Sym 3/5

1. Symphony No.3 in A minor, Op.15
Composed by Niels Wilhelm Gade
with Copenhagen Collegium Musicum
Conducted by Michael Schonwandt

2. Symphony No.5 in D minor, Op.25
Composed by Niels Wilhelm Gade
with Amalie Malling , Copenhagen Collegium Musicum
Conducted by Michael Schonwandt

Tracks:

Any Other Name - Nikolaj Bloch
Vision - Richard Souther
Song Of Tears - London Philharmonic Orchestra
Largo - Reginald Kilbey And His Strings
Hedwig's Theme - Nic Raine
Sheep May Safely Graze - Sir Neville Marriner
II. Adagio Un Poco Mosso - Philharmonia Orchestra
Cavatina - Manuel Barrueco
Eddie - Michael Nyman
Espiritu - Thomas Otten
Cinema Paradiso Love Theme - Ennio Morricone & His Orchestra
Pavane - New Philharmonia Orchestra
Pie Jesu - Choir Of King's College, Cambridge
Goldberg Variations - Maria Tipo
Agnus Dei - David Hill
II. Adagio Sostenuto - Dame Moura Lympany
Canzonetta Sull'Aria - Gianna Rolandi

Tracks:

Time To Say Goodbye - Orchestra
Aquarium - Katia & Marielle Labeque
Barcarolle (Les Contes D'Hoffman) - Elisabeth Schwarzkopf
Jean De Florette Theme - Toots Thielemans
La Valse D'Amelie - Yann Tiersen
Love In Slow Motion - The Planets
Heart Of The Volunteer - David Temple
II. Adagio - Ton Koopman
Nimrod ('Enigma' Variations) - London Symphony Orchestra
Going Home (Largo) - Izzy
Sarabande - Academy Of St. Martin In The Fields
Facades - John Harle
Panis Angelicus - Halle Choir
Teleplene And Rubber Band - Simon Jeffes
Agnus Dei - National Youth Choir Of Great Britain
II. Romance - Garrick Ohlsson
Jesu, Joy Of Man's Desiring - Choir Of King's College, Cambridge
II: Andantino - James Galway
Rhapsody On A Theme Of Paganini - Cecile Ousset
An Ending - Brian Eno

Album Details

Instrumental Chill Out of the Classical Variety, Not of the Dancefloor. Chill Baby!

Customer Reviews:

Great Classical Spectrum .......2005-03-21

These cd's are a great set of varied classical music. Pavane is my favorite. Additionally, Classical Chillout 2 offers theme music from Harry Potter and it is very well done.

Sym 1-4 / Piano Ctos 1-2 / Violin Cto / Double Cto

Average customer rating:

A Brahms collection well worth remembering
A Wonderful Bargain
all the music that fits...

Sym 1-4 / Piano Ctos 1-2 / Violin Cto / Double Cto
Brahms , and Sawallisch
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Liszt: Works for Piano and Orchestra
Mozart: Chamber Music
Sibelius: The Complete Symphonies & Tone Poems
Beethoven: Piano Trios; Violin & Cello Sonatas
Beethoven: The Complete Symphonies and Piano Concertos

ASIN: B00006HM8Y
Release Date: 2002-11-05

Tracks:

I: Un Poco Sostenuto-Allegro
Allegro
II Andante Sostenuto
III Un Poco Allegretto E Grazioso
IV Adagio-Piu Andante-
Allegro Non Troppo, Ma Con Brio-Piu Allegro
Variations On A Theme By Joseph Haydn (St. Anthony), Op. 56a
Tragic Overture, Op. 81

Tracks:

I: Allegro Non Troppo
II: Adagio Non Troppo-L'istesso tempo, ma grazioso
III: Allegretto Grazioso (Quasi Andantino)-Presto Ma Non Assai- Tempo I
IV: Allegro Con Spirito
Symphony No. 3, Op. 90 F Major: I: Allegro Con Brio-Un Poco Sostenuto
II: Andante
III: Poco Allegretto
IV: Allegro- Un Poco Sostenuto

Tracks:

I: Allegro Non Troppo
II: Andante Moderato
III: Allegro Giocoso
IV:Allegro Energico E Passionato-Piu Allegro-
Langsam Und Sehnsuchtsvoll-
Allegro-
Adagio-
Academic Festival Overture, Op. 80

Tracks:

I: Maestoso
II: Adagio
III: Rondo: Allegro Non Troppo
1. Gestillte Sehnsucht- Longing Assuaged- Nostalgie Apaisee
2. Geistliches Wiegenlied- Sacred Cradle Song- Berceuse Mystique

Tracks:

I: Allegro Non Troppo
II: Allegro Appassionato
III: Andante Piu Adagio- Tempo I
IV: Allegretto Grazioso- Un Poco Piu Presto
1. Wie Melodien Zieht Es Mir- Like Melodies Flowing- Comme Des Melodies Cela Passe
2. Immer Leiser Wird Mein Schlummer- Ever Softer Grows My Slumber- Mon Sommeil Se Fait Toujours Plus Leger
3. Klage- Lament-Plainte
4. Auf Dem Kirchhofe- In The Churchyard- Au Cimetiere
5. Verrat- Betrayel- Trahison

Tracks:

I: Allegro - Mozart
II: Adagio - Mozart
III: Rondeau: Allegro- Allegretto- Tempo I - Mozart
I: Allegro Non Troppo
II: Adagio
III: Allegro Giocoso, Ma Non Troppo Vivace

Tracks:

I: Allegro
II: Andante
III: Vivace Non Troppo
I: Andante- Poco Piu Animato
II: Scherzo: Allegro- Molto meno Allegro
III: Adagio Mesto
IV: Finale: Allegro Con Brio

Customer Reviews:

A Brahms collection well worth remembering.......2007-02-14

Everyone is looking for a bargain these days and too often we get cheated with something cheap and nasty. Don't get nervous, however. This is a real nugget.
The title may be slightly misleading. It's not just Brahms' orchestral works - there are also chamber pieces and Lieder with just a little Mozart Violin Concerto thrown in to fill up the space...though I'd have preferred a Brahms clarinet quintet. Ach weh, das Leben ist nie perfekt!

If you think of the great 20th century conductors, Wolfgang Sawallisch is probably not the first name that springs to mind. Yet you would be hard put to it to find anything to fault with any of these performances and some are truly outstanding. The Violin concerto is probably not one of these, because of the final movement, yet Franz Peter Zimmerman as soloist has perfect intonation and the Berlin Philharmonic for the most part plays with him in beautiful balance. It's a fine partnership with some lovely and some very dramatic moments. I just wish the finale had been played with a little more rubato. There's nothing wrong with it, but it's definitely more German than Hungarian. The Berlin Philharmonic also plays in the Mozart. The rest is all with the London.

Let's come to the First Piano Concerto. For me this is a seminal Brahms work. Put together out of the ruins of the "first" symphony this is a youthful but extraordinarily complex piece full of extreme contrasts, with violent and passionate emotions vying with moments of pure lyricism. For the soloist it is less technically than physically and emotionally demanding with its many pages of `doubled' writing but Stephen Kovacevich (Bishop) is the ideal pianist for it, never flagging, even in the monumental finale. This is a performance of immense power, strength, beauty and warmth, encapsulating as it does, and as no other does, both the despair and triumph of youthful passion, and I can honestly say I have never heard it better performed. In it Sawallisch shows himself to be the perfect conductor, holding the orchestra back and giving the soloist free rein and then applying full throttle at exactly the right moments.
Twenty-two years separate the two piano concertos, yet what is most striking is the similarity between the two works, the Second being, if anything even more symphonic than the First with its four movements. The conflict here is not between the piano and the orchestra - each is locked together in the first two movements in a joint and at times arduous battle with the Fates - yet in many ways it's also more like a gigantic piano quintet and Sawallisch and Kovacevich work here in perfect harmony to establish a fantastic rapport. In the third movement the structure is perhaps even songlike with the pianist accompanying the orchestra, particularly the cello, rather than vice versa and the finale is pure delight with both orchestra and piano ending up hopping and skipping round each other in a charming puckish way. Brahms is here at his most winsome and appealing and this is one of the lightest and most attractive endings I have heard to an otherwise at times very intense and demanding piece of music .
Many will buy this selection for the orchestral works - well that is after all what it says on the label - so I imagine there will also be many who are surprised to find the Lieder. Brahms was a wonderful composer of songs and his unerringly full-blooded choice of lyric - to which he always paid the closest attention - puts him right at the forefront of the great romantic song composers of the period, though it is here that his debt to Schumann is probably at its greatest. Ann Murray has a lovely voice and though I would not put her front of Schwarzkopf or Kathleen Ferrier, these are more than respectable performances. Stephen Kovacevich shows a different but very impressive side of his talent as accompanist. My favorite here, however, is his setting for choir and orchestra of Hölderlin's deeply pessimistic Hyperions Schicksalslied, which absolutely transforms the poem and gives us a wonderful glimpse at least of Ein Deutsches Requiem.

It would be beyond the scope of this commentary to review the performances of the four Symphonies in detail, not to mention the ability of the reviewer! Suffice it to say that Sawallisch and the London Philharmonic play these all with strict attention to Brahms' markings and excellent dynamic contrast, though always remaining aware that during the 20th century, like it or not, tempi in most classical pieces did speed up. No-one can play Brahms successfully without, at the right moments, passion, and for me the highlight (one of many) was the swirling attack in the emotionally turbulent opening to the First Symphony. Sawallisch cannot fail to have been aware of the immense presence of Karajan in these symphonies and to his eternal credit he does not attempt to fight with this, by striving to be different, but lets the orchestra "have its head" and as a consequence his performance of the battling First Symphony is very fine indeed. The key moment in this work for me is the entry of the horn in the slow introduction to the finale and I'm pleased to say, in this performance it is absolutely right. The second symphony, composed only a year later in the beautiful surroundings of the Wörther See in Austria's Lake District, is altogether a much more relaxed affair, and a great opportunity for the conductor to allow the orchestra a chance really to show its style, which is precisely what Sawallisch does and this is one of the London Philharmonic's most sumptuous performances. Interestingly for the Third Symphony Sawallisch opts for the slower Klemperer tempi and there is some very grand playing here, especially in the richly contrasted first movement. However, I feel in the third movement he is a tad too slow, with the result that some of the seething and restless undercurrents are allowed to fade. This is a very "classical" rendering of a tragic work in which the finale is seen, and I'm sure Brahms was striving for this, as both resigned and conclusive. I don't really feel, however, that Sawallisch has quite got to the bottom of this profoundly ambiguous piece. As for the Fourth, in this symphony often described as "autumnal" or "resigned" but probably one of the most passionate and perturbed of all Brahms' works, with time and again the resolution of soft legato passages broken into by turbulent outbursts, Sawallisch does not quite get the same precision of playing in the third movement as Karajan and at one point seems to lose the rhythmic impetus altogether, however, he quickly regathers it and the final passacaglia is as bold, dramatic, and tragic, as anyone could wish for.

The best is saved till last. Who else but Brahms could have composed a world class piece for an instrument that can only play about 11 notes, the Waldhorn? Well he does, and this work, the Horn Trio Op.40, is pure joy from beginning to end, the only hint of sadness being in the slow movement, which is an elegy on the death of his father, who was, guess what, a Waldhorn player. The violinist in this piece is Franz Peter Zimmerman, the same as who performed so well in the Violin Concerto and the pianist none other than Wolfgang Sawallisch, one of the very few recordings of him as a performer. Warum, ich frage mich? The final movement simply bounds along, with some perfect staccato playing by Marie Luise Neunecker on such an abominable instrument! No-one could ever have had a better ride into Elysium.

Is this a bargain? Well I'll let you judge for yourself, but this is my only Brahms recording and I won't be buying another, I imagine, for a little while yet. I suppose purely on the strength of the performances it's 4 stars rather than 5, but given the price and the range of the set, it would be churlish not to give it its 5.

A Wonderful Bargain.......2003-04-01

In this elegant and efficiently packaged compact box from EMI you get all of Brahms's orchestral music (except the two serenades) in first-rate performances at an unbeatable price. Wolfgang Sawallisch is one of the most distinguished conductors alive today and his performances of the great German classics are always worth listening to. Not a showman or an attention-grabber, Sawallisch unfailingly delivers beautifully thought-through performances that are nuanced and subtle. As a result, his work can strike some people as too laid back and emotionally reticent. Musicians, on the other hand, marvel at what they hear. (Check out the DVD version of the documentary film "The Art of Conducting," where long-time Sawallisch fan and colleague Elisabeth Schwarzkopf doesn't hesitate to mention him in the same breath with Klemperer, Boehm, Furtwaengler and Toscanini.) Especially if you're past the neophyte stage as a Brahms listener, you're likely to find Sawallisch's performances very satisfying. As far as specific performances go, let me admit that in another Amazon.com review I've compared these Brahms symphony recordings unfavorably with an earlier Sawallisch set on Philips. I've now changed my mind because EMI apparently has remastered the performances for this box set and they now sound marvelously fresh and alive - even better played(!) than on previous issues. Ditto the two overtures, Haydn Variations and "Schicksalslied." The concerto performances, gorgeously imagined and performed with scrupulous attention to structural detail, are also excellent. Sawallisch seems to have found his ideal partner in pianist Stephen Kovacevich, who matches the conductor insight for insight in the two piano concertos ... just listen to how magically Kovacevich and Sawallisch conjure Mozart in the finale of the B-flat concerto! The two string concertos are also done memorably by Frank Peter Zimmerman, with cellist Heinrich Schiff assisting in the great, late Double Concerto. Finally, the set provides a generous number of bonus performances including handsome renditions of the Mozart third violin concerto (with Zimmerman); some Brahms lieder (performed by Kovacevich and Ann Murray); and the wonderfully autumnal Horn Trio (where Sawallisch himself presides at the piano). Even if you own other performances of this music, I urge you to buy this set: it provides a remarkably satisfying brahmsian synthesis of public rhetoric and private emotion that I'm sure will continue to impress you the more you listen. Sound quality is marvelously warm and true for a digital recording.

all the music that fits..........2003-01-02

if you're a fan of brahms' symphonies and concertos, then this EMI compilation is the perfect match...his four symphonies, two piano concertos, violin concerto, and double concerto are well presented by sawallisch, the berlin philharmonic, and soloists....nothing outlandish or unusual, just straight-on brahms for those who enjoy a good balance from the orchestra, soloists, and wallet.....if I had to choose only one cd release for brahms, this would be it.

Schumann: Sym 3 E flat major Op. 97 & Mendelssohn: Sym 5 D major Op. 107

Average customer rating:

Schumann: Sym 3 E flat major Op. 97 & Mendelssohn: Sym 5 D major Op. 107
Schumann , Karajan , and Bpo
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
ASIN: B00000E3HQ
Release Date: 1990-10-25

Sounds of Forest & Rainforest Sym Soothing

Average customer rating:

Sounds of Forest & Rainforest Sym Soothing
Various Artists
Manufacturer: Bci / Eclipse Music
ProductGroup: Music
Binding: Audio CD

General | New Age | Styles | Music

Meditation | New Age | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | New Age | Indie Music | Stores | Music
ASIN: B00006L86W
Release Date: 2002-10-01

Brahms Sym # 4/Violin Concerto/Haydn Variations/Hungarian Dances

Average customer rating:

Giulini lets the music do the talking. Kubelik dances.

Brahms Sym # 4/Violin Concerto/Haydn Variations/Hungarian Dances

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Tracks:

Violin Concerto In D, Op.77: Allegro non troppo
Violin Concerto In D, Op.77: Adagio
Violin Concerto In D, Op.77: Allegro giocoso, ma non troppo vivace
9 Hungarian Dances: No.1 (Orch. By Brahms)
9 Hungarian Dances: No.3 (Orch. By Brahms)
9 Hungarian Dances: No.5 (Orch. By Schmeding)
9 Hungarian Dances: No.6 (Orch. By Schmeding)
9 Hungarian Dances: No.17 (Orch. By Dvorak)
9 Hungarian Dances: No.18 (Orch. By Dvorak)
9 Hungarian Dances: No.19 (Orch. By Dvorak)
9 Hungarian Dances: No.20 (Orch. By Dvorak)
9 Hungarian Dances: No.21 (Orch. By Dvorak)

Tracks:

Symphony No. 4 In E Minor, Op.98: Allegro non troppo - Johannes Brahms
Symphony No. 4 In E Minor, Op.98: Andante moderato - Johannes Brahms
Symphony No. 4 In E Minor, Op.98: Allegro giocoso - Johannes Brahms
Symphony No. 4 In E Minor, Op.98: Allegro energico e passionato - Johannes Brahms
Variations On A Theme By Hyden, Op.56a - 'St. Antoni Chorale' - Johannes Brahms

Customer Reviews:

Giulini lets the music do the talking. Kubelik dances........1999-02-22

In this Brahms sym #4, Giulini lets the work flow naturally and gracefully. You almost get the feeling that the music plays itself, and reaches you untouched. That's the reason why I listened to this CD all weekend after I got it.

Giulini's respect for the natural inner beauty of the work makes this Brahms 4 unsurpassed, and that holds for the Haydn variations as well. In fact this CD is my favourite CD all categories. (Giulinis Brahms #1 with LAPh is of the same kind, although I for the #1 prefer other more lively interpretations, letting Giulini serve as a relaxed contrast.)

Kubelik reveals in the Hungarian dances the same bohemian (or mahrian?) song and dance as in his Mahler 5. After I heard his Mahler 5, I think any other interpretation is nothing but depression. The Hungarian dances on this CD of course is a less important work, but I still believe they deserve the highest rank. Kubeliks displays the joy as well as the darkness, and he dances.

Tracks:

No. 2, My Homeland: Bohemian Fantasie
Old Folks At Home
Caprice viennois, Op. 2
Humoresque, Op. 101, No.7, In G-Flat
Thais: Meditation: (C-8944-2)
Thais: Meditation: (C-8944-3)
Tambourin chinois, Op.3
Liebesleid
Liebesfreud: (C-8951-1)
Liebesfreud: (C-8951-2)
No. 2, My Homeland: Bohemian Fantasie
Hungarian Dancer No. 5, In G Minor
Variations On A Theme Of Corelli
Caprice viennois, Op. 2
Moment Musical, D.780 - 3
Les fetes d'Hebe: Tambourin
Souvenir de Hapsal, Op. 2: Chant sans paroles, No. 3
Chanson - Meditation
Partita No. 3, BWV 1006, In E Major: Gavotte
Orphee et Euridice: Melodie and Andante from 'Dance of the Blessed Spirits'
Schon Rosmarin
Andantino
Chanson Louis XIII And Pavane

Tracks:

Partita No. 3, BWV 1006, In E: Preludio
Liebesleid
Berceuse
Chanson - Meditation
Ombra mai fu: Largo
Aus Wien
No. 1, Songs Without Words, Op. 62 - Lieder ohne Worte - Romancess sans paroles: May Breezes
Gott erhalte Franz den Kaiser: Austrian Imperial Hymn
No. 5 Of 7 Melodies: Angel's Serenade
Le Nil
Jocelyn: Lullaby - Berceuse
Ave Maria, D.839
Humoresque, Op. 101, No.7, In G Flat
Standchen, No. 4, Schwanengesang, D957: Serenade
Cavalleria Rusticana (Adapted From The Intermezzo): Ave Maria
(Melody Adapted From) Bach's Prelude No. 1, Well-Tempered Clavier, Book. I: Ave Maria
Larghetto, Sonatina, Op. 100, In G: Indian Lament
Concerto For Two Violins, BWV 1043, In D Minor: Vivace
Concerto For Two Violins, BWV 1043, In D Minor: Largo ma non tanto
Concerto For Two Violins, BWV 1043, In D Minor: Allegro

Tracks:

Aus Wien
Songs Without Words, Op.62: May Breezes, No. 1
Gott erhalte Franz den Kaiser: Austrian Imperial Hymn
Op.46, No. 2 And Op.72, No.1 In G Minor: Slavonic Dance
Slavonic Dance, Op.72, No.2, In E Minor
The Rosary
Serenade espagnole
Tambourin chinois, Op.3
Mazurka, Op.67, No.4, In A Minor
Mighty Lak' a Rose
La serenata
Connais-tu le pays?
Serenata
Carme
Ballgerfluster, Lieder, Op.73: Flirtation, No.2
No.27, Lieder, Op.326: Calm As The Night
No.3, Souvenir de Hapsal, Op.2: Chant sans paroles
Partita, No.3, BWV 1006, In E Major: Gavotte
Wienerisch (Impression No. 12)
(Based On 'Du alter Stefansturm' From 'Der liebe Augustin' By Johan Brandl: The Old Refrain
Andaluza, Op.37, No.5: Spanish Dance
Berceuse romantique, Op.9
Songs My Mother Taught Me, Op.55, No.4
Thais: Meditation

Tracks:

Liebesfreud
Aubade provencale (In The Style Of Couperin)
OId Folks At Home
Hungarian Dance No.5 In G Minor
No.2 from My Homeland: Bohemian Fantasie
Serenade
Les contes d'Hoffman: Barcarolle
Quartet, Op.11: Andante cantabile
Quintet, B. 11, No.5 In E Major: Minuet
Rondino On A Theme By Beethoven
L'Arlesienne: Adagietto
Underneath The Stars
The Big Show: Poor Butterfly
Rosamunde: Ballet Music No.2
Dream Of Youth
Minuet, Op.14, No.1 (Paraphrase By Kreisler)
Polichinelle
Moment misical, D.780-3
Les fetes d'Hebe: Tambourin
Beautiful Ohio
Paradise
La gitana
Gypsy Serenade
Sadko: Song Of India

Tracks:

Forsaken
No.1, Bandana Sketches, Op.12: Nobody Knows de Trouble I've Seen
Homoresque, Op.101, No.7 In G-Flat
When Night Descends, Op.4, No.3
O Cease Thy Singing, Maiden Fair, Op.4, No.4
The Last Hour, Op.34, No.6
Since You Went Away
Apple Blossoms: Who Can Tell?
Mary: The Love Nest
On Miami Shore
No.6, Lyric Pieces, Op.43: To Spring
Waltz, Op.39, No.15 In A Major
Melody In A Major
Toy Soldiers' March
Aucassin And Nicolette
Souvinir
Le Coq d'Or: Hymn To The Sun
Scheherazade, Mvt.III (adapted By Kreisler): Chanson arabe
Lotus Land, Op.47, No.1
Pale Moon (Indian Love Song)
Scheherazade, Mvt. IV (Adapted By Kreisler): Danse orientale
Cherry Ripe
Entr'acte, Op.46, No.2
Mazurka, Op.33, No.2 In A Major

Tracks:

Melodie, Op.16, No.2
Der Opernball: Im Chambre separee: Midnight Bells
Love Sends A Little Gift Of Roses
The World Is Waiting For The Sunrise
Concerto, Op.35 In D Major: II. Canzonetta
Elegie slave, Morceaux, Op.53: Slavonic Lament, No.1
Symphony No. 96, 'Miracle': Menuet
Old French Gavotte
Poupee valsante
Molly On The Shore
Pierrot's Dance Song
Thais: Meditation
Slavonic Dance, Op.72, No.2 In E Minor
Dirge Of The North
The Old Refrain
Minuet, Op.14, No.1
Melody In A Major
Orange Blossoms: A Kiss In The Dark
Ombra mai fu: Largo
Caprice viennois, Op.2
Chansonette
Souvenir de Hapsal, Op.2: Chant sans paroles No.3
Symphonie espagnole, Op.21: Scherzando
Caprice antique
Legend Of The Canyon

Tracks:

Two Russian Folk Songs
Aloha Oe
American Indian Songs, Op.45: From The Land Of The Sky-Blue Water, No.1
'New World' Symphony (Adapted By Kreisler): Negro Spiritual Melody
Menuets BWV Anh 114 & 115, Anna Magdalena Notebook: Menuet
La ritrovata figlia di Ottone II: Gavotte, No.22
The Student Prince: Deep In My Heart, Dear
Rose Marie: Indian Love Call
Andantino
At Dawning
Kreisler Serenade
Invocation
The Rose And The Nightingale, No.2, Songs, Op.2: Oriental Romance
Pieces, Op.10: Humoresque, No.2
Daisies, Op.38, No.3: Albumblatt
Frasquita: Hab' ein blaues Himmelbett: Serenade
Caprice viennois, Op.2
Liebesfreud
Liebesleid: (CVE-8950-6)
Liebesleid: (CVE-8950-7)
Blue Skies
Dance Of The Maidens, Op.48
Shepherd's Madrigal

Tracks:

Gypsy Caprice
Schon Rosmarin
Siete Canciones populares espanolas: Cancion, No.6
Espana, Op.165: Malaguena, No.3
Humoresque, Op.101, No.7 In G-Flat
Petite Suite: En bateau, No.2
Ruralia hungerica, Op.32c: Presto
Ruralia hungerica, Op.32c: Gypsy Andante (Andante rubato, alla zingaresca)
Ruralia hungerica, Op.32c: Molto vivace
Preludes, Book I, No.8: The Girl With The Flaxen Hair
Souvenir
Thais: Meditation: (CVE-8944-8)
Thais: Meditation: (CVE-8944-9)
Mighty Lak' A Rose
The Rosary
Old Folks At Home
La Vida breve: Danza espagnola
Espana, Op.165: Tango, No.2
Tambourin chinois, Op.3
Dance Of The Marionette
Rapsodie espagnole: Habanera
Nocturnal Tangier
Rondino On A Theme By Beethoven

Tracks:

Sonata, Op. 30, No.3 In G Major: Allegro assai
Sonata, Op. 30, No.3 In G Major: Tempo di minuetto, ma molto moderato e grazioso
Sonata, Op. 30, No.3 In G Major: Allegro vivace
Sonata, Op.45, In C Minor: Allegro molto ed appassionato
Sonata, Op.45, In C Minor: Allegretto espressivo alla Romanza
Sonata, Op.45, In C Minor: Allegro animato
Sonata, D.574, In A Major: Allegro moderato
Sonata, D.574, In A Major: Scherzo: Presto; Trio
Sonata, D.574, In A Major: Andantino
Sonata, D.574, In A Major: Allegro vivace

Tracks:

Op.46, No.2 And Op.72, No.1: Slavonic Dance (In G Minor)
Slavonic Dance, Op. 72, No.8 In G Major
Der Oppernball: Im Chambre separee: Midnight Bells
Sonatina, Op.100 In G Major: Indian Lament
Songs My Mother Taught Me, Op.55, No.4
Piece en forme de habenera
Londonerrry Air
Chanson Louis XIII And Pavane (In The Style Of Couperin)
Schon Rosmarin
(Based On) 'Du alter Stefansturm' From 'Die Liebe Augustin' By Johann Brandl: The Old Refrain
Siete canciones populares spanolas: Jota, No.4
Orphee et Euridice (Andante From 'Dance Of The Blessed Spirits'): Melodie
Polichinelle
La Precieuse (In The Style Of Couperin)
Rosamunde: Ballet Music No.2
Mvt. I, Concerto No.1 In D Major (Arranged By Kreisler): Concerto In One Movement

Tracks:

Caprice viennois, Op.2
Tambourin chinois
Liebesfreud
Liebesleid
La gitana
Schon Rosmarin
Concerto In C Major (In The Style Of Vivaldi): Allegro energico ma non troppo
Concerto In C Major (In The Style Of Vivaldi): Andante doloroso
Concerto In C Major (In The Style Of Vivaldi): Allegro molto
Rondino On A Theme By Beethoven
The Old Refrain
Londonderry Air
Der Opernball: Im Chambre separee: Midnight Bells
Marche miniature viennoise
Rondo all'ongarese, Trio H.XV, No.25: Hungarian Rondo
Chanson Louis XIII And Pavane (In The Style Of Couperin)
The Rosary
The King Steps Out: Stars In My Eyes
RCA Victor Orchestra: Viennese Rhapsodic Fantsietta

Amazon.com

A Fritz Kreisler recording can always be recognized by the violinist's beefy, baritonal sonority, inimitable portamento, and communicative warmth. Most of the repertoire here consists of the short, encore pieces that prevailed in the era of 78rpm records, many penned or arranged by Kreisler, who was always on the lookout for memorable tunes. Familiar classics like the duets with John McCormack, and Schubert, Beethoven, and Grieg sonata collaborations with Rachmaninoff turn up alongside rare alternate takes and Kreisler's lone recording as a piano soloist in Dvořak's Humoresque. One should savor these musical sweetmeats in small portions, rather than wolfing down each disc in chronological gulps. Ward Marston's transfers are beyond praise. -- Jed Distler

Customer Reviews:

Kind of Amazing.......2005-12-08

First thing I be wondering is where RCA (BMG--now probably Wal-Mart) got the idea that a $120 set of Kreisler faves--most short 78-era items--would be marketable? I'd love to check the Homeland Security records and see just who bought this set. I would never have sprung for it but now that I was given one I have to comment on it. Amazing!

First, there's the playing. This is a professionally ebullient fiddler. Technically astounding, but with the communicative warmth the other reviewers seem to uniformly note. I find violin tiring to the ear sometimes, but not this guy's violin. A joy to listen to.

Second, the selection. Fairly much 11 discs of solid "pop" music--a kind of Fiedlerian dream world where every piece catches the attention usually because of potent melodic pungency. I found myself looking forward to each cut, knowing I would be well-rewarded. Kreisler chose his repertoire well.

Third, oh yeah sure, nostalgia. Everything here is an echo of a world that passed largely by 1914 and was already deep nostalgia for many by the time these last recordings were made in the 1940s. I'm not sure there's anything wrong with that, it's a kind of longing not for an idealized past but for aspects of that past that are clearly missing in the world today (or even back in 1948 when the last tracks were set down). Heck, I listen to Beethoven and find myself getting nostalgic for an era when my local department store music department would make a big deal out of a new Bernstein release and a major network would actually give Lennie time to talk about classical music to the masses.

Anyway, I never intended to own the collection, now I do and I'd replace it in the blink of an eye. Charming and entertaining from disc one to disc eleven.

Almost painfully beautiful music/playing.......2005-05-08

It is one of the real advatages of modern life that we can still hear and be moved by artists from the early 20th century. As listners, there are probably psychological factors that predispose us to be touched by the original rather than someone imitating a style from the past. Part of the psychological impact for me is the nostalgia element and connections this music has to memories of my ancestors who where alive when this music was being played and recorded. But beyond the listener's psychological factor(s) the artists from the early 20th century had a completely different set of musical and non-musical experiences from our contempory artists. A contemporary artist trying to duplicate the style from another era often sounds false and affected. Regardless, ultimately performances have to stand on their own musical merit. These most definately do.

Absolutely Ravishing!.......2001-03-24

Ever since he first toured The U.S as a child in 1888 with pianist Moritz Rosenthal Fritz Kreisler's musical talents have left us spellbound. His playing combines a searching intelligence with intense and delightful musicality, his mellow honey-like tone appeals to the heartstrings, and awakens enthusiasm in his listeners. He was a great violinist who at the same time could touch and charm his audience. I highly reccomend this set to all lovers of the violin!

Absolutely Ravishing!.......2001-03-24

Absolutely Incredible!.......1999-12-10

I would give this set a 10 stars, if I were allowed to. Kreisler has been my favorite violinist as far as I can remember, and have never gotten tired of his playing (and never will be either!) His playing has deceptive ease and elegance that makes people forget how phenominal his technique was(just listen to his crystalline trills and amazing articulation of fast runs). And even at his sweetest moments, his performance always had strong backbone and never sank into tasteless sentimentality. Kreisler's playing was really one of the kind and anyone who loves violin should listen to his recordings. I cannot recommend this set highly enough! The CD transfer is excellent.

Average customer rating:

Mahler:Sym. Nos. 1/3/5/6/8/9
Vienna State Opera
Manufacturer: Music & Arts
ProductGroup: Music
Binding: Audio CD
ASIN: B00008LLCD
Release Date: 1998-07-21

Tracks:

Symphony No.1 in D Major: I. Langsam. Schleppend
Symphony No.1 in D Major: II. Kraftig Bewegt
Symphony No.1 in D Major: III. Feierlich Und Gemessen, Ohne Zu Schleppen
Symphony No.1 in D Major: IV. Sturmisch Bewegt
Symphony No.10 in F-sharp Minor: Adagio. Andante/Adagio

Tracks:

Symphony No.3 in D Minor: I. Kraftig. Entschieden
Symphony No.3 in D Minor: II. Tempo Di Menuetto. Sehr Massig
Symphony No.3 in D Minor: III. Comodo. Scherzando. Ohne Hast
Symphony No.3 in D Minor: IV. Sehr Langsam. Misterioso. Durchaus ppp
Symphony No.3 in D Minor: V. Lustig Im Tempo Und Keck Im Ausdruck
Symphony No.3 in D Minor: VI. Langsam. Ruhevoll. Empfunden

Tracks:

Symphony No.5 in C-sharp Minor: I. Traurermarsch. In Gemessenem Schritt. Streng Wie Ein Kondukt
Symphony No.5 in C-sharp Minor: II. Sturmisch Bewegt, Mit Grober Vehemenz
Symphony No.5 in C-sharp Minor: III. Scherzo. Kraftig, Nicht Zu Schnell
Symphony No.5 in C-sharp Minor: IV. Adagietto. Sehr Langsam
Symphony No.5 in C-sharp Minor: V. Rondo - Finale. Allegro

Tracks:

Symphony No.6 in A Minor: I. Allegro Energico, Ma Non Troppo
Symphony No.6 in A Minor: II. Scherzo. Wuchtig
Symphony No.6 in A Minor: III. Andante Modertato
Symphony No.6 in A Minor: IV. Finale. Sostenuto

Tracks:

Symphony No.8 in E-flat: Hymnus: Veni, Creator Spiritus
Symphony No.8 in E-flat: Schlussszene Aus 'Faust'

Tracks:

Symphony No.9 in E-flat Major: I. Andante Comodo
Symphony No.9 in E-flat Major: II. Im Tempo Eines Gemachlichen Landlers. Etwas Tappisch Und Sehr Derb
Symphony No.9 in E-flat Major: III. Rondo. Burleske
Symphony No.9 in E-flat Major: IV. Adagio

Average customer rating:

Sym 3/5/6/7
L.V. Beethoven
Manufacturer: Iron Needle (Ita)
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music
ASIN: B000007TPR
Release Date: 1998-06-23

Tracks:

Sym No.3 in E flat 'Eroica', Op.55: I. Allegro Con Brio
Sym No.3 in E flat 'Eroica', Op.55: II. Marcia Funebre
Sym No.3 in E flat 'Eroica', Op.55: III. Scherzo
Sym No.3 in E flat 'Eroica', Op.55: IV. Allegro Molto
Sym No.5 in c, Op.67: I. Allegro Con Brio - Carl Schuricht/Orch De La Societe Des Concerts Du Conservatoire De Paris
Sym No.5 in c, Op.67: II. Andante Con Moto - Carl Schuricht/Orch De La Societe Des Concerts Du Conservatoire De Paris
Sym No.5 in c, Op.67: III. Allegro - Carl Schuricht/Orch De La Societe Des Concerts Du Conservatoire De Paris
Sym No.5 in c, Op.67: IV. Allegro - Carl Schuricht/Orch De La Societe Des Concerts Du Conservatoire De Paris

Tracks:

Sym No.6 in F 'Pastorale', Op.68: I. Allegro Ma Non Troppo (Awakening Of Cheerful Feelings...
Sym No.6 in F 'Pastorale', Op.68: II. Andante Molto Mosso (By The Brook)
Sym No.6 in F 'Pastorale', Op.68: III. Allegro (Merry Gathering Of Country Folk)
Sym No.6 in F 'Pastorale', Op.68: IV. Allegro (Thunderstorm)
Sym No.6 in F 'Pastorale', Op.68: V. Allegretto (Shepherd's Song. Happy And Thankful Feelings...
Sym No.7 in A, Op.92: I. Poco Sostenuto. Vivace
Sym No.7 in A, Op.92: II. Allegretto
Sym No.7 in A, Op.92: III. Presto. Assai Meno Presto
Sym No.7 in A, Op.92: IV. Allegro Con Brio

Amazon.com

This is a fascinating set. The nearly forgotten Carl Schuricht, becoming something of a cult favorite, turns out three truly splendid performances here. The Eroica is surprisingly bland, but the Fifth Symphony really moves along; the Pastorale is sunny and lovely, and the Seventh Symphony dances in a most exciting way. The transfers, from 1937-46 78s, are almost entirely splendid, and most of the time it's hard to tell the sound even comes from 78s. But the first movement of the Seventh Symphony is disfigured by pitch waver (caused by an off-center 78) that makes it unlistenable. What a pity! Both discs are mislabeled but contain the music they are supposed to. --Leslie Gerber

Amazon.com

This is a fascinating set. The nearly-forgotten Carl Schuricht, becoming something of a cult favorite, turns out three truly splendid performances here. The Eroica is surprisingly bland, but the Fifth Symphony really moves along, the Pastorale is sunny and lovely, and the Seventh Symphony dances in a most exciting way. The transfers, from 1937-46 78s, are almost entirely splendid, and most of the time it's hard to tell that the sound even comes from 78s. But the first movement of the Seventh Symphony is disfigured by pitch waver (caused by an off-center 78) that makes it unlistenable. What a pity! Both discs are mislabeled but contain the music they are supposed to. --Leslie Gerber