Composed by Fryderyk Chopin
with Ewa Kupice
2. Nocturne for piano in D flat major, Op. 27/2, CT 155
Composed by Fryderyk Chopin
with Ewa Kupice
3. Nocturne for piano in B flat minor, Op. 9/1, CT 109
Composed by Fryderyk Chopin
with Ewa Kupice
4. Nocturne for piano in F major, Op. 15/1, CT 111
Composed by Fryderyk Chopin
with Ewa Kupice
5. Nocturne for piano in E flat major, Op. 9/2, CT 109
Composed by Fryderyk Chopin
with Ewa Kupice
6. Nocturne for piano in A flat major, Op. 32/2, CT 117
Composed by Fryderyk Chopin
with Ewa Kupice
7. Nocturne for piano in G minor, Op. 37/1, CT 118
Composed by Fryderyk Chopin
with Ewa Kupice
Chopin: Nocturnes, Vol. 1,Fryderyk Chopin,Ewa Kupice,Ewa Kupiec,Koch Schwann (Germ.),Classical,Classical Music,Coll. of Character/Single-Movement/Misc. Works for Keyb.,Keyboard,Nocturne for Keyboard
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Romantic World of Chopin's Piano, Vol. 3
Manufacturer: High Definition(Hdc) ProductGroup: Music Binding: Audio CD ASIN: B00003TFOX Release Date: 2000-05-20 |
Tracks:
- Grande Valse Brilliante in E flat, Op.18 - Eliso Bolkvadze
- Minute Waltz in D flat, Op.64 No.1
- Nocturne in F#, Op.15 No.2 - Alexander Botalov
- Nocturne in c, Op.48 No.1 - Andrei Ivanovitch
- Nocturne in f#, Op.48 No.2 - Andrei Ivanovitch
- Prld in A flat, Op.28 No.17 - Andrei Ivanovitch
- Prld in A, Op.28 No.7
- Prld in D# 'Raindrop', Op.28 No.15
- Prld in e flat, Op.28 No.14
- Prld in e, Op.28 No.4
- Prld in f#, Op.28 No.8 - Alexander Botalov
- Prld in G, Op.28 No.3
- Waltz in c#, Op.64 No.2
- Waltz in A flat, Op.69 No.1
- Waltz in b, Op.69 No.2
- Waltz in a, Op.34 No.2
- Waltz in F, Op.34 No.3
- Waltz in A flat, Op.42
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Chopin: Piano Works, Vol. 3
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005MIZR Release Date: 2001-11-06 |
Tracks:
- Pno Conc No.1 in e, Op.11. I: Allegro Maestoso - Monte Carlo National Opera Orch/Luis Fremaux
- Pno Conc No.1 in e, Op.11: II. Romanze: Larghetto - Monte Carlo National Opera Orch/Luis Fremaux
- Pno Conc No.1 in e, Op.11: III. Rondo: Vivace - Monte Carlo National Opera Orch/Luis Fremaux
- Pno Conc No.2 in f, Op.21: I. Maestoso - Monte Carlo National Opera Orch/Luis Fremaux
- Pno Conc No.2 in f, Op.21: II. Larghetto - Monte Carlo National Opera Orch/Luis Fremaux
- Pno Conc No.2 in f, Op.21: III. Allegro Vivace - Monte Carlo National Opera Orch/Luis Fremaux
Tracks:
- Polonaise No.1 in c#, Op.26 No.1 - Pierre Barbizet
- Polonaise No.2 in e flat, Op.26 No.2 - Pierre Barbizet
- Polonaise No.3 in A 'Militaire', Op.40 No.1 - Pierre Barbizet
- Polonaise No.4 in c, Op.40 No.1 - Pierre Barbizet
- Polonaise No.5 in f#, Op.44 - Pierre Barbizet
- Polonaise No.6 in A flat 'Heroique', Op.53 - Pierre Barbizet
- Polonaise No.7 in A flat 'Polonaise Brillante', Op.61 - Pierre Barbizet
- Andante Spianato Et Grande Polonaise in E flat, Op.22 - Pierre Barbizet
Tracks:
- Polonaises Posthumes in d, Op.71 No.1 - Pierre Barbizet
- Polonaises Posthumes in B flat, Op.71 No.2 - Pierre Barbizet
- Polonaises Posthumes in f, Op.71 No.3 - Pierre Barbizet
- Fant in f, Op.49 - Pierre Barbizet
- Tarentelle in a flat, Op.43 - Pierre Barbizet
- Barcarolle in F#, Op.60 - Pierre Barbizet
- Rondo in C, Op.73 - Pierre Barbizet
Tracks:
- Ballade No.1 in g, Op.23
- Ballade No.2 in F, Op.38
- Ballade No.3 in A flat, Op.47
- Ballade No.4 in f, Op.52
- Scherzo No.1 in b, Op.20
- Scherzo No.2 in b flat, Op.31
- Scherzo No.3 in c#, Op.39
- Scherzo No.4 in E, Op.54
Tracks:
- Valse No.1 in E flat 'Grande Valse Brillante', Op.18
- Valse No.2 in A flat 'Valse Brillante', Op.34 No.1
- Valse No.3 in a, Op.34 No.2
- Valse No.4 in F 'Valse Brillante', Op.34 No.3
- Grande Valse No.5 in A flat, Op.42
- Valse No.6 in D flat, Op.64 No.1
- Valse No.7 in c#, Op.64 No.2
- Valse No.8 in A flat, Op.64 No.3
- Valse No.9 in A flat, Op.69 No.1
- Valse No.10 in b, Op.69 No.2
- Valse No.11 in G flat, Op.70 No.1
- Valse No.12 in f, Op.70 No.2
- Valse No.13 in D flat, Op.70 No.3
- Valse No.14 in e, Op. posth
- Impromptu No.1 in A flat, Op.29
- Impromptu No.2 in F#, Op.36
- Impromptu No.3 in G flat, Op.51
- Impromptu No.4 in c# 'Fant-Impromptu', Op.66
Tracks:
- Son No.2 in b flat, Op.35: I. Grave - Doppio Movt
- Son No.2 in b flat, Op.35: II. Scherzo: Presto, Ma Non Troppo - Piu Lento - Tempo I
- Son No.2 in b flat, Op.35: III. Marche Funebre: Lento
- Son No.2 in b flat, Op.35: IV. Finale: Presto
- Son No.3 in b, Op.58: I. Allegretto Maestoso
- Son No.3 in b, Op.58: II. Scherzo: Molto Vivace
- Son No.3 in b, Op.58: III. Largo
- Son No.3 in b, Op.58: IV. Finale: Presto, Ma Non Tanto
- Mazurka No.1 in f#, Op.6 No.1
- Mazurka No.2 in c#, Op.6 No.2
- Mazurka No.3 in E, Op.6 No.3
- Mazurka No.4 in e flat, Op.6 No.4
- Mazurka No.5 in B flat, Op.7 No.1
- Mazurka No.6 in a, Op.7 No.2
- Mazurka No.7 in f, Op.7 No.3
- Mazurka No.8 in A flat, Op.7 No.4
- Mazurka No.9 in C, Op.7 No.5
- Mazurka No.10 in B flat, Op.17 No.1
- Mazurka No.11 in e, Op.17 No.2
- Mazurka No.12 in A flat, Op.17 No.3
- Mazurka No.13 in a, Op.17 No.4
- Mazurka No.14 in g, Op.24 No.1
- Mazurka No.15 in C, Op.24 No.2
- Mazurka No.16 in A flat, Op.24 No.3
- Mazurka No.17 in b flat, Op.24 No.4
Tracks:
- Mazurka No.18 in c, Op.30 No.1
- Mazurka No.19 in b, Op.30 No.2
- Mazurka No.20 in D flat, Op.30 No.3
- Mazurka No.21 in c#, Op.30 No.4
- Mazurka No.22 in g#, Op.33 No.1
- Mazurka No.23 in D, Op.33 No.2
- Mazurka No.24 in C, Op.33 No.3
- Mazurka No.25 in B, Op.33 No.4
- Mazurka No.26 in c#, Op.41 No.1
- Mazurka No.27 in e, Op.41 No.2
- Mazurka No.28 in B, Op.41 No.3
- Mazurka No.29 in A flat, Op.41 No.4
- Mazurka No.30 in G, Op.50 No.1
- Mazurka No.31 in A flat, Op.50 No.2
- Mazurka No.32 in c#, Op.50 No.2
- Mazurka No.33 in B, Op.56 No.1
- Mazurka No.34 in C, Op.56 No.2
- Mazurka No.35 in c, Op.56 No.3
- Mazurka No.36 in a, Op.59 No.1
- Mazurka No.37 in A flat, Op.59 No.2
- Mazurka No.38 in f#, Op.59 No.3
- Mazurka No.39 in B, Op.63 No.1
- Mazurka No.40 in f, Op.63 No.2
- Mazurka No.41 in c#, Op.63 No.3
- Mazurka No.42 in G, Op.67 No.1
- Mazurka No.43 in g, Op.67 No.2
- Mazurka No.44 in C, Op.67 No.3
- Mazurka No.45 in a, Op.67 No.4
- Mazurka No.46 in C, Op.68 No.1
- Mazurka No.47 in a, Op.68 No.2
- Mazurka No.48 in F, Op.68 No.3
- Mazurka No.49 in f, Op.68 No.4
- Mazurka No.50 in a
- Mazurka No.51 in a
Tracks:
- Etudes, Op.10: No.1 in C
- Etudes, Op.10: No.2 in a
- Etudes, Op.10: No.3 in E
- Etudes, Op.10: No.4 in c#
- Etudes, Op.10: No.5 in G flat
- Etudes, Op.10: No.6 in e flat
- Etudes, Op.10: No.7 in C
- Etudes, Op.10: No.8 in F
- Etudes, Op.10: No.9 in f
- Etudes, Op.10: No.10 in A flat
- Etudes, Op.10: No.11 in E flat
- Etudes, Op.10: No.12 in c
- Etudes, Op.25: No.1 in A flat
- Etudes, Op.25: No.2 in f
- Etudes, Op.25: No.3 in F
- Etudes, Op.25: No.4 in a
- Etudes, Op.25: No.5 in e
- Etudes, Op.25: No.6 in g#
- Etudes, Op.25: No.7 in c#
- Etudes, Op.25: No.8 in D flat
- Etudes, Op.25: No.9 in G flat
- Etudes, Op.25: No.10 in b
- Etudes, Op.25: No.11 in a
- Etudes, Op.25: No.12 in c
- Nouvelles Etudes, Op.Posth: No.1 in f
- Nouvelles Etudes, Op.Posth: No.2 in D flat
- Nouvelles Etudes, Op.Posth: No.3 in A flat
Tracks:
- Nocturne No.1 in b flat, Op.9 No.1
- Nocturne No.2 in E flat, Op.9 No.2
- Nocturne No.3 in B, Op.9 No.3
- Nocturne No.4 in F, Op.15 No.1
- Nocturne No.5 in F#, Op.15 No.2
- Nocturne No.6 in g, Op.15 No.3
- Nocturne No.7 in c#, Op.27 No.1
- Nocturne No.8 in D flat, Op.27 No.2
- Nocturne No.9 in B, Op.32 No.1
- Nocturne No.10 in A flat, Op.32 No.2
- Nocturne No.11 in g, Op.37 No.1
- Nocturne No.12 in g, Op.37 No.2
- Nocturne No.13 in c, Op.48 No.1
Tracks:
- Nocturne No.14 in f#, Op.48 No.2
- Nocturne No.15 in f, Op.55 No.1
- Nocturne No.16 in E flat, Op.55 No.2
- Nocturne No.17 in B, Op.62 No.1
- Nocturne No.18 in E, Op.62 No.2
- Nocturne No.19 in e, Op.72 No.1
- Prlds, Op.28 No.1 in C
- Prlds, Op.28 No.2 in a
- Prlds, Op.28 No.3 in G
- Prlds, Op.28 No.4 in e
- Prlds, Op.28 No.5 in D
- Prlds, Op.28 No.6 in b
- Prlds, Op.28 No.7 in A
- Prlds, Op.28 No.8 in f#
- Prlds, Op.28 No.9 in E
- Prlds, Op.28 No.10 in c#
- Prlds, Op.28 No.11 in B
- Prlds, Op.28 No.12 in g#
- Prlds, Op.28 No.13 in F#
- Prlds, Op.28 No.14 in e flat
- Prlds, Op.28 No.15 in D flat
- Prlds, Op.28 No.16 in b flat
- Prlds, Op.28 No.17 in A flat
- Prlds, Op.28 No.18 in f
- Prlds, Op.28 No.19 in E flat
- Prlds, Op.28 No.20 in c
- Prlds, Op.28 No.21 in B flat
- Prlds, Op.28 No.22 in g
- Prlds, Op.28 No.23 in F
- Prlds, Op.28 No.24 in d
Customer Reviews:
The idiosyncratic gaze! .......2006-08-17
As a matter of fact, Alfred Cortot, Dinu Lipatti, Arturo Benedetti Michelangeli brought not only a refreshing vision but still better, new perspectives of interpretation, leaving behind the romanticism and approaching him under the idiosyncratic emblem of a bygone era. That's what the previous reviewers have denominated eccentric rather than interpretative renovation, where the dimension of every piece is considered in its own individuality and specific weight, where the concept of miniaturist composer has been substituted by the thinker poet, earning an organic quality and major dramatic scope.
I cannot think about another pianist who may phrase Chopin as Francois did it. So, please do me a favor and firmly decide to acquire it. You will surprise yourself!
Fascinating Chopin.......2006-02-17
The One and Only One Chopinist?.......2005-01-25
Philips, advised by Alfred Brendel among others, presented Samson Francois as one of the greatest pianists of the century. In Philips' list, we do have some extraordinary Chopinists. Fridedman's Mazurkas are said to be unsurpassble, so are Cortot's Preludes & Etudes (or all his Chopin), or Lipatti's Waltzes. Or else, Hofmann's or Rachmaninov's Chopin are just marvelous. But those are historic recordings. While some prefer Moravec or even Arrau's Nocturnes, Rubinstein's Nocturnes, and particularly his Polonaises, like Agerich's Preludes are a sensation. Cziffra's Chopin is superb, so is Freire in general. But we can't leave out Samson as a leading Chopin interpreter.
Samson was perhaps the greatest of Cortot's pupils. From his Chopin Ballades, there are all-embracing colours (by the subtlety of using the pedal among other things) creating rainbow after rainbow. The harmonic suspensions as the nub of the Ballades adds so much to the potency of music. His Nocturnes, darkening the colours in the background creating the right atmostphere together with the poignancy of his narrative power, compare favourably with Arrau's. His Preludes may not be a fiery as Agerich's, but they are more bitter, so bitter that he is a type of his own...
The Nocturnes are recorded in '66. And in any event the earliest recording in the boxset was made in '54 and the re-mastering is so good that unless you make an effort, you won't be able to tell them from modern recordings and yet they are sold at bargain price. Grap it while it is still available.
Excellent, Eccentric Chopin.......2004-01-18
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The Romantic Piano, Vol. 1
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD ASIN: B0002IRY18 Release Date: 2004-11-09 |
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Meditation: Classical Relaxation, Vol. 6
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001VSW Release Date: 1991-10-11 |
Tracks:
- Swan Lake: Scene - Bavarian RSO/Hans Vonk
- Eine Kleine Nachtmusik: Romance - Berlin CO/Peter Wohlert
- Nocturne in B, Op.9 No.3 - Krzysztof Jablonski
- Madama Butterfly: Humming Chor - Sofia National Opr Chor
- A Midsummer Night's Dream: Notturno - Budapest PO/Janos Kovacs
- Sym No.35 'Haffner': Andante - Salzburg Mozarteum Orch/Hans Graf
- Carmen Ste No.1: Intermezzo - Budapest PO/Janos Sandor
- Pno Son in B flat, D960: Andante Sostenuto - Peter Rosel
- Sinf Conc in E flat: Andante - Christian Altenburger/Wolfgang Christ
- Pno Con No.2: Larghetto - Adam Harasiewicz
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Alfred Cortot: The Late Recordings, Vol. 1
Manufacturer: Apr UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000065AI6 Release Date: 2002-07-30 |
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Rubinstein Collection, Vol. 26
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000054277 Release Date: 2001-07-10 |
Tracks:
- Nocturne in b flat, Op.9, No.1
- Nocturne in E flat, Op.9, No.2
- Nocturne in B, Op.9, No.3
- Nocturne in F, Op.15, No.1
- Nocturne in F#, Op.15, No.2
- Nocturne in g, Op.15, No.3
- Nocturne in c#, Op.27, No.1
- Nocturne in D flat, Op.27, No.2
- Nocturne in B, Op.32, No.1
- Nocturne in A flat, Op.32, No.2
- Nocturne in g, Op.37, No.1
- Nocturne in G, Op.37, No.2
- Nocturne in c, Op.48, No.1
- Nocturne in f#, Op.48, No.2
Tracks:
- Nocturne in f, Op.55, No.1
- Nocturne in E flat, Op.55, No.2
- Nocturne in B, Op.62, No.1
- Nocturne in E, Op.62, No.2
- Nocturne in e, Op.72, No.1 (Posth.)
- Scherzo in b, No.1, Op.20
- Scherzo in b flat, No.2, Op.31
- Scherzo in c#, No.3, Op.39
- Scherzo in E, No.4, Op.54
- Trois Nouvelles Etudes, Op. Posth.: No.1 in f
- Trois Nouvelles Etudes, Op. Posth.: No.2 in A flat
- Trois Nouvelles Etudes, Op. Posth.: No.3 in D flat
- Fant-Impromptu in c#, Op.66
Customer Reviews:
The Transcendental Rubinstein.......2001-12-23
Restless Nocturnes and Furious Scherzos.......2001-09-16
Rubinstein made three traversals of the complete Nocturnes (well, mostly complete, except for some juvenile pieces which the pianist ignored). This, the second set, was made for long playing records in 1949-50 and was intended to replace the 78RPM set made in 1936-37. I find this later set curiously unsatisfying. It has neither the seductiveness of the 1930s Nocturnes, nor the sober gravitas of the 1965 stereo remake. There are moments of restlessness here, some technical problems(the trills in Op. 62, No. 1 are thoroughly messed-up), and even some misinterpretations of the text (there is a serious mis-interpretation of the ending of Op. 32, No. 1). Although Rubinstein was the 20th Century's most important Chopin interpreter, he didn't play many of the works in public, and I have the sneaking suspicion that many of the pieces in this collection are being sight-read.
Rubinstein is more successful in the Scherzos. Again this is the second of three complete sets. This version, from 1949, is more stable technically than the rather wild 1932 set, and more dazzling than the 1959 stereo remake. Although each set has its merits, on most levels this is the most successful of the three.
Although Rubinstein never made a complete version of Chopin's Etudes (an attempt at these works was abandoned after one session) he did make two recordings of the Trois Nouvelles Etudes. This first version, from 1958, was one of his first stereo solo recordings, and is somewhat more fleet fingered and lively that the 1962 remake.
Rubinstein's 1964 recording of Chopin's ubiquitous Fantasie-Impromptu (Volume 47) is to be preferred over the earlier version included here. Not only is the recorded sound superior in the later version, but Rubinstein in 1964 performed the piece from a then recently discovered manuscript which is undoubtedly the definitive version.
The sound in the mono pieces is rather hard and brittle. The Etudes, recorded in stereo, fare much better.
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Masters of Classical Music, Vol. 8: Chopin
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001VUD Release Date: 1990-10-25 |
Tracks:
- Scherzo No 1 In B Minor, Op. 20
- Three Nocturnes, Op 9: No 3 In B Major
- Twelve Etudes, Op 10: No 5 In G Flat Major
- Twelve Etudes, Op 25: No 10 In B Minor
- 24 Preludes, Op 28:: No 13 In F Sharp Major
- 24 Preludes, Op 28:: No 14 In E Flat Minor
- 24 Preludes, Op 28:: No 15 In D Flat Major
- 24 Preludes, Op 28:: No 16 In B Flat Minor
- 24 Preludes, Op 28:: No 17 In A Flat Major
- 24 Preludes, Op 28:: No 18 In F Minor
- Scherzo No. 2 In B Flat Minor, Op. 31
- Waltz In E Flat Major, Op. 18
- Nocturne In C Sharp Minor, Op. Posth.
- Four Mazurkas, Op. 24:: No. 3 In A Flat Major
- Four Mazurkas, Op. 24:: No. 4 In B Flat Minor
Customer Reviews:
Excellent.......2001-09-30
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Chopin: Complete Piano Music, Vol. 5
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001YVCN Release Date: 1999-09-28 |
Tracks:
- Nocturne in b flat, Op.9, No.1
- Nocturne in E flat, Op.9, No.2
- Nocturne in B, Op.9, No.3
- Nocturne in F, Op.15, No.1
- Nocturne in F#, Op.15, No.2
- Nocturne in g, Op.15, No.3
- Nocturne in c#, Op.27, No.1
- Nocturne in D flat, Op.27, No.2
- Nocturne in B, Op.32, No.1
- Nocturne in A flat, Op.32, No.2
- Nocturne in c, B.I. 108
- Nocturne in c#, B.I. 49
Customer Reviews:
Idel Biret plays the Chopin Nocturnes.......2006-09-27
The nocturnes have been recorded many times, but the version by the Turkish pianist Idel Biret is one of the best. Biret recorded the complete works of Chopin for Naxos between 1990 -- 1992, and she received the Grand Prix du Disque Chopin 1995. With so many recordings by better-known artists, Biret still has not received the attention she deserves. She plays the nocturnes with a beatiful singing style, with grace and with reserve. Chopin's work is a combination of romantic feeling and classical form. It is difficult for the performer to avoid the temptation to overinterpret. But Idel Biret allows the music to sing and speak through her, with singing tone, lovely phrasing, light runs, and a measured use of rubato. This CD, and its companion, is a joy to hear.
Biret has recorded the nocturnes on two volumes, with this volume, no. 1, including the ten nocturnes from opus 9 (1830-31) through opus 32 (1836--1837) together with two early works without an opus number. The opus 9 nocturnes include the familiar nocturne in E flat major, opus 9. no. 2, which will be familiar to most listeners. Overexposure has made this lovely work sound hackneyed, but Biret gives it a reading of innocence, simplicity, and directness which made me think I was coming to it for the first time. But pay attention to the other two works of the opus 9 set, which are even more beautiful and original and far less known than their companion.
The three nocturnes of opus 15 include the well-known opus 15 no. 2 in F-sharp major, with elaborate runs and figurations in its main theme together with the nocturne in g minor, no. 3, which is one of Chopin's easier compositions. I have attempted it, and it is suitable for fellow amateur pianists.
The nocturne in C sharp minor, opus 27 no 1 is one of Chopin's finest with a dreamlike opening section that blossoms into a moment of passion before it fades away. Its companion piece in D flat major is frequently performed. It opens with a widely-spaced left hand arpeggio which accompanies a highly melodic and ornamented theme. The two nocturnes of opus 32 include the simple and lyrical no. 1 in B major, and a delicate, dancelike nocturne in A-flat major, no. 2.
Chopin's nocturnes are among those rare works which enchant those listeners new to music and which continue to reveal their beauties as one's musical appreciation deepens. Idel Biret's performances on Naxos are an outstanding way to get to know the nocturnes.
Robin Friedman
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Chopin: Complete Piano Music, Vol. 6
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001YVCO Release Date: 1999-09-28 |
Tracks:
- Nocturne in g, Op.37, No.1
- Nocturne in G, Op.37, No.2
- Nocturne in c, Op.48, No.1
- Nocturne in f#, Op.48, No.2
- Nocturne in f, Op.55, No.1
- Nocturne in E flat, Op.55, No.2
- Nocturne in B, Op.62, No.1
- Nocturne in E, Op.62, No.2
- Nocturne in e, Op.72, No.1 (Posth.)
Customer Reviews:
Idel Biret Plays the Chopin Nocturnes.......2006-09-28
Biret recorded the Chopin nocturnes in two volumes. This, the second volume, includes both Chopin's earliest nocturne with an opus number, the nocturne in E minor, opus 72 no. 1, composed when the composer was 17, and his final efforts in the form, the two nocturnes of opus 62, dating from 1846. Biret's first volume of the nocturnes includes the ten works from opus 9 through opus 32, dating from 1836-37, in addition to two early works without an opus number. This volume, following opus 72, picks up with the two nocturnes of opus 37, composed in 1838, and proceeds with the two works of opus 48, the two nocturnes of opus 55, and the final two nocturnes of opus 62. Thie nocturnes are romantic, lyrical, and pensive with song-like lengthy melodic lines.
There is a great deal of variety and beautiful music in the nocturnes in this volume. The early nocturne opus 72 no. 1 is simpler in style than most of its successors. It features a flowing melody, less ornamented than most of the nocturnes, played over triplets and an intense middle section. The nocturne in G minor opus 37 no. 1 is special to me because it is one of the few Chopin nocturnes I have attempted myself. (Another is opus 55 no. 1.) It is simple and melancholy in structure, with an accompaniment consisting of four quarter-notes, and a chordal, solemn middle section. Its companion in G major, opus 37 no.2 features a long, piquant melody consisting of running figures in thirds and sixths, which Idel Biret plays lyrically, smoothly and convincingly.
The nocturne in C minor opus 48 no. 1 is Chopin's largest effort in the form. It opens with a quiet, stately theme, which Chopin develops inexorably into a section of large deep rolled chords ahd hammering, extensive passages in octaves for both hands before the nocturne works to a quiet close. The companion-piece in F-sharp minor is, in contrast, peaceful and tranquil in mood.
The nocturne in E minor, opus 55 no. 1 is frequently performed with a haunting theme over a simple accompaniment figure and a passionate, lively coda. Its companion-piece in E-flat major includes a richly-textured melody combined with much ornamentation over repeated accompaniment figures in triplets.
Chopin's final two nocturnes, opus 62, are frequently regarded as differing from the other works in the series in their spare and deeply introspective, almost mystical, character. (By chance, these were among the first Chopin nocturnes I heard when young.) Opus 62 no. 1 opens with some deep, pensive slow arpeggios, and features long, light runs and highly elaborate trills as the work progresses. The final nocturne, in E major opus 62 no.2, is highly melodic, with an elaborate and agitated central section.
Although Idel Biret's performances of Chopin have received wide-spread critical acclaim, the nocturnes have been extensively recorded by many well-known artists. Thus Biret's readings still await their deserved wide discovery and appreciation. This recording and its companion will serve as an outstanding introduction to Chopin's nocturnes.
Robin Friedman
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Frederic Chopin: World Famous Piano Music Vol.1:Impromptus, Nocturnes, Fantasy
ProductGroup: Music Binding: Audio CD ASIN: B0001IZN2G |
Product Description
Track List: 4 Impromptus 1.No.1 Op.29 In A Flat Major, Allegro Assai 2.No.2 Op.36 In F Sharp Major, Andantino 3.No.3 Op.51 In G Flat Major, Vivace 4.No.4 Op.66 In C Sharp Minor, (Fantasy-Impromptu) 4 Nocturnes 5.Op.27,1 In C Sharp Minor, Larghetto 6.Op.27,2 In D Flat Major, Lento Sostenuto 7.Op.37,1 In G Minor 8.Op.37,2 In G Major, Andantino 9.Fantasy In F Minor Op.49Customer Reviews:
More info.......2006-02-08
Track Listings:
- Classic Accordion
- Crux
- Debussy: String quartet in Gm; Beethoven: String Quartet No3
- Deep Water, High Clouds: Tones & Tales of Piano
- Feidman Plays Bloch/Olivero/Bar Chaim
- Franck and Huybrechts: Sonatas for Violin and Piano
- From Scotland With Love-Musical Landscape Paintings
- G-String Plays Piazzolla
- Garnier/Rava/Kreutzer/Philidor/Toeschi: Oboe Quartets
- George Henry Crumb: Makrokosmos, Vol. l + ll/Mathé: Der Schlangenträger
Track Listings
Far Side of the World [Enhanced]
Memories of New Orleans [Import]
Over 60 Minutes With Prism [Import]
Piano Strings Tribute to Ray Charles
Precious Lord/I'll Rise Again [Import]
Luzzaschi: Quinto Libro de' Madrigali