Composed by Josef Serafin Alschausky
Performed by Radio Symphony Orchestra with Armin Rosin
Conducted by Uros Lajovic
2. Concertino for trombone & orchestra in E flat, Op 4
Composed by Ferdinand David
Performed by Radio Symphony Orchestra with Armin Rosin
Conducted by Uros Lajovic
3. Symphony, for trombone (or cello) & orchestra (or piano)
Composed by Ernest Bloch
Performed by Radio Symphony Orchestra with Armin Rosin
Conducted by Uros Lajovic
Trombone & Orchestra,Rosin,Lajovic,Berlin Radio Symphony,Koch Schwann (Germ.),Classical
Average customer rating:
|
Let It Die
Feist Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0008KLVW8 Release Date: 2005-04-26 |
Tracks:
- Gatekeeper
- Mushaboom
- Let It Die
- One Evening
- Leisure Suite
- Lonely Lonely
- When I Was A Young Girl
- Secret Heart
- Inside And Out
- Tout Doucement
- Now At Last
Amazon.com
Canadian singer Leslie Feist has served as a guest vocalist for Norwegian folkies Kings of Convenience, Toronto power-pop troupe Broken Social Scene, and - under the frightening moniker "Bitch Lap-Lap" - the hairy female rapper Peaches. But her unruly resume hardly prepares you for the emotionally rich, softy sensual music on her major label debut. Moving from tortured torch songs such as "Lonely Lonely" to pulsating originals like "Mushaboom," it also contains stunning remakes of Ron Sexsmith's "Secret Heart" and the Bee Gees' "Inside and Out," tunes Feist not only makes her own but effectively uses to dissect her romantic desolation. "Don't you wish we could forget that kiss?" she smolders on the title track. Not in this lifetime. --Aidin VaziriCustomer Reviews:
Hmmm, go back to Broken Social Scene and let this siht die, please.......2007-07-10
Another great album.......2007-07-06
Two stand out songs.......2007-06-18
Delicately Beautiful.......2007-06-12
Refreshing.
This '05 debut album for Feist is crisp, clear, and melodious. Right from the moment "Gatekeeper" grabs your attention you're hooked, and glad to be so. It's hard to place Feist into any one category of music. She makes me think of a possible Norah Jones wrapped in a modern shell of jazzy, loungy, and slightly Indie influences. Like nothing you've ever heard, certainly not in the last few years. Her more recent album, The Reminder, is capturing most of the attention of listeners right now and rightfully so, but this work is not to be forgotten. For a debut solo album, Let It Die seems to lack no maturity, and to think that it was recorded in a mere week amid her many international tours of '05! These songs show no hint of being mindlessly crammed onto a record ready for the shelves. In fact, it shows no haste at all. Simply the most relaxing music, but not to the point that it's short on pop, albeit in a very subtle way.
"Mushaboom" picks up the pace followed by worthy-of-flagship-status "Let It Die". All of the next three tracks are gold when you arrive at the strange tale of "When I Was a Young Girl" to which there is nothing I can compare it to except maybe Norah Jones' "Sinkin' Soon". "Secret Heart" is a fun little inquiring kind of tune with nice subtle vocals. Now we come to the place that the critics really rave about here. Feist's remake of one of my favorite Bee Gees songs "Inside and Out" is killer. The Bee Gees did such an original good job on it that its tough to say this one's better, but its close. Alot jazzier to boot. After you finish jivin' out, you arrive at unexpected "Tout Doucement". Feist's surrounding influences shine out in this jaunty little tune, so jaunty that you feel like you're strolling down a sunny avenue in Paris one morning on your way to a little cafe. Afterall, it was recorded in Paris. This charming tune will tell you that. Last we have "Now At Last", suitable but certainly not least. Of all the songs on this album it seems that this one above all others was made for Feist. Simple, delicate, and just really nice.
You simply must check out this one of a kind CD, certainly one of the best of '05. Enjoy
Time to Let it Die.......2007-05-18
Sorry, I didn't like it. The sound quality is poor which may contribute to the artist's poor performance. 2 stars because it's different and different is good. I don't think things will get better in future releases because the talent doesn't burst through. There's talent in her but not in the quantity to smash into your CD "Top Played" list.
Average customer rating:
|
Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
You Gotta Go There to Come Back
Stereophonics Manufacturer: V2 Ada ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009YGYI Release Date: 2003-06-30 |
Tracks:
- Help Me
- Maybe Tomorrow
- Madame Helga
- You Stole My Money Honey
- Getaway
- Climbing The Wall
- Jealousy
- I'm Alright (You Gotta Go There To Come Back)
- Nothing Precious At All
- Rainbows And Pots Of Gold
- I Miss You Now
- High As The Ceiling
- Since I Told You It's Over
Customer Reviews:
I Went There and I'm Glad.......2007-03-04
what's all the negative reviews about? eh?.......2006-01-31
check out "getaway" "nothin' precious at all" too excellent tracks that are up to the standards you would expect from the phonics...
the singles they chose to release from this album were good choices
madame helga" being the rockin' head twistin' stadium rocker
maybe tomorrow being the morning chorus dawn song that draws you in
"since i told you it was over" being the song for the lighters ablaze
this album starts with a ear grabbing song "help me[she's out of her mind]
and doesn't stop till the previous song and single i mentioned
the stereophonics surely buttered their bread with this album
and what i hear from their new album they went back too the "performances and cocktails" days of hard edged rock
the stereophonics are a fantastic band and their not just a band that does songs that go up to eleven..kelly jones can write beautiful melodies and witful words that makes you think of a summers afternoon with a glass of wine in your hand relaxing
PEEEEERFECT
I bought this album because I liked "Maybe Tommorow".......2006-01-16
I very much enjoyed the whole "garage" feel to this album, and it's mellow energy... if that makes any sense. I think this album is best if you are relaxing and just looking for good entertaining music. I would buy another Stereophonics CD.
Reason I gave it a 4?
Because I want to leave room to give a better score for any future stereophonics albums.
There's a reason "Maybe Tomorrow" has been on every sound track in the last year, it's that good!.......2005-11-18
Disappointing. Don't start here!.......2005-08-27
Unfortunately, this album never really bears fruit. The songs are all over the map...they range from just noise, to bad 80's power rock (e.g. High as the Ceiling)...to feeble attempts at soul (e.g. Miss You Now). What happened to the great (and incredibly witty) songwriting of the earlier albums!? It's like they said "let's do something different...for the sake of doing something different..."
I was so disappointed in this album...I've yet to check out LSVO!
Average customer rating:
|
Screamers (Circus Marches)
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000057L1 Release Date: 1991-02-08 |
Tracks:
- In Storm And Sunshine
- Whip And Spur
- Invictus
- The Big Cage
- Bones Trombone
- Them Basses
- The Circus Bee
- The Screamer
- Thunder And Blazes
- Robinson's Grand Entree
- Circus Days
- Bombasto
- The Squealer
- Rolling Thunder
- Bennett's Triumphal
- Bravura
- Bugles And Drum
- Illinois March
- Children's March
- The Interlochen Bowl
- Onward-Upward
- Boy Scouts Of America
- Americans We
- Officer Of The Day
- March
- Second Regiment, Connecticut National Guard March
- The Mad Major
- Guadalcanal March From
Customer Reviews:
Flashy, Fun, and Flamboyant.......2007-05-31
stunning musical review.......2005-09-27
I am a retired music teacher, and this brought me back to the times when I played in large marching bands, or smaller groups for the local rodeo, as a college student. Great excitement in listening, and being swept away to a time when I had less to worry about.
The music itself has a great affect on me, besides the impressive way in which it is delivered. Great sound. Great precision. Great music that just isn't played or used much anymore. How fun to relive those moments--especially the ones featuring the trombone.
Nice and lively!.......2004-04-28
Sounds even better than when I first heard it.......2004-03-01
A staple.......2003-06-14
Average customer rating:
|
Varèse - The Complete Works / Royal Concertgebouw Orchestra · Asko Ensemble · Chailly
Edgard Varese , Riccardo Chailly , Mireille Delunsch , Sarah Leonard , Royal Concertgebouw Orhcestra , and Asko Ensemble Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000AFR8 Release Date: 1998-09-15 |
Tracks:
- Tuning Up
- Amques (Original Version)
- Po ectronique
- Arcana
- Nocturnal
- Un Grand Sommeil Noir (Orchestral Version)
Tracks:
- Un Grand Sommeil Noir (Original Version)
- Offrandes: Chanson de laut
- Offrandes: La Croix du Sud
- Hyperprism
- Octandre: Assez lent
- Octandre: Trvif et nerveux
- Octandre: Grave - Animt jubilatoire
- Intales
- Ecuatorial
- Ionisation
- Density 21.5
- Drts: 1st Episode
- Drts: 1st interpolation of organized sound
- Drts: 2nd episode
- Drts: 2nd interpolation
- Drts: 3rd episode
- Drts: 3rd interpolation
- Drts: 4th episode
- Dance for Burgess
Amazon.com essential recording
For a composer who is (now) recognizably part of the 20th-century classical canon, the French émigré Edgard Varèse's output was astoundingly meager. Just 15 compositions from his entire life (he destroyed the compositions from his early years, and was a merciless editor of his own material in general) made it out to the listening world. Varèse was caught in the chasm between the music of yesterday and the music of tomorrow: scoring music for modified theremin, steamboat whistles, or air sirens, all balanced with the force of a large orchestra; writing pieces based on the flows of water and wind because that's what shapes the earth; using the concepts of chemical reactions and specific gravity as a basis for his music. Using extremes of contrast, dissonance, and variety in sound, Varèse's pieces had power in the way he attacked and shaped the sound he imagined. From Ionisation (1929), scored almost entirely for unpitched percussion, to the electronic-only, three-dimensionally produced Poeme Electronique (1958), he's provided a foundation that many genres, musicians, and composers were to build from not only for the next 40 years, but inevitably beyond. --Robin EdgertonCustomer Reviews:
Superb with just one reservation.......2006-11-10
Go ahead, test your intelligence..........2006-06-18
The definitive recordings........2005-11-09
Anyway, it's very important for the popular knowledge of this composers to have recordings like this, in which everything works perfectly as if it was a clock. After many years having some good recordings conducted by Boulez (Sony) and Nagano (Erato) mainly, we have now the possibility of listening one of the most musical and technical orchestra & baton of this time: The Concertgebouworkest and Riccado Chailly.
Most of the versions in this 2CDs set are the best I know, specially the orchestral works, played with conviction and precision by the Concertgebouworkest, an orchestra that had some problems with Mr.Chailly when they begin to play this, for them, `rare' music. The way Arcana sounds its incredible, full of power, mistery and perfection, the performing of Ameriques is breathtaking and I can only compare it with the truly outstanding version by Pierre Boulez with the CSO for DG. Deserts is a new dimension in Chailly's hands, really terrible and full of dark emotions.
Of course, there are little things that could be a bit better, like the Spanish sung in Ecuatorial, better sung in Nagano's version, but generally the performing is marvellous and the instrumental and ondes Martenot's playing in this piece is perfect in Chailly's version.
The ASKO Ensemble versions are outstanding too, showing a very modern Varèse. The performing of Ionisation, that great jewel, listened with a good Hi-Fi system is a experience not to be lost.
The recordings are very good, not outstanding, as it sounds like distant sometimes, but clear and with good definition, of course better with good electronics.
Booklet and presentation of the box is marvellous too; as it has to be in real event in recorded music in the last decades.
Sound Splitting Music.......2002-06-25
Chailly is great on much of this music. Ameriques and Arcana are sonic extravagazas. And this is the best recording I've heard of Nocturnal and Ecuatorial. Chailly does a good job with the chamber pieces of the 20s and 30s, though I agree with other reviewers, Boulez is much clearer on Ionisation. Chailly misses some of my favorite parts, and I find it hard to hear the first snare drum theme. (I'm also quite partial to Craft's version, but I don't think it's available anymore.)
I also must add to the chorus of exceptions on the questionable material. The orhestrated version of the solo song has no place on this CD. It doesn't sound like Varese, more like Debussy, and though the song is quite impressionistic, I think we presume too much to orchestrate it and pass it off as "complete" Varese. And neither Tune Up nor Dance for Burgess really add much to our understanding of Varese, and are of questionable value. I suspect that Varese would have destroyed them completely had he been able. Much better to have a recording of the revised version of Ameriques. The revision is so extensive, that a side by side comparison would be illuminating.
All in all, I like this CD. Chailly's take on Varese is big and passionate, something that I think both Boulez and Craft miss. Abravanel comes close to this passion, but Chailly wins because of the gorgeous sonics. I highly recommend this CD to those interested in exploring the unique sound world of Varese.
An aural knockout.......2002-02-01
My favorites are, without a doubt, "Ameriques" and "Arcana," two explosive showpieces that will give your sound system quite a workout. But far from being merely loud, the scores have many beautiful textures (including quiet ones) scattered throughout the orchestra, and Chailly captures much of the glittering detail.
I even like "Tuning Up," which may seem like a less substantial work to most ears. To be fair, if the piece is not the last word in Varèse's imagination, it is clever enough for its short duration, and as with everything on this disc, the orchestra sounds superb and totally undaunted. Their virtuosity is both satisfying and thrilling, especially in such seldom-performed music.
Make sure your neighbors are away before turning up the performance of "Ameriques," though - the last few pages will blow your roof off.
I suspect Varèse would have loved this collection.
Average customer rating:
|
Down the River of Golden Dreams
Okkervil River Manufacturer: Jagjaguwar ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000B17RU Release Date: 2003-09-02 |
Tracks:
- Down The River Of Golden Dreams
- It Ends With A Fall
- For The Enemy
- Blanket And Crib
- The War Criminal Rises And Speaks
- The Velocity Of Saul At The Time Of His Conversion
- Dead Faces
- Maine Island Lovers
- Song About A Star
- Yellow
- Seas Too Far To Reach
Customer Reviews:
perfection.......2005-10-21
This is one of the most honest and beautiful albums ever. Ever.
Each and every song has it's own beauty in it's own special way. It seems like even when I don't comepletly see what a song is getting it, I can still relate to the words in my own way.
There isn't any one single track I would claim to love more than any other because I really only listen to the whole cd at once. (though the album version of 'The Velocity of Saul at the Time of His Conversion' is kind of weak, I much prefer the one from Stars Too Small to Use but that hardly makes a difference).
If you're a fan of Neutral Milk Hotel, Murder by Death, or other such melancholy, instrument-laden, emotional, lo-fi, indie-folk bands, and you don't like this you should be beheaded, end of story
the kind of great that creeps up on you slowly.......2005-03-22
Excellent music.......2005-02-11
The great thing about this album is the more you listen to it, the more the rest of the album become your favorite songs, meaning, there won't be just one or two standout tracks. The whole album will be one complete enjoyment.
makes me think of the ocean on a foggy dawn.......2004-06-09
Best stomache ache you'll ever get.......2004-03-28
Average customer rating:
|
Chanticleer: A Portrait
Caroll Coates , Harold / Mercer, Johnny Arlen , Spiritual Traditional , Vince Guaraldi , Joseph Jennings , Ettore Stratta , Eric Alatorre , Tim Krol , Corey McKnight , Kevin Baum , David Munderloh , and Dawn Upshaw Manufacturer: Teldec ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008J2VP Release Date: 2003-03-18 |
Tracks:
- Quem Terra Pontus Sidera
- Ave Maria (Gregorian Chant)
- Alma Redemptoris Mater
- The Angel Cried Out
- Angelicas Milicias
- Wherewithal Shall A Young Man...
- Love Is A Beautiful Dream
- This Heart That Flutters Near My Heart
- Wild Grass
- Labbra Vermiglie E Belle
- Jeanie With The Light Brown Hair
- Dulaman
- Shenandoah
- Spanish Carol
- Love Is Letting Go
- Blues In The Night
- Wade In The Wate
- We Shall Walk Through The Valley In Peace
- Christmas Time Is Here
Amazon.com
With this disc, Chanticleer, the internationally renowned, all-male 12-voice chamber choir, celebrates its 25th anniversary. Presenting songs from earlier albums plus one not previously recorded, the selection displays the group's remarkable stylistic and linguistic versatility, as well as all the qualities that have made it famous: the impeccable precision and intonation; the pristine tonal purity; the deep, inner expressiveness; the infinitely variable range of colors, textures, dynamics and moods; and the incredible vocal control that allows voices to stand out as well as to blend into a seamless, sonorous whole. Not for nothing has the group been called "an orchestra of voices" with its ability to sound like a big band in chordal passages and to imitate bass pizzicati as well as patter-songs and gospel shouts. The sopranos take off into stratospheric heights with florid coloratura; it is hard to believe that these are male voices. The program ranges from Gregorian chant and liturgical music of the 16th and 17th century, through traditional and jazz-influenced folk songs and spirituals (some in deplorably bad arrangements), to works by contemporary composers. Chanticleer's mostly vibrato-less vocal style still reflects its roots in its original Renaissance repertoire, but the way the singers use their voices in the popular, jazzy songs makes one aware of the evolving kinship between the two traditions. Though primarily an a capella ensemble, Chanticleer is occasionally joined by various instrumental groups, from period instrument orchestras to a jazz trio, and Dawn Upshaw adds her radiant, smiling, unmistakably "real" soprano to a delightful, high-spirited performance of a Spanish Carol. This disc is a fine, varied sampling of Chanticleer's discography and should inspire listeners to search out all the complete albums. --Edith EislerCustomer Reviews:
My idea of heaven.......2007-02-17
Then there is the one Kiri Tekanawa (sp?) offering, which is the only female voice on the recording.
Wonderful, but not quite the best of I had hoped.......2006-07-18
A treasury.......2005-11-06
Chanticleer: A Portrait.......2005-10-26
Average customer rating:
|
Varese: Arcana; Ameriques; Ionization; Offrandes; Density 21.5; Octandre; Integrales
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000009IME Release Date: 1991-01-14 |
Tracks:
- Ionisation
- Ameriques
- Density 21.5 For Solo Flute
- Offrandes For Soprano: A) Chanson de La-haut
- Offrandes For Soprano: B) La Croix du Sud
- Arcana For Full Orchestra
- Octandre For Flute, Clarinet, Oboe, Bassoon, Trumpet, Trombone, Double-bass: I. Assez lent
- Octandre For Flute, Clarinet, Oboe, Bassoon, Trumpet, Trombone, Double-bass: II. Tres vif et nerveux
- Octandre For Flute, Clarinet, Oboe, Bassoon, Trumpet, Trombone, Double-bass: III. Grave
- Integrales For Small Orchestra
Customer Reviews:
It's OK..........2006-02-09
definitely NOT Louie Louie.......2005-09-11
This is music either for someone who knows a lot about the structure of sound and can appreciate it for that reason or someone who gets bored listening to the same sort of thing all the time and enjoys variety. This is not what most people would consider the easiest "stuff" to listen to. It has an overall disonance to it that many would consider an assault on their senses. At the same time it also has a mathamatical structure to it that makes it obvious to even the most musically uneducated dullard that this is unique, well thought out sound. To be honest I'd have to admit to not understanding much of this CD but it certainly is interesting and different. Arcana, for instance, reminds me a little of something Gustov Holst might have written if he had been spending time with Carlos Castenada. The entire CD takes the listener through a range of emotions that might go from sombre and desolate to momentarily uplifted likely ending up somewhere between confused and perhaps violated... maybe even satisfied.
This is NOT the sort of thing I could listen to all the time but when the mood strikes there isn't a rendition of Louie Louie that is going to hit the spot that this will. Recommended for someone with a musically adventurous disposition.
Incredible........2004-05-26
The Octandre is especially good with super attacks from all players...not for the faint of heart.
absolute craziness!.......2002-04-06
impeccable chaos.......2002-03-02
Average customer rating: |
Return to Sorrento: Italian Songs arranged for Trombone
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MRP1WI Release Date: 2007-03-27 |
Average customer rating:
|
Philip Jones Brass Ensemble Greatest Hits
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000056PRA Release Date: 2001-01-23 |
Tracks:
- The Earle Of Oxfords March
- Renaissance Ste: La Mourisque
- Renaissance Ste: Bransle Quatre Bansles
- Renaissance Ste: Ronde
- Renaissance Ste: Basse Danse Bergeret
- Renaissance Ste: Ronde Mon Amy
- Renaissance Ste: Pavane Bataille
- Battle Ste: Galliard Battaglia
- Battle Ste: Courant Dolorosa
- Battle Ste: Canzon 'In Imitation Of An English Bergamask'
- Pavane
- The King's Hunting Jig
- Greensleeves
- Qnt No.1 in b flat, Op.5: Moderato
- Qnt No.1 in b flat, Op.5: Adagio
- Qnt No.1 in b flat, Op.5: Allegro Moderato
- Fanfare 'Narcisse'
- Sonatine: Allegro Vivo
- Sonatine: Andante Ma Non Troppo
- Sonatine: Vivo
- Sonatine: Largo - Allegro
- Qnt, Op.73: Allegro Vivace
- Qnt, Op.73: Chaconne
- Qnt, Op.73: Con Brio
- Spitfire: Prld And Fugue
Tracks:
- Fanfare For The Common Man
- Etude Characteristique No.1
- Sleeping Beauty: Waltz
- Four Pieces For Brass Qnt: Maestoso Alla Marcia
- Four Pieces For Brass Qnt: Scherzo
- Four Pieces For Brass Qnt: Andante Con Moto
- Four Pieces For Brass Qnt: Allegro Grazioso
- Ser in G, K.525 'Eine Kleine Nachtmusik'
- Ragtime Dance
- Frere Jacques
- Easy Winners
- Le Petit Negre
- Tarantella, Op.122
- Humoresque, Op.101 No.7
- Borage
- Tico-Tico
- La Peri: Fanfare
- Stadt Wein: Fanfare
- Pictures At An Exhibition: Promenade I
- Pictures At An Exhibition: The Gnome
- Pictures At An Exhibition: Promenade II
- Pictures At An Exhibition: The Old Castle
- Pictures At An Exhibition: Promenade III
- Pictures At An Exhibition: The Tuilerie Garden
- Pictures At An Exhibition: Bydlo
- Pictures At An Exhibition: Promenade IV
- Pictures At An Exhibition: Ballet Of Chicks In Their Shells
- Pictures At An Exhibition: Two Jews - One Rich, The Other Poor (Samuel Goldenberg And Schmuyle)
- Pictures At An Exhibition: Promenade V
- Pictures At An Exhibition: The Weekly Market At Limoges/Catacombs
- Pictures At An Exhibition: With The Dead In A Language Dead
- Pictures At An Exhibition: Baba Yaga/Great Gate Of Kiev
Customer Reviews:
The Greatest brass ensemble..........2007-01-19
Buy it...
Nothing better than this!.......2006-07-11
Welcome Back PJBE.......2001-10-19
The remastering is first rate and you can't beat the 2-fer pricing. Get this set while its available because the wait for more will at best be a long one. Thankfully, I still have most of the PJBE recordings on vinyl and a good turntable for playing them. But I would still be near the head of the line to snatch up any subsequent reissues. Years ago I saw several of their recordings on cd, but foolishly passed on them, thinking they would be in circulation for awhile. Silly me. Like I said, grab this before they post the infamous notice "no longer available."
When the PJBE made it's first American tour back in the 70s I was already a huge fan. I went to hear them play, never expecting the concert to sound as good as the recordings. They opened with the Tylman Susato Renaissance Suite and their playing immediately blew away any Memorex memories of their recordings. Unfortunately, we will never again hear live such virtuosity and musicianship. The recordings DO serve as a fine memory of the first and foremost brass ensemble.
Great start! Now where is the rest?.......2001-05-31
Where are their landmark recordings of such works as the Hindemith works for brass ensembles: Concert music for strings and brass, Morgenmusik for brass, Concert music for piano, brass and harps which they played flawlessly?
Where is their outstanding recording of the Gunther Schuller Symphony for Brass?
Please, Decca, give us more of the full course, not merely the teasers and encores.
Partial LP discography:
Baroque Brass: 1979 Baroque Venice: 1972 La battaglia (Battles for brass): 1981 Carnaval des animals: 1984 Classics for brass: 1972/73 Gabrielis in Venice: 1983 Golden brass: 1974 Just Brass: 1970 Konzertmusik (Hindemith): 1981 Modern brass: 1979 Renaissance brass: 1976 Arrival of the Queen of Sheba: 1983 Strings and brass (Gabrieli, Vejvanovsky, Vivaldi): 1970 Voices and brass: 1969 The world of brass: 1976
Nec plus ultra.......2001-04-01
Track Listings:
- Vesti La Giubba Marathon
- Vincenzo La Scola in concerto
- Works for Bach and Franck
- 20 Gramophone All-Time Greats, Vol. 2
- 300 Years of French Glory
- 35 anni di bel canto
- Aaron Copland; Les Six: Works for Clarinet & Piano
- Alessandro Scarlatti - La Giuditta / Marco Lazzara · Mario Nuvoli · Rosita Frisani - Alessandro Stradella Consort - Estevan Velardi
- Arie Senza Voce: Baritono
- Bach: Passione Secondo San Marco
Track Listings
John Williams Conducting the Boston Pops [Soundtrack]
Debussy: Jeux, La Mer, Nocturnes / Maazel, Vienna Philharmonic
Going Back to Old Kentucky [Import]