Plays Ravel & Chausson

1. String Quartet in F major
Composed by Maurice Ravel
with Jean-Michel Fonteneau , Ravel Quartet , Nathalie Geoffray , Reiko Kitahama

2. String quartet in C minor, Op 35 (incomplete)
Composed by Ernest Chausson
with Jean-Michel Fonteneau , Ravel Quartet , Nathalie Geoffray , Reiko Kitahama

Plays Ravel & Chausson,Quatuor Ravel,Ravel,Chausson,Musidisc (Fra),Classical

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: An overlooked set

Louis Lortie Plays Ravel's Complete Works for Solo Piano Manufacturer: Chandos ProductGroup: Music Binding: Audio CD Minuets | Ballets & Dances | Classical | Styles | Music Pavanes | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Sonatas | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Ravel: Music for Four Hands ASIN: B0000VM3Y0 Release Date: 2004-01-20

Tracks:

1. Pavane Pour Une Infante Defunte
2. I Prelude
3. II Fugue
4. III Forlane
5. IV Rigaudon
6. V Menuet
7. VI Toccata
8. Serenade Grotesque
9. Jeux D'eau
10. I Adelaide. Modere - Tres Franc
11. II Assez Lent - Avec Une Expression Intense
12. III Modere
13. IV Assez Anime
14. V Presque Lent - Dans Un Sentiment Intime
15. VI Vif
16. VII Moins Vif
17. VIII Epilogue. Lent
18. La Valse

Tracks:

1. I Ondine. Lent
2. II Le Gibet. Tres Lent
3. III Scarbo. Modere
4. Majestueusement
5. Mouvement De Menuet
6. Allegro Giusto
7. Paraphrase Sur Un Air De Gounod - Allegretto
8. Assez Lent Et Tres Expressif
9. I Noctuelles. Tres Leger
10. II Oiseaux Tristes. Tres Lent
11. III Une Barque Sur L'ocean. D'un Rythme Souple
12. IV Alborada Del Gracioso. Assez Vif
13. V La Vallee Des Cloches. Tres Lent
14. I Modere
15. II Mouvement De Menuet
16. III Anime

Customer Reviews:

An overlooked set.......2006-05-04

Lortie's technique is assured and (I say this as a compliment) his approach seems to take Ravel's advice to heart: it suffices to perform the music rather than [over]interpret it. Ranks up there with Simon, Thibaudet, and Casadesus among other sets. Very good recorded sound.

Average customer rating: A classic recording Wonderful You can't go wrong! Sublime Ravel Wonderful Ravel!!

Vlado Perlemuter Plays Ravel Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Minuets | Ballets & Dances | Classical | Styles | Music Pavanes | Ballets & Dances | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Sonatas | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Ravel According to Ravel The Art of Ivry Gitlis Ravel: Piano Works The Art of Ruggiero Ricci Beethoven: Piano Sonatas [Germany] ASIN: B000001KC3 Release Date: 1992-11-04

Tracks:

1. Gaspard de la nuit: Ondine
2. Gaspard de la nuit: Le Gibet
3. Gaspard de la nuit: Scarbo
4. Jeux d'eau
5. Menuet sur le nom de Haydn
6. Miroirs: Noctuelles
7. Miroirs: Oiseaux Tristes
8. Miroirs: Une Barque sur l'Ocean
9. Miroirs: Alborada del Gracioso
10. Miroirs: La Valldes cloches
11. Menuet Antique
12. Piano Concerto For The Left Hand

Tracks:

1. Piano Concerto In G: Allegramente
2. Piano Concerto In G: Adagio assai
3. Piano Concerto In G: Presto
4. Le tombeau de Couperin: Prde
5. Le tombeau de Couperin: Fugue
6. Le tombeau de Couperin: Forlane
7. Le tombeau de Couperin: Rigaudon
8. Le tombeau de Couperin: Menuet
9. Le tombeau de Couperin: Toccata
10. Pavane pour une Infante dnte
11. Sonatine: Mod
12. Sonatine: Menuet
13. Sonatine: Anim
14. Prde
15. Valses nobles et sentimentales

Customer Reviews:

A classic recording.......2007-07-13

I first bought this collection on vinyl in a Vox Box and listened to it constantly. I was so touched and impressed by Perlemuter's playing that I hoped to study with him while I was a student in Paris. However, as luck would have it, he was away that year, so I never had that privilege.

When I saw that this had been re-issued on CD, I was delighted. I own nine versions of the complete Ravel piano works, the best of which are by Simon, Tharaud, Hewitt, Bavouzet on a lovely 1901 Steinway, and Roger Muraro (it was his recording that Joyce Hatto took credit for!). And yes, Francois' concertos and Gaspard are classics, too. All of these performers seem to understand the particular qualities of Ravel's style, and their performances contain many fine moments.

This, however, is the version I keep coming back to. Of course, it's the first one I knew, and it's certainly imprinted on me. But it's more than that. Perlemuter's interpretation is straightforward and unfussy, and it succeeds in presenting this music with a clarity and focus that reveal each piece's individual personality. I believe there's also a humility in Perlemuter's attitude towards music that allows him to stand back and reveal the music on its own terms. Such an attitude is arguably the goal of all interpretation, but it's certainly the ideal way to perform the subtle, Apollonian style of Ravel.

Very highly recommended, and the price is a bargain.

Wonderful.......2007-04-01

These most beautiful recordings manage to be lyrical without sentimentality--the way I think Ravel would have liked them recorded. I even prefer them to those of Casadesus. In fact, these are my favorite recordings of 19th century French piano music. Perlemuter has two recordings of Faure's piano music that are equally impressive--try first the version on Erato (or at least not the Nimbus recording--which is also quite good).

I found his Schumann recordings to be less impressive--his style didn't quite fit. However these recordings of Ravel are unmatched.

You can't go wrong!.......2006-11-22

This is a steal! It is one of the finest performances of all of the works! I may like Samson François concertos and Gaspard de la nuit, but this set is still stunning! Great touch and control, amazing tone and a great sound recording (1955). The Miroirs and Le Tombeau de Couperin are artfully read and interpreted. If you like these pieces... This will make you love them. If you love these pieces... This will be a real treat. And for the price, you almost feel like you are dong something wrong when you buy it. A great investment for the serious listener.

Sublime Ravel.......2001-04-13

It is easy to put off buying this set when looking at the recording date (1955) and the fact the sound was originally monaural. Don't make that mistake. These are Ravel performances of the very highest order. For me Perlemuter is to Ravel's piano music what Gieseking is to Debussy's. Even in the 2 concertos Perlemuter and Jascha Horenstein (was he inspired by Perlemuter?}reach new heights. The sound is good enough to bring out every nuance. every subtlety. 155 minutes of suberb music at the price of one medium priced CD is quite a bargain.

Wonderful Ravel!!.......2001-03-16

I can only echo the other reviewers' sentiments.

I thought I only sort of liked Ravel's piano concerti until I listened to this set. (I also have de La Roccha (sp) w/ St. Louis--not more than competent all around, and another Vox recording that was miserably recorded). Wow. The beauty of the piano playing, the admirable conducting, the orchestral contributions...all make for a wonderful Ravel experience.

Ditto the performance of the piano pieces (well, I guess we'll have to omit the orchestra and conductor from the bravos here!).

A WONDERFUL set.

These are mono, but who cares. You shouldn't!!!

Average customer rating: Nancy Allen...

Nancy Allen Plays Ravel & Debussy Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: A Celebration For Harp The Most Relaxing Harp Album in the World... Ever! Music for Solo Harp Sound Grammar ASIN: B0009YA43K Release Date: 2005-07-19

Tracks:

1. Introduction And Allegro
2. Prelude
3. Minuet
4. Clair De Lune
5. Passepied
6. Pavone Of The Sleeping Beauty/Laideronnette, Empress Of The Pagodas
7. Reverie
8. In E, Andantino Con Moto
9. In G, Allegretto Scherzando
10. Danses Sacree Et Profane

Customer Reviews:

Nancy Allen..........2005-07-26

I first heard Nancy Allen's performance in 2001 on the station known in the Los Angeles/Orange County area as K-MoZarT (KMZT). I just managed to get the young lady's name and went searching on CDNOW to find a copy. I bought one used, and haven't regretted it! I find Ms. Allen's playing wonderful. Her pacing and dexterity are both on-par. I recommend the disk for the discerning listener!

Average customer rating:

Earl Wild plays Spanish and French Gems Manufacturer: Ivory Classics ProductGroup: Music Binding: Audio CD All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Wild, Earl | ( W ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Indie Music | Stores | Music Similar Items: Schumann: Etudes Symphoniques; Toccata; Fantasie in C Earl Wild's Legendary Rachmaninoff Song Transcriptions Earl Wild Plays the Russian Romantic Masters Earl Wild - Living History 'At 90' The Virtuosity of Earl Wild ASIN: B00000DCQP Release Date: 1998-09-10

Tracks:

1. El sombrero de tres picos: Danza del molinero
2. Espana, Opus 165: Malaguena
3. Suite espanola, Opus 47: Castilla (Seguidillas)
4. Images, Set l: Reflects dans l'eau
5. Iberia, Book 2: Triana
6. El Amor Brujo: Danza ritual del fuego
7. Doce danzas espanolas, Opus 37: Andaluza
8. Caprice epagnole, Opus 37
9. Preludes, Book l: Les collines d'Anacapri
10. Cancion y Danza No.8
11. Suite Bergamasque: Clair de lune
12. Jeux d'eau
13. Images, Set ll: Poissons d'or
14. Goyescas: Quejas o la mafa y el ruisenor
15. Miroirs: Alborada del gracioso

Album Description

Earl Wild, considered by the critic Harold C. Schonberg to be the last of the grand Romantic pianists, plays fifteen of the most evocative Spanish and French tone-paintings. These musical landscapes by Falla, Albéniz, Debussy Granados, Moszkowski, Mompou and Ravel, are performed with the extraordinary finesse and sensitivity of a true Romantic Master. (ADD) Recorded 10/64, 10/65, 4/68. Mastered using 20-Bit State-of-the-Art Technology — HDCD Encoded

Average customer rating: Fine Retrospective From Warner Classics Of Helene Grimaud's Best Recordings For This Label

Hélène Grimaud plays Beethoven, Brahms, Gershwin and others Manufacturer: Warner Classics ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Intermezzos | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Grimaud, Hélène | ( G ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Wild Harmonies: A Life of Music and Wolves Reflection Hélène Grimaud plays Chopin & Rachmaninov Credo The Very Best of Hélène Grimaud ASIN: B000FPYNVM Release Date: 2006-10-17

Tracks:

1. I. Allegro Affettuoso
2. II. Intermezzo: Andantino Grazioso
3. III. Allegro Vivace
4. Allegro Vivace
5. Tranquillo
6. A Tempo. Sostenuto
7. Un Poco Animato. Quasi Cadenza

Tracks:

1. I. Capriccio - Presto Energico
2. II. Intermezzo - Andante
3. III. Capriccio - Allegro Passionato
4. IV. Intermezzo - Adagio
5. V. Intermezzo - Andante Con Grazia
6. VI. Intermezzo - Andantino Teneramente
7. VII. Capriccio - Allegro Agitato
8. I. Andante Moderato
9. II. Andante Non Troppo
10. III. Andante Con Moto
11. I. Intermezzo - Allegro Non Assai
12. II. Intermezzo - Andante Teneramente
13. III. Ballade - Allegro Energico
14. IV. Intermezzo - Alegretto Un Poco Agitato
15. V. Romanze - Andante
16. VI. Intermezzo - Andante, Largo E Mesto
17. I. Intermezzo - Adagio
18. II. Intermezzo - Andantino Un Poco Agitato
19. III. Intermezzo - Grazioso E Giocoso
20. IV. Rhapsodie - Allegro Risoluto

Tracks:

1. I. Allegro
2. II. Adagio - Andante Con Moto
3. III. Allegro Agitato
4. I. Allegramente
5. II. Adagio Assai
6. III. Presto

Tracks:

1. I. Maestoso
2. II. Adagio
3. III. Rondo - Allegro Non Troppo
4. Applause - Applaudissements - Applaus

Tracks:

1. I. Allegro Moderato
2. II. Andante Con Moto
3. III. Rondo: Vivace
4. I. Vivace Ma Non Troppo
5. II. Prestissimo
6. III. Gesangvoll, Mit Innigster Empfindung (Andante Molto Cantabile Ed Espressivo)
7. I. Moderato Cantabile, Molto Espressivo
8. II. Allegro Molto
9. III. Adagio Ma Non Troppo - Fuga - Allegro Ma Non Troppo

Tracks:

1. I. Moderato
2. II. Adagio Sostenuto
3. III. Allegro Scherzando
4. Allegro
5. No. 1: Allegro Non Troppo F Minor
6. No. 2: Allegro C Major
7. No. 9: Grave C Sharp Minor
8. Variations On A Theme Of Corelli, Op. 42

Customer Reviews:

Fine Retrospective From Warner Classics Of Helene Grimaud's Best Recordings For This Label.......2007-05-26

Warner Classics has turned once more to its vaults, hoping to reap some additional financial rewards from legendary young French pianist Helene Grimaud, who has now an exclusive recording contract with Deutsche Grammophon. While cynics may criticize this latest compilation from Warner Classics, serious fans of classical music may find much that is rewarding here. Grimaud's disciplined, yet emotionally intense performances have been compared favorably to the likes of Martha Argerich and Claudio Arrau. Many critics and fans have observed that she performs with the wisdom and maturity of an artist who is far more advanced in age than hers (This is an interesting observation in light of the recent success earned by another Deutsche Grammophon recording artist, Lang Lang, who has yet to attain the artistic maturity which Grimaud has demonstrated for years.). In these recordings made for Teldec in the mid to late 1990s, Grimaud was fortunate to work closely with such eminent conductors as David Zinman, Kurt Sanderling and Kurt Masur, and with excellent symphony orchestras in North America and Europe, including the Berliner Staatskapelle, New York Philharmonic and Baltimore Symphony orchestras. Among my favorites is her fiery performance of the Schumann Piano Concerto, which sounds remarkably fresh in her capable hands and in the excellent muscianship demonstrated from the Deutsches-Symphonie-Orchester Berlin and conductor David Zinman. Yet another favorite is an exquisitely well-played performance of the Brahms 1st Piano Concerto, in which she is accompanied by Kurt Sanderling and the Berliner Staatskapelle. Not surprisingly, yet another highlight is her excellent, rather vibrant, performance of the Gershwin Piano Concerto with David Zinman conducting the Baltimore Symphony Orchestra. If you've wondered why Helene Grimaud has received such ample praise from critics and fans alike, then hopefully you'll find this CD set as an important reason why she has earned such warm adulation from critics and classical music fans across the globe.

Average customer rating: Ohhhld recording but excellent untitled The Pianist's Pianist go buy it Buy any CDs as long as it is by Dinu

Dinu Lipatti plays Chopin, Enescu, Ravel, Liszt & Brahms Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Enescu, Georges | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Sonatas | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Lipatti, Dinu | ( L ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Great Recordings Of The Century - Dinu Lipatti Dinu Lipatti: Besancon Recital The Complete Chopin Recordings Piano Concertos Chopin: Waltzes Nos. 1-14 ASIN: B00005AVMN Release Date: 2001-04-10

Tracks:

1. Pno Son No.3 in b, Op.58: I. Allegro Maestoso
2. Pno Son No.3 in b, Op.58: II. Scherzo (Molto Vivace)
3. Pno Son No.3 in b, Op.58: III. Largo
4. Pno Son No.3 in b, Op.58: IV. Finale (Presto Non Tanto)
5. Sonetto Del Petrarca No.104
6. Alborada Del Gracioso ('Miroirs' No.4)
7. Waltzes, Op.39 Nos.1, 2, 56, 10, 14 & 15
8. Pno Son No.3 in D, Op.25: I. Vivace Con Brio
9. Pno Son No.3 in D, Op.25: II. Andantino
10. Pno Son No.3 in D, Op.25: III. Allegro Con Spirito

Customer Reviews:

Ohhhld recording but excellent.......2004-09-09

These recordings date from 1937-47, Lipatti died in 1950. So they are of that era: somewhat boxy, muddy, and periodically oversaturated mono.

So if you were expecting modern quality you will be somewhat disappointed, but you can still hear everything quite well, and certainly evaluate the performances. Just imagine you're listening on one of those ancient phonographs with the big horn connected to the needle, and you will be thrilled.

As for the performances, I think everyone else has done a good job of describing them...they are sensational, and it is a pity this man didn't live long enough to have an adequate record of his genius. What remains is certainly worth appreciating.

untitled.......2004-09-08

Lipatti was a great artist, especially when he played great music. This is great music.

The Pianist's Pianist.......2003-07-29

Dinu Lipatti was perhaps the greatest pianist of the modern age. Such hyperbole is usually suspect in a review, and no doubt many will argue with it, but I find the recorded evidence to support the claim. Rubenstein may have been brasher, Horowitz splashier, Serkin more intellectual, Giesking more delicate, but Lipatti combines more of the virtues of a great pianist into a complete whole than any other giant of the century.

This recording is a case in point. Playing the music of composers as diverse as Chopin, Lizst, Ravel and Enescu, Lipatti shows many sides of his musical personality. The Chopin Sonata is by far the best recording of this work I have ever heard. The Sonata is phenomenally difficult, and yet, listening to Lipatti's version you are not aware of the difficulty. Lipatti tosses off the most fiendish run as if it were Chopsticks...and you are left to marvel at the sheer beauty of Chopin's creation. The third movement especially is breathtaking. This is an extremely difficult movement to pull off well. It hangs together by a line that tends to be hidden in the music, but Lipatti finds this line. The performance has a spirit and poetry that I've never heard equalled.

The other major work on this disc is the Enescu 3rd Piano Sonata. Enescu has recently undergone something of a renaissance, with more of his non-Romanian Rhapsody No. 2 works appearing on disc and in concert. But Lipatti was an early champion of his godfather's music. The Third Sonata is a delicate, almost neo-Baroque work, with a heavy debt to Debussy. Lipatti makes it sing lyrically, even in it's most virtuoso passages. His filigree is delicate and his sense for the inner poetry behind the music is unequalled.

The "filler" on this disc includes a lovely version of the Liszt Sonnet #104 of Petrarch, a duet reading of Brahms' Waltzes with Nadia Boulanger on second piano, and a stunning recording of the Ravel Alborada de gracioso. In all these works, Lipatti's touch is meltingly delicate, his virtuosity unmatched...and yet the spirit of the work is paramount. I cannot say enough about this wonderful pianist or this stunning record except, go get it now!.

go buy it.......2002-04-20

This is far and away the best performance of the Chopin (one of my favorite pieces) I've heard, quite possibly one of the best interpretations of anything... There's a fine line between not interpreting music and distorting it, and most classical and romantic artists, respectively, fall into one of these two categories. A handful of the old "classical" pianists, especially Gilels and Lipatti, managed to tread this line with a sublimely restrained kind of interpretation which still somehow does more for the rhetorical sense of the music. Though he is technically more subtle, the potency with which he delivers the music reminds me of Furtwangler. I'm not the biggest fan of the Brahms waltzes but all the other stuff on the disk is fantastic.

Buy any CDs as long as it is by Dinu.......2001-12-14

Listen to his Ravel and Brams and Chopin, you will be totally intoxcated. You can't expect a better pianist. Horowitz is slightly inferior. Rubinstein existed only to reflect how great Lipatti is.G.Gould makes you feel the same sometimes but he makes you uneasy most of the time.

Just like what's on the back flip of the EMI record: God lent the world HIS chosen instrument, whom we called "Lipatti", for too brief a space.

Average customer rating:

Martha Argerich plays Ravel & Chopin Manufacturer: IRCO ProductGroup: Music Binding: Audio CD All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Argerich, Martha | ( A ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Martha Argerich Plays Chopin: The Legendary 1965 Recording J.S. Bach: Toccata, Partita, English Suite 2/ Martha Argerich Martha Argerich and Friends Live from the Lugano Festival 2005: Chamber Music Martha Argerich and Friends: Live from the Lugano Festival, 2006 A Piano Evening with Martha Argerich [DVD Video] ASIN: B0009SQ41C Release Date: 2005-05-23

Tracks:

1. Concerto For Piano & Orchestra In G Major - Allegramente
2. Concerto For Piano & Orchestra In G Major - Adagio Assai
3. Concerto For Piano & Orchestra In G Major - Presto
4. Concerto For Piano & Orchestra No. 1 In E Minor - Allegro Maestoso
5. Concerto For Piano & Orchestra No. 1 In E Minor- Romance. Larghetto
6. Concerto For Piano & Orchestra No. 1 In E Minor- Rondo. Vivace

Average customer rating: An Admirable, Distinguished Collection Of Helene Grimaud's Earliest Recordings Not just exceptional piano playing for a teen-ager - exceptional piano playing, period. Gorgeous Music - Great Value

Hélène Grimaud plays Rachmaninoff, Chopin, Liszt, Schumann, Brahms, Ravel (Box Set) Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Ballads | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Sonatas | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Grimaud, Hélène | ( G ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Brilliant Classics | Amazon.com Label Stores | Stores | Music Similar Items: Credo Beethoven: Piano Concerto No. 4; Piano Sonatas Opp. 109 & 110 Wild Harmonies: A Life of Music and Wolves Hélène Grimaud ~ Brahms - Piano Concerto No.1 Hélène Grimaud ~ Gershwin · Ravel - Piano Concertos ASIN: B0000D1FCP Release Date: 2003-09-30

Customer Reviews:

An Admirable, Distinguished Collection Of Helene Grimaud's Earliest Recordings.......2007-05-25

This is truly a magnificient box set which demonstrates the early artistry of one of our finest contemporary pianists, the celebrated French pianist Helene Grimaud. It's an amazing collection not only because it was recorded when Grimaud was in her teens and early twenties when she was contracted to Denon, but more importantly, it demonstrates just how accomplished a musician she was at the start of a brilliant career. Her excellent playing of these works, especially of the Schumann and Brahms pieces, can hold their own against legendary competition from the likes of Claudio Arrau, Alfred Brendel and Murray Perahia, to name but a few of the most noteworthy interpreters - past and present - of these scores. However, I think the real gems are her spellbinding, exquisite performances of the Rachmaninov piano concerto and solo pieces, which I find as admirable as those I've heard from Vladimir Ashkenazy and Zoltan Kocsis, to name but a few. Those unfamiliar with the earliest phase of Helene Grimaud's distinguished career as a celebrated solo pianist will find this box set most rewarding.

Not just exceptional piano playing for a teen-ager - exceptional piano playing, period........2006-12-03

Brilliant Classics, a cheapo-cheapo label based in the Netherlands, has licensed from Denon the five recordings which launched Helene Grimaud's career, and marketed them at a price which makes them a steal. Miss Grimaud was 15 when she recorded the first of these five, the Rachmaninoff collection, in 1985, comprising his second piano sonata (in Horowitz' abridged edition) and a selection of Etude-Tableaux, plus two Preludes. She went on with Schumann (1st piano sonata in 1987, Kreisleriana in '88), Chopin (1st Ballade) and Liszt (Dante Sonata - both in '87), Brahms (second piano sonata in '88 followed by third piano sonata and Klavierstücke opus 118 in '91), and it was all topped-off, in 1992, by the concerto recordings: Ravel's G major and Rachmaninoff's 2nd, with the Royal Philharmonic Orchestra conducted bu Jesus Lopez-Cobos. She then moved own to Erato, and now DG - and that was it for Denon.

So these discs span the 7 first years of her recording career, and it is not easy stuff that she tackled either. These are among the most daunting compositions of the piano repertoire, not only technically but also musically.

It would be unfair to Miss Grimaud to say that these are astounding recordings for a 15-to-22 year-old girl. These are astounding recordings, period. Throughout she displays unflinching muscularity, gripping rhythmic bite, magnificent control of the long line and the succession of variegated moods, from drama to lyricism, and admirable attention to the inside voicing and complexities of contrapuntal writing. All these recordings are not just fine visiting cards for a fledgling pianist - they are equal to the best. Brilliant as reissued the Denon discs as they were originally, short timings and all - the Rachmaninoff is 44 minutes long and the longest of the five is under the hour - but given the price and the excellence of piano playing it is still a bargain.

Miss Grimaud is now in the public's eye almost more for her infatuation with wolves than for her pianistic skills - and the Brilliant release surfs on the wave, albeit with some discretion, by the choice of its cover art. But judging from these recordings, one suspects that this kind of claptrap is almost detrimental to her cause. The wolf hype would easily lead you to think that some wise-axxed PR was trying to make up by that tacky attention-catcher for what her mere pianism was unable to achieve. Not so. Miss Grimaud's pianistic and musical gifts can amply stand on their own. Let the wolves howl, and hats off to the pianist.

Gorgeous Music - Great Value.......2004-07-31

This box set consists of 5 CDs of Helene Grimaud's beautiful piano playing. These CDs were originally released by Denon which has a great reputation for audio quality. Grimaud plays Rachmaninoff (Piano Concerto 2, Piano Sonata No.2 and others), Ravel (Piano Concerto in G major), Chopin (Ballade No. 1), Schumann (Piano Sonata No. 1 and Kreilserana), Liszt (Apres une lecture de Dante), Brahms (Piano Sonata Nos. 2 and 3 and Klavierstucke Op. 118).

A lot of great music beautifully played and recorded without breaking the bank.

Highly recommended.

Average customer rating: One of the Great Recordings of the Brahms Concerto Superb artistry Neveu was to violin what Frau Carreno to piano Best Brahms Recorded Genius of Neveu

Ginette Neveu Plays Brahms Manufacturer: Dutton Labs UK ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Kreisler | Kreisler, Fritz | ( K ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Classical | Imports | Stores | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Ginette Neveu Violin Concerto / Symphony 2 The First Recordings of Ginette Neveu; The Complete Recordings of Josef Hassid The Art of Violin Brahms, Sibelius: Violin Concertos ASIN: B00005B0GZ Release Date: 2001-08-14

Customer Reviews:

One of the Great Recordings of the Brahms Concerto.......2006-07-21

Ginette Neveu would have lived on to become one of the last Century's greatest violinists had she not died tragically and prematurely at the age of 30 in an airplane crash in 1949. Possessing a brilliant technique with a wide range of tonal colors and emotions at her command, she brought great fire, passion, intensity and conviction to everything she played.

Neveu left a small recorded legacy, among which is this 1947 recording of the Brahms Violin Concerto with the Philharmonia Orchestra under Issay Dobrowen. This is a most distinguished performance. Neveu brought to the much-played and recorded warhorse concerto a youthful, firy passion that is hard to resist. This makes the recording something truly special and unique among the many put down on the gramophone for the Opus. The miniature pieces that fill up the rest of the disc are further testimonies of Neveu's inimitable artistry and musicianship.

The remastering by Michael Dutton serves to highlight Neveu's vibrant, sinewy tone, which emerges from the CD with startling immediacy. In so doing, the orchestra in the Brahms concerto sounds relatively recessed when compared to a previous transfer by EMI Reference, but this is a small price to pay.

[Note: There have been two other versions of Neveu playing the Brahms Violin Concerto, both published on the French Tahra label: one with the French National Orchestra conducted by Roger Desormiere on 4 Apr 1948 {in a three-CD set titled "Tribute to Ginette Neveu", on TAH 2.355/57}; another one is with the North German Radio Symphony Orchestra conducted by Hans Schmidt-Isserstedt on 25 Apr 1948, coupled with Brahms's Violin Sonata No. 3 accompanied by Neveu's brother Jean on the piano, on TAH 465. These live radio broadcasts find Neveu in even more expressive and elated form, but the CDs are very hard to obtain - so grab it if you happen to encounter one available online or in the record store.]

Superb artistry.......2004-10-06

There is certainly no doubt about Neveu's genius as an instrumentalist. She sometimes makes other violinists sound merely competent. Aside from the main work, the Brahms Violin Concerto, this disc brings her together with her brother, pianist Jean Neveu, in pieces by Suk, Chopin, Ravel, deFalla and Dinicu. These compositions contain a strong exotic element which the pair most ably conveys with plenty of flair and emotion. At times, they are dazzling....In the Brahms, Ginette Neveu combines technical acumen with passionate expression. One of her strongest suits is the rendering of dynamic contrasts, where she is outstanding. Though I continue to prefer the Oistrakh/Konwitschny, Szigeti/Harty and Heifetz/Reiner versions, I consider Neveu, as an artist, to be in close company with those great violinists. As to why I don't care as much for her performance in comparison with the others, it concerns personal responses to aspects of her expressive style. I find her a little too nice and pretty in some of the more lyrical passages. Hers is not the kind of account I prefer to return to for repeated listening. This aside, I have the highest regard for her skills. Incidentally, she is provided solid accompaniment by Issay Dobrowen and the Philharmonia Orchestra. The sound quality throughout is very fine [mono] and particularly full bodied. Though there are a number of excellent Brahms Violin Concertos out there, undoubtedly, some will consider this the finest interpretation the masterwork has ever had.

Neveu was to violin what Frau Carreno to piano.......2004-04-02

Neveu belonged to another level of performers. His playing was incredibly stunnig precise filled with comittment warmth and fire. This version only has a contender. Herself in a further version recorded with the Munich Orchestra conducted by Hans Schmidt Isserted in 1948 . However this Dobrowen's version is amazing. and very close to that approach. (The difference is the mature in the musical thought of Neveu in that one).
After you listen please, try with Heifetz and believe or not, Heifetz is absoltely cold and in certain way he doesn't reach the elusive height and even he shows a understanding spirit of this work.
And i sure you. I'm not kidding. Both versions are hair raising and overwheelming. Please make yourself a favour and compare by yourself.

Best Brahms Recorded.......2004-02-22

Greetings!

I recently purchased the Dutton recording of Ginette Neveu playing the Brahms Violin Concerto (w/Suk Four Pieces, Op.17; Chopin Nocturne No. 20; Ravel Tzigane; Falla Danse Espagnole; Dinici Hora Staccato--budget priced to boot!) and I must say I am stunned by her Brahms! It is AMAZING!!!!! Her playing transforms the concerto. For years, many recordings (and I have heard many) have turned the Brahms into a soupy pseudo-violin-symphony, but Neveu plys the heck out of the concerto--controlling it like an honest dialogue between soloist and orchestra.

I was floored by her control of the instrument, her audacious attack on double stops and chords, and her impeccable sonority. This was, sadly to say, a late purchase, but I think it is probably the best version of the piece I have ever heard, with unbelievable clarity, passion and drama. Hearing this disc has also allowed me to get a sense of the tragedy of her early death, because, undoubtedly, she would stand higher than many of the men in her generation. The Poulenc sonata, dedicated in memory to Neveu, now holds an even more special meaning to me! (I also see where Mutter and Hahn have gotten their inspiration from for their Brahms recordings.) What a disc!! Definitely a must-buy!!!

Genius of Neveu.......2003-09-26

Due to the dual factors of her untimely death and the poor quality of recordings of the era, Ginette Neveu is sadly underappreciated-- she stands among the best violinists of the 20th century.

Don't miss the chance to hear one of the few available recordings of her performances. If you can get past the sound quality (think of Toscanini) you will be amazed at the power and purity of her sound and interpretation.

Anthony Clarke's review states that her only recordings are of the Sibelius and the Brahms, but there is also a CD of her playing the Beethoven as well as Ravel's Tzigane and Chausson's Poeme-- it's on the "Historic Broadcast Performances" catalog of the "Music and Arts" company. If you can find it, buy it; it's one of the best recordings of the over-recorded concerto that I've heard.

Track Listings:

1. Popular Sibelius
2. Prokofiev, Chostakovitch, Schnittke: Cello Sonatas
3. Puccini: Madama Butterfly (Highlights) / Tebaldi
4. Puccini: Tosca (Highlights) / Karajan, Price
5. Quatuor Debussy plays Webern
6. Ravel, Honegger, Dukas, Chabrier, Debussy
7. Rozsa : Hungarian Sketches/ Sedares, New Zealand SO
8. Schubert: Piano Quintet in A major/Dvorak: Piano Quintet in A major
9. Schubert: Sonata in A/Impromtus
10. Serenade Op 11 / Schumann Variations Op 23

Track Listings

track listings

Track Listings

Tribute to ABBA

And the Day After I Die

Amour & Passion [Import]

Music: Eternally

Auswartsspiel

All Time Religious Favorites

Abba Pater [Import]

Antonio Vivaldi: Flute Concertos Op. 10, 1-6

20th Century Gospel: From Hymns to Blackwood Brothers Tribute to Christian Country

15 Exitos de Mercedes Castro

A Death In The Discotheque [Explicit Lyrics]

Baja Sessions

Amnesia Paris, Vol. 2: White Sessions [Import]

Jascha Heifetz Plays Wienawski, Vieuxtemps, Saint-Saëns, Sarasate

Jon Secada