1.
Adagio. (Gesang, weil ich etwas teures verlassen muss) for piano
Composed by
Stefan Wolpe
with
Geoffrey Douglas Madge
2.
Sonata No. 1 for piano "Stehende Musik"
Composed by
Stefan Wolpe
with
Geoffrey Douglas Madge
3.
Tango for piano
Composed by
Stefan Wolpe
with
Geoffrey Douglas Madge
4.
Rag-Caprice for piano
Composed by
Stefan Wolpe
with
Geoffrey Douglas Madge
5.
Marches caractéristiques (5) for piano, Op. 10
Composed by
Stefan Wolpe
with
Geoffrey Douglas Madge
6.
Passacaglia (study on an all interval row in conjunction with eleven basic rows)
Composed by
Stefan Wolpe
with
Geoffrey Douglas Madge
7.
Dance in the Form of a Chaconne
Composed by
Stefan Wolpe
with
Geoffrey Douglas Madge
8.
Toccata in 3 Parts for piano
Composed by
Stefan Wolpe
with
Geoffrey Douglas Madge
9.
Battle Piece (from Encouragements, for solo piano)
Composed by
Stefan Wolpe
with
Geoffrey Douglas Madge
10.
Displaced Spaces, Shocks, Negations
Composed by
Stefan Wolpe
with
Geoffrey Douglas Madge
11.
Form IV: Broken Sequences for piano
Composed by
Stefan Wolpe
with
Geoffrey Douglas Madge
Stefan Wolpe: Piano Music - Geoffrey Douglas Madge,Stefan Wolpe,Geoffrey Douglas Madge,Cpo Records,20th/21st Century Sonata/Sonatina for Keyboard,Adagio for Keyboard,Chamber Music & Recitals,Character/Single-Movement/Miscellaneous Work for Keyboard,Classical,Classical Composers,Etude for Keyboard,Keyboard,Keyboard Work with Descriptive or Unclassified Title,March for Keyboard,Passacaglia/Passacaglia and Fugue for Keyboard,Rag for Keyboard,Suite/Partita for Keyboard,Tango for Keyboard,Toccata for Keyboard
Average customer rating:
- Inconsistent,and works more as masterfull stepping stones
|
Stefan Wolpe: Piano Music - Geoffrey Douglas Madge
Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD
Tangos
| Ballets & Dances
| Classical
| Styles
| Music
Etudes
| Forms & Genres
| Classical
| Styles
| Music
Character Pieces
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
General
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Marches
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Toccatas
| Forms & Genres
| Classical
| Styles
| Music
Passacaglias
| Variations
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Sonatas
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
CDs $7 - $10
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
ASIN: B000001RSK
Release Date: 1995-01-25 |
Tracks:
- Gesang, Weil Ich Etwas Teures Verlassen Muss
- Stehende Musik
- Tango
- Rag-Caprice
- Cinq Marches Carateristiques, Op 10 No.1: Energico Ed Animato
- Passacaglia-Study On An All-Interval Row In Conjuction With Eleven Basic Rows
- Dance In Form Of A Chaconne
- Toccata In Three Parts
- Battle Piece
- Displaced Spaces, Shocks, Negoations, A New Sort Of Relationship...
- Form IV: Broken Sequences For Piano
Customer Reviews:
Inconsistent,and works more as masterfull stepping stones.......1999-04-06
For my money the only good pieces here are the "Passacaglia" and "Battle Piece". In the "Passacgalia" Wolpe's aesthetic strategy was to merely create an incessant unfolding of various intervals collected in each self-contain section or for each comment on the main passacgalia idea. The overwhelming power comes through slowly in an accumulative like argument. As a performer you really need to have a global vision of this unfolding otherwise you will dilute the on-going forward moving momentum. You need to set yourself almost like a slow lugubrious locomotive pulling and puffing itself out of the station. Madge doesn't quite get it, and I found some expressive holes here where the momentum became dissapated. The work has a gruff, unrelenting roaring power, and if you loose this gestural quality you never get it back. I am prejudiced in hearing the early David Tudor recording from the late Fifties. Tudor created a seamless one-dimensional gesture without ever allowing the piece to slow or dilute its impassioned momentum. The "Battle Piece" as well is a work that should literally make you shake. John Cage said this at an early performance of it in New York. Here Madge gets the idea more comprehensively. Wolpe's creativity was inconsistent. He began profoundly,but then saw his work as an odyssey creating sketch-like works.
Track Listings:
- Tatiana Nikolayeva Plays J.S. Bach
- Tcherepnin: Chamber Concerto in D / Rhapsodie georgienne in a / Three Pieces for chamber orchestra / Serenade in D
- The Piano Story, Vol. 2
- Toward the Sea
- Virtuoso Piano Duo
- Visions of the Renaissance
- Waltzes & Polkas
- Wolfgang Rihm: Music For Three Strings
- After Hours
- Anton Reicha: Complete Wind Quintets, Vol. 10/Andante No.2
Track Listings
track listings
Track Listings
Yog III
British Choral Music
Celebrating 30 Years at Cafe Carlyle
Music: Best of V.3 [Import]
Code of the Warrior
Christina Milian [Extra tracks] [Import]
Children's Concert at Town Hall [Live]
Brahms: Concerto in Am Op102; Holler: Concerto for cello No2
Country: The Essential Album
Cien Por Ciento
Breakloose: Lost La's 1984-1986 [Import]
Dead Heaven Cowboys
DJ/Stop Pt.1 [CD-single]
Beethoven: String Quintets (Complete)
Enjoy Incubus