Composed by Alfred Schnittke
Performed by Saarbrucken Radio Symphony Orchestra with Maria Kliegel
Conducted by Gerhard Markson
2. Peaceful Music (Stille Musik), for violin & cello
Composed by Alfred Schnittke
Performed by Saarbrucken Radio Symphony Orchestra with Burkhard Godhoff
Conducted by Gerhard Markson
3. Sonata for cello & piano No.1
Composed by Alfred Schnittke
Performed by Saarbrucken Radio Symphony Orchestra with Raymond Havenith , Maria Kliegel
Conducted by Gerhard Markson
Product Description
Hindemith's First Piano Sonata is a large, unruly piece that thrashes around like a wounded beast. The other two sonatas are somewhat more restrained in their decorum, but they're all products of the same year (1936) and they all run to wildness. Hans Petermandl, that most expert Hindemithian, gives the beasts their head in a series of appropriately wild performances that never loses control of the music. This is undoubtedly the best disc of the Hindemith Piano Sonatas on the market, definitely preferable to Gould's eccentric versions (Sony) and made even more attractive by the inclusion of a set of variations originally intended for the First Sonata. --Leslie Gerber
Cello Concerto / Stille Musik,Schnittke,Kliegel,Saarbrucken Symphony,Marco Polo,Classical
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Lockenhaus Collection [Philips Digital Classics]
Heinz Holliger (oboe) , Gidon Kremer (violin) , Erwin Schulhoff (composer) , Franz Schubert , and Alfred Schnittke Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD ASIN: B00000E4ZO Release Date: 1992-10-20 |
Average customer rating:
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Schnittke: Cello Concerto
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000FY9Z Release Date: 1998-12-01 |
Tracks:
- Cello Concerto (1986): Pesante moderato
- Cello Concerto (1986): Largo
- Cello Concerto (1986): Allegro vivace
- Cello Concerto (1986): Largo
- Stille Musik For Violin And Cello (1979): Lento
- Sonata For Violoncello And Piano: Largo
- Sonata For Violoncello And Piano (1978): Presto
- Sonata For Violoncello And Piano (1978): Largo
Customer Reviews:
Best available recording of the cello concerto.......2004-07-11
What for me is unforgiveable in Polyanski's version, however, is the subjugation of the chimes in the finale. They ring through loud and clear in the Naxos recording and increase the profundity of the effect.
The concerto is already recognized as one of the great masterpieces. Put this inexpensive version on your shelf and wait for an even better version, bound to show up before long.
Rather lightweight performances of intense Schnittke.......2003-12-16
The First Cello Concerto was written in 1986, as the composer was recovering from the first in a long series of strokes that was eventually to kill him. Perhaps unsurprisingly, it is very explicitly Romantic in style, with a rhetoric openly derived from Mahler and Shostakovitch, though with a musical language rather more dissonant than either. A gloomy, sonata-form Moderato opens the work, with long cello monologues broken up by ever-more-vigorous orchestral interjections, and is followed by a Largo slow movement. This begins nearly in silence, but slowly builds until it reaches an impassioned climax that leads straight into an anguished, frantic scherzo that rapidly collapses in its own chaos. Out of the rubble, Schnittke then constructs a slow passacaglia finale where the cello gradually soars ever higher over the orchestra. Kliegel and Markson give a clear, fast and rather lightweight rendition of the work, and to my mind this is a mistake: this is one of the most heart-on-sleeve works in the canon, and really needs the extreme interpretation of a Natalia Gutman or an Alexander Ivashkin to bring out its full intensity.
Stille Musik is a touching elegy for violin and cello, well brought off here, but I am less happy with the performance of the First Cello Sonata. This is a three-movement work, rather in the tradition of Shostakovitch and Prokofiev, with a slow introduction leading to a ferocious scherzo and a long, slow, elegiac finale. Once again, though, I find Kliegel rather lightweight in comparison to the (admittedly quite extraordinary) performance by Ivashkin on Chandos.
I would give this disc a qualified recommendation, but only to collectors on a budget or those who would prefer to steer clear of heated Russian emotionalism in these works. For anyone else, Ivashkin provides an obvious alternative in both major pieces, particularly as none of Gutman's recordings of the Concerto appear to be easily available at present.
Average customer rating:
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Schnittke: Cello Concerto/Cello Sonata/Stille Musik
Manufacturer: Marco Polo ProductGroup: Music Binding: Audio CD ASIN: B0000045WG Release Date: 1992-12-17 |
Tracks:
- Pesante Moderato
- Largo
- Allegro Vivace
- Largo
- Lento
- Largo
- Presto
- Largo
Amazon.com
Hindemith's First Piano Sonata is a large, unruly piece that thrashes around like a wounded beast. The other two sonatas are somewhat more restrained in their decorum, but they're all products of the same year (1936) and they all run to wildness. Hans Petermandl, that most expert Hindemithian, gives the beasts their head in a series of appropriately wild performances that never loses control of the music. This is undoubtedly the best disc of the Hindemith Piano Sonatas on the market, definitely preferable to Gould's eccentric versions (Sony) and made even more attractive by the inclusion of a set of variations originally intended for the First Sonata. --Leslie GerberCustomer Reviews:
Terrific.......1998-12-28
Track Listings:
- Cello Concertos [Import]
- Cello Sonatas 1 & 2 / Phantasiestucke
- Chamber Music / Grand Duo Concertant
- Charles Valentin Alkan: Esquisses, Op. 63
- Codex La Huelgas (13th-14th Century)
- Complete Orchestral Works 16
- Complete Orchestral Works 22
- Complete Orchestral Works 28
- Complete Orchestral Works 3
- Complete Orchestral Works 7
Track Listings
Mozart! Vol. 5: Quintet (after K.458) / Octet (after K.452) / Quartet K.deest - Consortium Classicum
Musica Mediterranea: Music of the Italian & Spanish Renaissance
La Marcha del Golazo Solitario