Composed by Johann II Strauss
Conducted by Leonard Bernstein
2. Wiener Blut (Vienna Blood), waltz for orchestra, Op. 354 (RV 354)
Composed by Johann II Strauss
Conducted by Leonard Bernstein
3. Perpetuum Mobile (Perpetual Motion), Ein musikalischer Scherz, for orchestra, Op. 257 (RV 257)
Composed by Johann II Strauss
Conducted by Leonard Bernstein
4. Tritsch-Tratsch-Polka (Chit-Chat Polka), for orchestra, Op. 214 (RV 214)
Composed by Johann II Strauss
Conducted by Leonard Bernstein
5. Kaiser-Walzer (Emperor Waltz), for orchestra, Op. 437 (RV 437)
Composed by Johann II Strauss
Conducted by Leonard Bernstein
6. Künstler-Leben (Artists' Life), waltz for orchestra, Op. 316 (RV 316)
Composed by Johann II Strauss
Conducted by Leonard Bernstein
7. Auf der Jagd (Off to the Hunt), schnellpolka for orchestra, Op. 373 (RV 373)
Composed by Johann II Strauss
Conducted by Leonard Bernstein
8. Rosen aus dem Süden (Roses from the South), waltz for orchestra, Op. 388 (RV 388)
Composed by Johann II Strauss
Conducted by Leonard Bernstein
9. Radetsky-Marsch for orchestra, Op. 228
Composed by Johann I Strauss
Conducted by Leonard Bernstein
Waltzes & Polkas,J. Strauss,Bernstein,Nyp,Sony,Classical,Classical Music
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The Best of Erik Satie
Erik Satie , Jérôme Kaltenbach , Klára Körmendi , and Orchestre Symphonique et Lyrique de Nancy Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004SYFP Release Date: 2000-05-16 |
Tracks:
- Trois Gymnopedies (Pno Version): No.1. Lent Et Douloureux
- Trois Gymnopedies (Pno Version): No.2. Lent Et Triste
- Trois Gymnopedies (Pno Version): No.3. Lent Et Grave
- Six Gnossiennes: No.1. Lent
- Six Gnossiennes: No.2. Avec Etonnement
- Six Gnossiennes: No.3. Lent
- Six Gnossiennes: No.4. Lent
- Six Gnossiennes: No.5. Modere
- Six Gnossiennes: No.6. Avec Conviction Et Une Tristesse Rigoureuse
- Je Te Veux (Valse)
- Avant-dernieres Pensees: 1. Idylle/2. Aubade/3. Meditation
- La Diva De L'Empire (Intermezzo Americain D'apres La Celebre Chanson)
- Les Trois Valses Distinguees Du Precieux Degoute: 1. Sa Taille/2. Son Binoche/3. Ses Jambes
- Sarabandes: Premiere Sarabande
- Sarabandes: Deuxieme Sarabande
- Sarabandes: Troisieme Sarabande
- Trois Nocturnes: Premier Nocturne
- Trois Nocturnes: Deuxieme Nocturne
- Trois Nocturnes: Troisieme Nocturne
- Reverie Du Pauvre
- Trois Gymnopedies (Orchestral Version): No.1. Lent Et Couloureux - Orchestre Symphonique Et Lyrique De Nancy
- Trois Gymnopedies (Orchestral Version): No.2. Lent Et Triste - Orchestre Symphonique Et Lyrique De Nancy
- Trois Gymnopedies (Orchestral Version): No.3. Lent Et Grave - Orchestre Symphonique Et Lyrique De Nancy
Customer Reviews:
The Best of Erick Satie.......2007-06-11
A forerunner to minimalism.......2007-04-13
Wonderful.......2006-07-07
Richard review of Best of Satie.......2005-09-02
Got Satie?.......2005-07-27
The performance done by pianist Klara Kormendi is relatively plain and simple, just as Satie might have wanted. Some of his music is actually not too difficult to play... A great CD at a budget price. Kudos to Naxos for a good performance at a good price.
Also, what I'm equally impressed is the fact that in this "appreciation" album, the listener will actually be listening to many "sets" of pieces. Some of those albums (Beethoven and Mozart for example) are mere collections of selected tracks, many just one movement of a large work, such as a symphony. In some you will only be listening to selected numbers of different large "sets" of pieces. In Chopin's for example one may listen only few of the 20+ nocturnes (No. 2 for example), 15+ waltzes, and 20+ mazurkas he wrote, so one would not feel complete listening to the whole "cycles" of short pieces. Satie, fortunatley, prefered using tiny sets of pieces, most of them only comprising of three movments each. Plus each piece is short. ALL of the three Gymnopedies. ALL of the six Gnossiennes. ALL of the three Sarabandes. ALL of the three nocturnes. One can already feel happy listening to couple "sets" within a single CD.
Once again, this may be the perfect album to get started with Erik Satie. And get ALL out of those pieces!!!
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Complete Piano Music of Scott Joplin
Manufacturer: Compendia ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003QWN Release Date: 1997-01-28 |
Tracks:
- The Crush Collision March
- Combination March
- Harmony Club Waltz
- Original Rags
- Maple Leaf Rag
- Swipesy Cakewalk
- Reacherine Rag
- Sunflower Slow Drag
- The Augustan Club Waltz
- The Easy Winners
- Cleopha
- A Breeze From Alabama
- Elite Syncopations
Tracks:
- The Entertainer
- The Strenouous Life
- March Majestic
- Something Doing
- Weaping Willow
- Patr Leaf Rag
- The Favorite
- The Sycamore
- The Cascades
- The Chysanthemum
- Bethena
- Bink's Waltz
- The Rosebud March
Tracks:
- Leola
- Eugenia
- Antoinette
- The Ragtime Dance
- Searchlight Rag
- Gladiolus Rag
- Lily Queen
- Rose Leaf Rag
- Heliotrope Bouquet
- The Nonpareil
- Fig Leaf Rag
- Sugarcane
- Pineapple Rag
Tracks:
- Wall Street Rag (1909)
- Solace (1909)
- Pleasant Moments (1909)
- Country Club (1909)
- Euphonic Moments (1909)
- Paragon Rag (1909)
- Stop-Time Rag (1910)
- Felicity Rag (1911)
- Scott Joplin's New Rag (1912)
- Kismet Rag (1913)
- Magnetic Rag (1914)
- Reflection Rag (1917)
- Silver Swan Rag (1917)
Customer Reviews:
The Complete Piano Music of Scott Joplin.......2007-06-08
Another Performer Rewrites Joplin's Masterpieces.......2007-05-31
Again, to those who believe that concert music is meant to be rewritten by each and every performer I ask, is the same treatment also acceptable for Chopin's and Rachmaninoff's music? Would "Moonlight Sonata" sound better if played at twice the tempo and with a reprise of the first Adagio movement thrown in at the end? Obviously, the answer to these questions is a resounding NO!, so why does one of America's greatest composers get such disrespect?
Interpretation is an integral part of every performance. Adding one's own notes, phrases and chords where none should be is not. Randomly changing the structure of the piece is not. Playing a piece at twice the indicated tempo is not.
One the plus side, the depth of this collection is outstanding. Joplin's lesser known pieces like "Harmony Club Waltz" really shine. The recording is decent in quality, although a bit bassy in places.
While its been stated before, I feel its worth repeating: Buy Joshua Rifkin's performances of Joplin in order to hear how the Master intended his pieces to sound.
complete piano music of Scott Joplin on 4 CD's.......2007-02-14
Ragtime Marvel.......2005-10-09
Complete, but poor quality.......2005-09-25
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Let's Dance! : The Best Of Ballroom Foxtrots & Waltzes
Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003449 Release Date: 1997-11-11 |
Tracks:
- There Will Never Be Another You - Andy Williams
- I've Heard That Song Before - Harry James & His Orchestra
- In A Mellow Tone - Manhattan Transfer
- I Let A Song Go Out Of My Heart - Mel Torme
- Teach me Tonight - Larry Chance
- On A Little Street In Singapore - Manhattan Transfer
- Mister Sandman - The Four Aces
- Sunny Side Of The Street - Tab Smith
- Main Title 'Crazy World' (from Victor/Victoria) - Henry Mancini
- The Song From Moulin Rouge - The Percy Faith Strings
- Put Your Dreams Away - 101 Strings
- Charade - Andy Williams
- Tenderly - The Romantic Strings
- In A Perfect World - Melissa Manchester
- Les Bicyclettes De Belsize - Engelbert Humperdinck
Customer Reviews:
Dancing and Listening.......2007-04-05
Great dance music, with some quirks.......2007-04-03
There will never be another you, 2:55, Foxtrot
I've heard that song before, 3:02, Foxtrot
In a mellow tone, 3:16, Foxtrot
I let a song go out of my heart, 2:02, Foxtrot
Teach me tonight, 3:01, Foxtrot (Oh! It begs to be danced as a West Coast Swing)
On a little street in Singapore, 3:20, Foxtrot
Mister Sandman, 2:40, Foxtrot (Hey, this is perhaps 58 bpm, so dance it as a Quickstep)
Sunny side of the street, 2:43, Foxtrot (Again, it works great as a West Coast Swing)
Crazy World Theme, 2:10, Waltz
Song from Moulin Rouge, 3:22, Waltz
Put your dreams away, 2:39, Waltz
Charade, 2:34, Waltz
Tenderly, 2:56, Waltz (A beautiful recording, but it is somewhat difficult to hear the beat)
In a perfect world, 4:18, Waltz (Very slow at the start, perhaps 28 bpm?)
Bicyclettes de Belsize, Les, 3:10, Waltz
Let's Dance.......2007-02-22
Foxtrot Fun.......2006-07-07
This is a great collection of music!.......2006-03-23
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Satie: Piano Works
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SBP Release Date: 1992-01-23 |
Tracks:
- Oeuvres Pour Piano: Gymnopedie I
- Oeuvres Pour Piano: Gymnopedie II
- Oeuvres Pour Piano: Gymnopedie III
- Oeuvres Pour Piano: Les Trois Valses distingu du preux dI: Sa taille
- Oeuvres Pour Piano: II: Son binocle
- Oeuvres Pour Piano: III: Ses jambes
- Oeuvres Pour Piano: Trois Gnossiennes: I Lent
- Oeuvres Pour Piano: II Avec nnement
- Oeuvres Pour Piano: III Lent
- Oeuvres Pour Piano: Trois Gnossiennes: IV Lent
- Oeuvres Pour Piano: V Mod
- Oeuvres Pour Piano: VI Avec conviction et avec une tristesse rigoureuse
- Oeuvres Pour Piano: Trois Mouvements en forme de poire, uatre mains: Mani de commencement
- Oeuvres Pour Piano: Prolongation du m
- Oeuvres Pour Piano: I
- Oeuvres Pour Piano: II
- Oeuvres Pour Piano: III
- Oeuvres Pour Piano: En plus
- Oeuvres Pour Piano: Redite
- Oeuvres Pour Piano: Croquis et agaceries d'un gros bonhomme en bois: I Tyrolienne turque
- Oeuvres Pour Piano: II Danse maigre (a mani de ces messieurs)
- Oeuvres Pour Piano: III Espa (Sorte de valse)
- Oeuvres Pour Piano: Sonatine bureaucratique
- Oeuvres Pour Piano: Trois Nocturnes: I Doux et calme
- Oeuvres Pour Piano: II Simplement
- Oeuvres Pour Piano: III Un peu mouvement
- Oeuvres Pour Piano: Premi penset sonneries de la Rose Croix: Air de ldre
- Oeuvres Pour Piano: Air du Grand Maitre
- Oeuvres Pour Piano: Air du Grand Prieur
- Oeuvres Pour Piano: Le Fils des oiles: Prde du 1er acte: la Vocation
- Oeuvres Pour Piano: Prde du IIe acte: l'Initiation
- Oeuvres Pour Piano: Prde du IIIe acte: l'Incantation
Tracks:
- Jack In The Box: Prelude
- Jack In The Box: Entracte
- Jack In The Box: Final
- Sports et Divertissements: Choral inappetissant
- Sports et Divertissements: La Balanre
- Sports et Divertissements: La Chasse
- Sports et Divertissements: La Come italienne
- Sports et Divertissements: Le Ril de la Mari
- Sports et Divertissements: Colin-Maillard
- Sports et Divertissements: La Pe
- Sports et Divertissements: Le Yachting
- Sports et Divertissements: Le Bain de mer
- Sports et Divertissements: Le Carnaval
- Sports et Divertissements: Le Golf
- Sports et Divertissements: La Pieuvre
- Sports et Divertissements: Les Courses
- Sports et Divertissements: Les Quatre-Coins
- Sports et Divertissements: Le pique-nique
- Sports et Divertissements: Le Water-chute
- Sports et Divertissements: Le Tango
- Sports et Divertissements: Le Traau
- Sports et Divertissements: Le Flirt
- Sports et Divertissements: Le Feu d'artifice
- Sports et Divertissements: Le Tennis
- Oeuvres Pour Piano: I D'Holothurie
- Embryons desseches: II D'Edriophtalma
- Embryons desseches: III De Podophtalma
- Preludes flasques (pour un chien): I Voix d'interieur
- Preludes flasques (pour un chien): II. Idylle cynique
- Preludes flasques (pour un chien): III. Chanson canine
- Preludes flasques (pour un chien): IV. Avec camaraderie
- En habit de cheval (a 4 mains): I Choral
- En habit de cheval (a 4 mains): II Fugue litanique
- En habit de cheval (a 4 mains): III Autre chose
- En habit de cheval (a 4 mains): IV Fugue de papier
- Apercus desagreables: I Pastorale
- Apercus desagreables: II Choral
- Apercus desagreables: III Fugue
- Descriptions automatiques: I Sur un vaisseau
- Descriptions automatiques: II Sur une lanterne
- Descriptions automatiques: III Sur un casque
- 3 Petites pieces montees (a 4 mains): De l'enfance de Pantagruel (Reverie)
- 3 Petites pieces montees (a 4 mains): Marche de Cocagne (Demarche)
- 3 Petites pieces montees (a 4 mains): Jeux de Gargantua (Coin de Polka)
- Peccadilles importunes: Etre jaloux de son camarade qui a une grosse tete
- Peccadilles importunes: Lui manger sa tartine
- Peccadilles importunes: Profiter de ce qu'il a des cors aux pieds pour lui voler son cerceau
- Pieces froides - No. 1 Airs a faire fuir: I D'une maniere particuliere
- Pieces froides - No. 1 Airs a faire fuir: II Modestement
- Pieces froides - No. 1 Airs a faire fuir: III S'inviter
- Pieces froides - No. 2 Danses de travers: I En y regardant par deux fois
- Pieces froides - No. 2 Danses de travers: II Passer
- Pieces froides - No. 2 Danses de travers: III Encore
- La Belle Excentrique: I Grande ritournelle
- La Belle Excentrique: II Marche franco-lunaire
- La Belle Excentrique: III Valse du 'Mysterieux baiser dans l'oeil'
- La Belle Excentrique: IV Can-can grand-mondain
- 3 Sarabandes: No. 1
- 3 Sarabandes: No. 2
- 3 Sarabandes: No. 3
Amazon.com
It's simple: in his various realizations of the piano music of Erik Satie, Aldo Ciccolini set a standard that has yet to be bettered. This compilation, drawn from recordings made between 1966 and 1971, is consequently the best of the best. Ciccolini always played Satie's music as though it had been written by Claude Debussy, not by some cheap charlatan or uneducated primitive (which, to an extent that is still debatable, Satie was). The result is that these seemingly simple piano pieces acquire a tonal allure that is as surprising as it is undeniable. They possess an understated sophistication that points directly toward Ravel and Poulenc, at the same time providing an opening to the minimalist aesthetic of the later 20th century. Ciccolini's playing is pliant and graceful, and under his fingers the music seems to breathe and come alive. What more could a composer or a listener want? --Ted LibbeyCustomer Reviews:
Picasso in sound.......2006-02-19
Great but NOT complete.......2004-12-23
Aldo Ciccolini always has been the greatest interpreter of Satie's work for piano. Ciccolini has a feel for Satie that no one else does, although I have to admit that I prefer a faster tempo to "Poudre D'Or" than the slower, introspective tempo Ciccolini always uses, but that's only a small matter of personal preference. These recordings were originally made in 1967 and 1971 and the sound quality is excellent. At the dawn of the CD era at various sessions from 1983-1986, Ciccolini recorded Satie's complete works for piano on EMI on 5 CDs. They are currently out of print in America, with the exception of one compilation CD (also available at Amazon at the time of writing) with Gabriel Tacchino playing the 2nd piano on the pieces for 2 pianos. Ciccolini was overdubbed playing the 2nd piano on the original recordings in this review. I have a slight preference for the later recordings, but many seem to prefer these originals. You can't go wrong with these, just understand that they are not complete and the missing songs are among Satie's best.
There's only one........2004-06-26
Don't forget Satie was an Anti-Romantic.......2002-02-25
Satie was an anti-romantic composer, at the point of creating the "furniture-music" (musique d'ameublement) which refuses that music could be so expressive as romantics wanted. Other ones clasifies him as a "Surrealist" composer (anti-romantic movement too), but there are no signs of dreams of unconsciousness through his work. Since that point of view you could play Satie's music anyway but expressively. Satie wasn't Debussy, besides the fact that they knew personally and admire each other. Could you play Debussy in a plain style without damage?. I don't think so, because Satie was farther of expressive tradition than Debussy: we can say that Debussy is a spirit of the XIX Century while Satie is a precursor of the XXth. Remember his own words: "I came to the world too young in a time too old".
The best performance I heard of the piano work of our composer was in charge of Jacques Fevrier on the excelent album called "Monsieur Erik Satie", with such a "sideman" as another member of the group of six as Georges Auric for the 4 hands pieces.
I wave goodbye with a great embrace to all Satie's fans.
"Electric Spirit of Eric Satie" fans this is the one !.......2001-08-17
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Piano Favorites
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000UVY Release Date: 1995-10-17 |
Tracks:
- Fantasie Impromptu in C-sharp minor, OP.66
- Waltz No.15 in A-flat, Op.39
- Rondo all turca from Sonata in A, K.331
- Minuet in G
- Traumerei Op.15 No.7 (from Kinderzenen)
- Un sospiro
- Etude in C-sharp minor, Op.10 No.4
- Etude in G-flat, Op.10 No.5
- Humoresque, Op.101 No.7
- 'Fur Elise' (Bagatelle Wo0.59)
- Claire de lune (Suite Bergamasque, No.3)
- Golliwog's Cakewalk (Coin des enfants, No.6)
- Prelude in C-sharp minor, Op.3 No.2
- Melody in F, Op.3 No.1
- The Cuckoo
- La fille aux cheveux de lin (from Preludes Book I)
- Waltz in C-sharp minor, Op.64 No.2
- Waltz in G-flat, Op.70 No.1
- Jeux d'eau
- Gymnopedie No.1 (Lent et douloureux)
Customer Reviews:
Elegance at the piano.......2007-06-16
The ambience of the recording is a wide open one, giving us the full clear sound that makes listening to a grand piano to enjoyable.
If you enjoy listening to good piano music, this is a recording that you will enjoy a great deal.
VALUE FOR MONEY.......2006-08-24
Good bang for the buck........2005-12-07
Really good price........2002-06-15
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Liszt: Favourite Piano Works
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000427O Release Date: 1995-11-14 |
Tracks:
- Liebestraum No. 3 In A Flat Major
- Mephisto Waltz No. 1
- Funilles
- Rniscences de Don Juan
- La campanella
- Die Forelle
- Erlkonig
- Hungarian Rhapsody No. 12 In C Sharp Minor
Tracks:
- Consolation No. 3
- Sonetto 104 del Pentrarca
- Les Jeux d'eau a Villa d' Este
- Au bord d' une source
- Gnomenreigen
- Un sospiro
- Rigoletto
- Sonata In B Minor - Lento assai
- Andante sostenuto
- Fugato
Customer Reviews:
Don't downrate a CD because of a missing piece - please!.......2005-07-15
Bolet is outstanding.......2005-01-23
Great selections; technically great but dull performance.......2004-04-09
Great Liszt compilation.......2003-12-23
The cons are here too: Bolet's RCA Liszt recital has better, less cautious versions of Liebestraum, Un sospiro and Funerailles. The Sonata is tremendous overall but in the end I'd rank it just a little below the best - particularly Brendel, Richter and Arrau. Yet all these renditions have great merits - even the ones Bolet surpassed himself. This Liszt compilation is overall very good.
Missing The Famous Hungarian Rhapsody #2.......2003-05-27
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Johann Strauss: Waltzes
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Z19J Release Date: 2001-03-27 |
Tracks:
- The Blue Danube Waltz, Op.314
- Hunting Polka, Op.373
- Anna Polka, Op.117
- Tales From The Vienna Woods Waltz, Op.325
- Perpetuum mobile, Op.257
- Vienna Blood Waltz, Op.354
- Thunder And Lightning Polka, Op.324
- In The Krapfen Woods Polka francaise, Op.336
- Roses From South Waltz, Op.388
- Tritsch-Tratsch-Polka, Op.214
- Voices Of Spring Waltz, Op.410
- Champagne Polka, Op.211
- Hurrah For The Huingarian! Polka, Op.332
- Emperor Waltz, Op.437
Customer Reviews:
The very, very best Johann Strauss Jr. recordings.......2006-08-14
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The Vienna I Love, Waltzes From My Heart
Johann Strauss Orchestra Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GBL Release Date: 1997-01-14 |
Tracks:
- 'The Merry Widow': Strauss Party: Radetzky March - William Tell Overture - Light Cavalry Overture - Grisette Can Can From 'The Merry Widow' - Aviators March - Can Can From 'Orpheus In The Underworld'
- The Veleta
- Petersburg Sleigh Ride
- Volga Song
- The Skaters
- Egyptian March
- Gypsy Fiddles Playing
- Barcarole
- Emperor's Waltz
- Anne's Polka
- Meditation
- Morning Papers
- Carnival de Venice - Drinking Song - Carnival Of Venice - Estudiantina 1 - Estudiantina 2 - Over The Waves - The Bat
Amazon.com
If Rieu is not the most outstanding purveyor of Viennese waltzes and similar light-hearted fare, he is certainly the most popular and well-known. There are plenty of fun pieces on this album, although, to be just a tad pedantic, more of it is Italian and French than remotely Viennese. But it's all fun, and it's all well-played. --Sarah Bryan MillerCustomer Reviews:
Music different from title.......2007-05-26
André Rieu - The Vienna I love - Waltzes From My Heart.......2006-07-17
Excellent choice.......2006-05-03
Pop Strauss, et al.......2004-04-30
Depressed? Listen to this!.......2002-09-25
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Chopin: Waltzes Nos. 1-14
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000GCA8 Release Date: 1999-01-12 |
Tracks:
- Waltzes: No. 4 In F, Op. 34 No. 3
- Waltzes: No. 5 In A Flat, Op. 42
- Waltzes: No. 6 In D Flat, Op. 64 No. 1
- Waltzes: No. 9 In A Flat, Op. 69 No. 1
- Waltzes: No. 7 In C Sharp Minor, Op. 64 No. 2
- Waltzes: No. 11 In G Flat, Op. 70 No. 1
- Waltzes: No. 10 In B Minor, Op. 69 Np. 2
- Waltzes: No. 14 In E Minor, Op. posth.
- Waltzes: No. 3 In A Minor, Op. 34 No. 2
- Waltzes: No. 8 In A Flat, Op. 64 No. 3
- Waltzes: No. 12 In F Minor, Op. 70 No. 2
- Waltzes: No. 13 In D Flat, Op. 70 No. 3
- Waltzes: No. 1 In E Flat, Op. 18
- No. 2 In A Flat, Op. 34 No. 1
- Barcarolle In F Sharp, Op. 60*
- Nocturne In D Flat, Op. 27 No. 2
- Mazurka In C Sharp Minor, Op. 50 No. 3
Amazon.com
Still regarded by many as the greatest set of Chopin waltzes ever recorded, Dinu Lipatti's performances continue to astonish. He strokes the keyboard with such delicacy, finesse, and, where required, unobtrusive strength that the music simply seems to play itself. All of Chopin's music is, of course, exceptionally well written for the keyboard, but the sense of rhythmic lift, the inevitability--these are the hallmarks of a great artist. It's terrible to think that when he made this stunning recording, Lipatti was already in pain and dying of leukemia; there's certainly no hint of it in his playing. EMI's transfer has been accomplished with considerable skill, and we can only be grateful that Lipatti was with us long enough to finish this affecting tribute to all that's most beautiful in life. --David HurwitzCustomer Reviews:
Breathtaking.......2006-12-28
Lipatti had such a supreme gift as a musician that listening to him play is a unique revelation every time. Even if Chopin is not your cup of tea, hearing this is like stumbling upon a box of priceless, shimmering jewels that never seem to fade. It is not far off the mark to assert, as Karajan did, that when hearing Lipatti play the piano, you do not hear the piano but you hear something close to music in its purest form.
The Barcorolle, Nocturne and Mazurka are played just as exquisitely.
If you are only going to buy one recording of Chopin's Waltzes, this is the one to go for by a million miles.
Beautifully organized structure.......2006-09-13
Most of Chopin's waltzes start on the dominant, meaning either the fifth note of the home key (the tonic, the I), or a dominant seventh chord (V7) which leads to the tonic. Lipatti uses this feature to string together his cycle. If, for instance, there were a waltz that ended on a C natural it could easily bring us to Waltz No 4, which starts on an insistent C7 chord before rising to the home key of F major. I will use this as the starting point for tracing the harmonic relationships of the tracks on this CD.
Track 1: Waltz No 4 in F, "Grande Valse brillante" - as noted starts on the V7 and finishes on F in octaves.
Track 2: No 5 in A flat - begins on a trilling dominant Eb, but the note it trills up to is an F (which ended the previous track). Finishes with a parting shot, a turn in the bass ending on Ab.
Track 3: No 6 in D flat, "Minute Waltz" - starts on Ab; the contour of the opening phrase echoes the gesture of the previous parting shot as well. Ends in Db.
Track 4: No 9 in A flat - has two pick up notes then hits a Db on the downbeat of the first measure. The right hand ends on the Ab above middle C.
Track 5: No 7 in C sharp minor - starts on a G sharp above middle C, which is the same black key (enharmonic equivalent) of the previous Ab. Ends in C# minor.
Track 6: No 11 in G flat - starts with a pick-up turn then hits the downbeat with a Db (enharmonic C#). Ends on a Gb in the treble clef.
Track 7: No 10 in B minor - starts quietly on the same note, an F# (enharmonic Gb). Ends with a soft B in the bass clef.
Track 8: No 14 in E minor - first note is the exact same B in the bass. Ends in E minor.
Track 9: No 3 in A minor - starts on an E in the bass melody. Ends in A minor; keep in mind that the minor third of this key is a C natural -- you can hear it in the melody of the third to last measure.
Track 10: No 8 in A flat - this is a side-stepping change of keys, but there is an harmonic link to the previous waltz. Instead of starting on the dominant, this one begins on the major third -- C natural.
Track 11: No 12 in F minor - starts on the dominant -- C again. Toggle back and forth between tracks 10 and 11 and you will hear that these two waltzes start on the exact same pitch. Instead of ending in F minor this waltz closes in the relative major of Ab. The last three notes are a rise and fall, Bb-C-Ab.
Track 12: No 13 in D flat - there is a leading note before the dominant. The first three notes (Bb-Ab-F) fall and rise in a mirroring gesture to the final phrase of the previous. Ends quietly in Db.
Track 13: No 1 in E flat, "Valse brillante" - another side-stepping key change but there is a connection. If you toggle between tracks 12 and 13 you will hear the same initial note, a Bb -- quietly in the former, boldly here. Finishes resoundingly in the tonic Eb.
Track 14: No 2 in A flat, "Grande Valse brillante" - introduction in the dominant chord, Eb7. Closes in Ab. From here you could loop around to the beginning of the cycle again, linking the major third (C natural) to the V7 that starts the F major waltz.
Tragedy, Rediscovery, and Harmonized Proportion.......2006-04-20
After considering so many interpretations of Chopin's Waltzes, including that of Rubinstein and Ashkenazy, Lipatti's still remains in a class of its own. His interpretations are the most integrated, logical, and impressionistic, framed by swirls of pianistic colour (no wonder he was hailed by Poulenc in his French debut for "divine spirituality"!) that convey a breathtaking virtuosity. But his pieces are never "pious" or weighty -- nothing is overstated, and there is an element of charm and flamboyance (witness Waltz No. 13) in which he communicates refined emotion from a rich, tonal palette. A beautifully balanced and proportioned sense of structure permeates every piece.
It is difficult to categorize Lipatti. Overall, his style represents a perfect balance between the Classical restraint (Fischer, Schnabel) and Romantic sentiment (Moiseiwitsch, Horowitz) of his time.
...and I don't even really LIKE Chopin that much!.......2005-12-08
Sometimes the only CD that can follow it is some Best of Art Tatum compilation. My favorite pianist is Thelonious Monk. My favorite piano composition is Beethoven Op.111. But this CD is outrageous.
Thanks to all you other reviewers for your much more Chopin-literate comments. I'll just say that anyone who loves the piano should own this.
Luminous.......2003-12-29
I bought this CD fourteen years ago, and since then I have not found an interpretation that even comes close to Lipatti's. His recording of Chopin's waltzes is worlds apart from those of all other pianists. No one else captured the terrifying and exhilarating coexistence of darkness and light in these ostensibly innocent pieces as convincingly as Lipatti.
Waltzes are dances of joy, very easy to learn and perform. Once very popular among all classes, their emotional range covered everything from the exuberant to the sentimental. Today, they have a reputation for either rustic fun or plain kitsch.
What Lipatti found in Chopin's waltzes goes far beyond the conventional. Played by him, these dances are testament to the pleasure to live in the face of suffering. Lipatti is the one pianist who can genuinely express both the joy of living and the awareness of mortality in as simple a piece of music as a waltz.
Playful, wise, sublime. Luminous. Listen!
Average customer rating:
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Chopin: The Piano Works
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041KB Release Date: 1997-06-24 |
Tracks:
- 24 Preludes, Op.28: I - C Major
- 24 Preludes, Op.28: II - A Minor
- 24 Preludes, Op.28: III - G Major
- 24 Preludes, Op.28: IV - E Minor
- 24 Preludes, Op.28: V - D Major
- 24 Preludes, Op.28: VI - B Minor
- 24 Preludes, Op.28: VII - A Major
- 24 Preludes, Op.28: VIII - F Sharp Minor
- 24 Preludes, Op.28: IX - E Major
- 24 Preludes, Op.28: X - C Sharp Minor
- 24 Preludes, Op.28: XI - B Major
- 24 Preludes, Op.28: XII - G Sharp Minor
- 24 Preludes, Op.28: XIII - F Sharp Major
- 24 Preludes, Op.28: XIV - E Flat Minor
- 24 Preludes, Op.28: XV - D Flat Major 'Raindrop'
- 24 Preludes, Op.28: XVI - B Flat Minor
- 24 Preludes, Op.28: XVII - A Flat Major
- 24 Preludes, Op.28: XVIII - F Minor
- 24 Preludes, Op.28: XIX - E Flat Major
- 24 Preludes, Op.28: XX - C Minor
- 24 Preludes, Op.28: XXI - B Flat Major
- 24 Preludes, Op.28: XXII - G Minor
- 24 Preludes, Op.28: XXIII - F Major
- 24 Preludes, Op.28: XXIV - D Minor
- Prelude In C Sharp Minor, Op.45
- Prelude In A Flat Major
- Impromptu In A Flat Major, Op.29
- Impromptu In F Sharp Major, Op.36
- Impromptu In G Flat Major, Op.51
- Fantaisie-Impromptu In C Sharp Minor, Op.66
Tracks:
- Ballade No.1 In G Minor, Op.23
- Ballade No.2 In F Major, Op.38
- Ballade No.3 In A Flat Major, Op.47
- Ballade No.4 In F Minor, Op.52
- Scherzo No.1 In B Minor, Op.20
- Scherzo No.2 In B Flat Minor, Op.31
- Scherzo No.3 In C Sharp Minor, Op.39
- Scherzo No.4 In E Minor, Op.54
Tracks:
- 3 Nocturnes, Op.9: I - B Flat Minor
- 3 Nocturnes, Op.9: II - E Flat Major
- 3 Nocturnes, Op.9: III - B Major
- 3 Nocturnes, Op.15: I - F Major
- 3 Nocturnes, Op.15: II - F Sharp Major
- 3 Nocturnes, Op.15: III - G Minor
- 2 Nocturnes, Op.27: I - C Sharp Minor
- 2 Nocturnes, Op.27: II - D Flat Major
- 2 Nocturnes, Op.32: I - B Major
- 2 Nocturnes, Op.32: II - A Flat Major
- 2 Nocturnes, Op.37: I - G Minor
- 2 Nocturnes, Op.37: II - G Major
Tracks:
- 2 Nocturnes, Op.48: I - C Minor
- 2 Nocturnes, Op.48: II - F Sharp Minor
- 2 Nocturnes, Op.55: I - F Minor
- 2 Nocturnes, Op.55: II - E Flat Major
- 2 Nocturnes, Op.62: I - B Major
- 2 Nocturnes, Op.62: II - E Major
- Nocturne In E Minor, Op.72 No.1
- Nocutrne In C Sharp Minor
- Nocturne In C Minor
Tracks:
- 12 Etudes, Op.10: I - C Major
- 12 Etudes, Op.10: II - A Minor
- 12 Etudes, Op.10: III - E Major
- 12 Etudes, Op.10: IV - C Sharp Minor
- 12 Etudes, Op.10: V - G Flat Major 'Black Key'
- 12 Etudes, Op.10: VI - E Flat Minor
- 12 Etudes, Op.10: VII - C Major
- 12 Etudes, Op.10: VIII - F Major
- 12 Etudes, Op.10: IX - F Minor
- 12 Etudes, Op.10: X - A Flat Major
- 12 Etudes, Op.10: XI - E Flat Major
- 12 Etudes, Op.10: XII - C Minor 'Revolutionary'
- 12 Etudes, Op.25: I - A Flat Major
- 12 Etudes, Op.25: II - F Minor
- 12 Etudes, Op.25: III - F Major
- 12 Etudes, Op.25: IV - A Minor
- 12 Etudes, Op.25: V - E Minor
- 12 Etudes, Op.25: VI - G Sharp Minor
- 12 Etudes, Op.25: VII - C Sharp Minor
- 12 Etudes, Op.25: VIII - D Flat Major
- 12 Etudes, Op.25: IX - G Flat Major
- 12 Etudes, Op.25: X - B Minor
- 12 Etudes, Op.25: XI - A Minor 'Winter Wind'
- 12 Etudes, Op.25: XII - C Minor
Tracks:
- 2 Polonaises, Op.26: I - C Sharp Minor
- 2 Polonaises, Op.26: II - E Flat Minor
- 2 Polonaises, Op.40: I - A Major
- 2 Polonaises, Op.40: II - C Minor
- Polonaise In F Sharp Minor, Op.44
- Polonaise In A Flat Major, Op.53
- Polonaise-fantaisie In A Flat Major, Op.61
Tracks:
- 3 Polonaises, Op.71: I - D Minor
- 3 Polonaises, Op.71: II - B Flat Major
- 3 Polonaises, Op.71: III - F Minor
- Polonaise In B Flat Minor
- Polonaise In G Flat Major
- Polonaise In G Minor
- Polonaise In B Flat Major
- Polonaise In A Flat Major
- Polonaise In G Sharp Minor
Tracks:
- Waltz In E Flat Major, Op.18
- 3 Waltzes, Op.34: I - A Flat Major
- 3 Waltzes, Op.34: II - A Minor
- 3 Waltzes, Op.34: III - F Major
- Waltz In A Flat Major, Op.42
- 3 Waltzes, Op.64: I - D Flat Major
- 3 Waltzes, Op.64: II - C Sharp Minor
- 3 Waltzes, Op.64: III - A Flat Major
- 2 Waltzes, Op.69: I - A Flat Major
- 2 Waltzes, Op.69: II - B Minor
- 3 Waltzes, Op.70: I - G Flat Major
- 3 Waltzes, Op.70: II - F Minor
- 3 Waltzes, Op.70: III - D Flat Major
- Waltz In E Minor (1830)
- Waltz In E Major (1829)
- Waltz In A Minor (?1843)
- Waltz In A Flat Major (1827)
- Waltz In E Flat Major ('Sostenuto', 1840)
- Waltz In E Flat Major (1829 - 1830)
Tracks:
- 4 Mazurkas, Op.6: I - F Sharp Minor
- 4 Mazurkas, Op.6: II - C Sharp Minor
- 4 Mazurkas, Op.6: III - E Major
- 4 Mazurkas, Op.6: IV - E Flat Minor
- 5 Mazurkas, Op.7: I - B Flat Major
- 5 Mazurkas, Op.7: II - A Minor
- 5 Mazurkas, Op.7: III - F Minor
- 5 Mazurkas, Op.7: IV - A Flat Major
- 5 Mazurkas, Op.7: V - C Major
- 4 Mazurkas, Op.17: I - B Flat Major
- 4 Mazurkas, Op.17: II - E Minor
- 4 Mazurkas, Op.17: III - A Flat Major
- 4 Mazurkas, Op.17: IV - A Minor
- 4 Mazurkas, Op.24: I - G Minor
- 4 Mazurkas, Op.24: II - C Major
- 4 Mazurkas, Op.24: III - A Flat Major
- 4 Mazurkas, Op.24: IV - B Flat Minor
- 4 Mazurkas, Op.30: I - C Minor
- 4 Mazurkas, Op.30: II - B Minor
- 4 Mazurkas, Op.30: III - D Flat Major
- 4 Mazurkas, Op.30: IV - C Sharp Minor
- 4 Mazurkas, Op.33: I - G Sharp Minor
- 4 Mazurkas, Op.33: II - D Major
- 4 Mazurkas, Op.33: III - C Major
- 4 Mazurkas, Op.33: IV - B Minor
- 4 Mazurkas, Op.41: I - C Sharp Minor
- 4 Mazurkas, Op.41: II - E Minor
- 4 Mazurkas, Op.41: III - B Major
- 4 Mazurkas, Op.41: IV - A Flat Major
Tracks:
- 3 Mazurkas, Op.50: I - G Major
- 3 Mazurkas, Op.50: II - A Flat Major
- 3 Mazurkas, Op.50: III - C Sharp Minor
- 3 Mazurkas, Op.56: I - B Major
- 3 Mazurkas, Op.56: II - C Major
- 3 Mazurkas, Op.56: III - C Minor
- 3 Mazurkas, Op.59: I - A Minor
- 3 Mazurkas, Op.59: II - A Flat Major
- 3 Mazurkas, Op.59: III - F Sharp Minor
- 3 Mazurkas, Op.63: I - B Major
- 3 Mazurkas, Op.63: II - F Minor
- 3 Mazurkas, Op.63: III - C Sharp Minor
- 4 Mazurkas, Op.67: I - G Major
- 4 Mazurkas, Op.67: II - G Minor
- 4 Mazurkas, Op.67: III - C Major
- 4 Mazurkas, Op.67: IV - A Minor
- 4 Mazurkas, Op.68: I - C Major
- 4 Mazurkas, Op.68: II - A Minor
- 4 Mazurkas, Op.68: III - F Major
- 4 Mazurkas, Op.68: IV - F Minor
- Mazurka In A Minor ('a Emile Gaillard', 1840)
- Mazurka In A Minor ('Notre temps', 1840)
- Mazurka In B Flat Major (1826)
- Mazurka In G Major (1826)
- Mazurka In A Flat Major (1834)
- Mazurka In C Major (1833)
- Mazurka In B Flat Major (For Alexandra Wolowska, 1832)
- Mazurka In D Major (1832)
- Mazurka In D Major (?1820)
- Mazurka In F Minor, Op.68 No. 4 - Vladimir Ashkenazy
Tracks:
- Piano Sonata No.2 In B Flat Minor, Op.35: I - Grave - Doppio movimento
- Piano Sonata No.2 In B Flat Minor, Op.35: II - Scherzo
- Piano Sonata No.2 In B Flat Minor, Op.35: III - Marche funebre
- Piano Sonata No.2 In B Flat Minor, Op.35: IV - Finale: Presto
- Piano Sonata No.3 In B Minor, Op.58: I - Allegro maestoso
- Piano Sonata No.3 In B Minor, Op.58: II - Scherzo: Molto vivace
- Piano Sonata No.3 In B Minor, Op.58: III - Largo
- Piano Sonata No.3 In B Minor, Op.58: IV - Finale: Presto, non tanto
- Fantaisie In F Minor, Op. 49
Tracks:
- Piano Sonata No.1 In C Minor, Op.4: I - Allegro maestoso
- Piano Sonata No.1 In C Minor, Op.4: II - Minuetto - Trio
- Piano Sonata No.1 In C Minor, Op.4: III - Larghetto
- Piano Sonata No.1 In C Minor, Op.4: IV - Finale: Presto
- Variations sur un air national allemand - E Major (1826)
- Rondo In C Minor, Op.1
- 3 Ecossaises, Op.72 No.3: I - D Major; II - G Major; III - D Flat Major
- Rondo 'a la Mazur' In F Major, Op.5
- Marche funebre In C Minor, Op.72 No.2
- Contredanse In G Flat Major (?1827) - Vladimir Ashkenazy
- Rondo In C Major, Op.73 - Vladimir Ashkenazy
- Variations In D Major For Piano Duet (1826) - Vladimir Ashkenazy
Tracks:
- Variations In A Major ('Souvenir de Paganini', 1829)
- Variations brillantes In B Flat Major, Op.12
- Rondo In E Flat Major, Op.16
- Bolero In A Minor, Op.19
- Cantabile In B Flat Major
- Variation In E Major
- Largo In E Flat Major
- Allegro de concert In A Major, Op.46
- 3 Nouvelles Etudes (1837): I - F Minor
- 3 Nouvelles Etudes (1837): II - A Flat Major
- 3 Nouvelles Etudes (1837): III - D Flat Major
- Tarentelle In A Flat Major, Op.43
- Fugue In A Minor (1841 - 42)
- Albumblatt in E Major (1843)
- Op.74 No.2: Wiosna - Spring
- 2 Bourrees (1846): I - G Minor; II - A Major
- Galop Marquis
- Berceuse In D Flat Major, Op.57
- Barcarolle In F Sharp Major, Op.60
Customer Reviews:
My experience of this CD.......2007-04-04
Beautiful!.......2006-08-18
and I listen to bits of it every day. I have yet to find a favorite
CD, as each is so lovely. It is well worth the price.
Well worth the money. Wonderful! Wonderful!.......2006-06-10
Best investment to make.......2006-05-21
Although some pieces are not as good as those by other artists, Ashkenazy's interpretations of Chopin are the best I've ever heard. Add in his amazing technical performance and you've got some sublime music.
Listening to these pieces have immensely helped my own Chopin reportoire. I don't play to mimic Ashkenazy, but I use his insights and apply my own style over that and end up with something exponentially better than what I could produce on my own.
The price is something you have to seriously consider. A hundred bucks. Yeah, that's a lot of money, but that's 48 cents per song. And you'll listen to these songs dozens of times, at least, I guarantee. Plus it's a great deal... if you were to get all the Ashkenazy-Chopin CDs available on Amazon, overlapping pieces as little as possible, you'd pay $30 more and still not have everything.
This is an investment for life and will definitely remain one of my favorite CD sets for decades. Decades. A hundred bucks for decades of amazing music. This stuff is larger than today, larger than life.. music this good is something you can't afford to pass up because of temporary financial difficulties.
A great pianist interpreting the most inspired composer ever !.......2005-09-15
Interpretation and emotion feeling is also a matter of taste, so that the only one who can give a final answer is Franois (Frederic).
Ashkenazy is gifted with a phenomenal technique, a great pianist. So that this collection is for sure 5 stars. Enjoy it.
Ah, if you like to see piano technique in action, listen to Georgy Cziffra's interpretation of Etude op. 10 no. 4. (Search the album in my reviews.)
Track Listings:
- Wolfgang Rihm: Music For Three Strings
- After Hours
- Anton Reicha: Complete Wind Quintets, Vol. 10/Andante No.2
- Beethoven: Symphony Nos. 2 & 4
- Beethoven: Variations for Cello & Piano
- Belorussian Series 3
- Britten: String Quartet No. 3/Shostakovich: String Quartet No. 3
- Britten: The Canticles; Purcell: Three Divine Hymns
- Bruno Walter And Vladimir Horowitz Play Tchaikovsky And Brahms
- Camille Saint-Saens, Volume 2
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