Composed by Vyacheslav Artyomov
Performed by USSR Symphony Orchestra with Oleg Yanchenko , Stanislav Bunin , Ivan Maloshtanov , Alla Mamyko
Conducted by Timur Mynbayev
2. In Memoriam, for orchestra & solo violin
Composed by Vyacheslav Artyomov
Performed by Moscow Philharmonic Symphony Orchestra with Oleh Krysa
Conducted by Dmitri Kitajenko
3. Way to Olympus in One Movement, for orchestra
Composed by Vyacheslav Artyomov
Performed by USSR Symphony Orchestra with Oleg Yanchenko , Lev Sergeev , Boris Shulgin
Conducted by Timur Mynbayev
Product Description
The postmodern music of the Russian composer Artyomov (b. 1940) takes much from Scriabin without sounding at all like him. Artyomov's music, like Scriabin's, is mostly textures and slowly-shifting orchestral colors, but without the earlier composer's Romanticism. This is very intense music, which is quite common with what's coming out of the former Soviet Union. In Memoriam (1984) is a symphony that flows around a violin following an A Minor theme that always stays tonal in character. Artyomov is of that generation of composers moving away from Shostakovich's shadow and finding their own voices. This is gripping, intelligent and, ultimately, very rewarding music. --Paul Cook
Way,Artyomov,Olympia,Chamber Music & Recitals,Classical,Classical Music
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Wicked (2003 Original Broadway Cast)
Stephen Schwartz , Kristin Chenoweth , and Idina Menzel Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000TB01Y Release Date: 2003-12-16 |
Tracks:
- No One Mourns the Wicked - Cristy Candler
- Dear Old Shiz
- The Wizard and I - Idina Menzel
- What Is This Feeling? - Kristin Chenoweth
- Something Bad - William Youmans
- Dancing Through Life - Michelle Federer
- Popular - Kristin Chenoweth
- I'm Not That Girl - Idina Menzel
- One Short Day - Kristin Chenoweth
- A Sentimental Man - Joel Grey
- Defying Gravity - Idina Menzel
- Thank Goodness - Kristin Chenoweth
- Wonderful - Idina Menzel
- I'm Not That Girl (Reprise) - Kristin Chenoweth
- As Long as You're Mine - Norbert Leo Butz
- No Good Deed - Idina Menzel
- March of the Witch Hunters
- For Good - Kristin Chenoweth
- Finale - Kristin Chenoweth
Amazon.com
One of the most common complaints about musicals is that the books are flimsy pretexts from which to hang numbers. Wicked runs into the opposite problem: it has a great plot, but too often the songs just get in the way. Based on Gregory Maguire's novel of the same name, Wicked tells us what happened between Glinda the Good and Elphaba, the Wicked Witch of the West, before Dorothy showed up in Oz. And the show is lucky to boast a pair of ace leading women in the main roles. As Glinda, Kristin Chenoweth delivers a sensational star turn, displaying a crystal-pure voice and sharp comic timing; Idina Menzel lends her powerful pipes to the tricky role of Elphaba. Unfortunately, you wish they had better material to work with. Stephen Schwartz's pop score is often dragged down by overly synthetic orchestrations and sentimental lyrics (think Chicken Soup for the Witch). Still, at its best Wicked is a seductive slice of popular entertainment that could well give a younger audience a lasting taste for musical theater. --Elisabeth VincentelliCustomer Reviews:
Mystical.......2007-07-23
Wickedly disappointing.......2007-07-20
Defying Gravity and all expecations..........2007-07-16
The CD comes with the lyrics as well as the other important information for each song (producer, etc). If you haven't already seen Wicked, you may have trouble following what the show is about just from listening to the soundtrack-- you will get a feel for it but reading the Grimmerie (the Wicked book- also sold on Amazon) or seeing Wicked either on or off Broadway will make you fall in love faster with this soundtrack-
The Wicked Witch of the West is misunderstood........2007-07-14
My sisters refuse to read the book they are afraid it will take away from the show. I say they are dead wrong and the book and music reviewed ahead of time will definitely enhance the theater experience. You decide, either way it's a great read, 5 stars for the generation who grew up with the Wizard of OZ classic.
A Wicked musical.......2007-07-13
Over all I enjoyed the CD, being a massive wizard of Oz fan, it was interesting to listen to the story from an altogether different perspective. Enjoyable, memorable and fun- a great purchase, that comes highly recommended.
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Legally Blonde (2007 Original Broadway Cast)
Manufacturer: Ghostlight ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000R7I3NW Release Date: 2007-07-17 |
Tracks:
- Omigod You Guys
- Serious
- What You Want
- The Harvard Variations
- Blood In the Water
- Positive
- Ireland
- Ireland
- Serious
- Chip On My Shoulder
- So Much Better
- Whipped Into Shape
- Take It Like a Man
- Bend And Snap
- There! Right There!
- Legally Blonde
- Legally Blonde
- Medley: Find My Way/Finale
Amazon.com
Like Wicked, this show is a girl-friendly extravaganza; the main difference--and it's a big one--is that the score of Legally Blonde is better. Based on the hit Reese Witherspoon movie, the zippy, frothy show tells the story of SoCal, pink-loving sorority girl Elle Woods, who enrolls at Harvard Law and goes on to prove that appearances can be deceiving. The opening number, "Omigod You Guys," gives an idea of what the Broadway-pop score by Laurence O'Keefe (Bat Boy--The Musical) and Nell Benjamin is up to, embracing its over-the-top cheer with goofily infectious energy. Sure, a couple of numbers feel a bit derivative (the show with the witches has "Popular," this one has "Positive"), and the Celtic detour ("Ireland") is rather puzzling, but overall the songs are firing on all cylinders. Just check out the use of a marching band on "What You Want" for instance. Laura Bell Bundy (Amber von Tussle in Hairspray) is a charming Elle, and she delivers numbers such as "So Much Better" with the requisite elan. But this is not a one-woman show, and Bundy is surrounded by a crack team, including the endearing Christian Borle as Elle's love interest Emmett, power-piped Orfeh as hairdresser Paulette and up-and-comer Leslie Kritzer as Delta Nu's Serena. --Elisabeth VincentelliCustomer Reviews:
Legally Blonde-So Much Fun.......2007-07-23
A great surprise..........2007-07-20
Exceeds Expectations.......2007-07-20
I did not expect to love this musical as much as I do, but now, I am sharing it with everyone I know.
Very Good!.......2007-07-19
Much Better Than I Thought It Would Be..........2007-07-19
When I first listened to it, two shows came to mind, Wicked and The Wedding Singer. This soundtrack is a combination of those two shows, almost exactly, in my mind. The marketing and target demographics are similar to Wicked, so there should be no doubt there. It took a very similar path as The Wedding Singer, even hiring the same "bad guy" with Richard H. Blake playing that role well in both productions, although drastically overshadowed in both.
For the role of Elle Woods, they went to Wicked and took Laura Bell Bundy, who was the understudy to Kristin Chenoweth in the role of Glinda. Seeing as how it is easily believable that Glinda could have been a Delta Nu, they also dipped back into the Wicked pool and hired Annaleigh Ashford to play Margot. They played the Delta Nu sisters in throughout the show, making them, on the whole, basically an additional character in the cast.
The CD isn't perfect. Some of the songs are a little tedious. I could have done without Ireland (let alone a reprise of it), or Whipped Into Shape. However, the pluses far outweigh the negatives on this album. The very first number is an engaging, almost obnoxiously upbeat song entitled "Omigod You Guys" and it plays perfectly to set the tone. Christian Borle provides a nice steadying influence in the musical, making sure that it doesn't get too far out of hand and the chemistry between the two sounds excellent on songs like "Chip On Her Shoulder", "Take It Like A Man", and "Legally Blonde" which is a particularly emotional number in the production.
This show is more than just the light fluff of The Wedding Singer, without quite reaching the meaning or appeal of Wicked, but still entirely worth the buy and without a doubt worth listening to.
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Spring Awakening (2006 Original Broadway Cast)
Duncan Sheik , Steven Sater , Skylar Astin , Lilli Cooper , John Gallagher Jr. , Gideon Glick , Jonathan Groff , Brian Johnson , Lea Michele , and Lauren Pritchard Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000J3FBFC Release Date: 2006-12-12 |
Tracks:
- Mamma Who Bore Me
- Mamma Who Bore Me (Reprise)
- All That's Known
- The B*tch of Living
- My Junk
- Touch Me
- The Word of Your Body
- The Dark I Know Well
- And Then There Were None
- The Mirror-Blue Night
- I Believe
- Don't Do Sadness
- Blue Wind
- The Guilty Ones
- Left Behind
- Totally F*ucked
- The Word of Your Body (Reprise)
- Whispering
- Those You've Known
- The Song of Purple Summer
Amazon.com
Who would have thought that Duncan Sheik would succeed where Paul Simon and Randy Newman failed, successfully transitioning from the pop-rock world to the Broadway stage? With Spring Awakening, Sheik and book writer/lyricist Steven Slater (who had already worked on Sheik's 2001 album Phantom Moon) have created a thoroughly exciting show that incorporates a contemporary art-indie idiom (including a small rock band instead of an orchestra) into a dramatic musical-theater context. The unlikely setting is that of a Frank Wedekind adaptation, but as it turns out, teenage angst is perennial, whether it's in contemporary America or in a 1891 German boarding school. Songs such as "The Bitch of Living" ("with nothing going on, asking just what went wrong"), "The Word of Your Body," "I Don't Do Sadness," and "Totally Fucked" ("You're fucked if you speak your mind and you know you will") resonate with the rage, frustration, confusion, excitement, joy, anger, and of course budding lust of those hormone-driven years. The show is greatly enhanced by its youthful cast members (they're all pretty close in age to their characters), who sing their hearts out. --Elisabeth VincentelliAlbum Description
Decca Broadway presents the cast recording for the acclaimed new Broadway production, SPRING AWAKENING. Written by pop music composer Duncan Sheik and playwright/lyricist Steven Sater, the musical explores emotional earthquakes in the lives of teenagers.SPRING AWAKENING is based on Frank Wedekind's controversial 1891 drama, which was scandalous in its day for addressing sex violence and suicide. The story, dialogue and costumes suggest the 19th Century, and are perfectly wedded to a beautiful alternative pop music score by Grammy® nominated singer/songwriter Duncan Sheik. The creative team also includes Tony® Award Winning director Michael Mayer (Thoroughly Modern Millie) and legendary choreographer Bill T. Jones.
Customer Reviews:
What's all the hype?????.......2007-07-23
Spring Awakennings? I don't think so!!!.......2007-07-23
In my opinion buy something else with your money such as 'The Pirate Queen' which has no longer showing.
One of the best musical soundtracks ever!.......2007-07-22
Buy it on itunes.......2007-07-21
-jen
Tantalizing taste .......2007-07-20
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The Pirate Queen (2007 Original Broadway Cast)
Manufacturer: Sony Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QTCY72 Release Date: 2007-07-03 |
Tracks:
- Prologue
- Pirate Queen
- Woman
- My Grace
- Here on This Night
- Waking of the Queen
- Rah-Rah, Tip-Top
- Choice Is Mine
- Boys'll Be Boys
- Wedding
- I'll Be There
- Day Beyond Belclare
- Sail to the Stars
- Entr'acte
- Enemy at Port Side
- I Dismiss You
- If I Said I Loved You
- Role of the Queen
- Christening
- Let a Father Stand by His Son
- Surrender
- She Who Has All
- Sea of Life
- Woman to Woman
- Finale
Amazon.com
The Pirate Queen, with a score by Alain Boublil and Claude-Michel Schönberg (Les Misérables, Miss Saigon), took a critical beating when it opened on Broadway, but as this catchy cast recording demonstrates, that reception was really unnecessarily harsh. Set in the 17th century, the show (which closed after only 85 performances) tells the story of Grace O'Malley (Stephanie J. Block), an Irish ship captain and pirate who defied Queen Elizabeth I (Linda Balgord). The combination of that setting with the fact that the producers also brought us Riverdance means an overall Celtic flavor. But fans of Boublil and Schönberg should not fear. The duo delivers plenty of the over-the-top, super-emotional power ballads they're famous for--it's hard not to wonder what Celine Dion would make of songs such as "Woman" or "I'll Be There" (the latter sung by a man, but no matter!). Special kudos to Balgord, whose deliciously campy stage portrayal of Elizabeth I comes across well on "The Waking of the Queen," "The Role of the Queen," and two harpsichord-driven, vibrato-laden duets with Block, "She Who Has All" and "Woman to Woman." Also of note to fans of traditional singing is the participation of Áine Uí Cheallaigh (known from Riverdance) on several tracks. --Elisabeth VincentelliCustomer Reviews:
Composer becomes student........2007-07-20
After masterpieces of Les Miz,Martin Guerre and Miss Saigon what
happened?These are great works.
It is still worth listening to.
The Fourth Great Boublil & Schoenberg Musical.......2007-07-18
As a musician, I enjoy the chance to hear Schoenberg's musical style evolve through the years, starting with his solo French pop album, his first musical, La Revolution Francaise, and then the big three, Les Miserables, Miss Saigon, and Martin Guerre. Pirate Queen is a worthy addition to that impressive body of work. As I listen to PQ, I enjoy hearing moments where a little feature of his style reminds me of one of those other pieces. But I can also hear how his writing has evolved; PQ is full of action, but it's imbued in placed with a subtle hint of melancholy that rivals the most touching moments of the other big three shows (much of this is due to the use of a flatted 6th scale degree, which is a recurring musical motif of the show). I'll mention a few key points here:
1. Overture: much as in Miss Saigon, here local color is added to the score through various Irish instruments. The overture sounds very Irish, yet still evocative of the original slow introduction of Martin Guerre (London version).
2. Entracte: it's all instrumental, and when I saw it in the theatre audience members were sometimes talking over it, but this is the most exciting music in the score. It's in 5/4 time, with plenty of 4/4 and 2/4 measures thrown in to keep it sounding on-edge. Wild, tempestuous music. The 5/4 time signature reminds me of the amazing overture to La Revolution Francaise -- although I like the PQ entracte even more.
3. Woman: this "girl-power ballad" has a unique sound compared with most of Schoenberg's other work, although the build up to the climax follows his trademark strategy of letting the orchestra play the main melody and while the singer comes in later and sings in counterpoint for a few measures. It's my favorite musical device of Miss Saigon, Les Miz, and Martin Guerre, and it shows up here too on the words "I'm meant to fly, sail unrestrained..."
4. I'll Be There: a huge bring-down-the-house torch song for a tenor. It's closest in structure to Why, God from Miss Saigon, including a rather exciting bridge section (here with a lot of electric guitar) and the 2/4 measures of descending bass notes leading into each chorus. This song is nearly perfect -- I just which it were longer (it's 3:16 but feels over far too soon). Schoenberg uses electric guitar melody rather sparingly, but it shows up in just a few key points in Les Miz, for instance, and features quite prominently in this song, sometimes in unison with the string section.
5. If I Said I Loved You: This is a gorgeous love duet in act 2, with some amazing harmony. It really builds in passion, and makes nice subtle use of that Irish sound in the orchestrations.
6. Sail to the Stars: This Act 1 finale is an exciting, intense chorus number. It doesn't compare with the end of Les Miz Act 1, both nothing really does. Instead it's a melancholy but intense funeral scene, and is surprisingly effective.
7. My Grace: This is sung by the Valjean father-figure in the show, and it sounds a lot like a song missing from Les Miz. But it has a unique PQ sound to it, with the flat 6 scale degree. It's extremely moving.
8. Here On This Night: Originally this was my favorite song in the show, although If I Said I Loved You recently stole the #1 spot. This is the main happy love duet from an early part of the show. A classic Boublil & Schoenberg love song, with a sound that makes me feel as if I'm at love on a ship under the stars. Like the best of their love songs, the melody starts on scale degree 2 over the tonic, like Sun and Moon from Miss Saigon.
9. She Who Has All: The most unique aspect of this show is the harpsichord + high operatic soprano role for the Queen. It's an amazing performance, not too much vibrato, so even non-opera fans can enjoy it. This track is a duet between the two lead women of the show, so we get a Broadway singing voice in duet with the opera soprano. Amazingly, it works very well. I can't believe Schoenberg combined these two sounds so effectively in a duet near the climax of the show. Impressive! The duet Woman to Woman also has some of this quality. And the rest of the queen songs have a great early-music harpsichord sound fused with the modern musical orchestra.
10. The Wedding: mostly orchestral (with some chorus), this is a big Irish step dance number. It has a great sound for Irish step music fans; it sounds pretty classic but more bass-heavy, like The Chieftans fused with a rock band.
11. Boys'll Be Boys: this is like Master of the House meets Gaston, only I don't like it as much. Sort of disappointing, but it's an important and funny number.
12. The Sea Of Life: a nostalgic song towards the end of the show, this sounds like what Turning in Les Miz should have been. Turning was always my least favorite part of Les Miz, but Sea of Life is incredible. In a subtle thematic move, the opening melody is the same as the solo flute in the original London opening of Martin Guerre, with a slightly different rhythm and added accompaniment. Even more surprising: probably just by coincidence, the middle of this melody includes 8 notes (with different rhythm) from the "victory" music from Pirates of the Caribbean 3.
All in all, highly recommended!! My only complaint (besides it's premature closing on Broadway for no apparent reason) is really that we can't hear all the additional material that 2 CDs would give us, such as Grania's father's death scene (a modified reprise of My Grace, sort of like the scene at the end of Les Miz), and a very pretty Lullaby Grania sings to her son in Act 2.
Something of a Disappointment.......2007-07-17
The cast did very well, though, considering the poor material it had to work with
All in all, it looks like this play was a lost opportunity. The story of Grace O'Malley is a compelling one and deserves to be told better than it was here.
Delightful........2007-07-13
Do you like Boubil? Do you like Schonberg? If so, you will most likely like this recording. The farther I get into it, the more I love it!
The recording is powerful. The slow ballads carry its weakest attributes. There are power ballads left and right. Up beat and very cultural to the Irish heritage, this is a wonderful recording. It's not my favorite.
Personally, I would prefer "A Class Act" or "Loving repeating", two soundtracks I just bought and LOVE.
This could be be for you.
It's a good buy. 11 something for a power ballad musical. I currently have about 57 musicals, and I can honestly say this ranks in the top 15. However, that doesn't mean it's staying in my car forever. I am still waiting to receive "A View from Here". hehehe. I love musicals.
A Few Good Moments, But Disappointing Overall.......2007-07-13
The score's orchestrations sound terrific and the cast is quite good (esp. Stephanie J. Block), but (as this cast album reflects) only a couple of songs maintain any real staying power:
Woman
I'll Be There
She Who Has All
Not bad, but could/should have been so much more.
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Curtains (2007 Original Broadway Cast)
Manufacturer: Manhattan Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PC1QKQ Release Date: 2007-06-05 |
Tracks:
- Overture
- Wide Open Spaces
- What Kind Of Man?
- Thinking Of Him
- The Woman's Dead
- Show People
- Coffee Shop Nights
- In the Same Boat
- I Miss the Music
- Thataway!
- The Man Is Dead
- He Did It
- In the Same Boat
- It's a Business
- Kansasland
- Medley: Thinking Of Him/I Miss the Music
- A Tough Act To Follow
- In the Same Boat
- In the Same Boat
- Show People
- Wide Open Spaces
- A Tough Act To Follow
Amazon.com
Sadly, Curtains is the final entry in the long and fruitful partnership of lyricist Fred Ebb (who died in September 2004) and composer John Kander. While the show doesn't reach the heights of the team's previous masterpieces, such as Cabaret and Chicago, it's certainly a lot better than, say, their middling 1997 offering Steel Pier. Deliberately old-fashioned (it even features a real overture, something that's fast becoming a rarity), Curtains is a whodunit rolled into a musical--or vice versa. Set in 1959 Boston, it takes place backstage at a singing-and-dancing Western corker titled Robbin Hood. Someone gets killed, and a show tunes-crazy homicide detective (David Hyde Pierce) is called in. The plot is just a pretext for a series of very entertaining, characteristically brass-heavy songs that may not have the bite of old Kander and Ebb but are still very catchy. Above all, Curtains is (both thematically and stylistically) a love letter to old-school showbiz, and it's delivered on a silver platter by a cast of pros that includes the aforementioned Hyde Pierce, Kander and Ebb habituée Karen Ziemba, endearing Jason Danieley and, a notch above the rest, Debra Monk. Unsurprisingly, she chews the scenery and spits it right back in a pair of rowdy numbers: "Show People" and "It's a Business." --Elisabeth VincentelliAlbum Description
Curtains is an entertaining play within a play, as well as a "whodunit" new musical comedy featuring one of the last scores by legendary, Tony Award-winning songwriters John Kander and Fred Ebb (Cabaret, Chicago, New York, New York). Starring David Hyde Pierce (Spamalot, "Frasier") and Debra Monk, the Curtains original Broadway cast album is produced by nine-time Grammy Award-winner Jay David Saks.Customer Reviews:
Old fashion fun.......2007-07-23
Whodunit?!? Kander & Ebb, That's Who!.......2007-07-21
David Hyde Pierce does Sherlock Holmes in a musical........2007-07-19
A Tough Act To Follow.......2007-07-18
Isn't it great to have an other show by Kander and Ebb who have giver us such
pleasure in the past. The cast are perfect not one dud in the whole pack.
I can thoroughly recommend this show to everyone with a love of musical theatre
JUST WHAT A BROADWAY MUSICAL SHOULD BE!!.......2007-07-17
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Jersey Boys (2005 Original Broadway Cast)
Ronald Melrose , Ken Dow , Anik Oulianine , Stephanie Cummins , Deborah Hurwitz , Kevin Dow , Joe Payne , Larry Saltzman , Dave Spier , Bill Hayes , Randall Andos , Bob Milikan , Debra Shufelt , Maxine Roach , Belinda Whitney , Cenovia Cummins , Eric de Gioia , Louise Owen , Robin Zeh , Sarah Schwartz , Shinwon Kim , Christian Hoff , Daniel Reichard , Donnie Kehr , Erica Piccininni , J. Robert Spencer , Jennifer Naimo , John Lloyd Young , Sara Schmidt , Tituss Burgess , Steve Orich , and Bob Gaudio Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BFH2QY Release Date: 2005-11-01 |
Tracks:
- Ces Soirees la'
- Early Years Medley
- Cry For Me
- Backups Medley
- Sherry
- Big Girls Don't Cry
- Walk Like A Man
- December, 1963
- My Boyfriend's Back
- My Eyes Adored You
- Dawn (Go Away)
- Big Man In Town
- Dialog: A Little Trouble
- Beggin'
- Dialog: See How You Handle It
- Medley Listen Listen
- c'mon marianne
- Can't Take My Eyes Off Of You
- Working My Way Back To You
- Fallen Angel
Amazon.com
Although it squarely falls in the "jukebox musical" category, Jersey Boys doesn¹t try to integrate its songs in an artificial plotline. The show tells the story of the early-1960s group the Four Seasons, and the musical numbers tend to be introduced in context, as when songwriter Bob Gaudio comes up with a tune, or the quartet performs a show. This allows Jersey Boys to flow better than some of ill-fated peers, and the actors can shine without having to bend backward to accommodate an inane book. The show's most (only) daring move is to start with a hip-hop-tinged French-language version of "December 1963 (Oh, What a Night)," an actual hit in France in 2000. After that it's all VH1-biopic territory, but it's done with so much flair, taste and energy that the ride's a fun one. The Four Seasons had enough hits ("Sherry," "Big Girls Don't Cry," "Rag Doll," etc.) to easily fill an evening at the theater, so it's left to the cast to do right by them. And it does, particularly John Lloyd Young as the band¹s star lead, Frankie Valli. Young hits all the falsetto notes and brings real freshness to the part. His "Can¹t Take My Eyes Off You," a second-act peak, is signed, sealed and delivered with a star's acumen. --Elisabeth VincentelliAlbum Description
Recounting the rich history and reliving the timeless sounds of the phenomenal Frankie Vallie & The 4 Seasons, the new Broadway musical Jersey Boys answers the musical-and philosophical question, "How did four would-be wise guys from Newark, NJ, become one of the greatest chart-topping successes in pop music history?" Jersey Boys celebrates legendary Rock and Roll Hall of Famers Frankie Valli, Bob Gaudio, Tommy DeVito, and Nick Massi who, as the 4 seasons, wrote their own songs, invented their own identity, and sold 175 million records worldwide-all before they were 30.Customer Reviews:
Jersey Boys (2005 Original Broadway Cast).......2007-07-19
Jersey Boys.......2007-07-08
Like being there.......2007-07-05
A step back in musical time.......2007-07-05
Great music, but missing too much.......2007-07-04
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Taking The Long Way
Dixie Chicks Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000F7MG4G Release Date: 2006-05-23 |
Tracks:
- The Long Way Around
- Easy Silence
- Not Ready To Make Nice
- Everybody Knows
- Bitter End
- Lullaby
- Lubbock Or Leave It
- Silent House
- Favorite Year
- Voice Inside My Head
- I Like It
- Baby Hold On
- So Hard
- I Hope
Amazon.com
Nothing changes folks like babies and war, and since the release of their last album, 2002's Home, the Dixie Chicks have been forever altered by both. If that album showcased the trio as precocious young adults, Taking the Long Way finds them sobered and matured, and in a grown-up state of mind. Produced by the celebrated Rick Rubin (Johnny Cash, Red Hot Chili Peppers), who saw the Chicks as "a great rock act making a country album, not a country act making a rock album," their new record impresses both as beautiful sonic tapestry (peppered with myriad Beatlesque hallmarks) and forthright yet vulnerable portrait of three women shaken by the personal and political events of the past few years. As they make clear in the defiant "Not Ready to Make Nice," they still smart over the backlash from their 2003 Bushwhacking. But as they assert on the equally autobiographical "The Long Way Around," they could never "kiss all the asses that they told me to" and just follow others aimlessly--and silently--through life. This means that the Chicks are simultaneously prideful and scornful of celebrity ("Everybody Knows"), and that as new mothers they increasingly treasure the refuge they find in life with their families, out of the spotlight ("Easy Silence," "Lullaby," "Baby Hold On"). The push and pull of both passions drive this record, which also touches on the personal issues of infertility (with which sisters Martie Maguire and Emily Robison both dealt) and Alzheimer's (from which Natalie Maines's grandmother suffers). The trio crafted all 14 cuts with the help of such writers as Sheryl Crow, Gary Louris, Mike Campbell, and Keb' Mo', laying out their lives as honestly and intimately as they might in their diaries. For that reason, on first listen, Taking the Long Way seems too somber--in need of a bit of levity and more than a couple of uptempo songs (like the sexy, '60s-flavored "I Like It") to resonate for the long haul. It also seems to lack the writing quality that Darrell Scott, Patty Griffin, and Bruce Robison brought to Home. But on repeated plays, those concerns dissipate. By the last cut, the R&B/gospel offering "I Hope," the Chicks have chronicled their journey with as much spirituality as spunk, their pain deeply ingrained in their protests. --Alanna NashDescription
With Taking The Long Way, one of the most anticipated albums in recent years, the Dixie Chicks are putting themselves out there like never before. For the first time, every one of the disc's fourteen songs are co-written by the Chicks themselves, exploring themes both deeply private and resoundingly political. Collaborating with legendary producer Rick Rubin (who has worked with everyone from Johnny Cash to the Red Hot Chili Peppers, from Run DMC to Neil Diamond), the biggest-selling female band in history has truly pushed themselves to new heights both as writers and as performers."Everything felt more personal this time," says Maines. "I go back to songs we've done in the past and there's just more maturity, depth, intelligence on these. They just feel more grown-up." Inspired by such classic rock artists as the Eagles, Tom Petty and the Heartbreakers, and the Mamas and the Papas, Taking The Long Way adds a sweeping, Southern California vibe to the Chicks' down-home intimacy. That ambition is matched with lyrics addressing everything from small-town narrow-mindedness ("Lubbock or Leave It") to the psychology of celebrity ("Everybody Knows"). "This album was about finding a balance in the different aspects of our lives," says Emily Robison, "but there's something thematic there, too--it's really about being bold."
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Customer Reviews:
Personal, intimate, & fun.......2007-07-23
Taking the Long Way............2007-07-19
Great album.......2007-07-17
My favourite songs are 'The Long way round', 'Silent House'( they co-wrote this song with Neil Finn of Crowded House. It is also on the new Crowded House album called 'Time On Earth'), 'Voice Inside My Head', 'I like it' and 'I Hope'.
I'd Give it 6 Stars if I could.......2007-07-08
Best tracks are "I'm Not Ready to Make Nice". This song give me chills every time I hear it, never fails to produce that effect. "Everybody Knows" is my next favorite. I'm not going into detail on each and every one, but if you've not heard the DC before or are a long-time fan, this record is for you, trust me.
It's a record that I find fresh and exciting every time I play it, still. The Chicks are wonderful musicians, and Natalie has one of the best voices around! This was my favorite record from last year and truly deserved it's title of Best Record from the grammys.
Still Amazing.......2007-06-26
Average customer rating:
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110 in the Shade (2007 Broadway Revival Cast)
Manufacturer: P.S. Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PMG9GW Release Date: 2007-06-12 |
Tracks:
- Another Hot Day
- Lizzie's Comin' Home
- Love, Don't Turn Away
- Poker Polka
- The Hungry Men
- The Rain Song
- You're Not Fooling Me
- Cinderella
- Raunchy
- A Man and a Woman
- "She Walked Out On Me..."
- Old Maid
- Evenin' Star
- Everything Beautiful
- "Stay and Talk..."
- Melisande
- Simple Little Things
- Little Red Hat
- Is It Really Me?
- Wonderful Music
- The Rain Song (reprise)
Amazon.com
More than four decades after its Broadway debut, the Roundabout Theatre's 2007 revival of 110 in the Shade is a glorious showcase for soprano Audra McDonald, and an eloquent statement for an underrated and neglected work. Based on N. Richard Nash's play The Rainmaker, 110 in the Shade tells the story of a Texas town stuck in a blistering heat wave. Lizzie (McDonald), the daughter of a local widower (Broadway veteran and TV star John Cullum), has resisted all suitors, including the sheriff (Christopher Innvar), until a potential huckster named Starbuck (Steve Kazee) arrives in town promising to bring rain ("The Rain Song"). Just like Marian the librarian, Lizzie thinks she sees right through the scam ("You're Not Fooling Me"). McDonald shines in her solos ("Love, Don't Turn Away," "Old Maid"), but Cullum, Innvar, and Kazee also get their moments either in duets with McDonald ("A Man and a Woman," "Simple Little Things," "Is It Really Me?") or by themselves. 110 in the Shade is obscure compared to Tom Jones and Harvey Schmidt's most famous work, The Fantasticks--none of its songs ever entered the popular culture like "Try to Remember"--but it's a beautiful, evocative score that is tailor-made for McDonald's rich voice. It's also much more sumptuous than The Fantasticks, even in Jonathan Tunick's pared-down, Tony-nominated orchestrations. (Also nominated were McDonald, Cullum, lighting designer Christopher Akerlind, and the show itself for Best Revival of a Musical.) P.S. Classics puts out its usual first-rate package, with color photos, introduction by Peter Filichia, synopsis, and libretto. --David HoriuchiDescription
Four-time Tony Award-winner Audra McDonald triumphantly returns to Broadway in the role she was born to play: Lizzie Curry in 110 in the Shade, Tom Jones and Harvey Schmidt's heartrending musical adaptation of N. Richard Nash's classic play The Rainmaker. Amidst a heat wave in 1930's Texas, Lizzie - despite her wit, intelligence and homemaking skills - is on the verge of becoming an old maid, until a charismatic rainmaker named Starbuck enters town and her world is shaken. 110 in the Shade originally premiered in 1963 - Jones and Schmidt's first Broadway musical following their unprecedented off-Broadway triumph with The Fantasticks. Joining McDonald for the new Roundabout Theatre Company revival are two-time Tony Award-winner John Cullum and, fresh from Spamalot, Steve Kazee as Starbuck. PS Classics and the Roundabout previously collaborated on Grammy-nominated and top-selling recordings of Nine: The Musical and Assassins; this latest CD is sure to result in another definitive Broadway cast album, this time headed by one of Broadway's brightest crown jewels.Customer Reviews:
110 in the Shade.......2007-07-20
Pure pleasure.......2007-07-19
audra is definitive.......2007-07-18
110 In The Shade Revival CD - Next Best Thing to Being at The Show.......2007-07-15
If you have seen the recent revival at Studio 54, or you are a fan of the show, you will definitly want to have a copy of this CD
Wonderful Cast Album.......2007-07-13
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Hairspray (2002 Original Broadway Cast)
Marc Shaiman , Scott Wittman , Marissa Jaret Winokur , Harvey Fierstein , and Kerry Butler Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006AALQ Release Date: 2002-08-13 |
Tracks:
- Good Morning Baltimore
- The Nicest Kids In Town
- Mama, I'm A Big Girl Now
- I Can Hear The Bells
- (The Legend of) Miss Baltimore Crabs
- It Takes Two
- Welcome To The 60's
- Run And Tell That!
- Big, Blonde And Beautiful
- The Big Dollhouse
- Good Morning Baltimore Reprise
- (You're) Timeless To Me
- Without Love
- I Know Where I've Been
- (It's) Hairspray
- Cooties
- You Can't Stop The Beat
Amazon.com
The cast recording for the Broadway musical of John Waters's 1988 paean to dance, music, big beautiful women, and integration is a sheer delight. It's wonderfully upbeat all the way through, with a classic feel that's in keeping with the story's setting in the early 1960s. The characters come alive in these songs, from Marissa Jaret Winokur's (Tracy Turnblad) opening lines in "Good Morning Baltimore" to the stunningly upbeat finale, "You Can't Stop the Beat." The music is by Marc Shaiman, whose recent projects include South Park: Bigger, Longer & Uncut, as well as a number of film soundtracks, and his compositions are simultaneously solid and exuberant. Shaiman and Scott Wittman's lyrics brim over with the unreserved passions and primary-color emotions that made the film so successful. Regardless of one's familiarity with the story or the stage production, it's hard to avoid the appeal of this recording; even the less cheerful songs are awash in bright colors, without disrespect for their subjects. --Genevieve WilliamsCustomer Reviews:
I CAN HEAR THE BELLS .......2007-05-18
My New Obsession.......2007-02-07
From the great opener 'Good Morning Baltimore' to the best closing song I've ever heard, 'You Can't Stop the Beat', this recording is a gem.
One of my favorite songs on this soundtrack is 'The Nicest Kids in Town'. It has that kind of beat that's hard to not dance to. Another favorite is 'Mama, I'm A Big Girl Now'. It reminds me of the songs of Leslie Gore. My favorite line comes from Amber von Tussle "Once upon a time I used to dress up Ken/but now that I'm a woman I like bigger men/And I don't need a Barbie doll to show me how".
'(The Legend of)Miss Baltimore Crabs' is a glorious song for the villain. With wonderful drumming and violins in the background, Velma von Tussel has a great solo song.
'It Takes Two' is such a great slow song. I can just imagine a 1960's prom. Everyone slow dancing and the lights low. A band set up on the stage. I can't help sing along.
'Welcome to the 60's' is another wonderful song. It seems to be everyone's favorite. It's one of mine too. Harvey Fierstein is great as Edna.
'Big, Blonde, & Beautiful' is another good song. A good message to all big girls to be proud of yourself. Ignore what everyone says about you and strut. "Bring on that pecan pie/pour some sugar on it/Sugar don't be shy"
'(You're) Timeless to Me' is such a cute song between Wilbur and Edna.
'Without Love' is my number one favorite on this recording. Link proclaiming his love to Tracy who's locked up in solitary confinement and Seaweed proclaiming his love to Penny who's tied up on her bed. "Darling I'll be yours forever/'cause I never wanna be/Without love/so darling throw away the key"
'I Know Where I've Been' is a glorious gospel song. Sung by Motormouth Maybelle about her experiences and having learned from them.
'Cooties' is such a childish sounding song but it's the kind of song that should have it's own dance. It's too much fun.
The little song that follows 'You Can't Stop the Beat' is so funny and dark. I don't know the name, I just refer to as 'Blood on the Pavement'. "Don't drink and drive/please keep your head/Or come graduation day/you'll be dead".
I recommend this soundtrack to everyone. It's the kind of soundtrack that doesn't sound like a musical soundtrack.
Hairspray CD.......2007-01-14
You Can't Stop the Beat!.......2006-11-30
My #1 Fave show!.......2006-10-23
My fave Hairspray songs are:
1. You Can't Stop The Beat
2. Good Morning Baltimore
3. Without Love
4. I Can Hear The Bells
5. Mama I'm a Big Girl Now
6. Run and Tell That
7. The Nicest Kids in Town
8. Big Blonde and Beautiful
9. Welcome To The 60's
10. The Big Dollhouse
Average customer rating:
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Monty Python's Spamalot (2005 Original Broadway Cast)
Eric Idle , John Du Prez , Tim Curry , David Hyde Pierce , and Hank Azaria Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007OY2TE Release Date: 2005-05-03 |
Tracks:
- Tuning
- Overture
- Historian's Introduction to Act I
- Finland/Fisch Schlapping Dance
- Monks Chant / He Is Not Dead Yet
- Come With Me
- Laker Girls Cheer
- The Song That Goes Like This
- He Is Not Dead Yet - Play Off
- All For One
- Knights of the Round Table/The Song That Goes Like This (Reprise)
- Find Your Grail
- Run Away!
- The Intermission
- Historian's Introduction to Act II
- Always Look On The Bright Side of Life
- Brave Sir Robin
- You Won't Succeed On Broadway
- Diva's Lament (What Ever Happened To My Part?)
- Where Are You?
- His Name Is Lancelot
- I'm All Alone
- Twice In Every Show
- Act II Finale
- Always Look On The Bright Side of Life - Company Bow
Amazon.com
As gleefully silly yet wickedly smart as the beloved British comedy troupe and their 1975 cinematic savaging of the Arthurian legend that inspired it, this adaptation of Monty Python and the Holy Grail by MP's Eric Idle and longtime musical co-conspirator John Du Prez has much more on its feverish agenda than merely trashing King Arthur and firmly upending his Round Table. The film's plot remains largely intact, but its core songs ("Knights of the Round Table," "Brave Sir Robin") and comic thrust have been both expanded and satirically redirected, a musical comedy shotgun that takes dizzy aim at pop culture in general, and Broadway in particular. After typically Pythonesque distractions that somehow find us in "Finland..," stars David Hyde-Pierce, Tim Curry, Hank Azaria and company get busy conjuring the Lady of the Lake with the unlikely help of "Laker Girls..," while cast members Sara Ramirez and Christopher Sieber deliciously skewer contemporary Broadway cliches via the loopy showstopper "The Song That Goes Like This," a tune whose reprise also deliciously sends up every overwrought stage diva from Merman to Minelli. Idle has shrewdly ripped off--well, interpolated--Life of Brian's "Always Look On the Bright Side" for the new show, and even a snatch of "The Lumberjack Song" in "He Is Not Dead Yet." "You Won't Succeed on Broadway" reveals the frankly Semitic secret to stage success, and the French get can-canned on "Run Away!" Meanwhile, our bravest knight is de-closeted on the Manilow-mauling "His Name is Lancelot" before the familiar sound of clomping coconut shells brings down the curtain on the season's goofiest if satirically dead-on comic delight. --Jerry McCulley
Have Fun with More Irreverent Musicals
Urinetown |
The Rocky Horror Picture Show |
The Frogs |
Zanna Don't |
Hedwig and the Angry Inch |
Avenue Q |
Customer Reviews:
A laugh riot.......2007-07-23
Eric Idle does it again!!.......2007-07-21
Loved it.......2007-06-26
Get ready to laugh until you cry!.......2007-06-25
Don't read what some of the other commenter's have written. This is brilliant and hilarious. And if you have a slightly warped sense of humour you'll love (and appreciate) this musical so much more.
P.S. I love the songs that reference "The song that goes like this." This is supposed to be repetitive to mock its self and Broadway. It is also more comprehensive than some may lead you to believe... however just remember its called `Spamalot' not `Holy Grail' so don't expect too many Holy Grail references.
A Lot of Spam.......2007-05-22
Track Listings:
- Wenzel Pichel: Symphonies
- 20th Century Polish Piano
- 3 Pieces in Olden Style
- 400 Years of Dutch Music
- 400 Years of Dutch Music 6
- 400 Years of Dutch Music 7
- 400 Years of Dutch Music 9: Dutch String Quartets
- 5 String Quartets
- All Night Vigil
- Annee De Pelerinage / Funerailles
Track Listings
Dark Fires: 20th Century Music for Piano
Music: Wonderful World of Christmas
French Kiss 2: La Sélection Glamour [Import]
If I Ain't Got You [CD-single]
Concert at Castel Gandolfo in the Presence of His Holiness Pope John-Paul II

