1.
Overture to Il barbiere di Siviglia (The Barber of Seville)
Composed by
Gioachino Rossini
Performed by
Rossini Orchestra & Chorus (Naples)
with
Manuel Ausensi
,
Ugo Benelli
,
Teresa Berganza
,
Nicolai Ghiaurov
,
Fernando Corena
,
Stefania Malagu
Conducted by
Silvio Varviso
2.
Il barbière di Siviglia (The Barber of Seville), opera Act I: Largo al factotum
Composed by
Gioachino Rossini
Performed by
Rossini Orchestra & Chorus (Naples)
with
Manuel Ausensi
,
Ugo Benelli
,
Teresa Berganza
,
Nicolai Ghiaurov
,
Fernando Corena
,
Stefania Malagu
Conducted by
Silvio Varviso
3.
Il barbière di Siviglia (The Barber of Seville), opera Act I: Una voce poco fa
Composed by
Gioachino Rossini
Performed by
Rossini Orchestra & Chorus (Naples)
with
Manuel Ausensi
,
Ugo Benelli
,
Teresa Berganza
,
Nicolai Ghiaurov
,
Fernando Corena
,
Stefania Malagu
Conducted by
Silvio Varviso
4.
Il barbière di Siviglia (The Barber of Seville), opera Act I: la calunnia è un venticello
Composed by
Gioachino Rossini
Performed by
Rossini Orchestra & Chorus (Naples)
with
Manuel Ausensi
,
Ugo Benelli
,
Teresa Berganza
,
Nicolai Ghiaurov
,
Fernando Corena
,
Stefania Malagu
Conducted by
Silvio Varviso
5.
Il barbière di Siviglia (The Barber of Seville), opera Act I: Dunque io son
Composed by
Gioachino Rossini
Performed by
Rossini Orchestra & Chorus (Naples)
with
Manuel Ausensi
,
Ugo Benelli
,
Teresa Berganza
,
Nicolai Ghiaurov
,
Fernando Corena
,
Stefania Malagu
Conducted by
Silvio Varviso
6.
Il barbière di Siviglia (The Barber of Seville), opera Act I: A un dottor della mia sorte
Composed by
Gioachino Rossini
Performed by
Rossini Orchestra & Chorus (Naples)
with
Manuel Ausensi
,
Ugo Benelli
,
Teresa Berganza
,
Nicolai Ghiaurov
,
Fernando Corena
,
Stefania Malagu
Conducted by
Silvio Varviso
7.
Il barbière di Siviglia (The Barber of Seville), opera Act I: Fredda ed immobile
Composed by
Gioachino Rossini
Performed by
Rossini Orchestra & Chorus (Naples)
with
Manuel Ausensi
,
Ugo Benelli
,
Teresa Berganza
,
Nicolai Ghiaurov
,
Fernando Corena
,
Stefania Malagu
Conducted by
Silvio Varviso
8.
Il barbière di Siviglia (The Barber of Seville), opera Act I: Mi par d'essere con la testa
Composed by
Gioachino Rossini
Performed by
Rossini Orchestra & Chorus (Naples)
with
Manuel Ausensi
,
Ugo Benelli
,
Teresa Berganza
,
Nicolai Ghiaurov
,
Fernando Corena
,
Stefania Malagu
Conducted by
Silvio Varviso
9.
Il barbière di Siviglia (The Barber of Seville), opera Act II: Pace e gioia sia con voi
Composed by
Gioachino Rossini
Performed by
Rossini Orchestra & Chorus (Naples)
with
Manuel Ausensi
,
Ugo Benelli
,
Teresa Berganza
,
Nicolai Ghiaurov
,
Fernando Corena
,
Stefania Malagu
Conducted by
Silvio Varviso
10.
Il barbière di Siviglia (The Barber of Seville), opera Act II: Contro un cor che accende amore
Composed by
Gioachino Rossini
Performed by
Rossini Orchestra & Chorus (Naples)
with
Manuel Ausensi
,
Ugo Benelli
,
Teresa Berganza
,
Nicolai Ghiaurov
,
Fernando Corena
,
Stefania Malagu
Conducted by
Silvio Varviso
11.
Il barbière di Siviglia (The Barber of Seville), opera Act II: Ah! qual colpo inaspettato!
Composed by
Gioachino Rossini
Performed by
Rossini Orchestra & Chorus (Naples)
with
Manuel Ausensi
,
Ugo Benelli
,
Teresa Berganza
,
Nicolai Ghiaurov
,
Fernando Corena
,
Stefania Malagu
Conducted by
Silvio Varviso
12.
Il barbière di Siviglia (The Barber of Seville), opera Act II: Di sì felice innesto
Composed by
Gioachino Rossini
Performed by
Rossini Orchestra & Chorus (Naples)
with
Manuel Ausensi
,
Ugo Benelli
,
Teresa Berganza
,
Nicolai Ghiaurov
,
Fernando Corena
,
Stefania Malagu
Conducted by
Silvio Varviso
Il Barbiere Di Siviglia,Gioachino Rossini,Silvio Varviso,Rossini Orchestra & Chorus (Naples),Fernando Corena,Manuel Ausensi,Nicolai Ghiaurov,Stefania Malagu,Teresa Berganza,Ugo Benelli,Polygram Records,Classical,Classical Music,Italian Romantic Opera,Opera,Opera / Operetta / Oratorio,Orchestral,Orchestral Music
Average customer rating:
- Here's what the fuss was all about!
- Beverly Sills - The Best
- Beverly Sills' highs are breathtaking!
- THE 2005 OPERA CD OF THE YEAR
- EMI Does It Again: Beverly Sills - A Tribute
|
The Very Best of Beverly Sills
Manufacturer: EMI Classics
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Binding: Audio CD
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- Art of Beverly
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ASIN: B0006VYELE
Release Date: 2005-04-26 |
Tracks:
- Una Voce Poco Fa - Sherrill Milnes
- Dunque Io Son - Sherrill Milnes
- Contro Un Cor - Sherrill Milnes
- Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
- E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
- Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
- Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
- V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
- Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
- Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
- Via, Caro Sposino - Ambrosian Opera Chorus
- Tornami A Dir Che M'ami - Ambrosian Opera Chorus
- La Morale In Tutto Questo - Ambrosian Opera Chorus
Tracks:
- Vilia - Beverly Sills
- Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
- Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
- Libiamo Ne' Lieti Calici - John Alldis Choir
- Un Di Felice, Eterea - John Alldis Choir
- E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
- Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
- Che Fai? - John Alldis Choir
- Addio Del Passato - John Alldis Choir
- Parigi, O Cara - John Alldis Choir
Amazon.com
Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler
Album Description
Details TBA. EMI. 2005.
Customer Reviews:
Here's what the fuss was all about!.......2007-07-17
It would have been even better if they had included at least one Cleopatra aria and something from Baby Doe, but it doesn't really matter, because this collection will allow younger listeners especially to hear what the fuss was all about! There are moments listening to Sills, especially from Traviata or Manon, that are so beautifully sung and so genuine that they are heartbreaking. I feel so fortunate to have heard her Queen of the Night, Manon, Violetta, and Baby Doe. She was so generous as a performer and as a humanitarian, and she really brought opera into the American mainstream.
Beverly Sills - The Best.......2007-04-01
What a voice. No coloratura can compare, and she makes it seem so easy.
Beverly Sills' highs are breathtaking!.......2006-09-18
Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!
THE 2005 OPERA CD OF THE YEAR.......2006-08-19
THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!
EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22
EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!
Average customer rating:
- The beautiful gift of opera...
- Pretty darn good
- The Opera #1 Opera Album
- Excellent assortment
- Great Selections
|
The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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- Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
- Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
- Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
- La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
- Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
- Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
- Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
- Mattinata - Andrea Bocelli
- Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
- L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
- Turandot: Signore, Ascolta! - Montserrat Caballe
- Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
- Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
- Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
- Tosca: Vissi D'arte - Kiri Te Kanawa
- Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
- Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
- Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
- Rusalka: O Silver Moon - Renee Fleming
- La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
- Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis
Amazon.com
The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin
Customer Reviews:
The beautiful gift of opera..........2007-07-17
This 2-CD set is absolutely wonderful! You can close your eyes and feel like you're actually at the opera, listening to those beautiful voices bringing tears to your eyes. Nessun Dorma still stirs up emotions in me, no matter how many times I hear it. Great examples of opera to give someone wanting to get interested in this style of music.
Pretty darn good.......2007-07-04
This CD set has a lot of familiar music on it, so if you're a newbie, you might want to try starting with this. There are some great pieces on the first CD. I usually don't even make it to the second.
The Opera #1 Opera Album.......2007-06-07
The music is wonderful. The production is terrible!! The sound fades in and out and is very scratchy in some places.
Excellent assortment.......2007-05-12
I'm not a big opera fan but I wanted to expose an assorted selection for my kids. This was perfect since it included several recognizable selections.
Great Selections.......2007-03-31
This Cd, has the very best of Opera
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...
Average customer rating:
- RIP, BEVERLY SILLS 1929-2007
- Brava Sills!
- Sills fits my bill
- The Great American Soprano
- My Favorite Woman
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The Great Recordings
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ASIN: B0001Y4JG6
Release Date: 2004-05-11 |
Tracks:
- Son Vergin Vezzosa - Paul Plishka
- Eccomi... Oh! Quante Volte
- Mira, O Norma
- Santo Di Patria... Allor Che I Forti Corrono... Da Te Questo
- Contro Un Cor Che Accende Amore - Nicolai Gedda
- Che M'apporti? - Ambrosian Opera Chorus
- Quel Sangue Versato Al Cielo S'innalza - Ambrosian Opera Chorus
- Vorrei Spiegarvi, Oh Dio, K.418
- Amor, Op.68 No.5
Tracks:
- Martern Aller Arten
- E Strano! E Strano!
- Ah, Fors'e Lui
- Follie! Follie!
- Sempre Libera
- Ces Murs Silencieux - Pardonnez-moi, Dieu De Toute Puissance - Ambrosian Opera Chorus
- Toi! Vous! - Oui! Je Fus Cruelle Et Coupable! - Ambrosian Opera Chorus
- N'est-ce Plus Ma Main? - Ambrosian Opera Chorus
- Robert, Toi Que J'aime
- Tu Ne Chanteras Plus?
- Chere Enfant Que J'appele
- Meine, Lippen, Die Kusen So Heiss
- Wien, Wien, Nur Du Allein
- Always Through The Changing
Customer Reviews:
RIP, BEVERLY SILLS 1929-2007.......2007-07-03
The great American diva's passing was announced today.
This wonderful CD set is a perfect compilation of her art as can be found anywhere. Her finest roles and performances are captured here, most of them derived from the Westminster/Audio Treasury recordings from her prime. Listening to them again demonstrates to me why she was so special, and such an inspiration to music lovers everywhere.
Brava Sills!.......2007-02-02
A very nice compilation of Sillsiana. The different cuts on this CD provide a nice illustration of her work. Let me briefly describe my response to a sampling of the works on this CD:
Bellini, I Puritani, "Son vergin vezzosa." Wonderful. Sutherland owns this--but so does Beverly Sills. Contemporary sopranos such as Netrebko and Gruberova have also sung this on their respective CDs, and while their product is nice, it simply does not compare. Sills is remarkably agile with her voice; the trills are well done; she cleanly hits high notes; the overall effect can only be described as wonderful.
Bellini, Norma, "Mira, o Norma". This is smoothly sung and very melodic. The technique that she exhibits does not overwhelm the music.
Rosini, Il Barbiere di Siviglia, "Contro un cor che accende amore." Again, her agile voice is well deployed. The florid singing is well done.
Donizetti, Roberto Devereaux, "Che m'apporti." Her clean, light voice matches well with this aria. Smoothly sung. Her "Quel sangue versato al cielo s'innalza," which follows, is well done. High notes cleanly hit, a smooth line.
Verdi, La Traviata, "E strano. . . .Sempre libera." Again, what agility! In "Sempre libera," she reveals a rich voice and, again, wonderful agility. This is an animated version of one of Verdi's showcase pieces.
Lehar, Giudetta. "Meine Lippen." A lot of fun! This is smoothly sung.
In the final analysis, this is a nice potpourri of Beverly Sills' repertoire. Those not familiar with her work will find this a nice entree to her oeuvre; those familiar with her will find this a good compilation.
Sills fits my bill.......2006-03-13
This recording is another in an all too small CD collection of Sills recordings. I eagerly await more.
The Great American Soprano.......2005-10-01
This is a great collecition featuring arias from the Classical and Romantic periods. Fabulous!!!!!
My Favorite Woman.......2005-08-05
I would have to say that when I first heard Beverly Sills sing, I was entranced. I couldn't take my eyes off of her and I became angry at any rustling around me, because I was afraid I would miss one note. It was so addictive....that is what she is....addictive! A c.d. will never properly capture her style. She is an amazing leader in opera, taking it into a new frontier and I believe this c.d. showcases that.
Average customer rating:
- Great for kids!
- Mediocre Sound Quality
- I was pleased
- The Most Famous Opera Arias
- Okay But.... - a review of "The Most Famous Opera Arias"
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The Most Famous Opera Arias
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ASIN: B000002SCE
Release Date: 1994-07-19 |
Tracks:
- Rigoletto: Act I - Caro nome
- Rigoletto: Act III - La donna e mobile
- Gianni Schicchi: O mio babbino caro
- Carmen: Act I - Habanera: La voila...L'amour est oiseau rebelle
- Orfeo ed Euridice: Act III - Che faro senz Euridice
- Madama Butterfly: Act III - Un bel di, vedremo
- Romeo et Juliette: Act I - Ah! je veux vivre
- Le nozze di Figaro: Act II - Voi che sapete che cosa e amor
- Samson et Dalila: Act II - Mon coeur s'ouvre a ta voix
- Tosca:: Act II - Vissi d'arte, vissi d'amore
- Aida: Act I-Celeste Aida
- Il Barbiere Di Siviglia: Act I-Una voce poco fa
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- La Wally: Act I - Ebben? Ne andro lontano
- La Boheme: Act I - Che gelida manina
- Die Zauberflote: Act II-Die Holle Rache kocht in meinem Herzen
Customer Reviews:
Great for kids!.......2007-06-27
I'm generally not a fan of music "samplers," but opera can be tough to introduce to children. And hey--even adults played cards, ate, and talked through the recitative sections of the early operas while they waited for the next aria! So I feel that getting kids hooked on opera through great arias probably can't hurt (the next 10 years or so will determine whether I'm right or not). My 4-year-old loves this CD; it's a delight to watch her imitate Anna Moffo (the sincerest form of flattery, for sure). Highly recommended resource for introducing young kids to opera. More top picks: Siberell's Bravo! Brava! A Night at the Opera, and the Black Dog Opera Library CDs.
Mediocre Sound Quality.......2007-03-31
If you note the album was released in 1994, and includes selections from many years prior, you will understand that the quality of the sound engineering is not going to dazzle your ear.
It's a very nice collection to hum along to, but don't expect shivers down your spine as the sound quality is not sufficient to reproduce the dynamic range of these voices.
I was pleased.......2007-02-18
I am by no means an opera expert, but found this to be a wonderful CD. Along with the songs I already knew I liked (such as a song from Carmen,) I found many others I enjoyed. In fact, Samson et Dahlila turned out to be my favorite. If you are just getting started or at any point in your adventure of opera, I would recommend this one.
The Most Famous Opera Arias.......2007-01-05
I was completely surprised in the product as well as the time in which it was delivered.
I would not only refer this seller but I will come back myself.
Okay But.... - a review of "The Most Famous Opera Arias".......2006-08-18
My daughter (6 y.o.) and I like opera; but sitting for two hours to watch Turandot is just not within the realm of possibilities for my 4 year old son right now... so I was looking for an opera CD for the car. He will sit and listen to short arias.
This was the first we purchased and it is okay but not great.
Problem #1 - where is Wagner. No Wagner?
Problem#2 - Elena Obraztsova - she sounds like Carmen's grandmother. Rather matronly for a vixen (imho--lol)
Three Stars. [C+] Great Price and good sound quality for the car. The operatic styles of some of the performers are antiquated and frilly sounding, but I would probably buy this CD again.
Note: We purchased and really preferred "The # 1 Opera Album". It has more selections and better artists in our opinion. Also it's a two CD set. Just something to consider.
Average customer rating:
- Great Stuff
- A Great Introduction to Italian Opera
- Best of the best!
- Fabulous bargain for anyone
- Great songs for a low price.
|
The Best of Italian Opera
Manufacturer: EMI Classics
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ASIN: B000000UXN
Release Date: 1997-01-21 |
Tracks:
- La Traviata: 'Libiamo, Libiamo'
- Rigoletto: 'La donna e' Mobile'
- The Barber Of Seville: 'Una voce poco fa'
- La Boheme: 'Che gelida manina'
- Rigoletto: 'Gualtier Malde!' Caro nome'
- Il Trovatore: 'Vedi! le fosche'
- Il Trovatore: 'Il balen del suo sorriso...Per me ora fatale'
- TOSCA: 'Vissi d'arte'
- La Traviata: 'Di Provenza il mar, il suol'
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- Aida: 'Se quel guerrier io fossi...Celeste Aida'
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- La Gioconda: 'Cielo e mar'
- Lucia di Lammernoor: 'Ardon gl' incesi'
Customer Reviews:
Great Stuff.......2007-07-22
The sound quality of this disc is surprisingly good, very good for an ADD. All the selections captured each singer in his/her top form. It is a real treat that this disc contains many work that were not normally in certain singer's repertoire. Gedda's Aida, Moffo's Rossini-Rosina and Cherobino, for example, all were superbly sung. Even Moffo's Lucia sounds much better than I have ever heard in other places.
A Great Introduction to Italian Opera.......2005-05-01
The artists on this CD succeed in their goal to create a CD that displays great Italian opera. Carlo del Monte and Victoria de los Angeles open the disc with the Brindisi from La Traviata. Victoria de los Angeles is not the best Violetta, but she does the job, along with her parner Carlo del Monte, an underappreciated tenor. Victoria de los Angeles also appears on the CD in "Un bel di vedremo" from Madama Butterfly, a role she was well known for. Swedish tenor Nicolai Gedda appears on the disc twice. His first appearence is a superb rendition of "La donna e mobile" from Rigoletto. His final performance on this disc is in the heroric aria "Celeste Aida", a performance in a role that was not in his voice range. Anna Moffo is the star on this CD, appearing three times in three very different roles. First is her beautiful "Una voce poco fa", normally a role that calls for a mezzo-soprano. Her second is "Voi che sapete" from Le Nozze di Figaro, another mezzo-soprano role. Her final appearence is her best, "The Mad Scene" from Lucia di Lammermoor. Underrated tenor Giuseppe Campora performs "Che gelida manina" with a great tenor voice. Soprano Reri Girst is excellent in her performance of "Caro nome" from Rigoletto. One of my favorite baritones appears on this CD. Robert Merrill is a perfect Count di Luna, and it is evident in his rendition of "Il balen del suo sorriso". Another baritone appears on this CD: mario Sereni. He is not a world famous baritone, but he should have been. Overall, this is an excellent introduction to the world of Italian opera.
Best of the best!.......2003-01-11
The performers, the selections, the quality... almost divine!
Fabulous bargain for anyone.......2002-11-24
I would recommend this CD to anyone, from opera novice to experienced listener...
These are older recordings -- I would guess mostly from the 1960's. The recording quality is exceptional for the day and, while not the equivalent of modern engineering, is sufficient to allow sheer physical pleasure from the music and an immediate appreciation of the vocal qualities of the artists. The sound quality is the only mild drawback...
The performances are magnificent! The voices are almost entirely lighter and more agile than the great voices of the 80's and 90's. In fact, the ear of the editor is apparent in his preference for lighter and more agile voices.
For example, there is a beautiful rendition of "Che Gelida Manina" from someone I had never heard before, Guiseppe Campora. He does not have the weight or volume of Pavarotti or Domingo, but has more elegance and a pure, charming tone. A connoisseur performance, but nevertheless a true operatic rendition by a tenor who can hit the high C with authority -- as good for a newcomer to opera who wants to hear the real thing, as for an opera lover who would like to hear something a bit different.
Some of the artists were among the most famous singers of their day: Moffo, de los Angeles, Gedda.
Anna Moffo, one of the greatest sopranos of her day (and all time), is in magnificent voice in famous blockbusters from Rossini's Barber of Seville, Mozart's Marriage of Figaro, and the Mad Scene from Lucia di Lammermoor.
De Los Angeles is at her best in "Libiamo" from La Traviata, but the recording quality (the one inadequately engineered track on the CD) and her lack of oomph make for a second-rate version of "Un bel di".
In keeping with the light and lyrical orientation of the selections, Moffo -- a famous Gilda and hardly a dramatic voice -- is bypassed for the even lighter, sweeter and more agile colatura Reri Grist (while she still had her voice), in a lovely "Caro Nome".
Another nice selection is Mario Sereni performing "Di provenza, il mar". Both this and "Libiamo" are taken from one of my favorite recordings of Traviata -- also a great chance to hear Serafin at the helm of the Rome Opera House orchestra. (The 2-CD version of this is still available from EMI, I think.) Newcomers will love this pretty tune, and Sereni's archtypal Verdi baritone is good, although hardly the best ever.
Franco Corelli has never been a favorite of mine, but he sounds the best I've ever heard him in his rendition of "Cielo et mar".
Anyway, I didn't intend to list every cut. Whether you are an opera lover who would like to hear some of opera's most famous arias performed in a new light, or an opera lover who would like to hear great performances at a cut-rate price, this CD gets my unqualified approval.
Great songs for a low price........2001-08-16
Ranging from selections of La Traviata, Il Trovatore and other popular Italian operas, this is a great cd for under four bucks. The singers may not be well recognized, but they do possess powerful voices.
Average customer rating:
- A charming, humane, thoroughly enjoyable Barbiere
- Recorded too late
- A real joy
- Rossini Does it Again
- A Misfire
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Rossini: The Barber of Seville (Complete opera); Beverly Sills; Nicolai Gedda; James Levine; London Symphony Orchestra
Beverly Sills , Sherrill Milnes , Ruggero Raimondi , Gioacchino Rossini , James Levine , and London Symphony Orchestra
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Similar Items:
- Bizet: Carmen (Complete Opera); Mirella Freni; Jon Vickers; Grace Bumbry
- Puccini: Tosca (1953) with Callas, di Stefano, Gobbi, cond. by de Sabata
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- Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato
- Bizet: Carmen (complete opera) with Maria Callas, Nicolai Gedda, Georges Pretre, Paris Opera Orchestra
ASIN: B0000CE7FU
Release Date: 2004-06-01 |
Tracks:
- Overture
- Piano, Pianissimo, Senza Parlar
- Ecco Ridente In Cielo
- Ehi, Fiorello
- Mille Grazie, Mio Signore
- Gente Indiscreta!
- La Ran La Le Ra...Largo Al Factotum
- Ah, Che Bella Vita!
- Non E Venuto Ancora
- Le Vostre Assidue Premure
- Se Il Mio Nome Saper Voi Bramate
- Oh Cielo!
- All'Idea Di Quel Metallo
- Una Voce Poco Fa
- Si, Si, La Vincero
- Ah, Disgraziato Figaro!
- Ah! Barbiere D'Inferno
- La Calunnia E Un Venticello
- Ah! Che Ne Dite?
- Ma Bravi! Ma Benone!
- Dunque Io Son
- Ora Mi Sento Meglio
- A Un Dottor Della Mia Sorte
Tracks:
- Finora In Questa Camera
- Ehi, Di Casa, Buona Gente
- Che Cosa Accadde, Signori Miei
- Fredda Ed Immobile
- Ma Signor...Ma Un Dottor
- Ma Vedi Il Mio Destino!
- Pace E Gioia Sia Con Voi
- Insomma, Mio Signore, Chi E Lei?
- Venite, Signorina
- Contro Un Cor Che Accende Amore
- Bella Voce! Bravissima!
- Quando Mi Sei Vicina
- Bravo, Signor Barbiere, Ma Bravo!
- Don Basilio! Cosa Veggo!
- Che Vecchio Sospettoso!
- Il Vecchiotto Cerca Moglie
- Dunque Voi Don Alonso
- Thunderstorm
- Alfine Eccoci Qua
- Ah, Qual Colpo Inaspettato!
- Ah, Disgraziati Noi!
- Insomma Io Ho Tutti I Torti
- Di Si Felice Innesto
Customer Reviews:
A charming, humane, thoroughly enjoyable Barbiere.......2007-07-11
In much the same manner that Lucia Popp forever standardized Mozart's Königin der Nacht, Beverly Sills redefines the role of Rossini's capricious Rosina. Her crystalline coloratura voice washes over "Una voce poca fa" with brisk, windswept ease. It is a mystery why any listener would prefer a mezzo-soprano, such as Teresa Berganza, despite the fact that the role was fashioned for a denser voice. (Agnes Baltsa is likely the most delightful deep Rosina on record.) Nicolai Gedda's mellifluous voice provides the ideal characterization for Rossini's vigorous youth, the Conte d'Almaviva. "Ecco, ridente in cielo" and "Se il mio nome saper voi bramate," the role's osciallating cavatina and sensual serenade, shine with two characteristics which often clash during tenor performances: stylistic perfection and taste. Sherrill Milnes is, without a doubt, the finest Figaro recorded since Robert Merrill. The Verdian baritone exhibits atypically droll flare during "Largo al factotum," especially during the aria's feverish repetition of "Figaro." He and Gedda harmonize flawlessly during the duet "All'idea di quell metallo"; his voice also complements the radiant Sills during "Dunque io son ... tu non m'inganni?"
Fernando Corena possessed the most pristine and genuinely humorous interpretation of the cranky Dottore Bartolo. Renato Capecchi, a buffo bass whose range is quite impressive though occasionally unstable, provides a performance which can almost parallel Corena's. Where Corena was blusterous, Capecchi is sniveling; where the former was wickedly serpentine, Capecchi is morose and self-pitying. His greatest achievement is that he is never maudlin; his performance is constantly fluid (he is gut-wrenchingly hilarious during the Act II duet "Pace e gioia sia con voi" with Gedda disguised as a garrulous music teacher) and his characterization, though it transcends all realms of reality, is delightful in its over-the-top perfection. Ruggero Raimondi's Don Basilio is quite the opposite; his rendition of the "Slander Song" ("La calunnia è un venticello") is almost doomful. He provides archaic and gloomy weight where the inimitable Nicolai Ghiaurov was effervescent. The illustrious mezzo-soprano Fedora Barbieri supplies a very satisfying performance as Berta, Bartolo's disgruntled old maid, especially during her aria "Il vecchiotto cerca moglie."
With James Levine leading the London Symphony Orchestra with exquisite charm, one can barely begin to praise this brilliant 1975 recording of Rossini's landmark opera. It is not only an essential Il Barbiere di Siviglia for aficionados of the comedy, but a touching and compelling accomplishment no music lover should exist without.
Recorded too late.......2007-07-06
I wish that I could speak more highly of this performance, as it was made by some of my favorite singers (and conductor). Alas, I can not. Milnes is a fine Figaro. Sills (I love her) should have recorded this role about 10 years earlier. Really unfortunately, I found Gedda's work painful. A fine, stylish tenor in his prime, he is well past it here.
Sometimes great talents come together and misfire. But, if you are a Sills fan...
A real joy.......2007-01-24
It is a great pleasure which what I hear this wonderful recording of Rossini's masterpeace, vividly conducted by a young James Levine and sung by a cast of first-class singers including Milnes, Sills, Raimondi and the unsurpassable Gedda as Count Almaviva. This production has not lost anything of it's freshness since over 30 years!
Rossini Does it Again.......2007-01-08
A wonderful opera that even the "opera hater" would love. Great music that can be recognized by all.
A Misfire.......2005-10-09
On paper, this looks like a dream cast, but the reality proves unfortunate. BVeverly Sills, Nicolai Gedda and Sherril Milnes are some of my favorite singers, but here, Sills sounds fatigued (though her "Un Vene Poco fa" is charming and winsome), Milnes misses the finese of Figaro, and Gedda, sad to say, sounds old and tired. Renato Cappecchi is a miscast Bartolo, but Raimondi is an imposing Bartolo, if without the nuances that Zaccaria brings to the role or the sheer glee Ramey and Montarsolo do. Levine's tempi are plodding, and Fedora Barbieri shows up in a cameo as Bertha, compleatly ill-equiped. If it were not for Sill (who can do no real wrong) and Raimondi, I wouldn't even bother looking at it. 2/5
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The Best Opera Album in the World...Ever!
Manufacturer: Angel Records
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- The Most Famous Opera Arias
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ASIN: B0000084JD
Release Date: 1999-07-27 |
Tracks:
- La Traviata: Libiamo Ne'lieti Calici (Brindisi) (Atto I) - Alfredo Kraus
- Il Barbiere Di Siviglia: Largo Al Factotum (Atto I) - Thomas Hampton
- La Boheme: Che Gelida Manina (Atto I) - Roberto Alagna
- La Boheme: Si. Mi Chiamano Mimi (Atto I) - Mirella Freni
- L'amico Fritz: Suzel, Bon Di (Cherry Duet) (First Part) (Atto II) - Bernard Haitink
- Nabucco: Va, Pensiero (Chorus Of Hebrew Slaves) (Atto III) - Bernard Haitink
- Rigoletto: La Donna E Mobile (Atto III) - Roberto Alagna
- Lakme: Viens, Mallika (Flower Duet) (Acte I) - Mady Mesple
- Gianni Schicchi: O Mio Babbino Caro - Victoria De Los Angeles
- Tosca: Recondita Armonia (Atto I) - Placido Domingo
- Tosca: Vissi D'arte (Atto II) - Maria Callas
- Tosca: E Lucevan Le Stelle (Atto III) - Placido Domingo
- Adriana Lecouvreur: Ecco: Respiro Appena ... Lo Son L'umile Ancella (Atto I) - Dame Kiri Te Kanawa
- Les Pecheurs De Perles: Au Fond Du Temple Saint (Acte I) - Nicolai Gedda
- Le Nozze Di Figaro: Non Piu Andrai (Atto I) - Thomas Allen
- Le Nozze Di Figaro: Voi Che Sapete (Atto II) - Ann Murray
- Le Nozze Di Figaro: E Susanna Non Vien!...Dove Sono (Atto III) - Elisabeth Schwarzkopf
- Martha: M'appari (Ach So Fromm) (Akt III) - Roberto Alagna
- Tristan Und Isolde: Mild Und Leise (Liebestod) (Akt III) - Helga Dernesch
Tracks:
- Aida: Se Quel Guerrier Io Fossi!...Celeste Aida (Atto I) - Placido Domingo
- Il Trovatore: Vedi! Le Fosche Notturne Spoglie (Anvil Chorus) (Atto II) - Bernard Haitink
- Samson Et Dalila: Mon Coeur S'ouvre A Ta Voix (Acte II) - Maria Callas
- Carmen: L'amour Est Un Oiseau Rebelle (Habanera) - Victoria De Los Angeles
- Carmen: Votre Toast (Toreador's Song) (Acte II) - Maria Callas
- Carmen: La Fleur Que Tu M'avais Jetee (Acte III) - Roberto Alagna
- Les Contes D'Hoffman: Belle Nuit, O Nuit D'amour (Barcarolle) (Acte II) - Elisabeth Schwarzkopf
- Andrea Chenier: La Mamma Morta (Atto III) - Maria Callas
- Pagliacci: Recitar!...Vesti La Giubba (Atto I) - Jose Carreras
- Madama Butterfly: Un Bel Di Vedremo (Atto II) - Renata Scotto
- Cosi Fan Tutte: Soave Sia Il Vento (Atto I) - Margaret Marshall
- La Rondine: Chi Il Bel Sogno Di Doretta (Atto I) - Montserrat Caballe
- Die Zauberflote: Der Vogelfanger Bin Ich Ja (Akt I) - Walter Berry
- Die Zauberflote: Der Holle Rache (Akt II) - Edita Gruberova
- Rusalka: Song To The Moon (Act I) - Lucia Popp
- La Wally: Ebben? Ne Andro Iontana (Atto I) - Maria Callas
- Werther: Toute Mon Ame Est La!...Pourquoi Me Reveiller? (Acte III) - Roberto Alagna
- Turandot: Signore, Ascolta! (Atto I) - Montserrat Caballe
- Turandot: Nessun Dorma (Atto III) - Jose Carreras
Customer Reviews:
Latter-day also-rans.......2007-05-28
There will always be arguments for this or that singer, but this title is absurd. I didn't see a single Jussi Bjoerling, George London, Leonard Warren, or Zinka Milanov, and only one mention of Del Monaco. These were singers. Bjoerling and London were in a class by themselves. I saw all of these folks live on stage. London and Del Monaco had stage presence you don't get now. Di Stefano, Kirsten, de los Angeles should be on any best list. Play any tenor aria by any tenor; then play Bjoerling's. Play any bass/baritone aria by any singer; then play London's. Jussi and George will knock your socks off. They sang everything in every language. Tebaldi and Pavarotti sang only Italian, much easier.
A well-sung compilation.......2003-09-15
Compilations usually receive negative feedback from experienced opera listeners. However, this compilation by no means should be only welcomed by opera listeners, it should be welcomed by all music listeners. This CD is a great one to own for a first time opera listener. Also, for the person who wants to listen to opera once in a while and who does not want to buy a myriad of CD's in order to have the same amount of arias as this CD has. Eighty-percent of the singers are high-quality singers in this CD and the orchestras along with their respective conductors, do justice to the songs. All of the arias in this CD are what we in the field call, standard repertoire, and therefore are a good source for a beginning musician to help him or her listen to phrasing, colour, dynamics, language etc. I certainly recommend it, without a doubt.
This cant be the best.......2003-04-20
Elisa from Italy is absolutely right--well, the present generation may not be able to listen the golden oldies and the grand masters in person but it is still true that the past masters far surpassed the new. De Stefano had a magnetic voice, but listen to Gigli singing Puccini's La boheme and you will melt away, though it is v v v difficult to get hold of his mono recordings, even in CD. I disagree with Elisa only on one point: Tebaldi is good, but Victoria de Los angeles' Mimi is better. And the indulgent Thomas Beecham is my favourite conductor of this opera, way ahead of Toscannini, but De Stefano's Boheme is worth keeping and listening to again and again....
TRUE OPERA LOVERS CANNOT POSSIBLY LIKE THIS!.......2002-11-27
True opera lovers (I won't say "experts" 'cos I dislike the word) cannot possibly like this ... ! Apart from Callas, here there is none of the greatest artists! Callas may be great in Carmen but nobody can beat RENATA TEBALDI and her angel-like voice in all of Puccini's operas or in GIORDANO's Andrea Chénier. No Carreras can beat MARIO DEL MONACO in Leoncavallo's Pagliacci, or Verdi's Otello. And finally, NO ALAGNA, or PAVAROTTI, or LICITRA, or whatever CHEAP TENOR or CROOK can ever beat the greatest tenor of all times: GIUSEPPE DI STEFANO!
Come on! You can't like crook Pavarotti once you have heard Giuseppe Di Stefano!! You can't like ... connductor Riccardo Muti if you have listened to Arturo Toscanini!!
True opera lovers, especially lovers of Puccini, go for the Immortal, the Sublime, the Beautiful in opera: GO FOR GIUSEPPE DI STEFANO!
Go hear his performance of "E lucevan le stelle" as in EMI Callas/Di Stefano "Tosca" or "Che Gelida manina" always as in EMI Callas/Di Stefano "La Boéme" and you'll know what I mean.
Even if you Hate Complilations, Get This One.......2002-06-21
This is a marvelous collection of better known arias and duets in Opera. The singers are those famous for setting, and raising, the bar in their field and for their times: Renata Scotto, Maria Callas, Dame Kiri Te Kanawa, Elisabeth Schwarzkopf, Jose Carreras, Placido Domingo, Luciano Pavarotti. If you are only somewhat familiar with opera, these recordings give you the highest feeling of what an aria or duet can sound like when sung and interpreted at its best. If you are already familiar with these songs, then you will appreciate this collection all the more for having gathered them in one place. I play both discs all the time. I've especially appreciated being able to compare vocal qualities side by side, so to speak, as Maria Callas can be heard next to Mirella Freni and Victoria de los Angeles. Even if you are not familiar with these singers, this is the way to meet them. Maria Callas has a much darker, back of the throat tone. Mirella Freni is pure, clear and light floating up in the higher notes. You can almost visualize the singers as they place the notes in their throats and set them out in the air to vibrate.
Average customer rating:
- Outstanding Resource - We LOVE This CD!
- Great Intro to Operas
- A Sampler of Greatest Hits and Karaoke, Too
- World's Very Best Opera for Kids... in English
- Great for adults too!
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World's Very Best Opera for Kids... in English!
Manufacturer: Children's Group
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ASIN: B0000C5ROP
Release Date: 2003-09-23 |
Tracks:
- The Barber Of Seville: Largo Al Factotum - Gregory Dahl
- Carmen: Habanera - Jean Stilwell
- The Marriage Of Figaro: Non Piu Andrai - Allan Monk
- The Magic Flute: Papageno's Song - Daniel Lichti
- Carmen: The Toreadors Song - Brian Banion
- La Boheme: Donde Lieta Usci - Addio Di Mimi - Laura Whalen
- The Magic Flute: Der Hoole Rache (The Queen Of The Night's Aria) - Aline Kutan
- Rigoletto: La Donna E Mobile - Michael Schade
- Tales Of Hoffman: The Doll Song - Tracy Dahl
- Die Walkure: Ride Of the Valkyries - Laura Whalen
- The Marriage Of Figaro: Voi, Che Sapete - Erin Thrall
- Madame Butterfly: Un Bel Di Verdremo - Natalie Choquette
- Xerxes: Ombra Mai Fu - Daniel Taylor
- Rigoletto: Caro Nome - Lambroula Maria Pappas
- Habanera - The Budapest Concert Orchestra MAV
- Non Piu Andrai - The Budapest Concert Orchestra MAV
- Papageno's Song - The Budapest Concert Orchestra MAV
- La Donna E Mobile - The Budapest Concert Orchestra MAV
- Voi, Che Sapete - The Budapest Concert Orchestra MAV
Customer Reviews:
Outstanding Resource - We LOVE This CD!.......2007-07-16
This is a GREAT CD! Both the children and my husband and I love it. We bought it as an introduction to opera for our homeschooled children, and never guessed we'd all enjoy it so much.
All the tunes are ones you will probably recognize - but hearing the words that go with the music and hearing them in *English* is so helpful! It has been really fun to find out what these songs are really about.
My kids and I often catch ourselves singing opera through the day now, which is really neat. It has helped build their understanding of music in many different ways, and has improved my oldest daughter's voice ability as she strives to keep up with the professional singers on the CD.
The music is beautiful, the words are lovely and give meaning, and this whole CD is just exceptionally good entertainment!
Great Intro to Operas.......2006-10-16
THE WORLD"S VERY BEST OPERA FOR KIDS is a collection of fourteen of the best loved arias in the world. The whole family will enjoy this CD, which is a unique version of these famous arias in that these are all sung in English so your child (and you) can appreciate and imagine the story that it illustrates. It is a wonderful introduction to opera and will have the whole family humming the memorable melodies, which are sung by some of the best of famous voices. You will be inspired to read the storylines of the operas to your children for a wonderful educational and delightful family hour. The CD includes an insert with the words so you can sing along
A Sampler of Greatest Hits and Karaoke, Too.......2006-04-05
It really doesn't get much better than this CD. The primary benefit of the music is that it is a terrific selection of funny and touching arias from the classical genre. I am an opera lover and bought this for myself to memorize the words in English, as prompts when I listen to the pieces untranslated. I started listening to the CD while I was driving, and within a week had bought about a dozen CDs to distribute to family members and friends, with kids (and without). Everyone loves it. And at the end of the CD are several tracks of just the music, so you can sing along, which is a hoot. Your friends and colleagues, who hear you barking along to beats, will think you have taken leave of your senses. The lyrics (in English) are in the liner notes. I would suggest not reading the liner notes while driving.
Second CD benefit. The time you spend listening to this will be the equivalent of an afternoon at the beach or a walk in the mountains. The calming factor is amazing.
World's Very Best Opera for Kids... in English.......2006-01-30
I listen to this with my 3 year old and we both enjoy it. I am not an operatic expert and to my lay ears the performances here sound great, and my daughter likes hearing the words to some of her favorite music ("Play the Torreadores again Mommy!") Its a nice break from some more traditional kids songs that we listen to.
Great for adults too!.......2005-08-15
I never had an interest in opera until I made a trip to Italy and dined in an opera cafe. I appreciate it even more thanks to this CD. Now that I can hear the lyrics in english and read a synopsis of the story, I appreciate and enjoy opera even more.
Average customer rating:
- CD set is misnamed
- Do not Buy
- Classical Music for People Who Hate Classical Music
- Seek better versions
- It Is What It Is
|
Classical Music for People Who Hate Classical Music
Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD
Ballets
| Ballets & Dances
| Classical
| Styles
| Music
Waltzes
| Ballets & Dances
| Classical
| Styles
| Music
Quartets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Barber
| Barber, Samuel
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Borodin
| Borodin, Alexander
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Dvorák, Antonín
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Debussy
| Debussy, Claude
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gershwin
| Gershwin, George
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Grieg, Edvard
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Khachaturian
| Khachaturian, Aram
| ( K )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Offenbach
| Offenbach, Jacques
| ( O )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Orff
| Orff, Carl
| ( O )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Pachelbel
| Pachelbel, Johann
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Prokofiev
| Prokofiev, Sergei
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Ravel, Maurice
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rossini
| Rossini, Gioacchino
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rachmaninov
| Rachmaninov, Sergei
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Strauss Jr., Johann
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Johann Strauss Sr.
| Strauss Sr., Johann
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Strauss
| Strauss, Richard
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wagner
| Wagner, Richard
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Concertinos
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Concerto Grossi
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Divertimentos
| Serenades & Divertimentos
| Forms & Genres
| Classical
| Styles
| Music
General
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Sonatinas
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Romantic
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Marches
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Overtures
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Tone Poems
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Ballets & Dances
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Contemporary
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
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