, and the sound quality is great.
Average customer rating:
- A little harsh
- I love these works
- Brahms treasures
- The whole is greater than the sum of its parts
- this is THE BRAHMS VIOLIN SONATAS COLLECTION
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Brahms:The Violin and Viola Sonatas
Manufacturer: Deutsche Grammophon
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Similar Items:
- A Portrait of the Viola
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ASIN: B000009CMP
Release Date: 1998-07-14 |
Tracks:
- Sonata No.1 In G Major Op.78: I.Vivace ma non troppo
- Sonata No.1 In G Major Op.78: II. Adagio
- Sonata No.1 In G Major Op.78: III. Allegro molto moderato
- Sonata No.2 In A Major Op.100:: I. Allagro amabile
- Sonata No.2 In A Major Op.100:: II. Andante tranquillo - Vivace - Andante - Vivace di pindante - Vivace
- Sonata No.2 In A Major Op.100:: III. Allegretto grazioso (quasi Andante)
- Sonata No.3 In D Minor, Op. 108: I. Allegro
- Sonata No.3 In D Minor, Op. 108: II. Adagio
- Sonata No.3 In D Minor, Op. 108: III.Un poco presto e con sentimento
- Sonata No.3 In D Minor, Op. 108: IV. Presto agitato
- F.A.E. Sonata WoO Post.2: III. Scherzo: Allegro - Trio: Pierato
Tracks:
- Sonata No.1 In F Minor Op.120: I.Allegro appassionato
- Sonata No.1 In F Minor Op.120: II. Andante un poco Adagio
- Sonata No.1 In F Minor Op.120: III. Allegretto grazioso
- Sonata No.1 In F Minor Op.120: IV. Vivace
- Sonata No.2 In E Flat Major Op.120: I. Allegro amabile
- Sonata No.2 In E Flat Major Op.120: II. Allegro appassionato - Sostenuto - Tempo I
- Sonata No.2 In E Flat Major Op.120: III.Andante con moto - Allegro - Pinquillo
Customer Reviews:
A little harsh.......2006-11-25
I find Pinkas's tone a little harsh. He's almost scratchy at times. I'm using this C.D. for my own study of the Brahm's sonatas. As a violist, he does not have the tone that draws me to this instrument. Otherwise, its ok, and not a bad C.D. to have if your studying.
I love these works.......2006-11-09
The Brahms violin sonatas are among my favorite of his many excellent chamber works. There's a clean innocence about these pieces that makes them an absolute joy to listen to. They offer a great break after you've been wrapped up in big, heavy symphonies for awhile. Don't worry though, these pieces have plenty of depth should you choose to listen for that.
The most famous and recommended set of these works is EMI's 'great recordings of the century' which features Itzhak Perlman and Vladimir Ashkenazy. I've heard their version and it is indeed great but to be honest I like this set much better. The Perlman/Ashkenazy set was recorded in digital, but its early digital and I find the sound to be a little too bright and sharp for my tastes. I love the warm analogue sound that's featured on this set. The playing is also more subtle here which I also find to be an advantage in pieces this autumnal in nature. Finally, this set is only a couple of dollars more than the EMI, plus you get a second disc with a version of the somewhat rare viola sonata which is also excellent. Basically this is a must own if your a fan of the Master's chamber works.
Brahms treasures.......2002-12-17
I was especially delighted to discover the viola sonatas. They are a must-listen for any chamber music fan.
The whole is greater than the sum of its parts.......2001-06-11
Chamber music is a tricky thing, particularly for musicians with a highly personal musical style. How do you share a composition with other player(s) without compromising what you want to do with the piece? In intrinsically balanced compositions, such as string quartets, the problem seems to be more manageable. In sonatas for instrument and piano, however, the issue is much more tangible. The challenge can be tackled in various ways: the Perlman/Ashkenazy approach is one of perfect matching of interpretaion, which leads to a very smooth and "clean" result. The Zukerman/Barenboim approach is more liberal. The phrasing of the two is not identical, Barenboim sometimes brings things "out" that Zukerman does not, etc. The end result is gritty (partly also because of the wonderful "earthliness" of Zukerman's tone) dramatic and highly poetic, not in a sweet way. This is a magical performance. It perhaps takes a little while to get used to this higly individual approach (I was very used to the Perlman/Ashkenazy couple, in particular in their stellar Beethoven set, so I had to adjust a little...) but what can I say - I became addicted...
this is THE BRAHMS VIOLIN SONATAS COLLECTION.......2001-03-25
If Franks and Serkin get a 5-star rating for their Brahms Violin Sonata performance, Zukerman and Barenboim get a 6-star! I own both cds and the Zukerman/Barenboim version is more solid in sound and rendered with more emotion than the Franks/Serkin version. Besides, with the Zukerman/Barenboim version you get more Brahms for your money. A no-brainer, a must for any Brahms collector !
Average customer rating:
- indulgent but intimate..............
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Brahms: Cello Sonatas
Manufacturer: EMI Classics
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Similar Items:
- Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy
- Jacqueline du Pré - Chopin: Cello Sonata in G minor, Franck: Sonata in A / Barenboim
- Jacqueline du Pre - Favourite Cello Concertos ~ Boccherini, Dvorak, Elgar, Haydn, Monn, Saint-Saens, Schumann
- Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter
- Beethoven: Cello Sonatas & Variations
ASIN: B0001O3Y8K
Release Date: 2004-04-06 |
Tracks:
- I: Allegro Non Troppo
- II: Allegretto Quasi Menuetto & Trio
- III: Allegro - Piu Presto
- I: Allegro Vivace
- II: Adagio Affettuoso
- III: Allegro Passionato
- IV: Allegro Molto - Piu Presto
Customer Reviews:
indulgent but intimate.....................2006-12-03
But for the artists allowing themselves changes in tempo from one movement to the next, I tend to believe this recording would rate as the definitive interpretation. It depends on what one tolerates as artistic licence. I have the original LP, and the microphone placement and simple mixing of the day has resulted in warm and detailed Cello reproduction. The playing is accurate and engaging, and it is evident the two artists are very much in accord as regards their preferred rendition.The alternative, earlier 1955 Fournier recording apparently suffers from restricted frequency response. I have not heard the Rostropovich recording.
Average customer rating:
- "Real" classical music for little ones
- Very Relaxing, yet still super
- Just what we harried ADULTS need to unwind!
- Beautiful bedtime music for babies
- Peaceful, beautiful, soothing piano music
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Perchance to Dream
Manufacturer: Delos Records
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Similar Items:
- Reverie: Carol Rosenberger
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ASIN: B0000006X2
Release Date: 1992-05-22 |
Tracks:
- Short Story
- My Deal Little Mother (Mein Mein)
- Andante from Sonata in C, K. 545
- Erinnerung (Remembrance)
- Sehr Langsam (Very Slowly)
- Abendlied (Evening Song)
- Schlummerlied (Slumber Song)
- Mignon
- Des Abends (Evening)
- Berceuse, Op. 56, No. 1
- Prelude Op. 28, No. 7 in a Major
- Mazurka Op. 68, No. 2 in a Minor
- Adagio from Sonata in F Major, Hob Xvi:23
- Sinfonia V in E-Flat Major
- Prelude in C Major from the Well-Tempered Clavier
- Aria in G Major from the Goldberg Variations
- Andante from Sonata in a Major, Op. 120, D. 664
- Intermezzo Op. 117, No. 1
- Bagatelle, Op. 119, No. 1
- Adagio Cantabile from Sonata Op. 13 (Pathque)
Amazon.com
This is a lovingly-presented and very touching recording. Solo piano works by such composers as Kabalevsky, Tchaikovsky, Mozart, Schumann, and Ravel come together in this collection intended to promote restfulness and calm in both children and adult listeners. With Carol Rosenberger's gentle playing, it succeeds marvellously. This disc is absolutely ideal for bedtime or times of quiet reflection. It might serve well in the car during traffic jams, too. Rather than just throwing together performances packaged on a theme (as a number of record companies are doing), Delos and Rosenberger seem to have tailored the interpretations to achieve the desired musical goal here. The liner notes have a lively section just for young readers. --Gwendolyn Freed
Product Description
Music for Babies/Childrem
Customer Reviews:
"Real" classical music for little ones.......2003-02-27
I bought this CD for my elder son when he was tiny; he listened to it nightly (and often for afternoon naps), and his little brother is continuing the tradition. What I like best about this compilation is that this is REAL music - real Brahms, Mozart, etc - and not watered-down versions or arrangements of the classics (like the vast majority of "classical" compilations on the market these days). (I suppose I am just a crank about this, but I grew up listening to real music, and I want my kids to do the same.) The performances are gentle and understated - not what you would want in a concert, but just right for sedating a small one.
Very Relaxing, yet still super.......1999-06-16
This CD is just wonderful for babies and adults and children. It has a good blend of music to introduce children to beautiful classical music. I think that the playing is just superb.
Just what we harried ADULTS need to unwind!.......1999-02-12
An almost perfect combination of selections for relaxing background music, which is played frequently as our dinner music.
I would have appreciated a little less "electronic doctoring" as some notes (especially the lower range) don't sound quite "true", but then again it could be my ears!
Anyway, am delighted that it does what it was designed to do...provide an enjoyable time of relaxation. Thanks.
Beautiful bedtime music for babies.......1999-01-04
This CD was given to us as a gift when our daughter was born and we always play it when putting her down for a nap or to sleep for the night. When we travel, we take it along to ensure that she will fall asleep as easily on the road as she does at home.The music is absolutely lovely and very soothing for infants and adults alike. We even ordered a second copy in case we were ever to lose or wear out the first one!
Peaceful, beautiful, soothing piano music.......1998-10-22
This is one of the most peaceful, soothing and beautiful CD's I have ever heard. I think it would put you or your baby to sleep every night. The music selection is wonderful and the artist has a beautiful technique on the piano. I loved it.
Average customer rating:
- Like the Brahms, Avoid the Chopin and Franck
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Brahms, Chopin & Franck: Cello Sonatas
Johannes Brahms , Fryderyk Chopin , Cesar Franck , Daniel Barenboim , and Jacqueline du Pre
Manufacturer: EMI Classics
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Similar Items:
- French Music for Cello and Piano
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ASIN: B0002XV306
Release Date: 2005-02-15 |
Tracks:
- I. Allegro Non Troppo
- II. Allegretto Quasi Menuetto
- III. Allegro
- I. Allegro Vivace
- II. Adagio Affetuoso
- III. Allegro Passionato
- IV. Allegro Molto
Tracks:
- I. Allegro Moderato
- II. Scherzo (Allegro Con Brio)
- III. Largo
- IV. Finale (Allegro)
- I. Allegro Ben Moderato
- II. Allegro
- III. Recitativo - Fantasia (Ben Moderato - Molto Lento)
- IV. Allegretto Poco Mosso
Customer Reviews:
Like the Brahms, Avoid the Chopin and Franck.......2006-12-14
The Chopin and Franck recordings were made while Jacqueline duPre was ill and near the end of her life. As heroic as it may have been to make these recordings in that condition, the quality suffers. The Brahms sonatas are tighter; they have the usual Jacqueline duPre warmth to the sound, and they are much better. If it comes down to buying this album or one with just the Brahms, and there is a price reason to choose the Brahms, I'd pass on this one. But if you can get this compilation for the same price as just the Brahms sonatas, you might as well, unless you don't want any subpar recordings in your collection.
Average customer rating:
- Brahms, Ma, Ax - A Warm Camaraderie
- For the performance.... AND sound
- A genuinely musical partnership
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Brahms: Sonatas for Cello and Piano
Manufacturer: Sony
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Similar Items:
- Chopin: Polonaise brilliante; Cello Sonata; Piano Trio
- Beethoven: Complete Sonatas for Piano & Cello
- Beethoven: Complete Music for Cello & Piano
- Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy
- Vivaldi's Cello
ASIN: B0000027VY
Release Date: 1992-10-06 |
Tracks:
- Sonata For Cello And Piano In E Minor, Op. 38: I. Allegro non troppo
- Sonata For Cello And Piano In E Minor, Op. 38: II. Allegretto quasi Menuetto - Trio
- Sonata For Cello And Piano In E Minor, Op. 38: III. Allegro
- Sonata For Cello And Piano In F Major, Op. 99: I. Allegro vivace
- Sonata For Cello And Piano In F Major, Op. 99: II. Adagio affettuoso
- Sonata For Cello And Piano In F Major, Op. 99: III. Allegro passionato - Trio
- Sonata For Cello And Piano In F Major, Op. 99: IV. Allegro molto
- Sonata For Violin (Cello) And Piano In D Minor, Op. 108: I. Allegro
- Sonata For Violin (Cello) And Piano In D Minor, Op. 108: II. Adagio
- Sonata For Violin (Cello) And Piano In D Minor, Op. 108: III. Un poco presto e con sentimento
- Sonata For Violin (Cello) And Piano In D Minor, Op. 108: IV. Presto agitato
Customer Reviews:
Brahms, Ma, Ax - A Warm Camaraderie.......2006-06-19
Many place Brahm's Cello Sonatas as his most personal music while others feel that Brahms is best in the bigger works. The two sonatas of cello and piano - E minor, Op. 38, F major, Op. 99, and and for violin and piano D minor, Op. 108 - cover the course of Brahms' musical career and the variations in his approach to melody, but all three of the works are some of the more introspective, radiantly beautiful works from his chamber pieces.
Yo-Yo Ma and Emanuel Ax have performed together and have been close musical comrades for many years so it comes as no surprise that their collaboration is as glued as any other duo work. They seem to sense each other's presence in a most respectful and admiring way. The result is Brahms played with not only technical finesse but with the love that comes from such superb collaboration. Ma's lush cello tone is matched by Ax's subtle phrasing. This is a recital to cherish. Grady Harp, June 06
For the performance.... AND sound.......2003-09-07
I have both the RCA and this Sony recording of the cello sonatas by Brahms. Not easy for me to decide. Both are very good. I took some time comparing the performance and sound of each sonata (as well as each movement). They come VERY close. Sorta like the 2000 presedential election recount in Florida (which is why I call it "The Recount State" : ) [I'm not going to say what political party I support]). Anyway, I've read one review that says the RCA is better. Well, after carefully comparing the two CDs, my preference is the Sony. Not because of the 20-bit digital recording, but the performance is slightly better. As for the price, if you want to save money, I think you could get the RCA recording. It's up to you.
A genuinely musical partnership.......2001-02-24
The Amazon.com customer reviews of the Ma/Ax recording of the two cello sonatas for RCA were generally positive, though this eminent duo did seem to leave room for improvement. I have not heard the RCA recording but this Sony remake avoids the problems that plagues the earlier disc. Nowhere do I find Ax "dull" or either artist mechanical. Both are highly sensitive to the introspective nature of the music. There is an ingenuousness, a sense of spontaneous give and take here that makes one forget the star calibre of the players. Excellent recording balance, too. As a worthwhile bonus, the two include their transcription for cello of Brahms' D minor violin sonata. It certainly is an interesting version even if it does not replace the violin version.
Track Listings:
- Busoni: Konzert für Klavier und Orchester mit Schlußchor, Op. 39
- Camerata Vistula
- Cello Concerti
- Choral Selection
- Complete Orchestral Works 6
- Complete Piano Sonatas 1
- Complete String Quartets 4
- Complete String Quartets 5
- Dmitri Kabalevsky 7
- Dmitri Kabalevsky 8
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