Concerted Clarinet Works

1. Concerto for clarinet & viola with orchestra, in E minor, Op. 88
Composed by Max Bruch
Performed by Bamberg Symphony Chorus with Eduard Brunner , Tabea Zimmermann
Conducted by Lothar Zagrosek

2. Double Concerto, for oboe, harp & chamber orchestra
Composed by Witold Lutoslawski
Performed by Bamberg Symphony Chorus with Eduard Brunner , Maria Graf , Tabea Zimmermann
Conducted by Lothar Zagrosek

3. Duet-Concertino for clarinet, bassoon, harp, & strings, AV 147
Composed by Richard Strauss
Performed by Bamberg Symphony Chorus with Eduard Brunner , Maria Graf , Milan Turkovic , Tabea Zimmermann
Conducted by Lothar Zagrosek

Album Description

Mozart Edition: The Complete Works will make a great gift this Holiday season for the music lover in your life or someone who is hard to buy for. This collection contains 170 discs of completed works by Mozart in one beautiful package. Also included is a cd-rom containing essays on his works, artist bio's, text and libretti's. At this super low price all music lovers will enjoy the Symphonies - Concertos - Serenades - Divertimenti - Dances - Chamber Music - Church Sonatas - String Ensembles - Violin Sonatas - Keyboard Works - Sacred Works - Concert Arias - Songs - Canons and Operas in this collection.

Customer Reviews:

a surprising offer.......2007-07-05

Complete works of Mozart for such a price is a surprising offer. We are pleased of the good quality, and the availability of otherwise difficult to find works of Mozart

Welcome to Perfection.......2007-06-28

Dispite what anyone else says, if god ever tried to talk to humanity it was through Wolfgang because his music is absolute perfection.It is the most beautiful music i've ever heard in my life( and this is coming from a 21 year old metal-head ).If one has second thoughts about buying this collection dispell them right now because this is probably the first item i've bought in a long time that i have not regreted.

Buy this as an encyclopedia of Mozart, then add other recordings..........2007-06-22

Brilliant Classics Complete Mozart edition, released for the 250th anniversary year of Mozart's birth (he was born in 1756), has much to recommend it. It contains almost all the works of Mozart, and has many fine performances: the piano sonatas by Klara Wurtz, Piano Concertos by Derek Han, Paul Freeman/Philharmonia, The Magic Flute, conducted by Charles Mackerras (licensed from Telarc), String Quartets by the Franz Schubert Quartet (Licensed from Nimbus) each stand out. The Symphonies, by the Amsterdam Mozart Academy/ Jaap ter Linden, are "So-so": I don't like the small period ensemble, but Symphonies 20, 40 (both versions: one with clarinets and the other without), 23, 24, and 34 are pretty good. Symphonies 1:I, 25 and 41 are sub-par: scrappy playing and weak violins make for a pretty rough experience. I would supplement this with the complete Mozart Symphonies by Karl Bohm/Berlin Philharmonic (DG), among the best recordings of these works, and the best complete set of Mozart's Symphonies, completed in 1968.

The Requiem, conducted by Nicol Matt (2001 recording) has had better performances, and for this I would recommend Bohm/Vienna Philharmonic (DG) and Colin Davis/London Symphony (Philips), which use a larger choir and orchestra, and have more drama where it is needed. The other choral works conducted by Nicol Matt are better, especially "Exsultate Jubilate" motet, the short Masses, and "Ave Verum".

Also worthy of mention are the "Posthorn" and "Haffner" Serenades, by Colin Davis/Bavarian Radio Symphony Orchestra, licensed from Novalis for this release.

This is a great overview, and Brilliant Classics are to be commended for making it available at a low price, to get Mozart's music out to the mass public. It's a great buy, but I would get the Bohm Symphonies, and also Piano Concertos by either Ashkenazy/Philharmonia (Decca), Perahia/English Chamber Orchestra (Sony) or Anda/Mozarteum Orchestra of Salzburg (DG) for supplements. Also, Karl Bohm's recordings of the operas: The Magic Flute, the Marriage of Figaro, Idomeneo, and La Clemenza di Tito (all DG) are required listening, too. Recommended, but not as the only recording of Mozart's works.

Great value..Cant beat this deal at all!!!.......2007-06-13

As others have reviewed the product and highlighted that there are a few poor pieces... But who cares when there is 170 discs.. if you had have 10 cds that are poor quality and had a 160 disc set of good cd's and you paid $90 for the set.. would you be happy? I would think so... So don't get frustrated and just buy the set.. Enjoy the music for the price.. I am not going to go into details like others did but just buy the set!

Incredible Bargain.......2007-06-10

This offer is an incredible bargain at just over 50 cents a CD. The price jumps around often - you can sometimes get it for $4 or $5 less. but still at 50 cents. Mine arrived in excellent shape - it's hard for them to do otherwise. The way they are packaged they are either in good shape or some major disaster has happened destroying a whole bunch. Those I have played sound great. It will probably take a life time to play them all. Meanwhile we can just revel in our riches and feel all warm and fuzzy.
I also own the Bach set and am wildly happy with that as well.

Average customer rating:

Bedtime Beats: The Secret to Sleep
Not exactly....
Not what I expected.
Excellent relaxing music and sleep aid
nice try...

Bedtime Beats: The Secret to Sleep

Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Pillow Music - Natural Deep Sleep
Sleep Soundly
The Most Relaxing Classical Album in the World...Ever!
Beethoven at Bedtime: A Gentle Prelude to Sleep
Delta Sleep System

ASIN: B000GH3PQ8
Release Date: 2006-09-12

Tracks:

Vivaldi: Concerto in D Major, "Largo" -- Sharon Isbin
Ravel: Piano Cto. in G Major, "Adagio Assai" -- Anne Queffelec
Vaughan Williams: Greensleeves -- Davis/BBC Symphony Orchestra
Satie: Gymnopedie No. 1 & 3 -- Sado/Orchestre Des Concerts Lamoureux
Beethoven: Piano Cto. No. 5, "Adagio Un Poco Mosso" -- Pierre-Laurent Aimard
Ravel: Pavane Pour Une Infante Defunte -- Nagano/lyon National Opera Ochestra
Puccini: Chrysamthemums -- Helsinki Strings
Mozart: Adagio for Violin and Orchestra in E Major -- Thomas Zehetmair
Chopin: Piano Cto. No. 2, "Larghetto" -- Maria-Joao Pires
Resighi: Villanella -- Scimone/I Solisti Veneti
Faure: In Paradisum -- Corboz/Berne Symphony Orchestra

Tracks:

J.S. Bach: Goldberg Variations, "Aria" -- Jill Crossland
Tchaikovsky: Andante Cantabile -- Alexander Kniazev
Debussy: The Girl With The Flaxan Hair -- Lily Laskine
Mozart: Piano Cto. No. 21, "Andante" -- Karl Engel
Chopin: Nocturne In E flat Major -- Elisabeth Leonskaja
J.S. Bach: Harpsichord Cto. In F Minor, "Adagio" -- Sharon Isbin
Mozart: Clarinet Quintet, "Larghetto" -- Karl Leister
Saint-Saens: The Swan -- Gennadi Rojdestvenski
Albinoni/Giazotto: "Adagio" -- Sharon Isbin
Faure: Pavane Pour Orchestre -- Jordan/Orchestre De Chambre De Lausanne
Beethoven: Piano Sonata No. 14, Moonlight "Adagio Sostenuto" -- Nikolai Lugansky

Album Description

Created to meet the needs of more than 40 million sleep sufferers and light-eyars beyond lullabies, Bedtime Beats: The Secret To Sleep is the first classical music collection available as a true sleep remedy, an effective alternative to medication and sleepless nights. Carefully programmed in accordance with recent research from Case Western Reserve University--which discovered that classical and soft jazz music played at 60-80 beats per minute induces sound sleep.

Customer Reviews:

Bedtime Beats: The Secret to Sleep.......2007-07-23

I love listening to soothing sounds to help me sleep at night. This CD is expecially relaxing to play when turning in at the end of the day. I would recommend this to anyone who wants to be lulled off to peaceful slumber.

Not exactly...........2007-05-14

This cd wasn't exactly what I was looking for, it does not really help you fall asleep. Some of the music can be annoying and it could have been more soothing.

Not what I expected........2007-04-26

I should have paid attention to the two negative reviews. This CD doesn't put me to sleep at all--in fact, it keeps me awake. I find myself listening to the music instead of going to sleep.

One of the pieces has irritating and dissonant passages mingled with relaxing, soothing passages. Also the music changes tempo and volume quite often, which would wake me up if I did start to drift off.

Since I expected something that would put me to sleep, listening to this is upsetting, because I wasted my money.

However, since it works well for most reviewers, I figure I must hear things differently, or have a harder time falling asleep than most. Maybe if I listened to it enough to get used to it, it might work better.

I would like to find something totally soothing and relaxing--maybe I need actual recordings of water or rain, but I prefer music. Any suggestions?

Excellent relaxing music and sleep aid.......2007-04-10

This CD collection is so effective that I still have not made it through the first CD to listen to the second one. It's very relaxing music and helps me fall asleep every night.

nice try..........2007-02-06

but no silver bullet. FOR ME. Lovely selection of tunes, and I find them quite enjoyable and relaxing, but they just don't "knock me out". I own a variety of "sleep CD's" but real music seems to be just too stimulating when I am having trouble sleeping. I do better with guided imagery. Yesterday, though, I brought it over to my mom's place and laid down to listen to it with her, because she was so stressed out. She was asleep before the third number!

Average customer rating:

Pieces, playing, and price: all excellent
Must Be Heaven
Wonderful pieces filled with wonderful memories
Polite & reserved
superlative

Bruch: Works for Clarinet & Viola

Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

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Bruch: The Complete Symphonies
Bruch: The Complete Violin Concertos
Weber: Clarinet Concertos Nos. 1 & 2; Grand Duo Concertante; Concertino
French Clarinet Art
Music for Viola & Piano

ASIN: B00005OBR9
Release Date: 2002-02-19

Tracks:

Concerto For Clarinet, Viola And Orchestra In E Minor, Op.88: Andante Con Moto
Concerto For Clarinet, Viola And Orchestra In E Minor, Op.88: Allegro Moderato
Concerto For Clarinet, Viola And Orchestra In E Minor, Op.88: Allegro Molto
Eight Pieces For Clarinet, Viola And Piano, Op.83: No.1 Andante In A minor
Eight Pieces For Clarinet, Viola And Piano, Op.83: No.2 Allegro Con Moto In B Minor
Eight Pieces For Clarinet, Viola And Piano, Op.83: No.3 Andante Con Moto In C Minor
Eight Pieces For Clarinet, Viola And Piano, Op.83: No.4 Allegro Agitato In D Minor
Eight Pieces For Clarinet, Viola And Piano, Op.83: No.5 Andante In F Minor
Eight Pieces For Clarinet, Viola And Piano, Op.83: No.6 Andante Con Moto In G Minor
Eight Pieces For Clarinet, Viola And Piano, Op.83: No.7 Allegro Vivace Ma Non Troppo In B Major
Eight Pieces For Clarinet, Viola And Piano, Op.83: No.8 Moderato In E Flat Minor
Romance For Viola And Orchestra In F Major, Op.85: Andante Con Moto

Customer Reviews:

Pieces, playing, and price: all excellent.......2007-07-05

I really don't like to review a CD based upon price. I'd rather pay more to have a great CD than pay less for a mediocre one.

In this case, though, you get some great works by Bruch, played wonderfully by Meyer, at an obscenely low price.

I've had reservations with Warner Apex because of a previous CD and the poor sound quality; but that is not an issue on this CD.

Overall, a great purchase for any classical fan.

Must Be Heaven.......2006-08-17

Bruch: Works for Clarient and Viola must be the music that is played in heaven. You will surely think you are there, when listening to these soul soothing yet most dramatic sounds.It is simply beautiful and may be the best hour of your day(actually about 65 minutes).Bruch, an already much admired composer and teacher of the mid 19th century to early 20th, composed these works during the later years.

Opening with a "Concerto for Clarinet, Viola and Orchestra in E minor, OP.88, the three movements (Andante con moto,Allegro moderato, and Allegro molto), will take your breath away, as the music seems to float in the air around you.

Next up are 8 pieces for Clarinet, Viola and Piano, Op.83 to savour. Each instrument and every track with it's own personality. Sometimes sweet, or solemn, other times happy, lively,or more dramatic, at times powerful. Some of the pieces are "Andante in A Minor", "Allegro agitato in D minor", and Moderato in E flat minor"(see buying ino page for a complete list of tracks.

The final section is "Romance for Viola and Orchestra in F major, Op.85. One gorgeous track, the 7 and a half minute, "Andante con moto".Music that more than lives up to it's title. It may have you swooning.

Kent Nagano and the Lyon Opera Orchestra, with Paul Meyer on Clarinet, Gerard Causse, viola,and Francois-Rene Duchable piano,perform Bruch with perfection.There are 12 tracks in total.They range from 2:22 to 7:49. Most are a good length. The CD is an excellent quality, and includes an insert with a notes on Max Bruch and his music.

I would highly recommend this album to lovers of instrumental classical. It's an album that you should take with you on long scenic drives to add to the beauty of your visual pleasure, or at times you may be stuck in traffic, to ease your drive(be careful though, if you feel like conducting, make sure no one is watching!). Not bad for a wonderfully atmospheric evening, or lazing Sunday morning as well.

Enjoy it whenever the mood or need hits...Laurie

Wonderful pieces filled with wonderful memories.......2006-03-23

My late fiance and I played half of the 8 pieces for our recitals and we both loved them. It is what drew us together as a couple. These pieces are beautiful and each are so different that taking them out of context is fine too. We even gave each one that we played together their own titles. I love the Clarinet & Viola combination very much (espically the Kegelstatt!) and will miss my beloved duet partner.

I highly recommend this CD as it is an enjoyable experience! You will not be disappointed...Bruch is a truly wonderful composer!

Polite & reserved.......2006-03-16

The music is polite and soothing and good background music. Nothing that I could sink my teeth into.

I had to smile at Mr. Bryson's comments below when said that he wants to get to know Bruch's music as well as he knows Brahms and said that he knows of no other composer besides Bruch that has written for the combination of clarinet & viola or violin. Actually, the use of clarinet in chamber music is not that rare. Mozart's trio for Trio for clarinet, viola & piano in E flat major ("Kegelstatt"), K. 498 is one such work and another is Robert Schumann's Märchenerzählungen for clarinet, viola & piano, Op. 132. And, of course, both Beethoven and Brahms wrote clarinet/cello/piano trios with the cello having about the same role as the viola.

superlative.......2005-10-15

This is a great deal! The viola/clarinet concerto is a jighly enjoyable work in the romantic tradition and the clarinet/piano pieces while slightly less approachable are really excellent. The sound is good and the price can't be beaten.

Average customer rating:

Nice Mood Setting Music
This CD stays in my car player
Beautiful interpretations
great music! not so great sound variations!
A great, great collection!

Romantic Adagios

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Movie Adagios
Evening Adagios
Romantic Adagios 2
Violin Adagios
Cello Adagios

ASIN: B00004C8TG
Release Date: 2000-06-13

Tracks:

Adagio For Strings: Barber: Adagio for Strings
Meditation (Thais): Massenet: Meditation (Thais)
Piano Concerto No. 2 In C Minor, Op. 18: Rachmaninoff: Piano Concerto No. 2 in C minor, op. 18
Gymnopedies 1 and 3: Satie: Gymnopedies 1 and 3
Clarinet Concerto In A Major, K622: Mozart : Clarinet Concerto in A Major, K622
Adagio of Spartacus and Phrygia (Spartacus): Khachaturian: Adagio of Spartacus and Phrygia
Sonata in C Sharp Minor, Op. 27 No. 2 'Moonlight': Beethoven : Sonata in C Sharp Minor, Op. 27 No. 2 'Moonlight'
Kol Nidrei: Bruch: Kol Nidrei
Nimrod (Enigma variations): Elgar: Nimrod (Enigma variations)
Symphony No. 5 In C Sharp Minor: Mahler: Symphony No. 5 in C Sharp Minor

Tracks:

Piano Concerto No. 21 in C major, K467: Mozart: Piano Concerto No. 21 in C major, K467
Andante cantabile (String quartet No. 1): Tchaikovski: Andante cantabile (String quartet No. 1)
Violin Concerto No. 1 in G Minor: Bruch: Violin Concerto No. 1 in G minor
Symphony No. 9 in E minor ' From the New World': Dvorak: Symphony No. 9 in E minor ' From the New World'
Rhapsody On A Theme Of Paganini: Rachmaninov: Rhapsody on a Theme of Paganini
Intermezzo (Cavalleria Rusticana): Mascagni: Intermezzo (Cavalleria rusticana)
Clair de Lune: Debussy: Clair de lune
Concierto de Aranjuez: Rodrigo: Concierto de Aranjuez - Adagio
The Carnival Of The Animals: Saint-Saens: The Swan
Piano Concerto No. 2 In F Major, Op. 102: Shostakovich: Piano Concerto No. 2 in F major, op. 102 - Andante
Pavane, op 50: Faure: Pavane, op 50

Customer Reviews:

Nice Mood Setting Music.......2007-05-25

This is a very nice cd to listen to and sip red wine in one's back yard while reading a good book. Well worth to add to your collection.

This CD stays in my car player.......2005-07-25

This CD is one that I think even non-classical music lovers would like. It isn't too "classical" and some of the songs are the kind that keep going though your head until you can't help but play the disc again. It is a two disc set and priced no higher than most singles.

Beautiful interpretations.......2004-01-25

I agree with a previous reviewer on the minor problem
of variations in volume. Beyond that, I find every
piece beautiful. This interpretation of Barber's
Adagio is the most passionate I have ever heard. I also
find the Faure selection very touching. I love the
vocals. I recommend this set to anyone, if for no
other reason than the Barber piece.

great music! not so great sound variations!.......2003-07-07

The selections and the arrangements are truly excellent. There are some hard to find (on the same CD) pieces and adagios--Spartacus ; Rodrigo's Concierto de Aranjuez; Mascagni's Intermezzo from Cavelleria...
But, better turn up the sound and then get away from the speakers. Parts of the selections are played so very softly that, when you turn up the volume to hear them, you will get blasted by those sections that have cresendos, or just plain louder sections. Too bad!
Very hard to enjoy in a car--or, even at home. if this problem did not exist, this is a 5 star plus!

A great, great collection!.......2001-10-01

I was stunned to see only two and a half stars for romantic adagios. I don't know how much you get to know by listening to only one "song" out of so many in this collection, but in my opinion this CD collection deserves a lot of credit. I had heard of Samuel Barber's Adagio for strings many times before and I was impressed but this was the first time that I was completely mesmerized. I highly recommend to any Barber fans to listen to this interpretation by David Zinman which is incredible. There seems to be so much passion and emotion! Also others such as Adagio of Spartacus and Clarinet Concerto just make the collection even better.

The Copland Collection: Orchestral & Ballet Works, 1936-1948

Average customer rating:

Bought this for Concerto for Clarinet
Aaron Copland: Populist and Conductor
Tribute to Lincoln
A great way to get your dose of Copland....
Well balanced retrospective, -or- Listen to this!

The Copland Collection: Orchestral & Ballet Works, 1936-1948

Manufacturer: Sony
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Binding: Audio CD

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The Copland Collection: Orchestral Works, 1948-1971
Copland: Music for Films
A Copland Celebration Vol. 3
A Copland Celebration Vol. 1
Samuel Barber / Thomas Schippers

ASIN: B0000027BJ
Release Date: 1991-01-18

Tracks:

El Salon Mexico
An Outdoor Overture
Billy The Kid: Introduction: The Open Prairie
Billy The Kid: Street In A Frontier Town
Billy The Kid: Prairie Night (Card Game At Night)
Billy The Kid: Gun Battle
Billy The Kid: Celebration (After Billy's Capture)
Billy The Kid: Billy's Death
Billy The Kid: The Open Prairie Again
Quiet City
John Henry
Our Town
Las Agachadas
Fanfare For The Common Man

Tracks:

Rodeo (Four Dance Episodes): I. Buckaroo Holiday
Rodeo (Four Dance Episodes): II. Corral Nocturne
Rodeo (Four Dance Episodes): III. Saturday Night Waltz
Rodeo (Four Dance Episodes): IV. Hoedown
The City: New England Countryside
Of Mice And Men: Barley Wagons
The City: Sunday Traffic
Our Town: Grovers Corners
Of Mice And Men: Threshing Machines
Appalachian Spring (Suite From The Ballet): Very Slow
Appalachian Spring (Suite From The Ballet): Fast
Appalachian Spring (Suite From The Ballet): Moderato
Appalachian Spring (Suite From The Ballet): Fast
Appalachian Spring (Suite From The Ballet): Still Faster
Appalachian Spring (Suite From The Ballet): As At First (Slowly)
Appalachian Spring (Suite From The Ballet): Calm And flowing
Appalachian Spring (Suite From The Ballet): Moderato; Coda
Letter From Home
Danzon Cubano

Tracks:

Lincoln Portrait: Lento
Lincoln Portrait: Subito Allegro
Lincoln Portrait: 'Fellow Citizens, We Cannot Escape History...'
Symphony No. 3: I. Molto Moderato-With Simple Expression
Symphony No. 3: II. Allegro Molto
Symphony No. 3: III. Andantino Quasi Allegretto
Symphony No. 3: IV. Molto Deliberato
Concerto For Clarinet, Strings, Harp, & Piano

Amazon.com

Aaron Copland made numerous recordings of his own music, including an extensive series for CBS during the 1960s and '70s, mostly with London orchestras. He was not an especially proficient conductor--consequently, the performances he conducted often lacked pace and rhythmic punch. His last recordings of his most popular scores have been reissued by Sony on an exceptionally well-remastered 3-CD set. These accounts do a good job of conveying the overall shape of the pieces, and they deliver telling characterizations of many episodes. Details emerge that are lost in some other accounts, and there is an appealing gentleness and sweetness to the approach. But the readings do not have as much grip as those of Bernstein and Slatkin, among others, and in spite of the authority they automatically possess, they are not necessarily preferable. --Ted Libbey

Customer Reviews:

Bought this for Concerto for Clarinet.......2007-07-14

The sum is greater than the parts. This is a great Copland collection and shows his diversity. Yet as divers and the three CD are they are all distinctively Copland. Benny Goodman is usually associated with jazz yet he was also diverse in his career. "Concerto for Clarinet, Strings, and Harp & Piano" is a mantra that will carry you to a timeless place.

An added plus is the many other popular pieces that you know you heard but did not realize it was Copland especially the music from movies.

You may have to play the set a few times before being able to recognize the different tracks by name. The down side is many of Copland's works are outside of the date range of this collection.

Aaron Copland: Populist and Conductor.......2005-03-29

If you want a prime collection of Copland's more accessible works, this is it. Yes, it's true that Bernstein's recordings of individual pieces are often bolder and livelier; but this set offers the composer's own authoritative view of his work, and for that reason alone it is priceless. In addition, it includes virtually all the orchestral pieces he composed during his "populist phase," from El Salon Mexico (1936) to the Clarinet Concerto (1948). You won't find some of these lesser-known gems, such as An Outdoor Overture (1938) or Letter from Home (1944, written--like Rhapsody in Blue--for Paul Whiteman), on typical single-disc Copland compilations. I'd even go so far as to claim this as one of the four indispensable compilations of American instrumental music from the first half of the twentieth century (the others on my list--in case anyone cares--are Joshua Rifkin playing Scott Joplin, Oscar Levant playing Gershwin, and the Blanton-Webster band recordings of Duke Ellington).

What amazing riches flowed from Copland's pen during the period covered by these three discs! Billy the Kid (1939), Quiet City (1940), Our Town (1940), Fanfare for the Common Man (1942), Rodeo (1942), Lincoln Portrait (1942), Appalachian Spring (1944), and the Third Symphony (1946)--all are here. Some of this music is so familiar, so deeply ingrained in America's cultural consciousness, that we might be tempted to take it for granted. But imagine how much poorer the American concert repertoire would be without it. It's almost impossible, at this point, to conceive of a time when this wonderful music--which is to America roughly what Mussorgsky's music is to Russia, Grieg's to Norway, and Falla's to Spain--didn't exist. It was during the dozen years covered by this collection that Copland pulled away from the pack of his talented contemporaries (Hanson, Thomson, Harris, etc.) and, in a way, but with greater technical sophistication, filled the void left by the tragically early death of Gershwin, whose heyday, 1924-1935, immediately preceded the composition of the works on this collection.

The ballet music is all presented here in the familiar orchestral suites Copland arranged. Most of the selections are played by the London Symphony Orchestra, although the New Philharmonia and the just-plain Philharmonia get cracks at a few key works. The last-named orchestra, for instance, takes on the biggest piece on the program, Copland's Third, the closest thing American music has to a Beethoven's Ninth (although the work's sublime rhetoric has never completely convinced me--it's neither my personal favorite by Copland nor my favorite American symphony . . . but it sure has its moments). In addition to the fine orchestral playing, another treat is that Henry Fonda narrates the Lincoln Portrait--an almost inevitable pick, given the virtually mythic way his acting style embodied the American spirit and the fact that he had portrayed the sixteenth president in John Ford's classic film Young Mr. Lincoln (1939).

The set concludes with what, over the years, has become my favorite work by Copland, the Concerto for Clarinet, Strings, Harp, & Piano, written for and performed here by surely the last century's greatest clarinetist, Benny Goodman. This work effects a concise synthesis between Copland's mature style and his earlier jazz stylings from the 1920s; in addition, the searing eloquence of the opening slow movement seems to me the most profound lyrical writing Copland ever achieved. Stoltzman's recording, ironically enough, swings harder than the king of swing's, but this collaboration between the composer and the man who commissioned it is for the ages.

The only major "populist" scores written after the period this collection covers are the film scores to The Red Pony (1948) and The Heiress (1949). Both can be acquired on an essential Leonard Slatkin CD for RCA. And since this collection doesn't include chamber music, the great Violin Sonata (1943), a kind of more intimate counterpart to Appalachian Spring, will have to be sought elsewhere. (One good option is Gil Shaham/Andre Previn on DG.) A serious Copland collector will also want to grab the other two volumes of the Copland Collection itself. The early set features important works such as the Organ Symphony (1924), Music for the Theater (1925), and the Short Symphony (1932)--but both of the other collections also include long, thorny pieces like the early Symphonic Ode and the late Connotations that can be rather difficult for the average enthusiast to enjoy.

Most of the essential, universal Copland is to be found on this second installment of the Copland Collection, and I would definitely recommend it as the place to start exploring Copland's magnificent contribution to American music. It has been a wonderful and treasured companion of mine for many years, and it also serves to conjure up a timely and inspiring vision of open prairies, nocturnal cityscapes, and the populist, humane values that America should, ideally, epitomize.

Tribute to Lincoln.......2001-10-28

I purchased this set of Copeland CD's because I wanted the Tribute to Lincoln narrated by Henry Fonda. This is a masterful recording especially for Americans in this time. The Tribute sends chills down my spine whenever I her it. My greatest joy however, was how much I have enjoyed all of the CD's in the set. I tend to be much more of a classical listener. I have heard Copeland but not in any organized fashion. This set has brought a new and delightful experience to my listening options.

A great way to get your dose of Copland...........2000-06-30

The 2nd of this three CD collection is wonderful. My favorite though is the third one. Doesn't mean this isn't good. This Sony Copland Collection set is worth the money for. Copland is sooo much more then Appalachian Spring, Fanfare for the Common Man, Rodeo, etc... But you get a lot of typical Copland on these CDs. Songs we all know and love. But there are some unfamiliar good ones too. Concerto for Clarinet took me by storm. So did Letters from Home. Good quality, good booklet, good recording, good playing (how Copland got the London Symphony to play something right I will never know), good everything. It's not perfect because it doesn't compete with THE best Copland like the third CD set of this collection, or the The Tendeer Land. Oh, these three CD sets don't cover all Copland, but it does for the most part. It doesn't have many chamber works, two choral works, and his two operas. You can cover some of those with the full version of Tender Land and of Second Hurricane (which also comes with the choral work, In the Beginning). But this is a good series. I highly recommend it!

Well balanced retrospective, -or- Listen to this!.......1999-08-11

Mr. Copland's works, as always, are exceptional This album, which consists of his work both as a composer and as a conductor, brings his music to life in a way no other conductor can. This is a well mastered and well produced work and worth the listen. To hear Arron Copland's music as he intended is wonderfull.

Average customer rating:

Harp for meat lovers.
A full 145 minutes of wonderful harp and orchestral music
Classic Performances, aging but still good sound

Great Works For Harp

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

The Harmonious Harp
Harp Concertos
Music for Solo Harp
The Magic Of The Harp
Romantic Music for Flute and Harp

ASIN: B000001GLD
Release Date: 1995-03-14

Tracks:

Concerto pour flute, harpe et orchestre en ut majeur, K.299 (297c): 1. Allegro - Mozart
Concerto pour flute, harpe et orchestre en ut majeur, K. 299 (297c): 2. Andantino - Mozart
Concerto pour flute, harpe et orchestre en ut majeur, K.299 (297c): 3. Rondeau. Allegro - Mozart
Concerto pour harpe et orchestre en ut majeur: 1. Allegro brilliante - Boieldieu
Concerto pour harpe et orchestre en ut majeur: 2. Andante - Lento - Attaca
Concerto pour harpe et orchestre en ut majeur: 3. Rondeau: Allegro agitato
Concerto-Serenade pour harpe et orchestre: 1. Estudiantina. Allegro - Rodrigo
Concerto-Serenade pour harpe et orchestre: 2. Intermezzo. Molto tranqillo - Rodrigo
Concerto-Serenade pour harpe et orchestre: 3. Sarao. Allegro deciso - Rodrigo

Tracks:

Concerto pour harpe et orchestre en si bemol majeur, op.4 no. 6: 1. Andante Allegro
Concerto pour harpe et orchestre en si bemol majeur, op.4 no.6: 2. Larghetto
Concerto pour harpe et orchestre en si bemol majeur: 3. Allegro moderato
Concerto pour harpe et orchestre en ut majeur: 1. Allegro moderato
Concerto pour harpe et orchestre: 2. Adagio
Concerto pour harpe et orchestre: 3. Allegro
Concerto pour harpe et orchestre en la majeur: 1. Allegro molto
Concerto pour harpe et orchestre en la majeur: 2. Larghetto
Concerto pour harpe et orchestre en la majeur: 3. Rondeau : Allegretto
Introduction et Allegro pour harpe, quatuor a cordes, flute et clarinette: Ravel - Allegro
Danses pour harpe et orchestre a cordes: 1. Danse sacree - DeBussy
Danses pour harpe et orchestre a cordes: 2. Danse profane - DeBussy

Customer Reviews:

Harp for meat lovers........2007-04-26

This is a weighty and meritorious collection of orchestral works featuring harp. As someone who has always loved harp, a begginning harpist, looking for a broad base of serious harp music this is essential listening for me.
This collection is transporting. Styles and preferences come and go in the classical music world and the world of record production, but this collection is solidly timeless. A great overview, resource, and tremendous listening pleasure.

A full 145 minutes of wonderful harp and orchestral music.......2005-10-16

I certainly realize that this is an older recording but this is also an absolutely wonderful collection of some outstanding works for the harp played by Nicanor Zabaleta. There are 8 composers represented, each with an outstanding composition for harp and orchestra. I have never tired of listening to this CD over the last 20 years, it is rich and varied.

Georg Friedrich Haendel's Concerto pour harpe et orchestre en si bemol majeur, op. 4 no. 6 has been a favorite of mine for over 20 years. It immediately transports me into a state of serenity. It is utterly beautiful with the wonderful support for the harp with the string instruments of the orchestra. The movements remain light, floating, and flowing.

Johann Georg Albrechtberger's Concerto pour harpe et orchestre en ut majeur is a perfect piece to follow the Handel piece since it has more integration of the orchestra into the piece but the harp holds its own amongst the orchestral textures. The influence of Handel seems evident, but this is not meant as a negative comment. On the contrary, the for six movements of this CD moving from Handel to Albrechtsberger is seemless.

Karl Ditters Von Dittersdorf's Concerto pour harpe et orchestre en la majeur has a Mozart sound with flowing harp scales supported by the orchestra. The piece ends with Rondeau: Allegretto that is upbeat energetic and fun. This is a great movement to have in the very center of the CD side 1 to keep the guest awake at your next party.

Maurice Ravel's Introduction et Allegro pour harpe, guatour a cordes, flute et clarinette is very different from the three composers that preceed him on the CD. They are baroque, full of flourish and fun. When we hear Ravel, the mood changes to lush romance.

Claude Debussy's Danses pour harpe et orchester a cordes is less lush and moody romantic like the Ravel piece that preceeds it. However the first movement, Danse scree, is somewhat minimal and almost experimental in its lack of flourishes. In the second movement, Danse profane, I thought of Aaron Copeland compositions for the ballet.

Mozart's Concerto pour flute, harpe et orchestre en ut majeur, K. 299 is well done with Karlheinz Zoeller on the flute in all movements. The second movement, Andantino, is sublime. The third movement, Rondeau Allegro takes off like a rocket, with the harp and flute taking turns in center stage.

Francois-Adrien Boteldieu's Concerto pour harpe et orchestre en ut majeur offers the most pensive piece on the CDs in the second movement Audante-Lento-Allaca. Reverent and well constructed, the piece is only a bit melancholy.

Joaquim Rodrigo's Concerto-Serenade pour harpe et orchestre is upbeat and fun in the first and third movements and pensive in the second, with wonderful compliments between the harp and woodwind instruments.

This is an amazing collection of music, 8 composers are included, and the range of works is impressive and enjoyable. I would strongly recommend this CD.

Classic Performances, aging but still good sound.......2001-06-23

Nicano Zabaleta was perhaps the first of the superstar virtuoso harpists of the stereo era and his recordings remain touchstones of unhurried virtuosity coupled with elegant musicianship. These performances are beginning to show their age a bit in sound, but the performances are luminous. The Boieldieu Concerto is seldom encountered in concert, but what a lovely, melodic and enchanting work. Today, Marielle Nordman and Marisa Robles both have very fine recordings of the concerto, but Zabaleta's is still worthy, and in this package, quite a bargain. The Albrechtsberger concerto is equally unfamiliar to many listeners and also a charmer, and the performance of the Handel concerto offered in a warm style that may seem a bit old fashioned by today's Original Instrument crowd, but it is highly persuasive. The Debussy and Ravel pieces are given appealing performances, again somewhat large scale compared to some of the chamber performances in the catalog, but brilliantly played.

Tracks:

Horn Concerto No. 1 In E Flat Major, Op. 11: I: Allegro
Horn Concerto No. 1 In E Flat Major, Op. 11: II: Andante
Horn Concerto No. 1 In E Flat Major, Op. 11: III: Allegro
Horn Concerto No. 2 In E Flat Major: I: Allegro
Horn Concerto No. 2 In E Flat Major: II: Andante con moto
Horn Concerto No. 2 In E Flat Major: III: Rondo (Allegro molto)
Oboe Concerto In D Major: I: Allegro moderato
Oboe Concerto In D Major: II: Andante
Oboe Concerto In D Major: III: Vivace
Duett-Concertino: I; Allegro moderato
Duett-Concertino: II: Andante
Duett-Concertino: III: Rondo (Allegro ma non troppo)

Tracks:

Burleske
Parergon zur Sinfonia Domestica, Op. 73
Panathenaenzug, Op. 74

Tracks:

Till Eulenspiegels lustige Streiche, Op. 28
Don Juan, Op. 20
Ein Heldenleben, Op. 40: The Hero
Ein Heldenleben, Op. 40: The Hero's Adversaries
Ein Heldenleben, Op. 40: The Hero's Wife
Ein Heldenleben, Op. 40: Certainty Of Victory
Ein Heldenleben, Op. 40: The Hero's Battlefield
Ein Heldenleben, Op. 40: War Fanfares
Ein Heldenleben, Op. 40: The Hero's Work Of Peace
Ein Heldenleben, Op. 40: The Hero's Withdrawl From The World
Ein Heldenleben, Op. 40: Renunciation

Tracks:

Violin Concerto in D minor, Op. 8: I: Allegro
Violin Concerto in D minor, Op. 8: II: Lento
Violin Concerto in D minor, Op. 8: III: Rondo
Sinfonia Domestica, Op. 53: Bewegt - Thema I - Thema II - Thema III
Sinfonia Domestica, Op. 53: Scherzo (Munter)
Sinfonia Domestica, Op. 53: Wiegenlied - Massig langsam
Sinfonia Domestica, Op. 53: Adagio - (Langsam)
Sinfonia Domestica, Op. 53: Finale (Sehr lebhaft)

Tracks:

Also sprach Zarathustra, Op. 30
Tod und Verklarung, Op. 24
Der Rosenkavalier, Op. 59

Tracks:

Salome, Op. 54: Dance Of The Seven Veils
Le Bourgeois Gentilhomme - Suite, Op. 60: Overture
Le Bourgeois Gentilhomme - Suite, Op. 60: Jourdain - Minuet
Le Bourgeois Gentilhomme - Suite, Op. 60: The Fencing Master
Le Bourgeois Gentilhomme - Suite, Op. 60: Entrance and Dance of the Tailors
Le Bourgeois Gentilhomme - Suite, Op. 60: Minuet of Lully
Le Bourgeois Gentilhomme - Suite, Op. 60: Courante
Le Bourgeois Gentilhomme - Suite, Op. 60: Entry Of Cleonte
Le Bourgeois Gentilhomme - Suite, Op. 60: Intermezzo (Prelude To Act 2)
Le Bourgeois Gentilhomme - Suite, Op. 60: The Dinner
Schlagobers, Op. 70: Waltz
Josephslegende, Op. 63: Symphonic Fragment

Tracks:

Metamorphosen: Study For 23 Solo Strings
Eine Alpensinfonie, Op. 64: Night
Eine Alpensinfonie, Op. 64: Sunrise
Eine Alpensinfonie, Op. 64: The Ascent
Eine Alpensinfonie, Op. 64: Entering The Forest
Eine Alpensinfonie, Op. 64: Strolling By The Stream
Eine Alpensinfonie, Op. 64: By The Waterfall
Eine Alpensinfonie, Op. 64: Apparition
Eine Alpensinfonie, Op. 64: In Flowery Meadows
Eine Alpensinfonie, Op. 64: In A Mountain Pasture
Eine Alpensinfonie, Op. 64: Lost In The Thickets And Undergrowth
Eine Alpensinfonie, Op. 64: On The Glacier
Eine Alpensinfonie, Op. 64: Dangerous Moments
Eine Alpensinfonie, Op. 64: On The Summit
Eine Alpensinfonie, Op. 64: Vision
Eine Alpensinfonie, Op. 64: Mists Rise Up
Eine Alpensinfonie, Op. 64: The Sun Grows Dark
Eine Alpensinfonie, Op. 64: Elegy
Eine Alpensinfonie, Op. 64: Quiet Before The Storm
Eine Alpensinfonie, Op. 64: A Thunderstorm - Descent
Eine Alpensinfonie, Op. 64: Sunset
Eine Alpensinfonie, Op. 64: Conclusion
Eine Alpensinfonie, Op. 64: Night

Tracks:

Aus Italien, Op.16: I: Andante
Aus Italien, Op.16: II: Allegro molto con brio
Aus Italien, Op.16: III: Andantino
Aus Italien, Op.16: IV: Finale (Allegro molto)
Macbeth, Op. 23: Symphonic Poem

Tracks:

Don Quixote, Op. 35: Introduktion (Massiges Zeitmass)
Don Quixote, Op. 35: Massig (Don Quixote)
Don Quixote, Op. 35: Maggiore (Sancho Panza)
Don Quixote, Op. 35: Variation I: The adventure with the windmills
Don Quixote, Op. 35: Variation II: The battle with the sheep
Don Quixote, Op. 35: Variation III: Discourse between knight and squire
Don Quixote, Op. 35: Variation IV: The adventure with the pilgrims
Don Quixote, Op. 35: Variation V: The knight's vigil
Don Quixote, Op. 35: Variation VI: The meeting with Dulcinea
Don Quixote, Op. 35: Variation VII: The ride through the air
Don Quixote, Op. 35: Variation VIII: The voyage in the enchanted boat
Don Quixote, Op. 35: Variation IX: The combat with the two magicians
Don Quixote, Op. 35: Variation X: The defeat of Don Quixote
Don Quixote, Op. 35: Finale (Sehr ruhig)
Dance Suite from harpsichord pieces by Francois Couperin: I: Entree and stately round
Dance Suite from harpsichord pieces by Francois Couperin: II: Courante
Dance Suite from harpsichord pieces by Francois Couperin: III: Carillon
Dance Suite from harpsichord pieces by Francois Couperin: IV: Sarabande
Dance Suite from harpsichord pieces by Francois Couperin: V: Gavotte
Dance Suite from harpsichord pieces by Francois Couperin: VI: Tourbillon - Wirbeltanz
Dance Suite from harpsichord pieces by Francois Couperin: VIII: Allemande
Dance Suite from harpsichord pieces by Francois Couperin: VIII: March

Amazon.com essential recording

When it comes to the music of Richard Strauss, none of the world's great orchestras has a more distinguished tradition than the Staatskapelle Dresden. As pit orchestra of the Dresden Court Opera, the Staatskapelle was involved in the premieres, between 1901 and 1911, of Feuersnot, Salome, Elektra, and Der Rosenkavalier; later, with Karl Böhm conducting, its players participated in the premiere of Daphne. Most of Strauss's major tone poems have been in the Dresden orchestra's concert repertory since completion.

Back in the 1970s, EMI was able to capitalize on this association when it reunited the Staatskapelle with Rudolf Kempe--a native of Dresden, one of the master conductors of the 20th century, and an absolutely authoritative Straussian--for an integral recording of Strauss's orchestral works and concertos. The cycle was warmly received when it was originally released on LP, and it has become one of the treasures of the CD catalog since EMI reissued it whole, in three volumes, in 1992. With this latest repackaging, the whole impressive enterprise becomes available in one box.

Across the board, Kempe and the Dresdeners give magnificent readings of the music. Their Zarathustra is imposing and grand; their Heldenleben suitably heroic and quite smashingly played; their Till Eulenspiegel and Don Juan delightfully brisk, characterful, and exultant (the latter is dispatched in a blazing 16:06, and receives as ardent and exhilarating a reading as you are ever likely to encounter on disc). One of the finest of all the offerings is the account of Eine Alpensinfonie, a Kempe favorite and still a sonic knockout after nearly three decades.

The less familiar orchestral works are here, as well, including the early tone poems Aus Italien and Macbeth and the admittedly rather frothy ballet scores Josephslegende and Schlagobers. Of special value are the accounts of all Strauss's concerted works, from the early Violin Concerto (played by Ulf Hoelscher) and Burleske for piano and orchestra (with Malcolm Frager as soloist), through Don Quixote (featuring Paul Tortelier in magisterial form) and the two horn concertos, to the Oboe Concerto of 1946 and the final Duett-Concertino for clarinet and bassoon.

It's hard to imagine any label tackling such a project in today's bottom-line environment, or coming up with such definitive readings from today's performers. All the more reason to celebrate the appearance of this compendium. --Ted Libbey

Customer Reviews:

Outstanding performances.......2007-05-13

Rudolf Kempe's interpretations of Richard Strauss orchestral works (almost complete - one miss the orchestral songs) have been classic recordings since they first appeared on record in the early seventies (1970-75).

Especially fine are his interpretations of the core works, e.g., the symphonic poems Also sprach Zarathustra, Ein Heldenleben, Eine Alpensinfonie, Tod und Verklärung, Don Juan, Till Eulenspiegel, Don Quixote. All these are given first rate interpretations.

Furthermore, you get outstanding interpretations of Strauss' two horn concertos as well, with Peter Damm's superb horn playing, and an outstanding performance of Metamorphosen.

There is simply no rival to this collection of "core works of Richard Strauss".

In addition, this box collects also Strauss less interesting orchestral works - see Amazon's listing above. These minor works receive fine interpretations and performances too, but the main attraction is of course the core works above.

Sound quality is very fine - just excellent analogue stereo - and the orchestra, Staatskapelle Dresden, was one of the top orchestras in the world when these sessions were put on record.

Warmly recommended!

Reviving a Lost Love.......2006-08-07

The highest praise for any conductor must be that he rekindles enthusiasm and love for music that had been recently abandoned. In his autobiography, the conductor Felix Weingartner confesses that he had grown out of touch with Strauss' music; until hearing this set, I had felt the same, with only a few exceptions. But Rudolf Kempe and his really great Staatskapelle Dresden have won me back to Richard's orchestral music. So far, I have only heard part of the set: Zarathustra, Heldenleben, Till, Tod und Verklaerung, Der Buerger als Edelmann, Don Juan, Burleske, and Sinfonia Domestica, but my appetite is whet for more. Because of the refined, subtle, and yet intense conducting of Kempe, what used to strike me as cheap and taudry now strikes me as profound and moving. And the sheer musical skill of Strauss in thematic invention and counterpoint never ceases to amaze. Kempe was truly, in my not so humble opinion, the greatest conductor of the German classics following Furtwaengler; Karajan was empty and shallow by comparison. Kempe brings to this music the same passion and dignity that he brought to Beethoven, Brahms, Wagner, Schumann, and other of "his" composers. To make just one comparison, Reiner's Zarathustra, once hallowed by me as by most listeners, now sounds like overripe, rotting fruit as compared to the passionate yet thoughtful quality that Kempe brings to it. The Staatskapelle Dresden, by the way, sounds like the greatest orchestra in the world, only matched by the Berlin Philharmonic under Kempe or Furtwaengler, an orchestra that produces incidentally beautiful sounds but whose main goal is the projection and characterization of the music. No virtuosity for its own sake, just musicianship, musicianship, and more musicianship. EMI's sound is the very epitome of how to record an orchestra: Impactful, yet smooth and detailed, with natural perspectives and no spotlighting. This set belongs in every music lover's library.

Not for beginners..........2006-07-16

Most boxed sets have their ups and downs because no conductor is equally sympathetic to all of a composer's works. Kempe is no exception to this rule.

The masterpieces, Zarathustra, Heldenleben, and Quixote, are superb here. Kempe clarifies Strauss' complex textures in a way that other conductors like Karajan don't. Most of the time, I prefer to hear these works Karajan's way, but it's nice to hear what Kempe does with them, too. No one does Sinfonia Domestica the way Kempe does it...with such gentleness and humor. I listened to Reiner's recording for years, but I put it up for sale on amazon after I heard the Kempe. With all four of these large tone poems, Kempe and Karajan are all I really need.

The Don Juan is just about the best I've ever heard. It is so vital and exciting! Better than Karajan or any other I know. It is hard to imagine that Macbeth will ever be done better than this either. Macbeth is one of the reasons I own this set, but it's hardly one of Strauss' masterpieces. Speaking of non-masterpieces, I also treasure Kempe's recordings of Strauss' strange works for piano and orchestra. The Burleske has more poetry but less excitement than the classic Byron Janis/Reiner recording.

Kempe's recordings of the Horn Concertos are truly awful. Listen to the weak, watery tones of the first-chair horn player stepping into the solo spotlight. One listen to the mono recordings of Dennis Brain conducted by Sawallisch shows what is missing: bold, ringing tone and lots of excitement. If I only knew Kempe's recordings, I wouldn't even care about these pieces.

The bad news continues with the Oboe Concerto (weak oboist) and the charming Duet Concertino (weak bassoon).

Kempe misses the raucous fun that charges the best recordings of Till Eulenspiegel. This is a limp dishrag of a performance (until the last few minutes). At the very start of the performance, you will hear a familiar sound -- our weak horn player from the concertos playing a solo -- and you will long to stop the CD and reach for a different recording.

Metamorphosen is one of my favorite pieces by Strauss. Kempe, as is his wont, tries mightily to clarify Strauss' dense counterpoint here, and I appreciate the effort. I hear things here that I miss in other recordings. But this reading does not move me the way others have. Ormandy, to name just one. Death and Transfiguration is another one that Ormandy did better. Kempe is too fast at times! Really fast!

My greatest disappointment with this set is a recording that has been acclaimed by many as one of the greatest Strauss recordings ever made...Kempe's take on Eine Alpensinfonie. I have lived for many years with the Karajan recording, and I must say that Kempe misses many of the moments that I have come to treasure in Karajan's version. One example would be those 20 horns playing! Karajan makes this absolutely thrilling, which I'm sure is what Strauss intended. With Kempe, this telling touch by Strauss passes by unremarkably. The slow, quiet passage at the summit lacks magic. The apotheosis at the top of the mountain is certainly thrilling in Kempe's hands, but he misses too much on the way up. By the way, his cowbells sound almost comically bad. He certainly does bring out the beauty of the closing sections of the work, though.

If you are really serious about getting to know Strauss' music, this is a necessary purchase for the rarities that will probably never be done better like the Violin Concerto and the pieces I've already mentioned. If you just want Strauss' most famous works, this is a waste of your money (no matter how cheap it is!)because there's a lot of stuff here that either isn't very good or that you probably won't want to listen to that often. You would be better off buying Karajan's recordings (the 1970s recordings, not the remakes from the 80s) of the big three tone poems and then filling in the smaller ones as your interests dictate. Casual listeners will never need to hear pieces like Macbeth or the piano works that make this set so vital to Strauss-aholics like me!

One of the very best of all EMI sets! The 2nd coming for all Straussians!.......2006-02-10

The great Strauss tone poems soar to the highest level imaginable! With Kempe's genius, the lesser works become great! Kempe resists all temptation to be banal or bombastic. He directs the Staatskappele Dresden with a silken, burnished tone yet with restraint that has a radiant glow that never sacrifices the inherent capacity of the music to thrill, deeply move, or elevate to another plain. Each work played is in itself the guide: conductor and orchestra let the works deliver their own brilliance. The Don Juan and Dead and Transfiguration are soul piercing, along with Ein Heldenleben, and....... The Staatskapelle Dresden has always been an inspired ensemble and in Kempe's hands they are simply put, magnificent, delivering one thrilling performance after another. Like Wagner and Faith, you get Strauss or you don't. If you do get it, this set is beyond self recommendation; Buy this set before it disappears from the shelves. Classical Cd shelves these days have hidden boomerangs. One minute here, next minute.....boing going gone)...! The concert hall may never hear greater performances of Strauss' orchestral works as we hear on these nine disks. The sound is nothing short of a rich, full timber as Kempe leads then with inspired and interpretive genius . This all may sound over the edge but I don't think so and I don't think you will be disappointed. Strauss has been served in splendor by the Dresden musicians under Kempe's baton. [Although in an aside I must say that Raphael Fruhbeck de Burgos and the Tanglewood Music Center Orchestra's performance this past summer of Don Juan and the Rosenkavalier suite were superb.] Then I think of the BSO with Levine...., their Strauss should be something else. Bravo and kudos to all for bringing us this gift. Booklet is very well done with one exception. There is not a word in the booklet about Rudolf Kempe and/or the orchestra itself. 10 stars anyway!!

terrible, awful, hideous, lousy.......2005-04-22

The problem with the "classics" is that too many hacks have hacked them to pieces. My opinion of these recordings, for whatever it is worth, is that they simply do not do justice to Strauss's magnificent music.

There is a reason they are a "bargain". I would avoid this set.
Sometimes a boxed set is a good deal, but this one is not. I find the entire set unspeakably dull and literally unlistenable.

In any event, this is merely my opinion. The majority of the other reviewers think its terrific.

Average customer rating:

The only set you need
Outstanding performances at any price
More Evocative than some of Mahler's Symphonies
One stop shopping! Unparalleled Debussy, and excellent Ravel
In Debussy Martinon is unbeatble!

Debussy, Ravel: Orchestral Works
Claude Debussy , Jean Martinon , and Orchestre de Paris
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
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ASIN: B00006HM8X
Release Date: 2002-11-05

Tracks:

I: De L'aube A Midi Sur La Mer - Jean Martinon
II: Jeux De Vagues - Jean Martinon
III: Dialogue Du Vent Et De La Mer - Jean Martinon
I: Nuages - Jean Martinon
II: Fetes - Jean Martinon
III: Sirenes - Choeurs De L'Ortf
Prelude A L'apres-midi D'un Faune - Alain Marion
Marche Ecossaise - Jean Martinon
Berceuse Heroique - Jean Martinon
I: Fanfare - Jean Martinon
II: Le Sommeil De Lear - Jean Martinon

Tracks:

Jeux (Poeme Danse) - Jean Martinon
1. Gigues/2. Iberia - Jean Martinon
I: Par Les Rues Et Par Les Chemins - Jean Martinon
II: Les Parfums De La Nuit - Jean Martinon
III: Le Matin D'un Jour De Fete - Jean Martinon
3. Rondes De Printemps - Jean Martinon
Premiere Partie - Jean Martinon
Deuxieme Partie - Fabienne Boury

Tracks:

1. Doctor Gradus Ad Parnassum - Jules Goetgheluck
2. Jimbo's Lullaby - Jules Goetgheluck
3. Serenade For The Doll - Jules Goetgheluck
4. The Snow Is Dancing - Jules Goetgheluck
5. The Little Shepherd - Jules Goetgheluck
6. Golliwoggs Cakewalk - Jules Goetgheluck
I: En Bateau - Jean Martinon
II: Cortege - Jean Martinon
III: Menuet - Jean Martinon
IV: Ballet - Jean Martinon
I: Danse Sacree - Marie-Claire Jamet
II: Danse Profane - Marie-Claire Jamet
I: Le Magasin De Jouets - Jean Martinon
II: Le Champ De Bataille - Jean Martinon
III: La Bergerie A Vendre - Jean Martinon
IV: Apres Fortune Faite - Jean Martinon

Tracks:

I: Andante - Allegro - Aldo Ciccolini
II: Lento E Molto Espressivo - Aldo Ciccolini
III: Allegro Molto - Aldo Ciccolini
La Plus Que Lente - John Leach
Premiere Rapsodie Pour Orchestre Avec Clarinette Principale - Guy Dangain
Rapsodie Pour Orchestre Et Saxophone Solo - Jean-Marie Loneix
Khamma - Fabienne Boury
Danse: Tarantelle Styrienne - Jean Martinon

Tracks:

Bolero - Marcel Galiegue
Une Barque Sur L'Ocean (Miroirs: No.3) - Orchestre De Paris
Prelude - Orchestre De Paris
Premier Tableau: Danse Du Rouet Et Scene - Orchestre De Paris
Deuxieme Tableau: Pavane De La Belle Au Bois Dormant - Orchestre De Paris
Interlude - Orchestre De Paris
Troisieme Tableau: Les Entretiens De La Belle Et De La Bete - Orchestre De Paris
Interlude - Orchestre De Paris
Quatrieme Tableau: Petit Poucet - Orchestre De Paris
Interlude - Orchestre De Paris
Cinquieme Tableau: Laideronnette, Imperatrice Des Pagodes - Orchestre De Paris
Interlude - Orchestre De Paris
Sixieme Tableau: Le Jardin Feerique - Orchestre De Paris
Alborada Del Gracioso (Miroirs: No.4) - Andre Sennedat
I: Prelude A La Nuit - Orchestre De Paris
II: Malaguena - Orchestre De Paris
III: Habanera - Orchestre De Paris
IV: Feria - Orchestre De Paris

Tracks:

Sheherazade: Ouverture De Feerie - Orchestre De Paris
La Valse (Poeme Choregraphique) - Orchestre De Paris
I: Prelude - Orchestre De Paris
II: Forlane - Orchestre De Paris
III: Menuet - Orchestre De Paris
IV: Rigaudon - Orchestre De Paris
Menuet Antique - Orchestre De Paris
Pavane Pour Une Infante Defunte - Michel Garcin-Marrou
1. Modere - Orchestre De Paris
2. Assez Lent - Orchestre De Paris
3. Modere - Orchestre De Paris
4. Assez Anime - Orchestre De Paris
5. Presque Lent - Orchestre De Paris
6. Assez Vif - Orchestre De Paris
7. Moins Vif - Orchestre De Paris
8. Epilogue: Lent - Orchestre De Paris

Tracks:

Introduction - Choeurs Du Theatre National De L'Opera
Danse Religieuse - Choeurs Du Theatre National De L'Opera
Scene - Choeurs Du Theatre National De L'Opera
Danse Generale - Choeurs Du Theatre National De L'Opera
Scene - Choeurs Du Theatre National De L'Opera
Danse Grotesque De Dorcon - Choeurs Du Theatre National De L'Opera
Danse Legere Et Gracieuse De Daphnis - Choeurs Du Theatre National De L'Opera
Scene - Choeurs Du Theatre National De L'Opera
Nocturne - Choeurs Du Theatre National De L'Opera
Danse Lente Et Mysterieuse Des Nymphes - Choeurs Du Theatre National De L'Opera
Interlude - Choeurs Du Theatre National De L'Opera
Introduction - Choeurs Du Theatre National De L'Opera
Danses Guerrieres Et Diverses - Choeurs Du Theatre National De L'Opera
Danse Suppliante De Chloe - Choeurs Du Theatre National De L'Opera
Introduction - Choeurs Du Theatre National De L'Opera
Lever Du Jour - Choeurs Du Theatre National De L'Opera
Pantomime - Choeurs Du Theatre National De L'Opera
Danse Generale - Bacchanale - Choeurs Du Theatre National De L'Opera

Tracks:

Lento - Aldo Ciccolini
Piu Lento - Aldo Ciccolini
Allegro - Aldo Ciccolini
I: Allegramente - Jean-Claude Malgoire
II: Adagio Assai - Jean-Claude Malgoire
III: Presto - Jean-Claude Malgoire
Lento, Quasi Cadenza - Moderato - Itzhak Perlman

Amazon.com

At long last, Jean Martinon's classic EMI Debussy and Ravel cycles from the 1970s have been gathered in a space-saving, budget-priced box set. If you love this repertoire, you'll gasp with joy at the conductor's crystal-clear orchestral balances, which truly reproduce what you see in the printed music. If you respond to a lean, sinewy approach to this repertoire in the manner of Toscanini and Boulez, but pine for the timbral characteristics that used to distinguish French orchestras (silver-coated strings, tart woodwinds, and slightly watery brass) in gorgeous, vibrant sonics, Martinon's your man. Aldo Ciccolini's crisp, diamond-edged finger work stands out in Ravel's two piano concertos and in Debussy's rarely heard Fantasie. The young Itzhak Perlman's dazzling, effortless traversal of Ravel's Tzigane will humble many an aspiring fiddler. And you won't find a more sparkling, translucent Ravel Mother Goose Suite on record. Martinon was a marvel, and a sadly underrated podium giant. Grab this set while you can. --Jed Distler

Customer Reviews:

The only set you need.......2006-01-13

After owning dozens of Debussy, Ravel recordings, all I can say is ,
if you have this set, no need to look further.
My Ingelbrecht sets are good, but Martinon is better.
Forget the Munch and Monteaux, Bernsteins, Levine, Karajan (UUCCKKKK) etc etc.

Outstanding performances at any price.......2005-04-28

This boxed set provides a comprehensive collection of the orchestral works of both Debussy and Ravel. Jean Martinon conducts the Orchestre National de l'ORTF in the Debussy and the Orchestre de Paris in the Ravel pieces. The sound is stunning, and the performances are extraordinarily engaging. I have other sets of music by these composers (Simon and the Philharmonia Orchestra for the Debussy) Michal Tilson Thomas and the LSO as well as Boulez and the Berlin Philharmonic for some of the Ravel pieces (Boulez and the NY Phil for Daphnis and Chloe) but these other sets do not contain all the music in the 8 CDs by Martinon and his orchestras. I agree with the other reviewers who find the Debussy especially compelling. I am listening to La Mer now, and the recording captures the performance perfectly, clearly separating the horns, strings and woodwinds and providing a great balance. This is a very dramatic reading of La Mer! However, I find the Ravel performances equally inspired. The Daphnis and Chloe performance is tremendously exciting, and the ballet Ma Mere l'Oye is exquisite. When I decided to buy this set, I was looking for performances that would give me new insight into familiar works and also introduce me to some musical treats like Debussy's La Boite a Joujoux. I was not disappointed. This set is not just a bargain, it's a real treasure!

More Evocative than some of Mahler's Symphonies.......2005-01-25

I can't exactly visualise the oils of the French impressionists when hearing these pieces. But I do know what the other reviewer is talking about and the point is well made. They are so inspiring and evocative that they touch your heart strings perhaps deeper than most of Mahler's symphonies despite Mahler's gigantic orchetrations! The recorded sound is excellent: and the conductor is obviously gifted and the orchestra is just beautiful despite the fact that I am no big fan of either Ciccolini or Perlman. Believe it or not, in Hong Kong HK Records and HMV are selling the boxset at about 60% of the listed price in US: a real bargain. Grap it while it is still available, particularly those who live in HK.

One stop shopping! Unparalleled Debussy, and excellent Ravel.......2004-11-21

I've treasured both of these cycles since the 1970s when both appeared in single LP installements, each one eagerly awaited with deserved anticipation. To get them both in outstanding remasterings in a bargain priced box set is almost unthinkable. I'd pay twice the price, even more, if I had to for these recordings.

Other recordings of individual works may excel these, like Karajan's La Mer, or Monteux's Daphnis, Haitink's Nocturnes, and so on. But when listened to in such consistent interpretations as these from Jean Martinon, the works as a whole take on a different dimension. Each work is like a chapter in a novel, and they all weave together to make a very satisfying experience that is quite different than one gets with just the individual compositions.

That is especially true of the Debussy.

Two different Orchestras are represented. The Debussy are performed by the French National Orchestra, the Ravel by the more well known Orchestre De Paris, an orchestra that made recordings in those days with such notables as Kerbert von Karajan and Seiji Ozawa. The Debussy, though is actually better executed. The ensemble is tighter, the string tone more sumptuous.

The Debussy has no competition for completeness. No other conductor has traversed the entire orchestral output with the thoroughness that Martinon has. Boulez is probably the closest available. I think very highly of the Boulez recordings, especially the newer ones for DG. But the interpretations lack the unity and consistency that Martinon maintains throughout the cycle.

There is more competition with the Ravel, though. When issued, the cycle was met equally by an excellent set from the Minnesota Orchestra under Stanislaw Skrowaczewski, which came in a box at a lower price. Again, Martinon won my heart for his consistency. The Skrowaczewski was better executed by the Minnesota Orchestra than Martinon's Orchetre De Paris. The EMI sound was better, but back then the quality of the Angel LPs was terrible, so the Skrowaczewski go tthe nod for technical superiority unless you were fortunate enough to get your hands on more expensive import copies of the Martinon. There was a cycle from Ozawa on DG also, but artistically it could not match up with the other two. When CDs were introduced, along came Charles Dutoit and the Montreal SO on London/Decca. And they came with a huge splash and acclaim. I puked! and I have always puked when I hear Dutoit conduct anything, with maybe one or two exceptions. Dutoit makes Ravel sound too smooth and glossy. I do give the Decca engineers great credit for the sound (though the Daphnis gets my vote as the worst CD ever produced, being that it was 55 minutes long with no tracks or indexes!).

Now that EMI have so excellently remastered the Martinon recordings though,the choice for a complete set of the orchestral works is very clear. The experience of Martinon's unified consistent interpretations is not quite the same with Ravel as it is with Debussy, partly owing to a less well formed vision from that composer than Debussy. Debussy was more rigid in his world view and musical thought throughout his life, whereas Ravel wavered in many different directions.

When you consider the price, there no reason to think twice about this set. The accompanying booklet is not extremely comprehensive, but adequate enough.

In Debussy Martinon is unbeatble!.......2004-07-31

Jean Martinon is the last director really inmersed in the impresionist mood . His performances are deeply inspired and above all idiomatic . Marie Claire Jamet in the Sacred Dances is absolutely comitted with the elusive forms and pagan enchantment.
Martinon belonged to that hard to find status conductor who really know to engage with the composer mood . So when he played his music the results were overwhelming . He had a enormous gift to suggest . I still remind The Prokoviev seventh symphony with the Chicago Symphony and I can not get another first movement so well performed , for instance .
Back to Debussy he combines the charm and nuance with that incorporean and elusive approach that Debussy and Ravel demands . I state a parallel (if I may) between Martinon - Debussy and Beecham - Delius in what idiomatism concerns .
When Martinon performs Debussy the paintings of Matisse , Monet and Manet seem to awake and come to our mind .
The prientemps and the children 's corner are absolutely of first rate . The clarinet rhapsody is the best in the market .
In the images I prefer the Ansermet version , but the whole set is fundamental if you enjoy the orchestral music of Debussy.
Notice I have not mentioned Ravel works . I have another name in Ravel : Andre Cluytens . But this is out of context.

Average customer rating:

The Martinu concerto as it was meant to be

Martinu: Harpsichord Works

Manufacturer: Supraphon
ProductGroup: Music
Binding: Audio CD

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Jacques Duphly: Complete Works for Harpsichord

ASIN: B0009MWBDS
Release Date: 2005-06-28

Customer Reviews:

The Martinu concerto as it was meant to be.......2005-06-29

This disc fills a useful space in the catalogue, containing as it does the complete music for harpsichord by Bohuslav Martinu, plus as a filler one of the underappreciated masterpieces of the 20th Century, the harpsichord concerto of Manuel de Falla.

The Martinu concerto dates from the mid-1930s, and is a fine example of his neo-classical period. It is in the usual three movements, with two bouncy and rhythmically vivacious outer movements surrounding a touching slow movement. The well-judged instrumentation provides some particularly interesting touches--piano as part of the chamber orchestra accompaniment sounding alongside the soloistic harpsichord, for example.

Most previous recordings of this work have not followed Martinu's original intentions, and have used a full chamber orchestra instead of the nine instruments given in the score, with the result that the harpsichord is often drowned out by the orchestral sound. Not here--the solo instrument sounds out loud and clear, and the accompanying ensemble is very well articulated too. This, combined with the fine (and extremely idiomatic) playing from Monica Knoblochova and an ad hoc ensemble of some of her regular collaborators, makes this recording an easy recommendation in this work.

Just as fine is the performance of Martinu's delightful Promenades, four short pieces for violin, flute and harpsichord. These are amongst the most ingratiating of the composer's shorter works, melodically, rhythmically and colouristically inventive, and the performance here simply sparkles.

The solo harpsichord pieces are slightly less successful. The Two Pieces are studies for the concerto. Entertaining they may be, but they are also slight and unlikely to command repeat attention. More meaty is the 1958 harpsichord sonata. This eight-minute work (in three movements without a break) packs a lot of material into its short duration, but even a good performance like this can't quite hide the monochrome colours and the dutiful rather than inspired nature of the work. The two impromptus from 1959 are amongst the last works Martinu completed. They are short and well-constructed but again rather minor Martinu.

If the disc sags just a little with the solo pieces, it ends with a tour de force. Falla's harpsichord concerto will astonish anyone who thinks of him entirely as the author of Nights in the Gardens of Spain. This fascinating 15-minute work for harpsichord and five instruments is in a completely different world, one that might remind some listeners of Stravinsky and late Debussy, but which is distinctly its composer's own. Its mixture of austerity, rhythmic flexibility, quirky melodies and colourful instrumentation make for a wonderful and thought-provoking piece--and one really unlike anything else in the harpsichord repertoire.

With fine performances throughout and a well-written booklet (even if it perhaps has too many pictures of Ms Knoblochova in it), this disc is easy to recommend to anyone interested in the repertoire.

Average customer rating:

Autumn Classics

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

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Summer Classics

ASIN: B000009QRT
Release Date: 1998-08-11

Tracks:

The Four Seasons - Concerto No.3 In F, 'Autumn': Allegro
The Four Seasons - Concerto No.3 In F, 'Autumn': Adagio
The Four Seasons - Concerto No.3 In F, 'Autumn': Allegro
The Seasons: 'September: Hunting'
The Seasons: 'October: Autumn Songs'
The Seasons: 'November: Troika'
From: Sorochinsky Fair: Gopak No.5
From: Four Seasons: 'Autumn'
'September Song'
From: Burchfield Gallery: 'Autumn'
Movement 4(Assez vif), Symphony No.1 Op.7 'Le poeme de la foret': 'Faunes et Dryades'
From: Lyric Pieces, Op. 54: 'March Of The Trolls'
From: Lyric Pieces, Op.12: 'Elves' Dance'
From: Lyric Pieces, Op.47: 'Albumleaf'
From: Lyric Pieces, Op.71: 'Gone'
From: Les quartres asisons ballet: 'Lautomne'

Track Listings:

Track Listings

track listings

Track Listings

Lilac 6 [Import]

Musique Slave de l'est

Lady in Autumn: The Best of the Verve Years

Music: Riding a Zephyr

Live in Krakow 1996 [Live] [Import]

R&B Superhits

Promise

Mostly Strauss

Lonesome Road/Look Away!

N1no: Todos Los No 1 De Nino Bravo [Import]

One By One (Bonus DVD) [Import]

Outside of Paradise

Ministry of Sound: Ibiza Annual 2006 [Import]

Piano Quartet in G Min / Fantasiestucke (Dig)

Somebody To Love