Beloved Bach

On this CD:

1. Suite for orchestra No 2 in B minor, BWV 1067
Composed by Johann Sebastian Bach
Performed by Slovak Chamber Orchestra with Milan Brunner
Conducted by Bohdan Warchal

2. Suite for orchestra No 3 in D major, BWV 1068
Composed by Johann Sebastian Bach
Performed by Slovak Chamber Orchestra Conducted by Bohdan Warchal

3. Suite for orchestra No 4 in D major, BWV 1069
Composed by Johann Sebastian Bach
Performed by Slovak Chamber Orchestra Conducted by Bohdan Warchal

Beloved Bach,Johann Sebastian Bach,Bohdan Warchal,Milan Brunner,Slovak Chamber Orchestra,Compose Records,Baroque Suite/Partita for Orchestra,Classical,Classical Composers,Classical Music,Orchestral
Instruments of the Orchestra
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  • Instruments of the Orchestra - Great Reference Material!
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  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Demidenko Plays Bach-Busoni
Average customer rating: 4 out of 5 stars
  • Pure Pleasure
  • Impressive but slow
 Demidenko Plays Bach-Busoni

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Bach-Busoni: Piano Transcriptions, Vol. 2
  2. Samuil Feinberg: Bach Piano Transcriptions, Vol. 4
  3. Bach Piano Transcriptions, Vol. 3
  4. Bach Piano Transcriptions, Vol. 5: Russian Transcriptions
  5. Bach Piano Transcriptsions, Vol. 6: Walter Rummel

ASIN: B000002ZQO
Release Date: 1993-11-19

Tracks:

  1. Toccata and Fugue in D minor - BWV 565 1 (2'47)
  2. Toccata and Fugue in D minor - BWV 565 2 (7'01)
  3. Chorale Prelude in F minor 'Ich ruf' su dir - Herr Jesu Christ' BWV 639 (4'14) - Capricco in B flat major 'on the departure of a beloved brother' BWV992
  4. Arioso (3'22)
  5. Fugato (2'36)
  6. Adagissimo (4'40)
  7. Marschmaessig (0'28)
  8. Aria di Postiglione (0'54)
  9. Fuga (1'46)
  10. Chorale Prelude in G minor 'Nun komm der heiden Heiland' BWV 659 (6'41)
  11. Organ Prelude and Fugue in E flat major - BWV 552 ('St Anne') (10'00)
  12. Organ Prelude and Fugue in E flat major - BWV 552 ('St Anne') (7'29)
  13. Chorale Prelude in G major 'Nun freut euch - lieben Christen amein' - BWV734 (2'31)
  14. Toccata - Adagio and Fugue in C major - BWV 564 - 1 (9'14)
  15. Toccata - Adagio and Fugue in C major - BWV 564 - 2 (7'12)
  16. Toccata - Adagio and Fugue in C major - BWV 564 - 3 (5'27)

Customer Reviews:

4 out of 5 stars Pure Pleasure.......2001-04-24

Michael Wincop does a superb job reviewing this disc. Rather than repeat his words, I just want to add that the music is beautiful and a pure joy to listen to. I had the good fortune to listen to hear Mr. Demidenko when he gave his New York City debut last month at the Frick Museum. Our culture setter, the New York Times, did not bother to send a reviewer. Needless to say, he played wonderfully after getting used to the rented Steinway, which was harsh. He played several Bach-Busoni transcriptions as encores which led me to this disc. Hyperion does a wonderful job in capturing the dynamic range. Bravo to all.

4 out of 5 stars Impressive but slow.......2000-06-10

Weight is the keynote of this CD. There are few performances of these wonderful transcriptions that I know of which are as solemnly broad as these.

Demidenko is a great pianist. He is obviously inside Busoni's idiom and he has good recorded sound. His program is excellent, not only for giving us the more recorded pieces like the d minor Toccata and the preludes, but for much less recorded pieces, such as the St Anne Prelude & Fugue, the Capriccio, and the C major Toccata.

Comparisons in works like Nun komm are revealing. Demidenko weighs in at just under 7 minutes; Lipatti's famous recording is one second over 4! Undoubtedly, this captures the gravitas of these works, but there are times, as in the Prelude of BWV552 that one could wish for a bit more thrust. Likewise, the opening of the striding C major Toccata sounds unnecessarily portentous, especially by the side of a good performance on the organ.

I don't wish to give the impression that this is universally so. Demidenko turns in a dazzling Nun freut euch, the best ever recorded, and his octave uproar at the end of the prelude of the St Anne fugue and the thundering close of the Fugue in the C major Toccata makes you forgive the earlier indulgences. Likewise, you will never hear these works offered with so much colour or tonal variety.

It's certainly a disk to avoid if you are a purist, but I frankly doubt purists would have picked it up in the first place.

So, if you like this repertoire, you're should like this disk. I have played it countless times. There's also frankly little competition: Rösel on Berlin and Fergus Thompson on ASV are worth listening to, but neither is in Demidenko's class. Madge on Dante is very disappointing. So until we get a release of Fiorentino's droolingly fantastic program, Demidenko sweeps the board.

Don't forget some of the non-Busoni transcriptions, like Pizarro's Liszt transcriptions, Feinberg's own wonderful versions, and either the Scherbakov or Grante versions of the Godowsky.
Artists of the Century
Average customer rating: 4.5 out of 5 stars
  • The Greatest Tenor
  • THE GREAT MARIO SINGS BEAUTIFULY!
  • The good and the bad in one collection
  • New Fan
  • Another CD from the best!
 Artists of the Century

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000J915
Release Date: 1999-06-15

Tracks:

  1. Be My Love
  2. Drink, Drink, Drink
  3. Rigoletto: Act IV: La Donna E Mobile
  4. Danny Boy
  5. Granada
  6. Because You're Mine
  7. Ave Maria
  8. Valencia
  9. The Loveliest Night Of The Year
  10. Song Of India
  11. Because
  12. O Sole Mio
  13. The Donkey Serenade
  14. I Paggliacci: Act I: Vesti La Giubba
  15. Serenade
  16. Funiculi, Funicula
  17. Golden Days
  18. Arrivederci Roma
  19. You'll Never Walk Alone
  20. Beloved
  21. Come Prima
  22. Tosca: Act III: E Lucevan Le Stelle
  23. Santa Lucia
  24. I'll Walk With God

Tracks:

  1. And This Is My Beloved
  2. Cielo E Mar (La Gioconda)
  3. If I Loved You
  4. Deep In My Heart
  5. Core 'Ngrato
  6. Una Furtiva Lagrima (L' Elisir D'Amore)
  7. Ah! Sweet Mystery Of Life
  8. Canta Pe' Me
  9. Santa Lucia Luntana
  10. Memories
  11. With A Song In My Heart
  12. O Paradiso! (L' Africana)
  13. Temptation
  14. Aida: Act I: Celeste Aida
  15. Feneste Che Lucive
  16. A Night To Remember
  17. Non Ti Scordar Di Me
  18. Somewhere A Voice Is Calling
  19. Softly, As In A Morning Sunrise
  20. All The Things You Are
  21. Passione
  22. One Night Of Love
  23. La Danza

Customer Reviews:

5 out of 5 stars The Greatest Tenor.......2004-05-25

I'm more a fan of classic popular standards than of classical music, but as the classical numbers give Mario Lanza a little more opportunity to show off his glorious voice, I find myself enjoying these fully as much as the popular selections.

His approach to popular song is admittedly on the operatic side, and it's fascinating to hear how well such pieces translate into a more classical orchestration. And Lanza's versions stand as equals alongside the popular versions (by such greats as Perry Como, Frankie Laine, Kate Smith, Georgia Gibbs, Dean Martin, Vic Damone and Vaughn Monroe) that have been among my favorites for many years.

The spoken introductions on the selections from his show are an added bonus, and (contrary to one of the reviews below) these songs are beautifully done. The fact that they are live and only minimally rehearsed only makes them all the more amazing.

The 2-cd set consists of high quality recordings of 47 songs and is a real bargain at the price.

4 out of 5 stars THE GREAT MARIO SINGS BEAUTIFULY!.......2002-03-03

THIS IS A WINNER THE MUSIC GREAT! THIS IS A REALY GREAT CD! HE SINGS SO WELL IN ALL THE MUSIC. I GAVE IT 4 STARS. ENJOY!

4 out of 5 stars The good and the bad in one collection.......2001-09-02

This is (unintentionally, I'm sure) a warts-and-all illustration of Mario Lanza. True, there are magnificent recordings scattered throughout (Serenade, Beloved, E Lucevan Le Stelle, Passione, etc) but the overall impression one is left with is of a sloppy and undisciplined singer who just happened to possess a great voice. The fault lies squarely with BMG and their predilection for selecting the very worst of Lanza, and placing it next to the best. Many of the inferior choices come from Lanza's Coca-Cola radio show, recorded between 1951 and 1952, and featuring prominently on Disc Two. (Disc One is a more consistent selection, and repeats the same tracks from the British one-CD set "The Ultimate Collection", reviewed elsewhere on this site.)

The "Coke" shows were generally under-rehearsed, and represent what in many respects was the most chaotic period of Lanza's short life. Thus it's not surprising that the tenor often sounds unfamiliar with his material, is sometimes off-key, and also makes numerous stylistic lapses. Never intended to be heard beyond their initial broadcast, these supposedly "one-off affairs" nevertheless did produce the occasional gem, but one needs to look elsewhere for examples of those. The three exceptions on this set are the gloriously romantic If I Loved You, One Night of Love, and the poignant Memories. Danny Boy also deserves honorable mention, although the ending should have been remade.

O Paradiso, Somewhere a Voice is Calling, Core 'Ngrato, Deep in My Heart, and With a Song in My Heart represent low points from the Coke Shows. Other poor choices include And This is My Beloved, from the disastrous Lanza on Broadway LP; a rough-as-old-boots Una Furtiva Lagrima; and an off-pitch Cielo E Mar (ironically the one studio recording on this set that *is* inferior to Lanza's Coke Show rendition).

Mario Lanza was blessed with the most spectacular natural tenor voice of the 20th century. Is it too much to expect for BMG to honor his memory more selectively? Where are Lanza's sublime recordings of Che Gelida Manina from "La Boheme", his M'appari, the Improvviso from Andrea Chenier and his unsurpassed Otello Monologue? Or the fabulous Some Day, the gorgeous 'A Vucchella and Lanza's own favorite recording, the haunting Voce E Notte? For the very best of Mario Lanza, buyers will need to look elsewhere.

5 out of 5 stars New Fan.......2000-08-27

I am an 18-year old student. I bought this album after I heard a few of Lanza's songs in the Peter Jackson film, "Heavenly Creatures" and I must say that it is one of the best albums I have ever bought. Lanza was a master of his vocal instrument, drawing every ounce of feeling and energy from the notes and words to create a masterpiece of every song. The resulting pieces in this album combine to make up a beautiful and varied work, with something for every mood you may be in. The classics (such as "Ah, Sweet Mystery of Life"), are obviously appealing, but the lesser-known pieces (my favourite: "Una Furtiva Lagrima") make this a wonderfully enlightening experience. This is a truly Great album.

5 out of 5 stars Another CD from the best!.......2000-03-18

When I heard that Mario Lanza had died so many years ago, I was a college student who already owned five or six LP's of his songs. I was truly brokenhearted We had lost such a fine singer at such an early age. This CD is one of the best because of the diversity of songs, all marvelous.A fine addition to any collection.
The World's Most Beloved Melodies
Average customer rating: 4 out of 5 stars
  • An extraordinary surprise!
 The World's Most Beloved Melodies

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001K9Z
Release Date: 1995-12-20

Tracks:

  1. Allegro, From Ein Kleine Nachtmusik
  2. Humoresque
  3. Etude No. 20 'Tristesse'
  4. Traumerei
  5. Lullaby
  6. Liebestraume
  7. Spring Song
  8. The Swan, from Carnival of the Animals
  9. Canon
  10. Summer, from The Four Seasons
  11. Air for the G-String
  12. Largo from 'Xerxes'
  13. Minuet
  14. Fur Elise
  15. Adagio Cantabile from 'Pathetique' Sonata
  16. Ave Maria

Customer Reviews:

4 out of 5 stars An extraordinary surprise!.......2000-07-27

I am a physician, who in the process of making rounds on the Alzhemiers unit of a nursing home, was stopped in my tracks by the sound of beautiful music coming from the room of an elderly woman with a history of severe depression. Beethoven's Pathetique, in all is melancholic beauty saturated the room with meaning, very sensitively interpreted for strings which lent a gentleness to the work without sacrificing passion. She invited me to sit and listen, which I did. It made a wonderful beginning of my day. I plan to use this in my office in the expectation of similar calming effects on my patients. What a lucky find, and an absolute steal at this price.
The Art of Alicia de Larrocha
Average customer rating: 5 out of 5 stars
  • The Art of Alicia de Larrocha
  • A feast for piano lovers!
 The Art of Alicia de Larrocha

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Mozart: Piano Concertos Nos. 20 & 25
  2. Favourite Spanish Encores
  3. Granados: Spanish Dances
  4. Albéniz: Iberia; Granados: Goyescas
  5. Granados: Goyescas No1-6; Valses poéticos H147

ASIN: B00008Y4IN
Release Date: 2003-06-10

Customer Reviews:

5 out of 5 stars The Art of Alicia de Larrocha.......2007-01-04

Alicia de Larrocha is probably the finest interpreter of Spanish Piano music.The Art of Alicia de Larrocha is a collection of recordings performed by the artist over many years.There are 7 CD's in total. Each Cd cover has a beautiful picture of Ms de Larrocha at different times in her performing career. An excellent example of her versatility, from Bach to Manuel De Falla,her musicality and clean technique are characteristic of her playing,well brought out by the recording process.
The sound quality is excellent.
A special delight are some rarely heard pieces like a Soler Sonata, an Sonatina by Montsalvatge and a Prelude by Mompou.
Very inspiring to pianists. I strongly recommend it!

5 out of 5 stars A feast for piano lovers!.......2003-12-29

Alicia de Larrocha has always been one of my very favorite pianists, and while I was a student during the 1970s and early 1980s I eagerly snatched up each of her recordings as soon it arrived on the shelves. In the long twilight of her illustrious career, Se?ora de Larrocha has tended to concentrate on playing Mozart concertos and sonatas in public, music which demonstrates her sterling musicianship and tone without over-taxing her technique in a major way. Many people who have only heard her in this repertoire might not be prepared for the grandeur and sweep of her virtuoso accounts of big Romantic pieces, such as the Liszt Sonata, and Schumann and Chopin, all of which are represented here. The technique is big, the tone glorious, the musical interpretations impeccable, she has it all in spades. I am so happy to have her lovely account of the Chopin F Minor Concerto back in the catalog, as well as her colorful romp through the Khachaturian Concerto.

If you love great piano playing and you love Alicia de Larrocha, do not hesitate for a minute. Buy this box set while it is still available.
Micro-Classics: Arrangements and Derangements of Some of the World's Most Beloved Melodies
Average customer rating: Not rated
    		Micro-Classics: Arrangements and Derangements of Some of the World's Most Beloved Melodies

    Manufacturer: Newport Classic
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00004TY0Y
    Release Date: 1993-10-04

    Tracks:

    1. Mozart: Le nozze di Figaro (The Marriage of Figaro) - Overture
    2. de Falla: Ritual Fire Dance, for orchestra (from "El Amor brujo")
    3. Satie: Gymnopedie for Piano No.1
    4. Praetorius: Courante And Spagnoletta
    5. J.S. Bach: Boure
    6. Bizet: Carmen - Entr'acte
    7. Bizet: Carmen - Chanson Boh
    8. Gounod: Ave Maria (Meditation on Prelude No. 1 of Bach)
    9. J.S. Bach: Badinerie
    10. Unknown: El Condor Pasa
    11. Borodin: Polovstian Dances
    12. Romanian Folk Song: Mountains And High Fir Trees
    13. J.S. Bach: Brandenburg Concerto #2 in F Major - Finale
    14. Tchaikovsky: Nutcracker - Trepak
    15. Tchaikovsky: Nutcracker - Valse Des Fleurs
    16. Saint-Saens: Carnival of the Animals - The Elephant
    17. Rossini: La Gazza Ladra (The Thieving Magpie) - Overture
    18. Vivaldi: The Four Seasons - Largo From 'Winter Concerto'
    19. Rossini: The Cats' Duet
    20. Tchaikovsky: Violin Concerto in D major, Op. 35 - Finale
    21. Debussy: La Fille aux Cheveux de Lin, prelude for piano
    22. Romanian Folk Song: The Skylark
    Ultimate Collection
    Average customer rating: 4.5 out of 5 stars
    • Good, but hardly "ultimate"!
    • the power and beauty of the longest note
    • Wonderful collection of Lanza music
    		 Ultimate Collection
    Irving Aaronson , Nicholas Brodszky , Eduardo di Capua , Luigi Denza , Rudolf Friml , Garinei , Charles Gounod , Guy d' Hardelot , Isadore de Lara , Ruggero Leoncavallo , Jose Padilla , Panzeri , Giacomo Puccini , Nikolay Andreyevich Rimsky-Korsakov , Richard Rodgers , Sigmund Romberg , Italian Traditional , Giuseppe Verdi , Frederick Edward Weatherly , Carlo Savina , Constantine Callinicos , Franco Ferraro , George Stoll , Henri Rene , Ray Sinatra , Mario Lanza , Eudice Shapiro , and Luisa di Mio
    Manufacturer: Bmg Int'l
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0000071HM
    Release Date: 1995-10-12

    Tracks:

    1. Be My Love
    2. Drink, Drink, Drink
    3. Rigoletto: Act IV: La Donna Mobile
    4. Danny Boy
    5. Granada
    6. Because You're Mine
    7. Ave Maria
    8. Valencia
    9. Loveliest Night of the Year
    10. Song of India
    11. Because
    12. O Sole Mio
    13. Donkey Serenade
    14. I Pagliacci: Act I: Vesti la Giubba
    15. Serenade
    16. FuniculFunicul
    17. Golden Days
    18. Arrivederci Roma
    19. You'll Never Walk Alone
    20. Beloved
    21. Come Prima
    22. Tosca: Act III: E Lucevan le Stelle
    23. Santa Lucia
    24. I'll Walk With God

    Customer Reviews:

    4 out of 5 stars Good, but hardly "ultimate"!.......2001-08-20

    As a Lanza admirer of many years, I find this CD disappointing. True, there are magnificent recordings scattered throughout (Serenade, Beloved, E Lucevan Le Stelle, Drink! Drink! Drink!, etc) but there are too many weaker moments for the collection to deserve the accolade "Ultimate". The poorly reproduced Valencia, for example, suffers from pitch problems, and the ubiquitous Funiculi Funicula (oddly in mono here, for a change, with the singer pushed right back) does not represent Lanza at anywhere near his magnificent best. Ironically, this selection is the only below-par performance from his otherwise superb Neapolitan collection, Mario! Lanza At His Best.

    The sound quality is inconsistent. Because You're Mine, for example, is reproduced here to dazzling effect with all the colors of Lanza's voice at their most gorgeous. Granada and O Sole Mio, on the other hand, suffer from even more distortion than usual, and the aforementioned Valencia has been inflicted with an echo chamber.

    My other gripe is that inferior versions of several of the selections have been chosen. You'll Never Walk Alone is not Lanza at his best, and for a better performance seek out the alternate take on the CD of the same name. Vesti La Giubba and La Donna E Mobile, though good, are not in the same class as his later recordings of these arias.

    Still, as introductions go, this release basically serves its purpose. And if there is one day an "Utimate Collection, Volume 2", may I suggest that BMG considers such gems as Lanza's 1949 Che Gelida Manina from "La Boheme", M'appari from "Martha", the Improvviso from Andrea Chenier and his unsurpassed Otello Monologue. Let's also not forget his thrilling Some Day (the 1951 Coke performance and *not* the illness-affected 1959 rendition, please note!), the gorgeous A Vucchella and Lanza's own favorite recording, the haunting Voce E Notte. Such a collection would offer a truer sampling of Lanza's versatility and vocal prowess.

    5 out of 5 stars the power and beauty of the longest note.......2000-02-03

    Within the first 20 seconds of Granada can be found the longest note that only Mario Lanza is capable of delivery. Power - beauty -timbre - awe,believe what you hear or explain it all that he had two extra lungs he never told anybody about

    5 out of 5 stars Wonderful collection of Lanza music.......1998-09-30

    Memorable recordings from a young singer destined to become another Caruso before his untimely death. Had he survived, the current Three Tenors would have had to be Mario Lanza and The Other Three Tenors.
    Rosa Ponselle
    Average customer rating: Not rated
      		Rosa Ponselle

      Manufacturer: RCA
      ProductGroup: Music
      Binding: Audio CD

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      AnonymousAnonymous | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music
      Gounod, CharlesGounod, Charles | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music
      Meyerbeer, GiacomoMeyerbeer, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
      Ponchielli, AmilcarePonchielli, Amilcare | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
      Spontini, GasparoSpontini, Gasparo | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music
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      ASIN: B000003ERK
      Release Date: 1990-10-19

      Tracks:

      1. A L'aime (To My Beloved)
      2. The Nightingale And The Rose
      3. Ernani: Ernani, Involami
      4. Otello: Salce, Salce (Willow Song)
      5. La Forza Del Destino: Pace, Pace, Mio Dio
      6. La Forza Del Destino: Finale: Non Imprecare - Giovanni Martinelli
      7. Aida: Ritorna Vincitor
      8. Aida: O Patria Mia
      9. Carmen-Carmela
      10. L'Africana: In Grembo A Me
      11. La Vestale: O Nume Tutelar
      12. La Gioconda: Suicidio!
      13. Norma: Casta Diva
      14. Amuri, Amuri
      15. Ave Maria
      16. When I Have Sung My Songs
      The Magnificent Mario Lanza: Be My Love
      Average customer rating: Not rated
        		The Magnificent Mario Lanza: Be My Love

        Manufacturer: Pulse
        ProductGroup: Music
        Binding: Audio CD

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        Hardelot, Guy d'Hardelot, Guy d' | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music
        Lara, AgustinLara, Agustin | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music
        Lehar, FranzLehar, Franz | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music
        Brodszky, NicholasBrodszky, Nicholas | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music
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        ASIN: B000B6ETFK
        Release Date: 2005-11-07

        Tracks:

        1. Because You're Mine
        2. Golden Days
        3. You Do Something to Me
        4. Deep in My Heart, Dear
        5. I'll Never Love You
        6. Beloved
        7. Lord's Prayer
        8. I'll Walk with God
        9. Song Angels Sing
        10. Marechiare
        11. Serenade (From "The Student Prince")
        12. Summertime in Heidelberg
        13. Yours Is My Heart Alone
        14. If I Loved You
        15. I'll See You Again
        16. One Night of Love
        17. Sylvia
        18. I'll Be Seeing You
        19. Vucchella
        20. Romance

        Tracks:

        1. Drinking Song
        2. Be My Love
        3. Because
        4. Donna Mobile
        5. My Song, My Love
        6. Loveliest Night of the Year
        7. Granande
        8. Questa O Quella
        9. For You Alone
        10. Bayou Lullaby
        11. Guardian Angels
        12. Core Ingrato
        13. Someday
        14. Mattinata
        15. Song of India
        16. Cielo E Mar
        17. You Are My Love
        18. Song Is You
        19. Recondita Armonia
        20. Ave Maria

        Album Description

        2 CD set. International superstar tenor of the early 50's whose million-sellers included 'Be My Love' and 'Because You're Mine' (original versions included here). Unlike previous tenor superstars (Caruso,Gigli), Lanza never performed in a concert hall, but found fame via hit movies, including The Great Caruso, Serenade, The Seven Hills Of Rome and The Toast Of New Orleans. Castle Pulse. 2005.
        Sanctus: 1000 Years of Sacred Music (Box Set)
        Average customer rating: Not rated
          		Sanctus: 1000 Years of Sacred Music (Box Set)

          Manufacturer: Musica Di Angeli
          ProductGroup: Music
          Binding: Audio CD

          All Works by AllegriAll Works by Allegri | Allegri, Gregorio | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by BrahmsAll Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          Byrd, WilliamByrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          Caldara, AntonioCaldara, Antonio | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
          Cherubini, LuigiCherubini, Luigi | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
          GeneralGeneral | Duruflé, Maurice | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
          GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by GesualdoAll Works by Gesualdo | Gesualdo, Carlo | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
          Hildegard of BingenHildegard of Bingen | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by MonteverdiAll Works by Monteverdi | Monteverdi, Claudio | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
          Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by PartAll Works by Part | Part, Arvo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by SchubertAll Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by TallisAll Works by Tallis | Tallis, Thomas | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
          GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
          RequiemsRequiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
          Berlin Philharmonic OrchestraBerlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
          GeneralGeneral | Sacred & Religious | Classical | Styles | Music
          GeneralGeneral | Classical | Styles | Music
          CompilationsCompilations | Classical | Styles | Music
          GeneralGeneral | Opera & Vocal | Styles | Music
          OratoriosOratorios | Opera & Vocal | Styles | Music
          AnthemsAnthems | Vocal Non-Opera | Opera & Vocal | Styles | Music
          HymnsHymns | Vocal Non-Opera | Opera & Vocal | Styles | Music
          MadrigalsMadrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
          GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
          MagnificatsMagnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music
          MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
          MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
          OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
          PartsongsPartsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music
          PsalmsPsalms | Vocal Non-Opera | Opera & Vocal | Styles | Music
          RequiemsRequiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
          ClassicalClassical | Box Sets | Stores | Music
          Bargain Box SetsBargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music
          All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
          Bargain Box SetsBargain Box Sets | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music
          All Bargain TitlesAll Bargain Titles | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music
          Holiday & Seasonal DécorHoliday & Seasonal Décor | Home Décor | Furniture & Décor | Categories | Home & Garden | Birthday | Christmas Décor | Easter | Fall | Fourth of July | Halloween | Hanukkah | Spring | St. Patrick's Day | Summer | Thanksgiving | Valentine's Day | Winter
          ASIN: B00005AU4Y
          Release Date: 2001-04-24

          Track Listings:

          1. Blake Songs & Other Works by Jonathan Lovenstein
          2. Brahms: Symphony in Cm No1, Op68; Tragic Overture in Dm Op81
          3. Brahms: Symphony in Em No4, Op98; Variations on a Theme of Haydn in Bf Op56a
          4. Brahms: Symphony in F No3, Op90; Symphony in D No2, Op73
          5. Cantar Alla Pavana
          6. Cantatas & Duets for Soprano Alto & Tenor
          7. Canti Nel Chiostro: Songs of the Cloister
          8. Canzoni & Sonate
          9. Celtic Christmas
          10. Cherubini: Requiem in do minore

          Track Listings

          track listings

          Track Listings

          Early Rock from New Zealand, Vol. 11-12

          Majestic Renditions of Maharajpuram Santhanam

          Liza's Back [Live]

          Music: la*la*Land Lullabies

          Mirror Kissers [CD-single] [Import]

          Pop Hits Monthly Karaoke - URBAN Dec 2004

          Live in London and More... [Live]

          Great Classical Overtures

          Karaoke: Bobby Bare [Karaoke]

          Inolvidables RCA: 20 Grandes Exitos V.2 [Import]

          Jesus Christ Bobby

          Kommander of Kaos [Import]

          Kosmos [Import] [Limited Edition]

          Robin Hood Country: Korngold; Coates, Nabarro

          The Best Of Ziggy Marley & The Melody Makers