Trombone & Orchestra

On this CD:

1. Waltz Aria for trombone & orchestra No. 2, "Mein Ideal"
Composed by Josef Serafin Alschausky
Performed by Radio Symphony Orchestra with Armin Rosin
Conducted by Uros Lajovic

2. Concertino for trombone & orchestra in E flat, Op 4
Composed by Ferdinand David
Performed by Radio Symphony Orchestra with Armin Rosin
Conducted by Uros Lajovic

3. Symphony, for trombone (or cello) & orchestra (or piano)
Composed by Ernest Bloch
Performed by Radio Symphony Orchestra with Armin Rosin
Conducted by Uros Lajovic

Trombone & Orchestra,Rosin,Lajovic,Berlin Radio Symphony,Koch Schwann (Germ.),Classical
Let It Die
Average customer rating: 4.5 out of 5 stars
  • Hmmm, go back to Broken Social Scene and let this siht die, please
  • Another great album
  • Two stand out songs
  • Delicately Beautiful
  • Time to Let it Die
Let It Die
Feist
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Reminder
  2. Open Season
  3. Fox Confessor Brings the Flood
  4. Fisherman's Woman
  5. Back to Black

ASIN: B0008KLVW8
Release Date: 2005-04-26

Tracks:

  1. Gatekeeper
  2. Mushaboom
  3. Let It Die
  4. One Evening
  5. Leisure Suite
  6. Lonely Lonely
  7. When I Was A Young Girl
  8. Secret Heart
  9. Inside And Out
  10. Tout Doucement
  11. Now At Last

Amazon.com

Canadian singer Leslie Feist has served as a guest vocalist for Norwegian folkies Kings of Convenience, Toronto power-pop troupe Broken Social Scene, and - under the frightening moniker "Bitch Lap-Lap" - the hairy female rapper Peaches. But her unruly resume hardly prepares you for the emotionally rich, softy sensual music on her major label debut. Moving from tortured torch songs such as "Lonely Lonely" to pulsating originals like "Mushaboom," it also contains stunning remakes of Ron Sexsmith's "Secret Heart" and the Bee Gees' "Inside and Out," tunes Feist not only makes her own but effectively uses to dissect her romantic desolation. "Don't you wish we could forget that kiss?" she smolders on the title track. Not in this lifetime. --Aidin Vaziri

Customer Reviews:

2 out of 5 stars Hmmm, go back to Broken Social Scene and let this siht die, please.......2007-07-10

Fiest runs the gamut of musical styles from A to B on this record, from soul (ish) vocals to Norah Jones-like musings to out and out disco which was bad enough the first time - may the BeeGees rot in hell. I guess it's ok if you're an "indie" artist to regurgitate past musical styles that weren't too good to begin with and add a few electronic flourishes so you won't be accused of being too too retro and then add some dishpan shallow boy/girl lyrics and voila - pop genius! Fieist manages to be both sultry and sucky at the same time. Well at least all I lost was time having downloaded it, listened to it twice and deleted it. Not my bag, dad.

5 out of 5 stars Another great album.......2007-07-06

I only found out about Leslie Feist in an LA Times article in early July 2007, and bought a couple discs on a lark. Good investment. This lady is gonna go far. A less mature work than The Reminder but very high-quality work.

3 out of 5 stars Two stand out songs.......2007-06-18

I would rate the songs I like at 5 stars each but can't rate the cd any higher than a 3 since there are only two period. Her voice is sweet and velvety but I just don't play it that much.

5 out of 5 stars Delicately Beautiful.......2007-06-12

There is one particular word for describing the sound of Feist.

Refreshing.

This '05 debut album for Feist is crisp, clear, and melodious. Right from the moment "Gatekeeper" grabs your attention you're hooked, and glad to be so. It's hard to place Feist into any one category of music. She makes me think of a possible Norah Jones wrapped in a modern shell of jazzy, loungy, and slightly Indie influences. Like nothing you've ever heard, certainly not in the last few years. Her more recent album, The Reminder, is capturing most of the attention of listeners right now and rightfully so, but this work is not to be forgotten. For a debut solo album, Let It Die seems to lack no maturity, and to think that it was recorded in a mere week amid her many international tours of '05! These songs show no hint of being mindlessly crammed onto a record ready for the shelves. In fact, it shows no haste at all. Simply the most relaxing music, but not to the point that it's short on pop, albeit in a very subtle way.

"Mushaboom" picks up the pace followed by worthy-of-flagship-status "Let It Die". All of the next three tracks are gold when you arrive at the strange tale of "When I Was a Young Girl" to which there is nothing I can compare it to except maybe Norah Jones' "Sinkin' Soon". "Secret Heart" is a fun little inquiring kind of tune with nice subtle vocals. Now we come to the place that the critics really rave about here. Feist's remake of one of my favorite Bee Gees songs "Inside and Out" is killer. The Bee Gees did such an original good job on it that its tough to say this one's better, but its close. Alot jazzier to boot. After you finish jivin' out, you arrive at unexpected "Tout Doucement". Feist's surrounding influences shine out in this jaunty little tune, so jaunty that you feel like you're strolling down a sunny avenue in Paris one morning on your way to a little cafe. Afterall, it was recorded in Paris. This charming tune will tell you that. Last we have "Now At Last", suitable but certainly not least. Of all the songs on this album it seems that this one above all others was made for Feist. Simple, delicate, and just really nice.

You simply must check out this one of a kind CD, certainly one of the best of '05. Enjoy

2 out of 5 stars Time to Let it Die.......2007-05-18

I read that Feist was a sort of Norah Jones on steroids. I like Norah Jones but I'm not crazy about Norah Jones. I wanted originality. I wanted a jazz singer with a little more punch than Norah Jones. After making it through the first 8 tracks of Let It Die, I did. Feist needs steroids. Her voice is weak. There's a sexy breathless style common these days and then there's "I have no lung capacity". Feist seems the latter. Steroids could help.

Sorry, I didn't like it. The sound quality is poor which may contribute to the artist's poor performance. 2 stars because it's different and different is good. I don't think things will get better in future releases because the talent doesn't burst through. There's talent in her but not in the quantity to smash into your CD "Top Played" list.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
You Gotta Go There to Come Back
Average customer rating: 4 out of 5 stars
  • I Went There and I'm Glad
  • what's all the negative reviews about? eh?
  • I bought this album because I liked "Maybe Tommorow"
  • There's a reason "Maybe Tomorrow" has been on every sound track in the last year, it's that good!
  • Disappointing. Don't start here!
You Gotta Go There to Come Back
Stereophonics
Manufacturer: V2 Ada
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
BritpopBritpop | British Alternative | Alternative Rock | Styles | Music
Indie RockIndie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music
Post GrungePost Grunge | American Alternative | Alternative Rock | Styles | Music
GeneralGeneral | Rock | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Similar Items:
  1. Live from Dakota
  2. Crash: Music from and Inspired by Crash
  3. Crash
  4. Wicked Little High
  5. All The Stars And Boulevards

ASIN: B00009YGYI
Release Date: 2003-06-30

Tracks:

  1. Help Me
  2. Maybe Tomorrow
  3. Madame Helga
  4. You Stole My Money Honey
  5. Getaway
  6. Climbing The Wall
  7. Jealousy
  8. I'm Alright (You Gotta Go There To Come Back)
  9. Nothing Precious At All
  10. Rainbows And Pots Of Gold
  11. I Miss You Now
  12. High As The Ceiling
  13. Since I Told You It's Over

Customer Reviews:

5 out of 5 stars I Went There and I'm Glad.......2007-03-04

Although it's their fourth studio album, this just happened to be the first one that I scooped up. I was prompted to buy this because of how much I loved the track "Maybe Tomorrow", which I had discovered on the Wicker Park soundtrack. I'm really glad that I bought it. Although it's not my favorite Stereophonics album, it is excellently produced and shows them going in some new directions, that lead up to some of the experimental sounds that can be heard on Language, Sex, Violence, Other? Along with "Maybe Tomorrow", Jones and crew have put out some cool tracks here. "Help Me" is a rocker that really pushes some of their rawness to the test. "You Stole My Money Honey" is great in the fact that the alt-country flavor is there along side Jones' screeching vocals. Then there is the orchestrated "Rainbows and Pots of Gold", which shows that they as a band are willing to try out something that they really haven't done to this extent with the use of unconventional rock instruments. I'd have to say that my favorite though would have to be "I'm Alright"(You Gotta Go There to Come Back)" due to the fact that this is their most exploratory sound yet to date. The lyrics are seductive also. Great tune and all in all, great album.

4 out of 5 stars what's all the negative reviews about? eh?.......2006-01-31

the stereophonics have always made good acoustic rock sounding sounds on previous albums they were filtered in here and there espically on J.E.E.P but this is there next album and i must say i don't agree with most of what the other reviewers on amazon are saying "so what is they've mellowed out" if it's good who cares? this is a fantastic stripped album with great melodies and hooks [jones's playing and singing are superb]
check out "getaway" "nothin' precious at all" too excellent tracks that are up to the standards you would expect from the phonics...
the singles they chose to release from this album were good choices
madame helga" being the rockin' head twistin' stadium rocker
maybe tomorrow being the morning chorus dawn song that draws you in
"since i told you it was over" being the song for the lighters ablaze
this album starts with a ear grabbing song "help me[she's out of her mind]
and doesn't stop till the previous song and single i mentioned
the stereophonics surely buttered their bread with this album
and what i hear from their new album they went back too the "performances and cocktails" days of hard edged rock

the stereophonics are a fantastic band and their not just a band that does songs that go up to eleven..kelly jones can write beautiful melodies and witful words that makes you think of a summers afternoon with a glass of wine in your hand relaxing
PEEEEERFECT

4 out of 5 stars I bought this album because I liked "Maybe Tommorow".......2006-01-16

and that stands as my favorite track on the album.

I very much enjoyed the whole "garage" feel to this album, and it's mellow energy... if that makes any sense. I think this album is best if you are relaxing and just looking for good entertaining music. I would buy another Stereophonics CD.

Reason I gave it a 4?

Because I want to leave room to give a better score for any future stereophonics albums.

5 out of 5 stars There's a reason "Maybe Tomorrow" has been on every sound track in the last year, it's that good!.......2005-11-18

This album is seriously amazing, especially the single "Maybe Tomorrow" which has to be one of the best driving-pensive-songs in recent history, yesterday it inspired me to just get in my car and drive, which I did, to Wisconsin. I just think they have something special, it's the perfect soundtrack song, and that's why it's on like 100 soundtracks! Great work from a great, prolific band.

2 out of 5 stars Disappointing. Don't start here!.......2005-08-27

I Absolutely loved Cocktails, Word Gets Around, and JEEP...especially JEEP! I was so excited about this band and for this album I actually ordered The Import before even available in the US!

Unfortunately, this album never really bears fruit. The songs are all over the map...they range from just noise, to bad 80's power rock (e.g. High as the Ceiling)...to feeble attempts at soul (e.g. Miss You Now). What happened to the great (and incredibly witty) songwriting of the earlier albums!? It's like they said "let's do something different...for the sake of doing something different..."

I was so disappointed in this album...I've yet to check out LSVO!

Screamers (Circus Marches)
Average customer rating: 5 out of 5 stars
  • Flashy, Fun, and Flamboyant
  • stunning musical review
  • Nice and lively!
  • Sounds even better than when I first heard it
  • A staple
Screamers (Circus Marches)

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
MarchesMarches | Miscellaneous | Styles | Music
Similar Items:
  1. Fennell Conducts Sousa
  2. Under the Big Top: 100 Years of Circus Music
  3. Fennell Conducts Hands Across the Sea
  4. The Grand Old Circus Band
  5. Circus Music from the Big Top

ASIN: B0000057L1
Release Date: 1991-02-08

Tracks:

  1. In Storm And Sunshine
  2. Whip And Spur
  3. Invictus
  4. The Big Cage
  5. Bones Trombone
  6. Them Basses
  7. The Circus Bee
  8. The Screamer
  9. Thunder And Blazes
  10. Robinson's Grand Entree
  11. Circus Days
  12. Bombasto
  13. The Squealer
  14. Rolling Thunder
  15. Bennett's Triumphal
  16. Bravura
  17. Bugles And Drum
  18. Illinois March
  19. Children's March
  20. The Interlochen Bowl
  21. Onward-Upward
  22. Boy Scouts Of America
  23. Americans We
  24. Officer Of The Day
  25. March
  26. Second Regiment, Connecticut National Guard March
  27. The Mad Major
  28. Guadalcanal March From

Customer Reviews:

4 out of 5 stars Flashy, Fun, and Flamboyant.......2007-05-31

The Circus March is unfortunately a style of music that is often ignored, yet can be one of the most difficult things to play. Musicians almost have to have a feel for it to achieve the desired effect. Each march contained herein captures both excitement, showmanship, and even a certain degree of comedy that is associated with this style. Listening to these brings back a by-gone era of bearded ladies, roller coasters, and kettle corn. If you play this regularly, you may even begin to smell the peanuts roasting....

5 out of 5 stars stunning musical review.......2005-09-27

This is music I have not heard, or played, for years. Most impressive musicianship. And the tempos are unbelievable! For this size group, it is amazing--and nothing less would be expected.

I am a retired music teacher, and this brought me back to the times when I played in large marching bands, or smaller groups for the local rodeo, as a college student. Great excitement in listening, and being swept away to a time when I had less to worry about.

The music itself has a great affect on me, besides the impressive way in which it is delivered. Great sound. Great precision. Great music that just isn't played or used much anymore. How fun to relive those moments--especially the ones featuring the trombone.

5 out of 5 stars Nice and lively!.......2004-04-28

I was specifically looking for music of the circus and this recording just blew me away. It is clean and well done -- technically speaking. The Eastman Wind Ensemble is spectacular! If you are looking for something that sounds like a circus band, this is NOT it. This is a very professional, high quality recording of some of the best march music ever composed.

5 out of 5 stars Sounds even better than when I first heard it.......2004-03-01

When I first heard the last eleven marches on this recording; I heard them on tape, and I really enjoyed them, this was back in 1988 when I was in the seventh grade. When I moved in the winter of 1988, I lost that tape. I was very sad when I did, and it was not until the summer of 2002 that I saw this recording at amazon; 14 years later still great, and sounds even better on CD than it did on tape. This time was even better, because it has even more marches, in the old tape, it had what on this recording are tracks 17-28. Tracks 1-16 are equally good, this recording is of a great sentimental value for me...I hope you enjoy as much as I have 14 years later....

5 out of 5 stars A staple.......2003-06-14

A great collection of marches not by Sousa conducting by none other than Fennell. You can't go wrong having this in your band CD collection.
Varèse - The Complete Works / Royal Concertgebouw Orchestra · Asko Ensemble · Chailly
Average customer rating: 4.5 out of 5 stars
  • Superb with just one reservation
  • Go ahead, test your intelligence...
  • The definitive recordings.
  • Sound Splitting Music
  • An aural knockout
Varèse - The Complete Works / Royal Concertgebouw Orchestra · Asko Ensemble · Chailly
Edgard Varese , Riccardo Chailly , Mireille Delunsch , Sarah Leonard , Royal Concertgebouw Orhcestra , and Asko Ensemble
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

OctetsOctets | Chamber Music | Classical | Styles | Music
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The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
Similar Items:
  1. Anton Webern: Complete Works, Opp. 1-31
  2. Varese: Arcana; Ameriques; Ionization; Offrandes; Density 21.5; Octandre; Integrales
  3. Penderecki: Anaklasis; Threnody; etc.
  4. Xenakis: Orchestral Works & Chamber Music
  5. Arnold Schoenberg: Serenade/Five Pieces For Orchestra

ASIN: B00000AFR8
Release Date: 1998-09-15

Tracks:

  1. Tuning Up
  2. Amques (Original Version)
  3. Po ectronique
  4. Arcana
  5. Nocturnal
  6. Un Grand Sommeil Noir (Orchestral Version)

Tracks:

  1. Un Grand Sommeil Noir (Original Version)
  2. Offrandes: Chanson de laut
  3. Offrandes: La Croix du Sud
  4. Hyperprism
  5. Octandre: Assez lent
  6. Octandre: Trvif et nerveux
  7. Octandre: Grave - Animt jubilatoire
  8. Intales
  9. Ecuatorial
  10. Ionisation
  11. Density 21.5
  12. Drts: 1st Episode
  13. Drts: 1st interpolation of organized sound
  14. Drts: 2nd episode
  15. Drts: 2nd interpolation
  16. Drts: 3rd episode
  17. Drts: 3rd interpolation
  18. Drts: 4th episode
  19. Dance for Burgess

Amazon.com essential recording

For a composer who is (now) recognizably part of the 20th-century classical canon, the French émigré Edgard Varèse's output was astoundingly meager. Just 15 compositions from his entire life (he destroyed the compositions from his early years, and was a merciless editor of his own material in general) made it out to the listening world. Varèse was caught in the chasm between the music of yesterday and the music of tomorrow: scoring music for modified theremin, steamboat whistles, or air sirens, all balanced with the force of a large orchestra; writing pieces based on the flows of water and wind because that's what shapes the earth; using the concepts of chemical reactions and specific gravity as a basis for his music. Using extremes of contrast, dissonance, and variety in sound, Varèse's pieces had power in the way he attacked and shaped the sound he imagined. From Ionisation (1929), scored almost entirely for unpitched percussion, to the electronic-only, three-dimensionally produced Poeme Electronique (1958), he's provided a foundation that many genres, musicians, and composers were to build from not only for the next 40 years, but inevitably beyond. --Robin Edgerton

Customer Reviews:

5 out of 5 stars Superb with just one reservation.......2006-11-10

This complete works of Varèse, superbly performed and recorded, is a fine accomplishment. My only disappointment was its version of Poème Elèctronique being the sole representation of that ground-breaking work that still holds up for me today as one of the finest pieces of electronic music yet created. It is interesting to be able to hear the version in this collection, which appears to be a loving restoration of what must have been primarily the raw, performing version, to be further enhanced during its performances in a very large space? What I miss in the present version is the more clearly heard textures of its huge sound palette; the resonant and often humerous interplay between them, and its dramatic sweep as it was presented on a sparcely documented stereo mix that first appeared on a Columbia Records LP, later reissued on a CD, now out of print. That one is surely more like an actual performance, presumably mixed to re-create as well as possible then what it might have sounded like over its four hundred loudspeakers in the Philips Pavillion. I hope there will be further reissues. To me the CBS version's drama and energy are more like that of the performances of the other pieces in this wonderful Complete Works set. -Curt Wittig

5 out of 5 stars Go ahead, test your intelligence..........2006-06-18

Frank Zappa used to play Varese to test the intelligence of his friends, and most of them used to look at him like he was "out of his f---ing mind" as he put it. As a major Zappa fan, I bought this compliation, and I love every minute of it. This 2 CD set contains all of Varese's work (needless to say, Edgar wasn't very prolific). You really hear Varese's influence in Zappa's work. Some favorite pieces are Deserts, Poem Electronique, and Un Grand Sommeil Noir (Original Version). Varese's music reminds me of universes being created, in all their violence, beauty, and glory. Instruments crashing down upon one another. This music is reminiscent of Zappa's Weasels Ripped My Flesh and his orchestral work especially. Varese is one of the great American composers, like Aaron Copland, John Cage, and Conlon Nancarrow. Superb....




5 out of 5 stars The definitive recordings........2005-11-09

Riccardo Chailly once said Varèse was going to be the Brahms of the XXI Century. I really don't know if he will be right or wrong, specially because of the very conservative auditoriums we have all around the world, but it should be this way, as the french composer has died too many years ago and his music should be understood but most of the public. It's sad to know that composers, like the own Mahler said, use to be years, decades, even centuries in advance to the general public .

Anyway, it's very important for the popular knowledge of this composers to have recordings like this, in which everything works perfectly as if it was a clock. After many years having some good recordings conducted by Boulez (Sony) and Nagano (Erato) mainly, we have now the possibility of listening one of the most musical and technical orchestra & baton of this time: The Concertgebouworkest and Riccado Chailly.

Most of the versions in this 2CDs set are the best I know, specially the orchestral works, played with conviction and precision by the Concertgebouworkest, an orchestra that had some problems with Mr.Chailly when they begin to play this, for them, `rare' music. The way Arcana sounds its incredible, full of power, mistery and perfection, the performing of Ameriques is breathtaking and I can only compare it with the truly outstanding version by Pierre Boulez with the CSO for DG. Deserts is a new dimension in Chailly's hands, really terrible and full of dark emotions.

Of course, there are little things that could be a bit better, like the Spanish sung in Ecuatorial, better sung in Nagano's version, but generally the performing is marvellous and the instrumental and ondes Martenot's playing in this piece is perfect in Chailly's version.

The ASKO Ensemble versions are outstanding too, showing a very modern Varèse. The performing of Ionisation, that great jewel, listened with a good Hi-Fi system is a experience not to be lost.

The recordings are very good, not outstanding, as it sounds like distant sometimes, but clear and with good definition, of course better with good electronics.

Booklet and presentation of the box is marvellous too; as it has to be in real event in recorded music in the last decades.

4 out of 5 stars Sound Splitting Music.......2002-06-25

First, let me state that I am a long-time Varese fanatic. I first heard Ionisation live at a contemporary music concert in my town when I was 12, and I was hooked. I immediately bought the old Robert Craft double album on Columbia and played it until there were scratches on the scratches. So I was overjoyed to see a modern "complete" recording with up to date sonics. For the most part, I haven't been too disappointed with the performances either.

Chailly is great on much of this music. Ameriques and Arcana are sonic extravagazas. And this is the best recording I've heard of Nocturnal and Ecuatorial. Chailly does a good job with the chamber pieces of the 20s and 30s, though I agree with other reviewers, Boulez is much clearer on Ionisation. Chailly misses some of my favorite parts, and I find it hard to hear the first snare drum theme. (I'm also quite partial to Craft's version, but I don't think it's available anymore.)

I also must add to the chorus of exceptions on the questionable material. The orhestrated version of the solo song has no place on this CD. It doesn't sound like Varese, more like Debussy, and though the song is quite impressionistic, I think we presume too much to orchestrate it and pass it off as "complete" Varese. And neither Tune Up nor Dance for Burgess really add much to our understanding of Varese, and are of questionable value. I suspect that Varese would have destroyed them completely had he been able. Much better to have a recording of the revised version of Ameriques. The revision is so extensive, that a side by side comparison would be illuminating.

All in all, I like this CD. Chailly's take on Varese is big and passionate, something that I think both Boulez and Craft miss. Abravanel comes close to this passion, but Chailly wins because of the gorgeous sonics. I highly recommend this CD to those interested in exploring the unique sound world of Varese.

5 out of 5 stars An aural knockout.......2002-02-01

Here are two discs with some of the most exciting 20th-century music around. Chailly and the Concertgebouw give definitive readings of Varèse's complex pieces, some written for a huge orchestra, and recorded in typically opulent London sound.

My favorites are, without a doubt, "Ameriques" and "Arcana," two explosive showpieces that will give your sound system quite a workout. But far from being merely loud, the scores have many beautiful textures (including quiet ones) scattered throughout the orchestra, and Chailly captures much of the glittering detail.

I even like "Tuning Up," which may seem like a less substantial work to most ears. To be fair, if the piece is not the last word in Varèse's imagination, it is clever enough for its short duration, and as with everything on this disc, the orchestra sounds superb and totally undaunted. Their virtuosity is both satisfying and thrilling, especially in such seldom-performed music.

Make sure your neighbors are away before turning up the performance of "Ameriques," though - the last few pages will blow your roof off.

I suspect Varèse would have loved this collection.
Down the River of Golden Dreams
Average customer rating: 4.5 out of 5 stars
  • perfection
  • the kind of great that creeps up on you slowly
  • Excellent music
  • makes me think of the ocean on a foggy dawn
  • Best stomache ache you'll ever get
Down the River of Golden Dreams
Okkervil River
Manufacturer: Jagjaguwar
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
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ASIN: B0000B17RU
Release Date: 2003-09-02

Tracks:

  1. Down The River Of Golden Dreams
  2. It Ends With A Fall
  3. For The Enemy
  4. Blanket And Crib
  5. The War Criminal Rises And Speaks
  6. The Velocity Of Saul At The Time Of His Conversion
  7. Dead Faces
  8. Maine Island Lovers
  9. Song About A Star
  10. Yellow
  11. Seas Too Far To Reach

Customer Reviews:

5 out of 5 stars perfection.......2005-10-21

I've been listening to this album for a couple of years now and just recently it has been sitting on repeat over and over probably because of the mood I have been in.
This is one of the most honest and beautiful albums ever. Ever.
Each and every song has it's own beauty in it's own special way. It seems like even when I don't comepletly see what a song is getting it, I can still relate to the words in my own way.
There isn't any one single track I would claim to love more than any other because I really only listen to the whole cd at once. (though the album version of 'The Velocity of Saul at the Time of His Conversion' is kind of weak, I much prefer the one from Stars Too Small to Use but that hardly makes a difference).
If you're a fan of Neutral Milk Hotel, Murder by Death, or other such melancholy, instrument-laden, emotional, lo-fi, indie-folk bands, and you don't like this you should be beheaded, end of story

4 out of 5 stars the kind of great that creeps up on you slowly.......2005-03-22

okkervil river listens like reading someone's diary: embarassinly personal, full of all the things you never wanted found out, tearing away your pervious conceptions until you are almost sick from too much truth. will sheff's voice catches you off-guard, sometimes almost like a male chan marshall in it's tentitive quavering and at other moments worthy of a tennessee williams play in it's intensity. my personal favorites are "the war criminal rises and speaks" and "the velocity of saul at the time of his conversion." i don't see the point in comparing these guys to anything. if you do, they're bound to come up short for something like pretentions to uniqueness. okkervil river can stand alone.

5 out of 5 stars Excellent music.......2005-02-11

I don't remember how I was introduced to Okkervil River but I'm glad I found them. I guess they belong in the indie-folk/avant-folk/alt-country genre... whatever that means. All I know is the music is slow and smoothing. The voice and lyrics of Will Sheff is akin to the great Nick Cave. The clear single is "It Ends with a Fall," which I believe the budget music video is available on their website. A must-see.

The great thing about this album is the more you listen to it, the more the rest of the album become your favorite songs, meaning, there won't be just one or two standout tracks. The whole album will be one complete enjoyment.

4 out of 5 stars makes me think of the ocean on a foggy dawn.......2004-06-09

I must confess, it took me a few weeks to get into this album. I slowly waded into it - and waded is the right word, because this album, for me anyway, has a very distinct sea-influence, like the songs rose up from a foggy coastline - it's just thick with atmosphere, this album. The vocalist has a bit of a whiney sound sometime, but after repeated listen I really feel comfortable with his voice - he is passionate, and I prefer passion to stale vocals that don't take any risks. Acoustic guitar, mandolin, banjo, and organs abound - very nice instrumentation - the quicker tempo tracks are very very good - I love the last song with its mandolin flourishes and sing along ending - I think this album deserves to be heard - any Wilco or Decemberists fan would probably dig this sound - check it out! Enjoy!

5 out of 5 stars Best stomache ache you'll ever get.......2004-03-28

We all know amazon reviews are the most biased opinions you can get anywhere - every cd is apparently the best one in the world. I'd say in recent years there have been a lot of 4.5 star cd's out there, excellent, worth listening to for months straight, but not quite deadly. This cd is absolutely deadly.. i'm not much for the nu folk scene, and wilco isnt my cup of tea.. but theres somethign undeniable here. Buy this album. If you have a soul, it will thank you.
Chanticleer: A Portrait
Average customer rating: 4.5 out of 5 stars
  • My idea of heaven
  • Wonderful, but not quite the best of I had hoped
  • A treasury
  • Chanticleer: A Portrait
Chanticleer: A Portrait
Caroll Coates , Harold / Mercer, Johnny Arlen , Spiritual Traditional , Vince Guaraldi , Joseph Jennings , Ettore Stratta , Eric Alatorre , Tim Krol , Corey McKnight , Kevin Baum , David Munderloh , and Dawn Upshaw
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008J2VP
Release Date: 2003-03-18

Tracks:

  1. Quem Terra Pontus Sidera
  2. Ave Maria (Gregorian Chant)
  3. Alma Redemptoris Mater
  4. The Angel Cried Out
  5. Angelicas Milicias
  6. Wherewithal Shall A Young Man...
  7. Love Is A Beautiful Dream
  8. This Heart That Flutters Near My Heart
  9. Wild Grass
  10. Labbra Vermiglie E Belle
  11. Jeanie With The Light Brown Hair
  12. Dulaman
  13. Shenandoah
  14. Spanish Carol
  15. Love Is Letting Go
  16. Blues In The Night
  17. Wade In The Wate
  18. We Shall Walk Through The Valley In Peace
  19. Christmas Time Is Here

Amazon.com

With this disc, Chanticleer, the internationally renowned, all-male 12-voice chamber choir, celebrates its 25th anniversary. Presenting songs from earlier albums plus one not previously recorded, the selection displays the group's remarkable stylistic and linguistic versatility, as well as all the qualities that have made it famous: the impeccable precision and intonation; the pristine tonal purity; the deep, inner expressiveness; the infinitely variable range of colors, textures, dynamics and moods; and the incredible vocal control that allows voices to stand out as well as to blend into a seamless, sonorous whole. Not for nothing has the group been called "an orchestra of voices" with its ability to sound like a big band in chordal passages and to imitate bass pizzicati as well as patter-songs and gospel shouts. The sopranos take off into stratospheric heights with florid coloratura; it is hard to believe that these are male voices. The program ranges from Gregorian chant and liturgical music of the 16th and 17th century, through traditional and jazz-influenced folk songs and spirituals (some in deplorably bad arrangements), to works by contemporary composers. Chanticleer's mostly vibrato-less vocal style still reflects its roots in its original Renaissance repertoire, but the way the singers use their voices in the popular, jazzy songs makes one aware of the evolving kinship between the two traditions. Though primarily an a capella ensemble, Chanticleer is occasionally joined by various instrumental groups, from period instrument orchestras to a jazz trio, and Dawn Upshaw adds her radiant, smiling, unmistakably "real" soprano to a delightful, high-spirited performance of a Spanish Carol. This disc is a fine, varied sampling of Chanticleer's discography and should inspire listeners to search out all the complete albums. --Edith Eisler

Customer Reviews:

4 out of 5 stars My idea of heaven.......2007-02-17

If you liked Norman Luboff's Song's of the Sea's "Shenandoah", the price of this CD is worth it alone. That's why I ordered the CD. I heard Chanticleer's version and immediately ordered it. The rest is just the icing on the cake.

Then there is the one Kiri Tekanawa (sp?) offering, which is the only female voice on the recording.

4 out of 5 stars Wonderful, but not quite the best of I had hoped.......2006-07-18

Some great material truly shines on this album, but I wsih that the group had been a little less populist in their choice of repertoire. There is a little too many arrangements and folk-like material, with the exception of the wonderful "Dulaman", and I would like to have heard some more varied repertoire. That said this is an excellent starting point for this amazing group.

5 out of 5 stars A treasury.......2005-11-06

As you can tell from the samples, the music here is amazing and covers a wide territory. It is less obvious that much of this is available on other CDs. I am confident, for example, that "We Shall Walk Through the Valley In Peace" is the same track that you will find on their phenomenal and highly recommended gospel collection, _Where the Sun Shall Never Go Down_, and I see a number of familiar-looking titles from other CDs. My advice is: if you're looking for a broad sample of the group's repertoire, then you can't go wrong here -- but if you've already got several Chanticleer albums, then you'll want to check your existing collection for potential duplications before buying this 'treasury.'

5 out of 5 stars Chanticleer: A Portrait.......2005-10-26

This is a marvelous singing group of all males with a little addition of Dawn Upshaw on a couple of pieces. They are thourally amazing at what they can sing with Male Voices usually unaccompanied. Obviously they have good strong Contra-Tenors that can manage the high notes without any problems. I would recommend this album to anyone who enjoys vocal music, unaccompanied and like Male Voices
Varese: Arcana; Ameriques; Ionization; Offrandes; Density 21.5; Octandre; Integrales
Average customer rating: 4.5 out of 5 stars
  • It's OK...
  • definitely NOT Louie Louie
  • Incredible.
  • absolute craziness!
  • impeccable chaos
Varese: Arcana; Ameriques; Ionization; Offrandes; Density 21.5; Octandre; Integrales

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000009IME
Release Date: 1991-01-14

Tracks:

  1. Ionisation
  2. Ameriques
  3. Density 21.5 For Solo Flute
  4. Offrandes For Soprano: A) Chanson de La-haut
  5. Offrandes For Soprano: B) La Croix du Sud
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  7. Octandre For Flute, Clarinet, Oboe, Bassoon, Trumpet, Trombone, Double-bass: I. Assez lent
  8. Octandre For Flute, Clarinet, Oboe, Bassoon, Trumpet, Trombone, Double-bass: II. Tres vif et nerveux
  9. Octandre For Flute, Clarinet, Oboe, Bassoon, Trumpet, Trombone, Double-bass: III. Grave
  10. Integrales For Small Orchestra

Customer Reviews:

3 out of 5 stars It's OK..........2006-02-09

I can see that Frank Zappa would have been inspired by this music. As a longtime Zappa fan, I can hear plenty in Zappa's music that was modeled after Varese. Still, Varese's pieces on this CD are hardly monumental or awe-inspiring, and this seems to be the kind of music that very much depends on how it's played and interpreted. You don't get much better than Pierre Boulez; if it was, for example, me conducting an ensemble in performing Varese's work, nobody would listen. So it seems that it's not as much the music as the performance. And that Varese cannot be credited with.

5 out of 5 stars definitely NOT Louie Louie.......2005-09-11

This album (CD) made it into my collection the same way as a few others who've commented here. One day after listening to Lumpy Gravy I was at the record store holding this CD in my mitts wondering if I really wanted to subject myself to one of Zappa's major musical influences.

This is music either for someone who knows a lot about the structure of sound and can appreciate it for that reason or someone who gets bored listening to the same sort of thing all the time and enjoys variety. This is not what most people would consider the easiest "stuff" to listen to. It has an overall disonance to it that many would consider an assault on their senses. At the same time it also has a mathamatical structure to it that makes it obvious to even the most musically uneducated dullard that this is unique, well thought out sound. To be honest I'd have to admit to not understanding much of this CD but it certainly is interesting and different. Arcana, for instance, reminds me a little of something Gustov Holst might have written if he had been spending time with Carlos Castenada. The entire CD takes the listener through a range of emotions that might go from sombre and desolate to momentarily uplifted likely ending up somewhere between confused and perhaps violated... maybe even satisfied.

This is NOT the sort of thing I could listen to all the time but when the mood strikes there isn't a rendition of Louie Louie that is going to hit the spot that this will. Recommended for someone with a musically adventurous disposition.

5 out of 5 stars Incredible........2004-05-26

This is one of the finest set of recording of the Varese repetoire ever made. The french performances are particularly well done with right degree of ensemble and tone required of this difficult music.

The Octandre is especially good with super attacks from all players...not for the faint of heart.

4 out of 5 stars absolute craziness!.......2002-04-06

I purchased this cd after reading Frank Zappa's audobiography, where he pays homage to the great Varese for inspiring him. I can see where Varese had an influence on him. This is a strange but good collection of pieces conducted by Boulez, who also worked with Zappa on "Perfect Stranger". If you like Zappa then you will probably appreciate this album. Varese was a very talented composer and this album proves it. Ionization alone proves it, but the rest of the disc is great also.

5 out of 5 stars impeccable chaos.......2002-03-02

This disc doesn't contain all of Varese's music, but it comes close at 77 minutes. Varese was not nearly as prolific as he was creative! The first recorded Varese I heard was on the VoxBox (called "Ionisation"), and five of the pieces found here are also on that disk, conducted by Cerha. What a contrast! Cerha presents Varese delicately, transparently, without passion. The advantage is that the instruments are clearly delineated. But you are left wondering what the fuss is about -- it doesn't sound very radical. Boulez emphatically captures the chaos, the energy, the alien-ness of Varese! Of course the overall impact is heightened by the inclusion of "Ameriques" and "Arcana," two 20-minute pieces for full orchestra that are bigger and louder than anything included on the VoxBox. The production value is superb -- sharp and clear -- and the packaging is faultless as well. In short, if you only had one recording by Varese, this would be an excellent choice. If you like this, by all means look for Xenakis' "Orchestral Works and Chamber Music" on Col Legno. Varese is a key influence, especially the composition "Arcana"!
Return to Sorrento: Italian Songs arranged for Trombone
Average customer rating: Not rated
    Return to Sorrento: Italian Songs arranged for Trombone

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000MRP1WI
    Release Date: 2007-03-27
    Philip Jones Brass Ensemble Greatest Hits
    Average customer rating: 5 out of 5 stars
    • The Greatest brass ensemble...
    • Nothing better than this!
    • Welcome Back PJBE
    • Great start! Now where is the rest?
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    Philip Jones Brass Ensemble Greatest Hits

    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
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    5. Glorious Sound of Brass

    ASIN: B000056PRA
    Release Date: 2001-01-23

    Tracks:

    1. The Earle Of Oxfords March
    2. Renaissance Ste: La Mourisque
    3. Renaissance Ste: Bransle Quatre Bansles
    4. Renaissance Ste: Ronde
    5. Renaissance Ste: Basse Danse Bergeret
    6. Renaissance Ste: Ronde Mon Amy
    7. Renaissance Ste: Pavane Bataille
    8. Battle Ste: Galliard Battaglia
    9. Battle Ste: Courant Dolorosa
    10. Battle Ste: Canzon 'In Imitation Of An English Bergamask'
    11. Pavane
    12. The King's Hunting Jig
    13. Greensleeves
    14. Qnt No.1 in b flat, Op.5: Moderato
    15. Qnt No.1 in b flat, Op.5: Adagio
    16. Qnt No.1 in b flat, Op.5: Allegro Moderato
    17. Fanfare 'Narcisse'
    18. Sonatine: Allegro Vivo
    19. Sonatine: Andante Ma Non Troppo
    20. Sonatine: Vivo
    21. Sonatine: Largo - Allegro
    22. Qnt, Op.73: Allegro Vivace
    23. Qnt, Op.73: Chaconne
    24. Qnt, Op.73: Con Brio
    25. Spitfire: Prld And Fugue

    Tracks:

    1. Fanfare For The Common Man
    2. Etude Characteristique No.1
    3. Sleeping Beauty: Waltz
    4. Four Pieces For Brass Qnt: Maestoso Alla Marcia
    5. Four Pieces For Brass Qnt: Scherzo
    6. Four Pieces For Brass Qnt: Andante Con Moto
    7. Four Pieces For Brass Qnt: Allegro Grazioso
    8. Ser in G, K.525 'Eine Kleine Nachtmusik'
    9. Ragtime Dance
    10. Frere Jacques
    11. Easy Winners
    12. Le Petit Negre
    13. Tarantella, Op.122
    14. Humoresque, Op.101 No.7
    15. Borage
    16. Tico-Tico
    17. La Peri: Fanfare
    18. Stadt Wein: Fanfare
    19. Pictures At An Exhibition: Promenade I
    20. Pictures At An Exhibition: The Gnome
    21. Pictures At An Exhibition: Promenade II
    22. Pictures At An Exhibition: The Old Castle
    23. Pictures At An Exhibition: Promenade III
    24. Pictures At An Exhibition: The Tuilerie Garden
    25. Pictures At An Exhibition: Bydlo
    26. Pictures At An Exhibition: Promenade IV
    27. Pictures At An Exhibition: Ballet Of Chicks In Their Shells
    28. Pictures At An Exhibition: Two Jews - One Rich, The Other Poor (Samuel Goldenberg And Schmuyle)
    29. Pictures At An Exhibition: Promenade V
    30. Pictures At An Exhibition: The Weekly Market At Limoges/Catacombs
    31. Pictures At An Exhibition: With The Dead In A Language Dead
    32. Pictures At An Exhibition: Baba Yaga/Great Gate Of Kiev

    Customer Reviews:

    5 out of 5 stars The Greatest brass ensemble..........2007-01-19

    Philip Jones brass ensemble shows you musicality on a high level. The feelings they are playing with are suberb...music is feelings, not technical.

    Buy it...

    5 out of 5 stars Nothing better than this!.......2006-07-11

    There are many brass recordings available today with ensembles which are even technically more advanced, but nothing can compare with Philip Jones, because the PJBE is not only pure precision playing, it's musicality too and it's smart arranging. Jones understands how to use the characteristics of each instrument. He lets room for Tuba or Horn too, its not just Trumpet always playing the big parts like Empire Brass does.

    5 out of 5 stars Welcome Back PJBE.......2001-10-19

    It is ironic that London/Decca waited until many of the important members of the Philip Jones Brass Ensemble were dead before finally releasing this collection of highlights from the ensemble's considerable catalog. Don't misunderstand me! I am thankful for this substantial 2 cd set. For fans of the PJBE there is real cause for celebration; and for those who are just discovering the work of this important brass ensemble, you are in for a treat.

    The remastering is first rate and you can't beat the 2-fer pricing. Get this set while its available because the wait for more will at best be a long one. Thankfully, I still have most of the PJBE recordings on vinyl and a good turntable for playing them. But I would still be near the head of the line to snatch up any subsequent reissues. Years ago I saw several of their recordings on cd, but foolishly passed on them, thinking they would be in circulation for awhile. Silly me. Like I said, grab this before they post the infamous notice "no longer available."

    When the PJBE made it's first American tour back in the 70s I was already a huge fan. I went to hear them play, never expecting the concert to sound as good as the recordings. They opened with the Tylman Susato Renaissance Suite and their playing immediately blew away any Memorex memories of their recordings. Unfortunately, we will never again hear live such virtuosity and musicianship. The recordings DO serve as a fine memory of the first and foremost brass ensemble.

    5 out of 5 stars Great start! Now where is the rest?.......2001-05-31

    I have always been a huge fan of the Philip Jones Brass Ensemble. They set a very high standard of playing and the recordings, most of which are not available on CD, are excellent.

    Where are their landmark recordings of such works as the Hindemith works for brass ensembles: Concert music for strings and brass, Morgenmusik for brass, Concert music for piano, brass and harps which they played flawlessly?

    Where is their outstanding recording of the Gunther Schuller Symphony for Brass?

    Please, Decca, give us more of the full course, not merely the teasers and encores.

    Partial LP discography:

    Baroque Brass: 1979 Baroque Venice: 1972 La battaglia (Battles for brass): 1981 Carnaval des animals: 1984 Classics for brass: 1972/73 Gabrielis in Venice: 1983 Golden brass: 1974 Just Brass: 1970 Konzertmusik (Hindemith): 1981 Modern brass: 1979 Renaissance brass: 1976 Arrival of the Queen of Sheba: 1983 Strings and brass (Gabrieli, Vejvanovsky, Vivaldi): 1970 Voices and brass: 1969 The world of brass: 1976

    5 out of 5 stars Nec plus ultra.......2001-04-01

    Un grand merci aux créateurs de ce projet. Retrouvez les pionniers du cuivres en 2cds, qu'elle superbe idée. Byrd, Bozza, Arnold, Susato, Ewald, Arban, et j'en passe. Vraiment se double album est un délice pour nos oreilles. Alors à quant un double album avec les oeuvres contemporaines telles que: Addison, Dodgson, Salzedo, Premru, Bennett ? Le plus vite possible !!! Merci

    Track Listings:

    1. Vesti La Giubba Marathon
    2. Vincenzo La Scola in concerto
    3. Works for Bach and Franck
    4. 20 Gramophone All-Time Greats, Vol. 2
    5. 300 Years of French Glory
    6. 35 anni di bel canto
    7. Aaron Copland; Les Six: Works for Clarinet & Piano
    8. Alessandro Scarlatti - La Giuditta / Marco Lazzara · Mario Nuvoli · Rosita Frisani - Alessandro Stradella Consort - Estevan Velardi
    9. Arie Senza Voce: Baritono
    10. Bach: Passione Secondo San Marco

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