CONCERTOS & SONATAS: Freidmann Wuttke, Guitar

Product Description:

Concertos and Sonatas

Works of Castelnuovo-Tedesco, Turina, Haydn, Sor

Freidmann Wuttke, Guitar

Hungarian Chamber Orchestra
New Moscow Chamber Orchestra

Since 1992, Friedemann Wuttke has exclusively pursued his concert and recording career. He appears regularly at international music events and festivals and participates in numerous radio and television recordings. He tours as a soloist with international orchestras and guitar recitals form the focus of his career.

CONCERTOS & SONATAS: Freidmann Wuttke, Guitar,Turina, Haydn, Sor Castelnuovo-Tedesco,Profil

Average customer rating: Sublime! plays every day! Fun Wonderful recording! If all music were so beautiful

Vivaldi: The Four Seasons; Violin Concertos Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Perlman, Itzhak | ( P ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Vivaldi, Antonio | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Perlman, Itzhak | ( P ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Bach: Violin Concertos Bach: Brandenburg Concertos No. 1-4; Neville Marriner; Academy of St. Martin in the Fields Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77 Bach: Brandenburg Concertos No. 5 & 6/Orchestral Suite No. 1; Neville Marriner; Academy of St. Martin in the Fields Rimsky-Korsakov: Scheherazade; Capriccio Espagnol; Russian Easter Overture ASIN: B00005NPK1 Release Date: 2002-08-13

Tracks:

1. The Four Seasons: Con No.1 in E, RV 269 'Spring': I. Allegro - London Philharmonic Orchestra
2. The Four Seasons: Con No.1 in E, RV 269 'Spring': II. Largo - London Philharmonic Orchestra
3. The Four Seasons: Con No.1 in E, RV 269 'Spring': III. Allegro - London Philharmonic Orchestra
4. The Four Seasons: Con No.2 in g, RV 315 'Summer': I. Allegro Non Molto - London Philharmonic Orchestra
5. The Four Seasons: Con No.2 in g, RV 315 'Summer': II. Adagio - London Philharmonic Orchestra
6. The Four Seasons: Con No.2 in g, RV 315 'Summer': III. Presto - London Philharmonic Orchestra
7. The Four Seasons: Con No.3 in F, RV 293 'Autumn': I. Allegro - London Philharmonic Orchestra
8. The Four Seasons: Con No.3 in F, RV 293 'Autumn': II. Adagio Molto - London Philharmonic Orchestra
9. The Four Seasons: Con No.3 in F, RV 293 'Autumn': III. Allegro - London Philharmonic Orchestra
10. The Four Seasons: Con No.4 in f, RV 297 'Winter': I. Allegro Non Molto - London Philharmonic Orchestra
11. The Four Seasons: Con No.4 in f, RV 297 'Winter': II. Largo - London Philharmonic Orchestra
12. The Four Seasons: Con No.4 in f, RV 297 'Winter': III. Allegro - London Philharmonic Orchestra
13. Vn Con in c, RV 199 'Il Sospetto': I. Allegro - Itzhak Perlman
14. Vn Con in c, RV 199 'Il Sospetto': II. Andante - Itzhak Perlman
15. Vn Con in c, RV 199 'Il Sospetto': III. Allegro - Itzhak Perlman
16. Vn Con in a, RV 356: I. Allegro - Itzhak Perlman
17. Vn Con in a, RV 356: II. Largo - Itzhak Perlman
18. Vn Con in a, RV 356: III. Presto - Itzhak Perlman
19. Vn Con in A, RV 347: I. Allegro - Itzhak Perlman
20. Vn Con in A, RV 347: II. Largo - Itzhak Perlman
21. Vn Con in A, RV 347: III. Allegro - Itzhak Perlman

Customer Reviews:

Sublime!.......2007-07-19

So lovely I think we'll need to get a second copy because we might just wear out the one we have! The concertos are an especially nice added treat!

plays every day!.......2007-06-14

This tape is played every day in our house at nap time - it is beautiful and wonderful.

Fun.......2007-05-26

I'm not really much in the way of a music expert, but I really enjoyed this cd.

Wonderful recording!.......2007-05-20

I purchased this recording for my grandson, who is studying the Vivaldi Violin Concerto in A minor. This is a fortunate time for instrumental music students, as, through the medium of digital sound, they can purchase a CD and hear the music, as played by world-class players.

The CD technology eliminates the old game of "drop the needle!" Wonderful!

I recently purchased a boxed set of the recorded work of classical clarinetist Reginald Kell. It was wonderful to hear that music again! I lost my LPs in a fire, and never thought I could find them again!

I just love CDs! And thank you, Amazon, for giving us a pipeline to such wonderful music!

If all music were so beautiful.......2007-01-12

Four seasons is one of my favorite pieces. With Itzhak Perlman at the helm, this rendition is flawless as one would rightfully expect.

Average customer rating: Beutefully interpretted I THOUGHT I had heard these concertos,,, Excellent Selection A sassy dame Pleasure to listen

Jacqueline du Pre - Favourite Cello Concertos ~ Boccherini, Dvorak, Elgar, Haydn, Monn, Saint-Saens, Schumann Edward Elgar , Luigi Boccherini , Antonin Dvorak , Camille Saint-Saëns , Joseph Haydn , Arnold Schoenberg , Robert Schuman , Daniel Barenboim , Sir John Barbirolli , Jacqueline du Pré , Valda Aveling , Georg Mathias Monn , London Symphony Orchestra , New Philharmonia Orchestra , Chicago Symphony Orchestra , and English Chamber Orchestra Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Boccherini | Boccherini, Luigi | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Du Pré, Jacqueline | ( D ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Classical | Box Sets | Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Boccherini, Luigi | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Dvorák, Antonín | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Elgar, Sir Edward | ( E ) | Composers, A-Z | Classical Music Blowout | Stores | Music Haydn, Franz Joseph | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Saint-Saëns, Camille | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Schumann, Robert | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Jacqueline du Pré - a lasting inspiration Jacqueline du Pre In Portrait Daniel Barenboim, Pinchas Zukerman & Jacqueline du Pré - Beethoven: Piano Trios Hilary & Jackie Jacqueline du Pré - Chopin: Cello Sonata in G minor, Franck: Sonata in A / Barenboim ASIN: B000002S1F Release Date: 1990-05-07

Tracks:

1. Cello Concerto No. 1 In C Major, Hob. VIIb:1: 1 - Moderato - Kadenz - Tempo I
2. Cello Concerto No. 1 In C Major, Hob. VIIb:1: 2 - Adagio - Kadenz - Tempo I
3. Cello Concerto No. 1 In C Major, Hob. VIIb:1: 3 - Allegro molto
4. Cello Concerto No. 2 In D Major, Hob. VIIb:2: 1 - Allegro moderato
5. Cello Concerto No. 2 In D Major, Hob. VIIb:2: 2 - Adagio
6. Cello Concerto No. 2 In D Major, Hob. VIIb:2: 3 - Rondo (Allegro)
7. Cello Concerto in B flat major: 1 - Allegro moderato - Kadenz - Tempo I
8. Cello Concerto in B flat major: 2 - Adagio no troppo
9. Cello Concerto in B flat major: 3 - Rondo (Allegro) - Kadenz - Tempo I

Tracks:

1. Cello Concerto In A Minor, Op. 129: I. Nicht zu schnell
2. Cello Concerto In A Minor, Op. 129: II. Langsam - Etwas lebhafter - Schneller
3. Cello Concerto In A Minor, Op. 129: III. Sehr lebhaft - Kadenz - Tempo I
4. Concerto No. 1 in A minor, Op. 33
5. Cello Concerto In G Minor: I. Allegro
6. Cello Concerto In G Minor: II. Adagio
7. Cello Concerto In G Minor: III. Allegro non tanto

Tracks:

1. Concerto In B Minor, Op. 104: I. Allegro
2. Concerto In B Minor, Op. 104: II. Adagio ma non troppo
3. Concerto In B Minor, Op. 104: III. Finale (Allegro moderato)
4. Concerto In E Minor, Op. 85: Adagio-Moderato
5. Concerto In E Minor, Op. 85: II. Lento-Allegro molto
6. Concerto In E Minor, Op. 85: III. Adagio
7. Concerto In E Minor, Op. 85: IV. Allegro ma non troppo

Amazon.com essential recording

During her far-too-brief career, cellist Jacqueline du Pré exhibited an almost oracular power of communication. Her performances bristled with the kind of brilliant electricity that could change lives and convert listeners to a lifelong love of music. Happily, it's possible to experience a sense of that power from the recordings du Pré completed before multiple sclerosis halted her career as a performer in the early 1970s. This set provides a splendid portrait--at bargain price--of du Pré's unmistakable personality: the astonishingly original yet convincing phrasing, raw energy, and ability to make her instrument sound uncannily like a human voice (du Pré was after all a favored student of Mstislav Rostropovich). Her rendition of Haydn's Concerto in C is clearly cast in a romantic--and nowadays perhaps unfashionable--mold, yet du Pré's big, bold tone carries the musical line forward with exhilarating presence. It's a demeanor that proves especially reassuring for the quirkily mercurial inventions of Boccherini. Yet du Pré most indelibly leaves her signature on the work that became her hallmark, Edward Elgar's E Minor Concerto, grafting a deeply personal level of expression onto the score's rich post-World War I melancholy. In the Schumann, du Pré makes an eloquently passionate protagonist. A similar sense of excitement is to be heard in Dvorák's Concerto--performed near the end of her career--above all in the flame of inspiration she evidently sparks from the orchestra in the serene close of its slow movement. This is a supremely rewarding collection for the beginner and aficionado alike. --Thomas May

Customer Reviews:

Beutefully interpretted.......2007-04-04

Jacquline du Pres interprettation of some of the moast famous cello consertos is simply amasing. her music just flows with energy and abbowe all passion. she realy brings out the qaleties of the cello with intensety and softnes intertwined. music bursting with passion.

I THOUGHT I had heard these concertos,,,.......2007-04-04

UNTIL I was fortunate enough to have heard them performed by Jacqueline du Pre!!!
ABSOLUTELY STUNNING!!! Her superb playing, along with truly masterful
interpretative skills, just "comes pouring out of the speakers!"
Also, the orchestras were obviously truly inspired by these opportunities to perform and record with one of the greatest musicians of all time.
The sound quality is excellent, as is the separation and clarity of both the soloist's and orchestral performances. The overall dynanism is also top notch - I found I had to lower the volume substantially from my normal
system loudness levels.
I've enjoyed this set so much I'll probably wind up buying everything from Amazon that EMI has produced with Jacqueline du Pre's name on it!

Excellent Selection.......2007-02-27

The choice of concertos is excellent and the artistry of Jacqueline du Pre is exceptional. The Schumann and Saint-Saens works are truly beautiful.

The album is a fitting tribute to the tragic loss of an incredible young talent.

A sassy dame.......2007-02-20

I love this CD. It came extremely fast to NZ and a bonus too as I was expecting only one cd not three!
While Dvorak is currently my favourite, other composers featured here have been growing on me.
Never been a Cello devotee in the past, but I am enjoying this new phase of my musical listening.
The late Ms du Pre plays with vigor and assertiveness, yet manages to convey those moving and sublime moments when needed.
Most enjoyable. Thanky you

Pleasure to listen.......2006-02-23

This 3 cd pack plays daylong on the player. Great music, great artist.

Average customer rating: The epitome of Baroque Wonderful recording of this marvelous Bach's masterpiece Best modern instrument performances in my opinion Bach at his best Easy to Enjoy

Bach: Brandenburg Concertos No. 1-4; Neville Marriner; Academy of St. Martin in the Fields Johann Sebastian Bach , Sir Neville Marriner , and Academy of St. Martin in the Fields Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Marriner, Sir Neville | ( M ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Marriner, Sir Neville | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Bach: Brandenburg Concertos No. 5 & 6/Orchestral Suite No. 1; Neville Marriner; Academy of St. Martin in the Fields Vivaldi: The Four Seasons; Violin Concertos Bach: Violin Concertos Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77 Rimsky-Korsakov: Scheherazade; Capriccio Espagnol; Russian Easter Overture ASIN: B000239B7S Release Date: 2004-07-13

Tracks:

1. I: (Allegro)
2. II: Adagio
3. III: Allegro
4. IV: Menuet & Trio
5. I: (Allegro)
6. II: Andante
7. III: Allegro Assai
8. I: Allegro
9. II: Adagio (By George Malcolm)
10. III: Allegro
11. I: Allegro - Iona Brown
12. II: Andante
13. III: Presto

Customer Reviews:

The epitome of Baroque.......2007-06-26

I'm trying to decide how to rate this. I certainly enjoy this CD and listen to it quite often (especially during study sessions), but on the other hand, I can't help but feel that a person needs a certain level of understanding and respect for Baroque music to appreciate this CD.

Yes, you've got the infamous 3rd Brandenburg Concerto, and yes, this CD is played wonderfully. It's true that this is a fabulous bargain, but to really love it, a person needs to love Bach and Baroque music. I simply like this CD. I find it a purely enjoyable listen (and personally think that some of the other Brandenburg Concertos are better than no. 3, just saying) that I come back to quite often.

Really, the great playing and wonderful bargain scream "BUY ME". It's a friendly buy that is a great deal. You won't regret it, even if you find that the style isn't quite your favorite.

Recommended.

Wonderful recording of this marvelous Bach's masterpiece.......2007-06-12

I was very pleassed to hear this wonderfull recording of Neville Marriner of these marvelous Bach's masterpieces.

Best modern instrument performances in my opinion.......2007-03-26

I think with the Brandenbergs, the deciding factor on which set to buy is whether you prefer modern instruments or period instruments. There are probably more great period instrument recordings (Trevor Pinnock and the English Concert is my personal favorite) to choose from than modern instrument recordings, but I think this is the best available modern instrument recording. You pretty much cannot go wrong with anything by Marriner and the ASMF, but this is truly one of their better recordings and has been for a number of years. There may be others out there just as good, but I doubt if you will find any better.

Bach at his best.......2007-02-08

Bach's Brandenburg Concertos, like much of Bach's works, are very modern sounding pieces. That's what makes them so appealing. Although each movement is no more than a few minutes long, the melodies and form of each are well developed and gorgeous.

This recording is especially worth buying because Marriner and the Academy produce a well-balanced and well-played interpretation. The instruments are not period instruments, and I think that that adds to the overall flavor of this recording. Although Boston Baroque offer recordings using period pieces, they don't match the interpretive genius of Neville Marriner.

Overall, this disc is a great buy -- only a few dollars for some of my favorite pieces by Bach. Don't let the low price fool you into believing that that somehow is an indication of quality.

Easy to Enjoy.......2006-11-25

I am not a musician nor can I identify Bach's Brandenburg Concerto number one from number five. However, I am an avid listener and do enjoy classical music. I know how good the Academy of St Martin in the Fields is and what a great conductor Sir Neville Marriner is. Most of all, I can identify a real bargain when I see one and this CD qualifies as a great bargain.

Bach's concertos are relaxing and very enjoyable. The Academy performs under the sure hand of Sir Marriner at the highest level. Each CD is just over an hour, the sound is clear and as Gramophone says "these performances are easy to enjoy".

This review refers to both the CD for concertos Nos. 1-4 and the CD for concertos Nos. 5 & & with Orchestral Suite No. 1.

Average customer rating: Perlman's Bach Great interpretation Enjoyable CD at great price The premier rendition of these classics Sounds drunken

Bach: Violin Concertos Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Perlman, Itzhak | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Perlman, Itzhak | ( P ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Vivaldi: The Four Seasons; Violin Concertos Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77 Bach: Brandenburg Concertos No. 1-4; Neville Marriner; Academy of St. Martin in the Fields Mozart: Violin Concertos Rimsky-Korsakov: Scheherazade; Capriccio Espagnol; Russian Easter Overture ASIN: B00005NPIX Release Date: 2002-08-13

Tracks:

1. Vn Con in E, BWV 1042: I. Allegro
2. Vn Con in E, BWV 1042: II. Adagio
3. Vn Con in E, BWV 1042: III. Allegro Assai
4. Vn Con in g, BWV 1056: I. (Allegro)
5. Vn Con in g, BWV 1056: II. Largo
6. Vn Con in g, BWV 1056: III. Presto
7. Vn Con in a, BWV 1041: I. (Allegro)
8. Vn Con in a, BWV 1041: II. Andante
9. Vn Con in a, BWV 1041: III. Allegro Assai
10. Con in d, BWV 1043: I. Vivace - Pinchas Zukerman
11. Con in d, BWV 1043: II. Largo Ma Non Tanto - Pinchas Zukerman
12. Con in d, BWV 1043: III. Allegro - Pinchas Zukerman

Customer Reviews:

Perlman's Bach.......2007-07-04

These are good-to-excellent performances on a bargain disc. Probably the best single disc set of these concertos at any price.

Great interpretation.......2007-05-30

I was looking for a recording of Bach's Concerto No. 1 in A minor so that I could hear how to better play the accompaniment (on piano) and my daughter could hear a master play the piece on violin. We listened to 3 different recordings, and this was our favorite by far. The concerto was played at a great tempo with just the right amount of vibrato.

Enjoyable CD at great price.......2007-02-08

Bought this CD to round out a larger order and was happily surprised with both the quality of this CD, the beauty of the music, and the great price. Very nice buy!

The premier rendition of these classics.......2007-02-06

If you love Bach, you must buy this album. The quality of the performance and the recording is superb, and the price is certainly right.

Sounds drunken.......2006-12-16

I know that this recording is very beloved in classical music circles, but I do not like it at all. It is slow, meandering, and sounds drunk. I feel sad to say this, because I know that Perlman is prodigiously talented.

Average customer rating: A Beautiful Wedding Wonderful! Good CD for Wedding A Day To Remember--Instrumental Music for Your Wedding Day, O'Neill Brothers great choice!

A Day to Remember - Instrumental Music for Your Wedding Day O'Neill Brothers Manufacturer: O'Neill Brothers ProductGroup: Music Binding: Audio CD General | New Age | Styles | Music General | Miscellaneous | Styles | Music General | Soundtracks | Styles | Music General | New Age | Indie Music | Stores | Music Similar Items: A Day to Remember vol II Classical Wedding 25 Wedding Favorites Heart Beats: Now & Forever - Timeless Wedding Songs I Will Be Here: 25 of Today's Best Wedding & Love Songs ASIN: B000066RG3 Release Date: 2002-04-25

Tracks:

1. Falling in Love - Tim and Ryan O'Neill
2. Wachet Auf - J.S. Bach
3. Air on a G String - J.S. Bach
4. Air (from Water Music) - Handel
5. Reminiscent Joy - Tim and Ryan O'Neill
6. Canon in D - Pachelbel
7. Jesu, Joy of Man's Desiring - J.S. Bach
8. The Wedding Song (There is Love) - Stookey
9. Ave Maria - Schubert
10. I Will Be Here - Steven Curtis Chapman
11. The Gift of Love (Water is Wide melody)
12. Spring (from The Four Seasons) - Vivaldi
13. Ode to Joy - Beethoven
14. From This Moment On - Shania Twain
15. The Way You Look Tonight - Kern
16. Forever in Love - Kenny G

Album Description

After performing at more than 200 weddings, Tim and Ryan O'Neill recorded this beautiful CD of favorite wedding songs. It features a full hour of instrumental piano, string quartet, flute, and guitar music that can be played at your ceremony or reception.

It also gives suggestions for music at your wedding, including a special bridal website!
*Over 1,000 song titles listed
*Listen to samples of songs
*More ideas for each part of your ceremony, reception, and dance

Customer Reviews:

A Beautiful Wedding.......2007-07-10

This CD made all the difference in our wedding celebration. The songs were simply beautiful. The CD was delivered promptly. I would definitely buy from this vendor again.

Wonderful!.......2007-03-23

This is exactly what I was looking for for my wedding day. It's a beautiful cd, absolutely perfect.

Good CD for Wedding.......2007-03-21

All great music for weddings. It really does have all the music I want to use!

A Day To Remember--Instrumental Music for Your Wedding Day, O'Neill Brothers.......2007-02-07

The music was just perfect for our wedding--not too formal, not too simple.

great choice!.......2007-01-10

There are so many different songs to choose from on this cd and it's a great buy. whether you want to play it while eating dinner at the wedding, to walking down the isle, it's wonderful!!!!

Average customer rating: cherry picking Brendel and Marriner play Mozart at a bargain price Mozart: The Great Piano Concertos, Vol. 1 Alfred Brendel Mozart's great piano concertos, Vol 1 and Vol 2 great pianist, great price, bad track listing

Mozart: The Great Piano Concertos, Vol. 1 Manufacturer: Philips ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Marriner, Sir Neville | ( M ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Mozart: The Great Piano Concertos, Vol. 2 Mozart: Violin Concertos Bach - The Complete Brandenburg Concertos / Pearlman, Boston Baroque Chopin: Favorite Piano Works Essential Mozart: 32 Of His Greatest Masterpieces ASIN: B000004194 Release Date: 1994-04-12

Tracks:

1. Piano Concerto No. 19 In F, KV 459: Allegro Vivace
2. Piano Concerto No. 19 In F, KV 459: Allegretto
3. Piano Concerto No. 19 In F, KV 459: Allegro Assai
4. Piano Concerto No. 20 In D Minor, KV 466: Allegro
5. Piano Concerto No. 20 In D Minor, KV 466: Romance
6. Piano Concerto No. 20 In D Minor, KV 466: Allegro Assai
7. Rondo In D, KV 382: Allegretto Grazioso
8. Rondo In D, KV 382: Adagio
9. Rondo In D, KV 382: Allegro
10. Piano Concerto No. 23 In A , KV 488: Allegro

Tracks:

1. Piano Concerto No. 23 In A, KV 488: Adagio
2. Piano Concerto No. 23 In A, KV 488: Allegro assai
3. Piano Concerto #21 In C, KV 467: Allegro
4. Piano Concerto #21 In C, KV 467: Andante
5. Piano Concerto #21 In C, KV 467: Allegro Vivace Assai
6. Piano Concerto No. 24 in C Minor, KV 491: Allegro
7. Piano Concerto No. 24 in C Minor, KV 491: Larghetto
8. Piano Concerto No. 24 in C Minor, KV 491: Allegretto
9. Rondo In A, KV 386

Customer Reviews:

cherry picking.......2007-02-15

Pity Alfred Brendel, Neville Marriner, and the incomparable Academy of St Martin in the Fields having to play this luscious span of concertos from the sweet spot of Mozart's oeuvre.

If there is sweeter music in the universe, it must lie at the depths of the sea or some equally inaccessible place, far from eyes and ears that could compare it to Mozart's piano concertos no. 19-24.

Mozart's piano concerti, perhaps more than those of any other composer, shape the solo instrument's phrasing so that its entrances and exits vis-à-vis the orchestral score are nearly seamless. Brendel and his supporting cast perform this aspect of the music as well as can be done.

In the stellar Philips Classics 'Duo' series, this recording may well reign supreme. It's as good as it gets.

Brendel and Marriner play Mozart at a bargain price.......2006-08-18

Philip's two double-CD sets of Alfred Brendel and Neville Marriner performing a total of ten of Mozart's great piano concertos, plus two rondos for piano and orchestra, must rate as one of the best of many bargains available in their "2 for 1" series. The four CDs add up to close to five hours of music, most of it essential listening for anyone interested in Mozart, great piano music, and great concertos.

This first of the two sets contains four indisputable masterpieces. In the stormy D minor Concerto K. 466, Brendel springs a mild surprise by playing his own cadenzas rather than Beethoven's, the ones most often used. I must confess to preferring Beethoven's unstylish but dramatic and imaginative cadenza to the first movement, but otherwise the performance is beyond reproach. Brendel adds some discreet and entirely appropriate ornamentation to the many repetitions of the second movement's main theme. The Olympian C major K. 467, with its incomparably beautiful slow movement, also receives some much-needed decoration: here the cadenzas are by Radu Lupu and are a bit quirkier than necessary. Although the soloist's tone and phrasing in the wistful K. 488 are ravishing in the first two movements, the starker phrases of the F-sharp minor Adagio are better left undecorated--for once Brendel's practically unerring sense of propriety in added ornamentation goes slightly off. In my opinion the best of a superb set of performances is that of the C minor, K. 491: Brendel and Marriner catch every nuance of tragedy while never slighting the grace of the music--the problem of writing an appropriate first-movement cadenza, difficult since Mozart left none of his own, is brilliantly solved here by the soloist.

Although in a set billed as Mozart's "Great Piano Concertos" I might have opted, narrowly, for including K. 453 in G major over K. 459, it cannot be denied that all involved seem perfectly attuned to the quicksilver energy and unexpected contrapuntal intricacies of the F major work. The two additional rondo movements, one a lightweight replacement for the original finale of Mozart's very first original piano concerto, the other a possible alternate finale to his earlier A major Concerto K. 414, are a delightful bonus. Incidentally, although the splitting of K. 488 across two generously filled CDs is an annoyance, timing restrictions would not have permitted cramming three complete concertos onto one CD as another review suggests.

Mozart: The Great Piano Concertos, Vol. 1 Alfred Brendel.......2006-07-10

Nice interpretation of Mozart's piano concerto.

Mozart's great piano concertos, Vol 1 and Vol 2.......2006-07-10

We love Mozart. Especially his piano concertos. We purchased these volumes, because we wore out our cassette tapes.
Mozart piano concertos performed by Arthur Brendel and the Academy of St. Martin in the Fields, It does not get much better than that. 5 hours of music as a very reasonable price!

I even ordered a second set to give to a friend.

great pianist, great price, bad track listing.......2006-02-16

Alfred Brendel is one of the world's most famous pianists, but not for reasons that make Argerich, Paderewski, or Rubinstein famous. Brendel is an expert both artistically and technically but he is not given to highly individualistic interpretations that rattle purists and create controversy. In other words, Brendel is a highly reliable pianist. Like Murray Perahia, there are no let downs in his recorded performances. For this and the price, no one should pass up this 2 disc recording.

The only downside is the recording's track listing. Piano Concerto No. 23 is split: its first movement is in the first disc while its last two movements are in the second. Bewildering especially since the piano concertos are not sequenced chronologically. And the insert doesn't help. It does not explain the track arrangement (is it by the year of recording? by importance in Mozart's ouvre?). Nonetheless, there it is, Piano Concerto No. 23 separated into two cds. Why this has to be is difficult to understand. The first movement, allegro, is 11.04 minutes long; in the second disc, a one movement rondo, Rondo in A, KV 386, is 8.32 minutes long. Why wasn't this rondo placed in the first disc to allow a seamless playing of Piano Concerto No. 23?

This is annoying if your player does not support multiple disc playing. I bought this 2 cd set specifically for Piano Concerto No. 23, whose second movement I love. It is one of the most sublime of piano adagios, up there with the second movements of Chopin no. 1, Rachmaninoff no. 2, Shostakovich no. 2. And I bought it specifically for Brendel's performance with the ASMITF, conducted by Neville Marriner. Brendel really makes the piano weep here. His evocations of a human's cycle of grief and redemption make the performance definitive for Piano Concerto No. 23. If the split won't bother you, do yourself a favor and get a copy.

Average customer rating: Counting Stars with Lang Lang. False emotion dexterity unquestioned Without soul! Artistically Improving

Beethoven: Piano Concertos Nos. 1 & 4 Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Lang Lang: Dragon Songs (Plus DVD) Chopin, Liszt: Piano Concerto No. 1 Lang Lang Live at Carnegie Hall Memory [Includes Bonus CD] Piano Quintet in F Min / Complete String Quartets (1, 2, 3) ASIN: B000OYC3FM Release Date: 2007-05-08

Tracks:

1. 1. Allegro Con Brio
2. 2. Largo
3. 3. Rondo. Allegro
4. 1. Allegro Moderato
5. 2. Andante Con Moto
6. 3. Rondo. Vivace

Amazon.com

What a beautiful recording! Perhaps the most exciting thing about Lang Lang's playing is that when he plays softly and lyrically, he doesn't sound as if he's holding back; when he opts to stomp and yell, it sounds equally natural. The First Concerto is played with lightness and bounce in the outer movements and is as tuneful as imaginable in the stunning second movement's Largo. The Fourth Concerto is a whole other matter - mature Beethoven - and Lang rises easily to the occasion, playing with potency and handsome tone. The first movement makes us sit and admire his skill, and he is poetic and sensitive in the second movement. It would have been easy for him to run away with the final movement in a blaze of virtuosity, but he sticks to its classical outlines. These are superb performances, and the sonics are gloriously rich. --Robert Levine

Album Description

Lang Lang delivers his first-ever Beethoven recording, a stunning reading of the extensive Concerto no. 4 and the jubilant Concerto no. 1. Even though he has performed this repertoire extensively in concert, Lang Lang waited for the perfect moment and the perfect team to record his first pair of concertos from these milestones of piano repertoire When Lang Lang embarked on his international career, Christoph Eschenbach became one of his first and most enthusiastic proponents - and a mentor and close friend ever since, Eschenbach was the ideal collaborator for Lang Lang's first Beethoven recording. Nimbly supported by Eschenbach's superb Orchestre de Paris, with its tradition of having been the first orchestra ever in France to perform music by Beethoven, Lang Lang's performance gives further proof as to why he is one of today's most acclaimed pianists

Customer Reviews:

Counting Stars with Lang Lang........2007-07-18

The sheer fact that some of those signing in here could decide to down rate this disc by such level reveals how nonsensical the so-called classical music market has become.
I don't care how Lang Lang `behaves' at the pianoforte. These are quite irrelevant to his music, as any seasoned listener would tell. Lang Lang and Eschenbach both embark on what could be called a novel to almost revolutionary course in this recording. Instead of resorting to `copy and paste' of some Gilels, some Kempff, some Pletnev and many others, Lang/Eschenbach work on originality. The result yields plenty of fireworks and impassioned music, showering listeners with unexpected joy note after note.
Lang Lang has managed to present `his' version of Beethoven's two challenging concertos for the pianoforte (compare the LP version of the same two pieces by Eschenbach/Karajan decades ago) in his lusciously youthful style, yet leaving much more in his listeners (not for those who adamantly refuse to `listen', though) to long for his future re-releases of these same pieces, where definitely more new things could and would be said then.
As for the collaboration, however revolutionary in interpretation, however unconventional in expression, both Lang and Eschenbach are never in doubt as to where and when to hold on to the reigns, and when and where to let go, even though at times at the least expected places. The teamwork is almost perfect. The cadenza of the first movement of No. 4 is shatteringly novel, while the third movement is one whole piece of explosive firework blowing the listeners away. The No.4 alone justifies the cost for this disc.
I absolutely look forward to the Lang/Eschenbach collaboration of Beethoven's Choral Fantasy, and more others.

False emotion.......2007-07-10

Lang Lang is the worst pianist imaginable. If you want someone who can play the notes, go for it. But there's simply nothing more here. Even worse, he pretends that there is more. Every phrase is unbelievably contrived. It is like someone who apes all the moves of a great actor with none of the substance behind it. Absolutely abominable, atrocious, and offensive playing. Cannot believe that people are taken in by this charlatan.

dexterity unquestioned.......2007-07-07

He can do anything with a piano. All he needes now is to grow into these masterpieces.

Without soul!.......2007-06-10

Does he play Beethoven at all? If you like Beethoven piano concerto, please listen to Backhaus, Schnabel, Fischer or Perahia!

Artistically Improving.......2007-05-23

Lang Lang's technical abilities have overrun his artistic interpretations since the start of his recording career. While that remains a fairly accurate description, this recording shows definite progress. It seems somewhat unfair to denigrate the talents of so dextrous a musician as this young man but there you have it: when you are put on the world stage you are assessed by different standards.

And yet, Lang Lang shows signs of development that are encouraging. His performance of the First Concerto is both lively and exquisitely melodic, except for the occassionally ham-fisted showmanship he is often (and deservedly) derided for. However, the Fourth Concerto seems beyond his artistic grasp. While technically brilliant, it is a soulless and showy performance that displays none of the depth a more mature artist would be capabale of. Beethoven was not a composer known for showmanship but artistry and restraint. These are not qualities Lang Lang is exactly reknown for.

Still, Lang Lang's occassional lyricism can override his more exaggerated tendencies, which makes he and Beethoven quite compatible. This is what makes this CD as effective as it is. Perhaps this young man has received too much acclaim too soon. He needs time to mature as an artist but has so far chosen to present himself to the public at every possible turn. This recording indicates that there is something more to him than has consistently met the ear. Frustrating and encouraging at the same time, Lang Lang's latest CD shows a definite progression in his interpretive skills. It's exciting to think what may be coming in his future.

Finally, the typically exquisite DG sound and fidelity must be acknowledged. Every note and romantic passage is beautifully displayed in a pristine recording of gourgeous beauty. A wothwhile addition to any modern classical collection.

Average customer rating: Great Performance Great Analog Beethoven Cycle An essential collection The best value in classical music on CD at the moment... Wonderful Performances

Beethoven: The Complete Symphonies and Piano Concertos Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Ballets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Beethoven, Ludwig van | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Beethoven - The Complete String Quartets / Alban Berg Quartet Mozart:The Complete Piano Sonatas and Variations Beethoven: Complete Piano Sonatas / Daniel Barenboim Dvorák: The Symphonies Furtwangler Conducts Beethoven - Beethoven: symphonies no 3,4,5, & 9, Leonore ASIN: B00004YA0S Release Date: 2000-11-07

Tracks:

1. I: Adagio Molto - Allegro Con Brio
2. II: Andante Cantabile Con Moto
3. III: Menuetto & Trio: Allegro Molto E Vivace
4. IV: Adagio - Allegro Molto E Vivace
5. I: Allegro Ma Non Troppo
6. II: Andante Molto Mosso
7. III: Allegro - In Tempo D'allegro - Tempo I
8. IV: Allegro
9. V: Allegretto

Tracks:

1. I: Allegro Con Brio
2. II: Marcia Funebre: Adagio Assai
3. III: Scherzo & Trio: Allegro Vivace
4. IV: Finale: Allegro Molto - Poco Andante - Presto
5. Gross Fuge

Tracks:

1. I: Adagio Molto - Allegro Con Brio
2. II: Larghetto
3. III: Scherzo & Trio: Allegro
4. IV: Allegro Molto
5. I: Allegro Con Brio
6. II: Andante Con Moto - Piu Mosso - Tempo I
7. III: Allegro -
8. IV: Allegro - Presto

Tracks:

1. I: Adagio - Allegro Vivace
2. II: Adagio
3. III: Menuetto: Allegro Vivace - Trio: Un Poco Meno Allegro
4. IV: Allegro Ma Non Troppo
5. I: Poco Sostenuto - Vivace
6. II: Allegretto
7. III: Presto - Assai Meno Presto
8. IV: Allegro Con Brio

Tracks:

1. I: Allegro Vivace Con Brio
2. II: Allegretto Scherzando
3. III: Tempo Di Menuetto
4. IV: Allegro Vivace
5. Overture
6. Overture
7. Overture
8. Overture

Tracks:

1. I: Allegro Non Troppo, Un Poco Maestoso - Christa Ludwig
2. II: Molto Vivace - Presto - Christa Ludwig
3. III: Adagio Molto E Cantabile - Andante Moderato - Christa Ludwig
4. IV: Presto - Recitativo - Allegro Assai - Alla Marcia - Christa Ludwig
5. Overture - Christa Ludwig

Tracks:

1. I: Allegro Con Brio
2. II: Largo
3. III: Rondo: Allegro Scherzando
4. I: Allegro Con Brio
5. II: Adagio
6. III: Rondo: Molto Allegro

Tracks:

1. I: Allegro Con Brio
2. II: Largo
3. III: Rondo: Allegro
4. I: Allegro Moderato
5. II: Andante Con Moto
6. III: Rondo: Vivace

Tracks:

1. Fantasia For Piano, Chorus And Orchestra
2. I: Allegro
3. II: Adagio Un Poco Mosso -
4. III: Rondo: Allegro

Amazon.com essential recording

Otto Klemperer's Beethoven is one of the towering achievements in the history of recordings. By today's standards, these performances are hopelessly old-fashioned: dark, heavy, and frequently very slow. But they are also the grandest, most unsentimental, most purposeful versions in the catalog. In addition, the relatively slow tempos (only in the fast movements--the slow ones are pretty swift) and forward wind balance permit more detail to be heard than in most original-instrument performances. At budget price and with the entire piano concerto cycle thrown in for good measure, this is greatness incarnate. --David Hurwitz

Customer Reviews:

Great Performance.......2007-07-07

There are many different ways to perform Beethoven and each one is valid.
If you like it fast - go to Toscanini or Norrington. If you prefer slow, powerful and majestic, this is your set. Towards the end of his distinguished career, the great Otto Klemperer set down his final views of the performance of these symphonnies. The set is a coherent whole and will give great pleasure for ever. The challenging mix of the young Barenboim and the aged Klemperer worked surprisingly well and thus the concertos may also be recommended. There are odd additional items which add to the pleasure. Finally do not forget to purchase his memorable set of 'Fidelio' to complete your traversal of a great conductor giving great performances of a composer that he loved. Finally the price is ridiculously low and provides quality and quantity at a great price. Thus you should be able to buy the opera set from the savings made!

Great Analog Beethoven Cycle.......2007-05-07

This Klemperer cycle is just one of a dozen or so GREAT analog Beethoven symphony cycles that were recorded during Analog's golden age starting about 1958. These cycles are easily a match for digital and they should still be around for another 1,000 years, if the Lord tarries. These sets include: Karajan (twice, early 60s and late 70s) Bohm, Krips, Jochum, Bruno Walter, Leinsdorf, Rene Leibowitz, Szell, Ormandy, Bernstein, Steinberg, and Solti. This morning I listened to the Klemperer recordings of Beethoven's symphonies 5, 6, & 7. Very enjoyable, I got my Beethoven RDA fix.

Of all these Analog sets, I most enjoy the Leibowitz Spring 1961 cycle with the Royal Philharmonic. I have this cycle on an audiophile early 90s European import Edition Phoenix label special pressing "on extra virgin vinyl." These are by far the best analog symphonic lps I have ever heard from a recording standpoint. BY FAR! And they will rock your house.

You can almost justify Karajan's 4 recorded Beethoven cycles and one video based upon improvements in recording technology. Thru Rhapsody, I have listened to his mid 50s cycle and the orchestra sounds great, but the recording quality is sub par compared to Analog's golden age. So the rational for 4 cycles would be, (1) recent great improvements in recording technology (early 60s), (2) it has been 15 years and he has grown as an artist (late 70s), (3) we now have digital! Let's do one of the first Beethoven digital cycles (80s).

Klemperer is a no-brainer. I do not have to think twice about plopping one of his lps onto my turntable or hitting the play button at Rhapsody. When the music starts, the listening pleasure begins. Don't miss his Bruckner symphony recordings!

An essential collection.......2007-04-25

How best to describe Otto Klemperer's perspective on Beethoven's symphonies: grand, heroic, intense, insightful, stubborn, obstinate, detailed, dramatic, monumental, granitic, deeply emotional, never sentimental. This boxed set of the complete symphonies and concerti embodies all of these elements as stands as one of the great achievements of recorded music.

These performances were recorded with the Philharmonia Orchestra at its peak, in the sumptuous acoustics of Kingsway Hall in London and in fine and detailed sound, and mostly in the mid-1950's during one of the brief charmed periods of Klemperer's life. EMI's impresario Walter Legge had made him permanent conductor of the Philharmonia, and when Klemperer embarked on this project in his 70's, he was in relatively good mental and physical health (Klemperer could show symptoms of manic depression and survived many health crises - brain tumor, broken bones, paralysis - which would have stopped most people).

By this time Klemperer had slowed the tempi of the fast movements of the Beethoven symphonies (listen to his early 1950's recordings of the 5th and 6th on Vox to hear by how much). This tendency is more pronounced in these studio recordings than in the live performances which were recorded during that era. The slowness is mostly saved by Klemperer's use of "sprung" rhythms, which keep the slow tempi from feeling laggardly.

Klemperer's earliest recordings in this series - symphonies 3, 5 and 7 - predate stereo and were recorded in excellent monaural sound. He rerecorded all three of these symphonies in stereo, but those recordings were made after he burned himself by falling asleep while smoking in bed. All three performances feature slower tempi than the earlier ones (whether this was the conductor's preference or the result of physical incapacity is open to conjecture). In particular, the rerecorded 7th suffered from lax phrasing, inattentiveness and perverse tempi. That is NOT the version contained in this set: fortunately, EMI had simultaneously recorded the earlier version of the 7th in "experimental" stereo, and it is that earlier version which is released here (and in remarkably good stereo). The versions of the 3rd and 5th are the rerecorded stereo ones.

You will find no finer studio versions of the 2nd, 4th, 6th, 7th or 8th. All are insightful, beautifully detailed and powerful. The 2nd clearly looks forward to the 3rd and not back toward Hayden, the 4th is boisterous and vital, the 6th bucolic and sumptuous (not a quality normally associated with Klemperer), the 7th gains in drama what it loses in swiftness and lightness, and in the 8th in particular we see the conductor's empathy to Beethoven's sense of humor. Klemperer had a deep affinity for the "Eroica", and the rerecorded version here, while slower than the 1955 recording, was dubbed by "High Fidelity"'s Harris Goldsmith (no Klemperer fan, he) as "the best Eroica going slow" and is a monumental masterpiece (the second movement is shattering). The 1st, while leisurely, is a lovingly crafted.

That leaves the 5th and 9th. There is no doubt in my mind that the earlier, mono 5th is superior to the remake in this set. We lose that sense of an inevitable onslaught, especially in the outer movements. And the 9th, while similar in conception to the live versions recorded around the same time (on Testament with the Philharmonia and on Music&Arts with the Concertgebouw), suffers from diffuse sound and occasional lack of focus. I emphasize that these recordings of both symphonies are still head and shoulders above most of the competition; we're talking about different levels of greatness here.

Are there superior Klemperer recordings of these symphonies? Yes; but all are live, and despite the relatively good reprocessed sound, they don't reveal the same level of detail that these studio recordings do. Klemperer was a very different conductor in front of an audience, and there is more vitality and drama in the live versions of the 3rd (Testament, with the Danish Symphony), 6th 7th and 8th (Music&Arts with the Concertgebouw) and the 9th (see above). Music&Arts' set of the complete symphonies, recorded live in Vienna in 1960, is long out of print and had cramped sound with poor detail - a supplement to this set, not a replacement.

As to the piano concerti: they are better than one might expect. Barenboim, although steeped in the Germanic performance tradition, is more naturally aligned with the Furtwangler and Edwin Fischer than with Klemperer. However, the two of them actually work together extremely well and this is a fine, insightful set.

Any complete cycle of Beethoven, symphonies or concerti, will have drawbacks. There will be unevenness in the performances, as there are here. But there are advantages to hearing one musician's perspective on the works, especially when (as here) the performer has depth of understanding, integrity of vision, and a structural understanding of the pieces.

The digital remastering is excellent and the sound barely shows its age. This may not be your only complete set of Beethoven's symphonies, but it should be one of them. And at a price this low, it's a bargain too.

The best value in classical music on CD at the moment..........2007-01-02

What is the best value in classical discs available today ? Who knows, but I defy anyone to beat the EMI compilation of Klemperer' recordings of the complete Beethoven Symphonies, Piano Concertos (with Barenboim), several overtures the Choral Fantasia etc etc. 9 discs for only $44 ( well that was the price I paid). You have got to be kidding... I only had two concerns with buying this. First on the age of the recordings, all more than 40 years old. No worry at all. This is a masterpiece of reconstruction. The sound quality indistinguishable from any modern recording. Secondly , the performances themselves. I had been warned that Klemperer notoriously chose rather slow tempi. Again I needn't have worried. I immediately went to the slow movements of the 2nd piano concerto and the fourth symphony, where many slow tempists have in the past come unstuck. The piano concerto was an absolute revelation. The combination of the youthful Barenboim and the Philharmonia's masterful playing time and gain had me on the edge of my seat. " Yes,go on, well...." Slow it may have been. Boring, never. The same applies in spades to the slow movement of the fourth. Right from the eerie opening, which is yes, very slow indeed, I knew this movement would be a revelation and I can honestly say I have never hear it better played. Follow this with a scherzo bounding in energy and thumping finale and you will never get a better performance of this, one of Beethoven's "lesser" symphonies. And I haven't even got round to the "biggies" yet! The box set looks unattractive and the portrait of Klemperer makes him appear a first class nerd. Pay absolutely no attention to this....

Wonderful Performances.......2006-04-07

I have admittedly not made it through the entire set as of yet, but feel sufficiently blown away by the First Symphony and the Eroica - particularly the second movement of the latter - to weigh in here. With respect to the tempo issue, I must - at least so far - argue in favor of Klemperer's decision to slow things down a bit. I think the effect is, as someone else has observed, a clearer and more visceral experience of Beethoven's composition. It brings out the feeling. The sound comes up a little short on the low end, but it isn't a major distraction. My only problem lies in EMI's inexplicable lack of any discussion of the performances. The notes are bland, dry descriptions of the pieces themselves, with some basic history thrown in. Given the fact that there are probably hundreds of different CDs of Beethoven's symphonies out there, all with similar explanatory notes, it is infuriating that nothing is said about these particular performances. This is in contrast with the EMI Bach set (with Yehudi Menuhin) in which there is a wonderful essay that discusses Menuhin's work in historical context.

Average customer rating: Wonderful recording of these Bach's masterpieces The best modern instrument performances I have heard Easy to Enjoy Rediscovery of some favorites

Bach: Brandenburg Concertos No. 5 & 6/Orchestral Suite No. 1; Neville Marriner; Academy of St. Martin in the Fields Johann Sebastian Bach , Sir Neville Marriner , and Academy of St. Martin in the Fields Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Marriner, Sir Neville | ( M ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Marriner, Sir Neville | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Bach: Brandenburg Concertos No. 1-4; Neville Marriner; Academy of St. Martin in the Fields Vivaldi: The Four Seasons; Violin Concertos Bach: Violin Concertos Mozart: Horn Concertos Nos. 1-4 Rimsky-Korsakov: Scheherazade; Capriccio Espagnol; Russian Easter Overture ASIN: B000239B82 Release Date: 2004-07-13

Tracks:

1. I: Allegro - George Malcolm
2. II: Affettuoso - George Malcolm
3. III: Allegro - George Malcolm
4. I: Allegro - Stephen Shingles
5. II: Adagio Ma Non Tanto - Stephen Shingles
6. III: Allegro - Stephen Shingles
7. I: Ouverture
8. II: Courante
9. III: Gavotte I & II
10. IV: Forlane
11. V: Menuet I & II
12. VI: Bourree I & II
13. VII: Passepied I & II

Customer Reviews:

Wonderful recording of these Bach's masterpieces.......2007-06-08

Marvelows recording by Neville Marriner of these Bach's masterpieces. I was pleassed to hear this record

The best modern instrument performances I have heard.......2007-03-26

I think with the Brandenbergs, the deciding factor on which set to buy is whether you prefer modern instruments or period instruments. There are probably more great period instrument recordings (Trevor Pinnock and the English Concert is my personal favorite) to choose from than modern instrument recordings, but I think this is the best available modern instrument recording. You pretty much cannot go wrong with anything by Marriner and the ASMF, but this is truly one of their better recordings and has been for a number of years. There may be others out there just as good, but I doubt if you will find any better.

Easy to Enjoy.......2006-11-25

I am not a musician nor can I identify Bach's Brandenburg Concerto number one from number five. However, I am an avid listener and do enjoy classical music. I know how good the Academy of St Martin in the Fields is and what a great conductor Sir Neville Marriner is. Most of all, I can identify a real bargain when I see one and this CD qualifies as a great bargain.

Bach's concertos are relaxing and very enjoyable. The Academy performs under the sure hand of Sir Marriner at the highest level. Each CD is just over an hour, the sound is clear and as Gramophone says "these performances are easy to enjoy".

This review refers to both the CD for concertos Nos. 1-4 and the CD for concertos Nos. 5 & & with Orchestral Suite No. 1.

Rediscovery of some favorites.......2006-08-20

I had forgotten how delightful it is to hear these pieces in their entirety! Every now and then I'd hear excerpts on the radio, etc., but not the whole work. These are marvelous examples of the best J.S. Bach had to offer in a wonderful set of recordings by Sir Neville Mariner and the band.

Average customer rating: Perfect ? almost Excellent. Must-have set. Gustavo Ferreira Violin Music Honesty and musical integrity! Grumiaux at his finest

Mozart: Violin Concertos Wolfgang Amadeus Mozart , Raymond Leppard , Sir Colin Davis , London Symphony Orchestra , New Philharmonia Orchestra , Arrigo Pelliccia , and Arthur Grumiaux Manufacturer: Philips ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Sinfonia Concertante | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Grumiaux, Arthur | ( G ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Mozart: The Great Piano Concertos, Vol. 1 Mozart: The Great Piano Concertos, Vol. 2 Bach: Violin Concertos Mozart: Complete String Trios & Duos Mozart: Symphonies Nos. 35-41 ASIN: B000004166 Release Date: 1993-08-10

Tracks:

1. No. 1 In B Flat, K. 207: Allegro Moderato
2. No. 1 In B Flat, K. 207: Adagio
3. No. 1 In B Flat, K. 207: Presto
4. No. 3 In G, K. 216: Allegro
5. No. 3 In G, K. 216: Adagio
6. No. 3 In G, K. 216: Rondeau (Allegro)
7. No. 4 In D, K. 218: Allegro
8. No. 4 In D, K. 218: Andante Cantabile
9. No. 4 In D, K. 218: Rondeau
10. Adagio In E For Violin And Orchestra, K. 261
11. Rondo In C For Violin And Orchestra, K. 373

Tracks:

1. Concerto No. 2 In D, K. 211: Allegro
2. Concerto No. 2 In D, K. 211: Andante
3. Concerto No. 2 In D, K. 211: Rondeau (Allegro)
4. Concerto No. 5 In A, K. 219: Allegro Aperto
5. Concerto No. 5 In A, K. 219: Adagio
6. Concerto No. 5 In A, K. 219: Rondeau (Tempo Di Menuetto)
7. Sinfonia Concertante In E Flat, K. 364 For Violin, Viola And Orchestra: Allegro Maestoso
8. Sinfonia Concertante In E Flat, K. 364 For Violin, Viola And Orchestra: Andante
9. Sinfonia Concertante In E Flat, K. 364 For Violin, Viola And Orchestra: Presto

Amazon.com essential recording

At the ripe old age of 19 Mozart wrote five violin concertos, and they represent his coming of age as a composer of orchestral music. From here on, it's basically one masterpiece after another. Though not difficult works, technically speaking, they partake in full measure of Mozart's uniquely sensual brand of melody. That means that successful performances must know how to spin out a singing musical line, while at the same time making the most of the rare opportunities for soloistic display. Taste and musicianship are more important qualities than virtuosity, and that makes these pieces ideal vehicles for Arthur Grumiaux's aristocratic temperament and technical polish. --David Hurwitz

Customer Reviews:

Perfect ? almost.......2007-06-08

I am happy to agree that Grumiaux was the best interpreter of Mozart's violin works, assured, fluent, magic flowed from his bow. And I agree that this Philips Duo is a great bargain, packed with great music. I do, however have one little reservation, while the sound quality of the violin is good, I find the sound of the orchestra rather muddy, especially during the louder periods; perhaps this is acceptable when the age of the recording is taken into account. But can you tell the scoring with any confidence? flutes ? oboes ? horns ? ( The sound quality of K 261 and K 373, with the New Philhamonia, is a little better)
Even with this reservation, I still give it 5 stars.

PS I have recently purchased a new re-release of Grumiaux playing the Beethoven violin concerto, the sound is much better than in these CDs, perhaps a more recent digital remastering of the violin concertos would result in more acceptable sound quality.

Excellent. Must-have set........2006-07-21

This is an excellent set put out by Philips in it's renowned Duo cd class. Almost all of Mozart's violin works are here. Arthur Grumiaux, one of my favorites, does a superb job of interpreting Mozart's works. This last weekend I played the same works by Heifitz and the comparison makes for interesting listening. I can't say one is better than the other, specially since I have no formal training in music, but each artist definitely leaves an impression.

Excellent set and a superb value but most importantly makes a valuable addition to anyone's collection.

Gustavo Ferreira Violin Music.......2006-01-19

This is a very good compilation of Mozart Violin Concertos and with a very good Orchestra. I did not put 5 stars because I had some of Mozart concertos played by H.Heifetz and other by Xue-Wei that I consider are more brilliant violinsts. Grumiaux is very good but not excelent.

Honesty and musical integrity!.......2005-05-16

The artistic personality of Artur Grumiaux was undoubtedly very sober. In comparision with the warmth of a David Oistrakh or the powerful musculature of Heifetz, his golden and flawless intonation was if I may, unique. His sonority and style did not belong to bravura style. He was an accurate and impressive violinist. His Mozart is crystalline and innocent. Once more, his presence in various performances in Prades Festival transformed and even improved his spelling touch. As you know all the artists who participated in this unequal Festival acquired a giant dimension. It is not by mere hazard that names of the height of Joseph Szigeti, Eugene Istomin, Rudolf Serkin, Sandor Vegh, Isaac Stern, William Kapell, Clara Haskill - above their innate skills - experienced Casals' spell. And because of this experience there was an immediate rapport with Clara Haskill and recorded one of the most incredible sets of Mozart `s Sonatas for violin that I' have heard ever.
And, despite his brief existence 1921-1986 his name will be resounding in the world of the violin during years and years. His honesty and integrity , technique and musicianship, self possession and aristocratic feature confer a special honor place. Go and get all what you can about Mozart, Faure Sonatas, his Haendel sonatas for violin, his Debussy Sonata, Guilleme Lekeu, Paganini 4th, and his version of Franck's sonata for violin is one of the most lyrical ever recorded.
An unforgettable artist!

Grumiaux at his finest.......2005-04-11

Yet another Philips Mozart DUO that is at the top of the class. Having the legendary Arthur Grumiaux on so many of these Mozart violin collections makes them easy choices. His elegant, refined style and lucious tone (from an amazing 1744 Guanari) were born for Mozart. Just about every major reviewer (Penguin, Gramophone, etc) lists this particular CD in the top two best picks for Mozart's violin concertos, often citing Grumaiux's style as the ideal model for Mozart. The recording sound is exceptional too as is typical for most Philips discs. A superb choice for the violin concertos! Anne-Sofie Mutter and Pamela Frank (amongst many) have also recorded some fine performances of these works along with a rather unique version from Baroque specialist, Fabio Biondi (Virgin).

An alternative choice would be the intruiguing 5-CD collector's set of Grumiaux's Historic Philips Recordings from 1953-1962 which has these five concertos plus many and some rarer works from Paganini, Mendelssohn, Faure, Ravel, Debussy, Granados, Sarasate and others. 4/5 discs are in mono but the sound is fine really. If you admire this Belgian legend, then this historic set would probably be very special as it shows Grumiaux at his finest in a beautiful and diverse repertoire.

Track Listings:

1. Durham Commissions
2. Edward Elgar: Symphony No. 2; Serenade for Strings; Elegy
3. Enrique Granados: Danzas Españolas, Op 37
4. FÉLIX MENDELSSOHN : Six Sonates op. 65 - Olivier Vernet
5. Flamenco Jazz
6. Great Cathedral Anthems 7
7. Handel: Messiah Famous Choruses
8. Handel: The Great Harpsichord Works
9. Haydn: Paukenmesse
10. Haydn: Symphonies Nos. 49 ("La Passione") & 45 ("Farewell")

Track Listings

track listings

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