Composed by Louis Spohr
with New Budapest String Quartet
2. String Quartet in E flat major, Op.58
Composed by Louis Spohr
with New Budapest String Quartet
Complete String Quartets 6,Spohr,New Budapest Quartet,Marco Polo,Classical,Classical Composers
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Beethoven - The Complete String Quartets / Alban Berg Quartet
Ludwig van Beethoven , Alban Berg Quartet , and Gerhard Schulz, Hatto Beyerle, Thomas Kakuska, Valentin Erben Günther Pichler Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000026D4J Release Date: 1999-11-16 |
Tracks:
- Op. 18 No. 1 In F Major: I: Allegro Con Brio - Alban Berg Quartett
- Op. 18 No. 1 In F Major: II: Adagio Affettuoso Ed Appassionato - Alban Berg Quartett
- Op. 18 No. 1 In F Major: III: Scherzo (Allegro Molto) & Trio - Alban Berg Quartett
- Op. 18 No. 1 In F Major: IV: Allegro - Alban Berg Quartett
- Op. 59 No. 1 In F Major 'Rasumovsky': I: Allegro - Alban Berg Quartett
- Op. 59 No. 1 In F Major 'Rasumovsky': II: Allegretto Vivace E Sempre Scherzando - Alban Berg Quartett
- Op. 59 No. 1 In F Major 'Rasumovsky': III: Adagio molto e mesto : IV: Allegro (Th russe) - Alban Berg Quartett
Tracks:
- Op. 18 No.2 In G Major: I: Allegro - Alban Berg Quartett
- Op. 18 No.2 In G Major: II: Adagio cantabile - Alban Berg Quartett
- Op. 18 No.2 In G Major: III: Scherzo (Allegro) & Trio - Alban Berg Quartett
- Op. 18 No.2 In G Major: IV: Allegro molto, quasi presto - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: I: Allegro con brio - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: II: Adagio, ma non troppo - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: III: Scherzo (Allegro) & Trio - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: IV: Adagio (La Malinconia) - Allegretto quasi Allegro - Alban Berg Quartett
- Op. 135 In F Major: I: Allegretto - Alban Berg Quartett
- Op. 135 In F Major: II: Vivace - Alban Berg Quartett
- Op. 135 In F Major: III: Lento assai, cantante e tranquillo - Alban Berg Quartett
- Op. 135 In F Major: IV: Grave, ma non troppo tratto - Allegro - Alban Berg Quartett
Tracks:
- Op. 18 No. 3 In D Major: I. Allegro
- Op. 18 No. 3 In D Major: II. Andante con moto
- III. Allegro
- Op. 18 No. 3 In D Major: IV. Presto
- Op. 18 No. 5 in A Major: I. Allegro
- Op. 18 No. 5 in A Major: II. Menuetto & Trio
- Op. 18 No. 5 in A Major: III. Andante cantabile
- Op. 18 No. 5 in A Major: IV. Allegro
- Op. 95 In F Minor: I. Allegro con brio
- Op. 95 In F Minor: II. Allegretto ma non troppo
- Op. 95 In F Minor: III: Allegro assai vivace, ma serioso
Tracks:
- Op. 18 No. 4 In C Minor: I. Allegro ma non tanto
- Op. 18 No. 4 In C Minor: II. Scherzo (Andante scherzoso quasi Allegretto)
- Op. 18 No. 4 In C Minor: III. Menuetto (Allegretto) & Trio
- Op. 18 No. 4 In C Minor: IV. Allegro
- Op. 130 in B flat Major: I. Adagio ma non troppo - Allegro
- Op. 130 in B flat Major: II. Presto
- Op. 130 in B flat Major: III. Andante con moto, ma non troppo
- Op. 130 in B flat Major: IV. Alla danza tedesca (Allegro assai)
- Op. 130 in B flat Major: V Cavatina (Adagio molto espressivo)
- Grosse Fuge In B Flat Major, Op. 133
- Op. 130 in B flat Major: VI. Finale (Allegro)
Tracks:
- Op. 59 No. 2 In E Minor 'Rasumovsky': I: Allegro
- Op. 59 No. 2 In E Minor 'Rasumovsky': II: Molto Allegro
- Op. 59 No. 2 In E Minor 'Rasumovsky': III: Allegretto
- Op. 59 No. 2 In E Minor 'Rasumovsky': IV: Finale (Presto)
- Op. 127 In E Flat Major: I: Maaestoso - Allegro
- Op. 127 In E Flat Major: II: Adagio ma non troppo, molto cantabile
- Op. 127 In E Flat Major: III: Scherzando vivace
- Op. 127 In E Flat Major: IV: Finale
Tracks:
- Op. 59 No. 3 In C Major 'Rasumovsky': I: Introduzione (Andante con moto) - Allegro vivace
- Op. 59 No. 3 In C Major 'Rasumovsky': II: Andante con moto quasi allegretto
- Op. 59 No. 3 In C Major 'Rasumovsky': III: Menuetto (Grazioso) & Trio
- Op. 131 In C Sharp Minor: I: Adagio ma non troppo e molto espressivo
- Op. 131 In C Sharp Minor: II: Allegro molto vivace
- Op. 131 In C Sharp Minor: III: Allegro moderato
- Op. 131 In C Sharp Minor: IV: Andante ma non troppo e molto cantabile
- Op. 131 In C Sharp Minor: V: Presto
- Op. 131 In C Sharp Minor: VI: Adagio quasi un poco andante
- Op. 131 In C Sharp Minor: VI: Adagio quasi un poco andante
Tracks:
- Op. 74 In E Flat Major 'Harp': I Poco adagio - Allegro - Beethoven
- Op. 74 In E Flat Major 'Harp': II. Adagio ma non troppo - Beethoven
- Op. 74 In E Flat Major 'Harp': III. Presto - Beethoven
- Op. 74 In E Flat Major 'Harp': IV: Allegretto con Variazioni - Beethoven
- Op.132 In A Minor: I: Allegro sostenuto - Allegro - Beethoven
- Op.132 In A Minor: II: Allegro ma non tanto - Beethoven
- Op.132 In A Minor: III: Molto adagio - Beethoven
- Op.132 In A Minor: IV: Alla marcia, assai vivace - Beethoven
Customer Reviews:
A wonderful Beethoven cycle.......2007-06-18
A LONG TIME COMING AT THIS PRICE .......2007-06-02
I went immediately to Op. 135 and found it marvelous in concept, execution and recording. I've now listened to almost all the quartets, and the consistency is wonderful. Because I'm in the business I'm using only high end professional equipment for playback and the sound is truly "You Are There". The recordings capture the upper overtones of all the instruments without the least harhsness, no mean feat. The blend of the group and the hall is articulated in a way that happens on only a very few recordings. Ocassionally one can hear a minor difference in what might be placement of microphones, even from movement to movement. This could, in fact, be the result of a temperature or humidity change in the recording venue. You have to pay very close attention to notice this and it does nothing to diminish these sonic wonders) Worth thrice the price.
What more can be said?.......2007-02-03
With the Best of the Best.......2006-12-14
What sound problems????.......2006-11-14
I have been listening to this mostly Live set for a few years now on high end Audiophile equipment and notice NO problems with sound at all.
It is clear, clean, crisp, transparent and rich with no "glare" at all.
if it is "well lit", this would suit Beethoven's strings perfectly.
An absolutely stunning performance with a Superb sound stage and sound.
All the other reviewers and the buyers who agree with their assessments (a hundred of them) can't be wrong.
With all due respect, Perhaps Mr. Townsend is listening to this on an Aiwa bookshelf System. Perhaps.
Average customer rating:
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Mendelssohn: The Complete String Quartets / Emerson String Quartet
Felix Mendelssohn , and Emerson String Quartet Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006TN9G2 Release Date: 2005-01-11 |
Tracks:
- I. Adagio - Allegro Vivace
- II. Adagio Non Lento
- III. Intermezzo: Allegretto Con Moto
- IV. Presto
- A Tempo Ordinario
- I. Adaigo Non Troppo - Allegro Non Tardante
- II. Canzonetta: Allegretto
- III. Andante Espressivo
- IV. Molto Allegro E Vivace
Tracks:
- I. Allegro Assai Appassionato
- II. Scherzo: Allegro Di Molto
- III. Andante
- IV. Presto Agitato
- I. Allegro Vivace
- II. Scherzo: Assai Leggiero Vivace
- III. Adagio Non Troppo
- IV. Molto Allegro Con Fuoco
Tracks:
- I. Molto Allegro Vivace
- II. Menuetto: Un Poco Allegretto
- III. Andante Espressivo Ma Con Moto
- IV. Presto Con Brio
- Andante con Moto - Allegro Fugato, Assai Vivace
- I. Allegro Vivace Assai
- II. Allegro Assai
- III. Adagio
- IV. Finale: Allegro Molto
- Andante Sostenuto
- Allegro Leggiero
Tracks:
- I. Allegro Moderato, Ma Con Fuoco
- II. Andante
- III. Scherzo: Allegro Leggierissimo
- IV. Presto
- I. Allegro Moderato
- II. Adagio Non Troppo
- III. Minuetto
- IV. Fuga
Amazon.com
Trust the Emerson Quartet to do nothing by halves. This 4-CD set presents all of Mendelssohn's quartets, including one written at 14, the five pieces Op. 81, as well as the Octet. This set should disprove the assertion that Mendelssohn, a sensational prodigy, blossomed young and never developed further. The difference in compositional skill and emotional depth between the early and late quartets is unmistakable; the miracle is that he could write the Octet at 16. The quartets are of uneven quality: Op. 44 No. 3 is distinctly inferior to the more-familiar Nos. 1 and 2; of the two Fugues Op. 81, the later one is far better. The quartets Op. 12 and 13 (written in reverse order) pay homage to Beethoven in Mendelssohn's very own romantic voice. Op. 80 is masterful although perhaps less disciplined: written just after his beloved sister Fanny's death and shortly before his own, it is a turbulent, heart-rending outcry of anguish. Some of the most-magical moments occur in the inimitable Scherzi and Intermezzi. The performances are vintage Emerson: impeccable individually and together, beautiful in sound, clear, carefully worked out. Although generally a little cool, they can rise to considerable warmth and passion. Not surprisingly, the best pieces elicit the most involved, exciting playing. As always, the violinists switch parts, but the whole group also alternates old Italian and modern American instruments, for the players have a surprise in store: they give the Octet a new twist by "doubling" on all eight parts through a complicated process of over-dubbing (a documentary video of the recording process is included). Here, using the different instruments is intended to combine the old and the new and to give the voices more-distinct timbres. However, the differences throughout are imperceptible. The idea of playing the Octet with themselves, so to speak, is intriguing, but the result is disappointing. Hearing four rather than eight individual voices is disconcerting, and worse, the balance is completely awry, especially in the corner movements. The busy tremolo accompaniment makes the middle register thick and heavy, the tone gets rough, important lines are obscured, and the Quartet's customary admirable textural transparency is lost. And even a cellist as splendid as David Finckel cannot save the opening of the Fugue from sounding like a growl. This may be a triumph of recording technology, but it adds nothing to the music or the performance. --Edith EislerCustomer Reviews:
First Rate Performances.......2006-09-18
Fantastic.......2006-07-01
In the privacy of my living room, on several occasions I stood up and cheered! Absolutely magnificent. Enough said.
Highly recommended.
Beautiful Performances.......2005-09-10
Naturally, the early quartets (written in 1827 and 1829 but published in reverse order in 1830) reflect the influence of other composers, most notably Beethoven. The movements of these quartets were linked by thematic ideas. The quartet in A minor uses Mendelssohn's song Frage (Question) as the musical link. The quartet in E-Flat (Op. 12) was composed during Mendelssohn's trip to the British Isles, which also inspired his Scottish Symphony and Hebrides Overture.
When Mendelssohn next turned to the form he was the director of the Gewandhaus and a famous composer. The composition of the three quartets Op. 44 (number 3, 4 and 5) occurred after his marriage to Cecile Jeanrenaud in 1837 and were composed during his two month long honeymoon. These quartets reflect the composer's maturity and accessible style. The sixth quartet was published after Mendelssohn's death and was written following the sudden death of his sister Fanny in May 1847. It follows that the quartet is darker than the others and is agitated and dissonant in tone; the first movement begins with dark tones from the cello then proceeds with a beautiful melody punctuated with tremolos. The scherzo is characterized by an unusual tempo that has a frantic quality to it. The Adagio allows Mendelssohn to fully express his grief and the Finale has the syncopated rhythm of the scherzo.
The five pieces collected as Op. 81 contain what probably are two movements for an unfinished quartet - a Theme and Variations in E major and Scherzo in A minor. It was reported by the composer Ignaz Moschelles that Mendelssohn was at work on a new string quartet before his death and of these two pieces the Theme and Variations is closest to the description of the work. The earliest of Mendelssohn's quartets appears last on the CDs and is a pleasant work written under the influence of Mozart and Haydn.
The Octet receives a marvelous performance with the Emerson playing all of the parts with each member playing different instruments and seated in different positions during the recording sessions.
The performances are impeccable with beautiful and clear sound. I purchased the set anticipating a performance of three of the quartets by the Emerson. As I have listened to the set the warmth and sensitivity of the playing makes this the Mendelssohn quartets to own. I have only become interested in chamber music in recent years and Mendelssohn was a natural choice for me because of his gift of melody. I think this music would appeal to someone getting to know chamber music.
LIKE WATER FROM A PUBLIC FOUNTAIN.......2005-05-12
The performers are the Emerson Quartet, and the quality of their work is well known. In every imaginable respect it is superlatively good. Technically these accounts are flawless, and in terms of comprehension of the music and insight into the spirit of the composer I prefer to learn from them rather than to pass otiose comment. There are 7 complete quartets here, plus 5 isolated movements. Being moderately familiar with the music I would advise newcomers that the approach taken throughout is `normal' in the best sense and free from idiosyncrasies - if you are looking for `model' performances of these works this would be where to look. Mendelssohn's tempo markings, unlike those of greater composers such as Beethoven Schubert and Brahms, are almost invariably clear and unambiguous. In the one case where a bit of interpretation is called for, the central two movements of the D major quartet op44/1, I am convinced and delighted by the solution adopted. The Emersons take the minuet slowly and the following `andante con moto' at a very flowing pace, almost like an andante in Handel, so that the minuet seems like the slow movement and the andante like an intermezzo in moderate tempo.
I love Mendelssohn and I love these quartets. However I can't get it out of my mind that Wagner had a bit of a point. Shaw complains of Mendelssohn's `kid-glove gentility' and he is uncomfortably near the bone. Mendelssohn is truly unique, and what he does best he does better than anybody. At the age of 16 or 17 he turned out the octet, the rondo capriccioso for piano and the Midsummer Night's Dream overture, all of them truly astounding. However by age 20 he was only one precocious prodigy among a larger number who had caught up by then and went on to surpass him. There is a definite sense of development as between the quartet he wrote at age 14 (contemporary with the string symphonies, which I commend strongly to those unfamiliar with them) where the unmistakable personal idiom has not yet quite emerged and the op12/13 quartets and then the op44's and later in which it has. However it's development within a narrow range of expression, and his early death means we can never know whether he had it in him to raise his game drastically, as Wagner and Verdi so spectacularly did when older than Mendelssohn lived to be.
The Emersons have also taken it into their heads to record the octet played by themselves only. People with their amount of talent must be tempted to such brilliant but completely dotty schemes at times. There is an enthusiastic contribution to the liner-note by Eugene Drucker, and the disc will run on a pc to show the process of recording. I can confirm that it actually does this, but I have no sound-card nor any wish for one, so all I can attest is the visual aspect, and only a little of that. I must also warn that I had difficulty in getting the exit-button to obey me. As a performance it is really very good, with the finale fully up to speed as I like it, and I would never have known what nonsense they were getting up to. However something goes wrong with the recording, which is very bottom-heavy in the first movement in particular.
Otherwise the recording is excellent. The main liner-note is fine if a little lengthy. When I began to think it didn't really say a lot, that brought me back to the question - how much, really, is there to say?
Average customer rating:
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Haydn: Complete String Quartets
Angeles String Quartet Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000501PC Release Date: 2001-05-22 |
Tracks:
- Str Qt in E flat, Op.0: I. Presto
- Str Qt in E flat, Op.0: II. Menuetto
- Str Qt in E flat, Op.0: III. Adagio
- Str Qt in E flat, Op.0: IV. Menuetto
- Str Qt in E flat, Op.0: V. Finale: Presto
- Str Qt in B flat, Op.1 No.1: I. Presto
- Str Qt in B flat, Op.1 No.1: II. Menuetto
- Str Qt in B flat, Op.1 No.1: III. Adagio
- Str Qt in B flat, Op.1 No.1: IV. Menuetto
- Str Qt in B flat, Op.1 No.1: V. Presto
- Str Qt in E flat, Op.1 No.2: I. Allegro
- Str Qt in E flat, Op.1 No.2: II. Menuetto
- Str Qt in E flat, Op.1 No.2: III. Adagio
- Str Qt in E flat, Op.1 No.2: IV. Menuetto
- Str Qt in E flat, Op.1 No.2: V. Presto
- Str Qt in D, Op.1 No.3: I. Adagio
- Str Qt in D, Op.1 No.3: II. Menuetto
- Str Qt in D, Op.1 No.3: III. Presto
- Str Qt in D, Op.1 No.3: IV. Menuetto
- Str Qt in D, Op.1 No.3: V. Finale: Presto
Tracks:
- Str Qt in G, Op.1 No.4: I. Presto
- Str Qt in G, Op.1 No.4: II. Menuetto
- Str Qt in G, Op.1 No.4: III. Adagio Ma Non Tanto
- Str Qt in G, Op.1 No.4: IV. Menuetto
- Str Qt in G, Op.1 No.4: V. Presto
- Str Qt in C, Op.1 No.6: I. Presto Assai
- Str Qt in C, Op.1 No.6: II. Menuetto
- Str Qt in C, Op.1 No.6: III. Adagio
- Str Qt in C, Op.1 No.6: IV. Menuetto
- Str Qt in C, Op.1 No.6: V. Finale: Presto
- Str Qt in A, Op.2 No.1: I. Allegro
- Str Qt in A, Op.2 No.1: II. Menuetto
- Str Qt in A, Op.2 No.1: III. Adagio
- Str Qt in A, Op.2 No.1: IV. Menuetto
- Str Qt in A, Op.2 No.1: V. Allegro Molto
Tracks:
- Str Qt in E, Op.2 No.2: I. Allegro Molto
- Str Qt in E, Op.2 No.2: II. Menuetto
- Str Qt in E, Op.2 No.2: III. Adagio
- Str Qt in E, Op.2 No.2: IV. Menuetto
- Str Qt in E, Op.2 No.2: V. Finale: Presto
- Str Qt in F, Op.2 No.4: I. Presto
- Str Qt in F, Op.2 No.4: II. Menuetto
- Str Qt in F, Op.2 No.4: III. Adagio
- Str Qt in F, Op.2 No.4: IV Menuetto: Allegretto
- Str Qt in F, Op.2 No.4: V. Allegro
- Str Qt in B flat, Op.2 No.6: I. Adagio
- Str Qt in B flat, Op.2 No.6: II. Menuetto
- Str Qt in B flat, Op.2 No.6: III. Presto: Scherzo
- Str Qt in B flat, Op.2 No.6: IV. Menuetto
- Str Qt in B flat, Op.2 No.6: V. Presto
Tracks:
- Str Qt in C, Op.9 No.1: I. Moderato
- Str Qt in C, Op.9 No.1: II. Menuetto: Un Poco Allegretto
- Str Qt in C, Op.9 No.1: III. Adagio
- Str Qt in C, Op.9 No.1: IV. Finale: Presto
- Str Qt in E flat, Op.9 No.2: I. Moderato
- Str Qt in E flat, Op.9 No.2: II. Menuetto
- Str Qt in E flat, Op.9 No.2: III. Adagio
- Str Qt in E flat, Op.9 No.2: IV. Finale: Allegro Molto
- Str Qt in G, Op.9 No.3: I. Allegro Moderato
- Str Qt in G, Op.9 No.3: II. Menuetto
- Str Qt in G, Op.9 No.3: III. Largo
- Str Qt in G, Op.9 No.3: IV. Finale: Presto
- Str Qt in d, Op.9 No.4: I. Moderato
- Str Qt in d, Op.9 No.4: II. Menuetto
- Str Qt in d, Op.9 No.4: III. Adagio Cantabile
- Str Qt in d, Op.9 No.4: IV. Finale: Presto
Tracks:
- Str Qt in B flat, Op.9 No.5: I. Poco Adagio: Theme And Vars
- Str Qt in B flat, Op.9 No.5: II. Menuet: Allegretto
- Str Qt in B flat, Op.9 No.5: III. Largo Cantabile
- Str Qt in B flat, Op.9 No.5: IV. Finale: Presto
- Str Qt in A, Op.9 No.6: I. Presto
- Str Qt in A, Op.9 No.6: II. Menuetto
- Str Qt in A, Op.9 No.6: III. Adagio
- Str Qt in A, Op.9 No.6: IV. Finale: Presto
- Str Qt in E, Op.17 No.1: I. Moderato
- Str Qt in E, Op.17 No.1: II. Menuet
- Str Qt in E, Op.17 No.1: III. Adagio
- Str Qt in E, Op.17 No.1: IV. Finale: Presto
- Str Qt in F, Op.17 No.2: I. Moderato
- Str Qt in F, Op.17 No.2: II. Menuet: Poco Allegretto
- Str Qt in F, Op.17 No.2: III. Adagio
- Str Qt in F, Op.17 No.2: IV. Finale: Allegro Di Molto
Tracks:
- Str Qt in E flat, Op.17 No.3: I. Andante Grazioso
- Str Qt in E flat, Op.17 No.3: II. Menuet: Allegretto
- Str Qt in E flat, Op.17 No.3: III. Adagio
- Str Qt in E flat, Op.17 No.3: IV. Allegro Di Molto
- Str Qt in c, Op.17 No.4: I. Moderato
- Str Qt in c, Op.17 No.4: II. Menuet: Allegretto
- Str Qt in c, Op.17 No.4: III. Adagio Cantabile
- Str Qt in c, Op.17 No.4: IV. Finale: Allegro
- Str Qt in G, Op.17 No.5: I. Moderato
- Str Qt in G, Op.17 No.5: II. Menuet: Allegretto
- Str Qt in G, Op.17 No.5: III. Adagio
- Str Qt in G, Op.17 No.5: IV. Finale: Presto
- Str Qt in D, Op.17 No.6: I. Presto
- Str Qt in D, Op.17 No.6: II. Menuet
- Str Qt in D, Op.17 No.6: III. Largo
- Str Qt in D, Op.17 No.6: IV. Finale: Allegro
Tracks:
- Str Qt in E flat, Op.20 No.1: I. Allegro Moderato
- Str Qt in E flat, Op.20 No.1: II. Menuet: Un Poco Allegretto
- Str Qt in E flat, Op.20 No.1: III. Affettuoso E Sostenuto
- Str Qt in E flat, Op.20 No.1: IV. Finale: Presto
- Str Qt in C, Op.20 No.2: I. Moderato
- Str Qt in C, Op.20 No.2: II. Capriccio: Adagio
- Str Qt in C, Op.20 No.2: III. Menuet: Allegretto
- Str Qt in C, Op.20 No.2: IV. Fuga A Quattro Soggeti: Allegro
- Str Qt in g, Op.20 No.3: I. Allegro Con Spirito
- Str Qt in g, Op.20 No.3: II. Menuet: Allegretto
- Str Qt in g, Op.20 No.3: III. Poco Adagio
- Str Qt in g, Op.20 No.3: IV. Allegro Di Molto
Tracks:
- Str Qt in D, Op.20 No.4: I. Allegro Di Molto
- Str Qt in D, Op.20 No.4: II. Un Poco Adagio E Affettuoso
- Str Qt in D, Op.20 No.4: II. Menuet Alla Zingarese
- Str Qt in D, Op.20 No.4: IV. Presto E Scherzando
- Str Qt in f, Op.20 No.5: I. Moderato
- Str Qt in f, Op.20 No.5: II. Menuet
- Str Qt in f, Op.20 No.5: III. Adagio
- Str Qt in f, Op.20 No.5: IV. Fuga A Due Soggetti
- Str Qt in A, Op.20 No.6: I. Allegro Di Molto E Scherzando
- Str Qt in A, Op.20 No.6: II. Adagio
- Str Qt in A, Op.20 No.6: III. Menuetto
- Str Qt in A, Op.20 No.6: IV. Fuga A Tre Soggetti: Allegro
Tracks:
- Str Qt in b, Op.33 No.1: I. Allegro Moderato
- Str Qt in b, Op.33 No.1: II. Scherzo: Allegro
- Str Qt in b, Op.33 No.1: III. Andante
- Str Qt in b, Op.33 No.1: IV. Presto
- Str Qt in E flat, Op.33 No.2 'The Joke': I. Allegro Moderato, Cantabile
- Str Qt in E flat, Op.33 No.2 'The Joke': II. Scherzo: Allegro
- Str Qt in E flat, Op.33 No.2 'The Joke': III. Largo Sostenuto
- Str Qt in E flat, Op.33 No.2 'The Joke': IV. Finale: Presto
- Str Qt in C, Op.33 No.3 'The Bird': I. Allegro Moderato
- Str Qt in C, Op.33 No.3 'The Bird': II. Scherzo: Allegretto
- Str Qt in C, Op.33 No.3 'The Bird': III. Adagio
- Str Qt in C, Op.33 No.3 'The Bird': IV. Rondo: Presto
Tracks:
- Str Qt in B flat, Op.33 No.4: I. Allegro Moderato
- Str Qt in B flat, Op.33 No.4: II. Scherzo: Allegretto
- Str Qt in B flat, Op.33 No.4: III. Largo
- Str Qt in B flat, Op.33 No.4: IV. Presto
- Str Qt in G, Op.33 No.5: I. Vivace Assai
- Str Qt in G, Op.33 No.5: II. Largo E Cantabile
- Str Qt in G, Op.33 No.5: III. Scherzo: Allegro
- Str Qt in G, Op.33 No.5: IV. Finale: Allegretto
- Str Qt in D, Op.33 No.6: I. Vivace Assai
- Str Qt in D, Op.33 No.6: II. Andante
- Str Qt in D, Op.33 No.6: III. Scherzo: Allegretto
- Str Qt in D, Op.33 No.6: IV. Finale: Allegretto
- Str Qt in d, Op.42: I. Andante Ed Innocentemente
- Str Qt in d, Op.42: II. Menuet
- Str Qt in d, Op.42: III. Adagio E Cantabile
- Str Qt in d, Op.42: IV. Finale: Presto
Tracks:
- Str Qt in B flat, Op.50 No.1: I. Allegro
- Str Qt in B flat, Op.50 No.1: II. Adagio Non Lento
- Str Qt in B flat, Op.50 No.1: III. Poco Allegretto
- Str Qt in B flat, Op.50 No.1: IV. Finale: Vivace
- Str Qt in C, Op.50 No.2: I. Vivace
- Str Qt in C, Op.50 No.2: II. Adagio Cantabile
- Str Qt in C, Op.50 No.2: III. Menuetto: Allegretto
- Str Qt in C, Op.50 No.2: IV. Finale: Vivace Assai
- Str Qt in E flat, Op.50 No.3: I. Allegro Con Brio
- Str Qt in E flat, Op.50 No.3: II. Andante Piu Tosto Allegretto
- Str Qt in E flat, Op.50 No.3: III. Menuetto: Allegretto
- Str Qt in E flat, Op.50 No.3: IV. Finale: Presto
Tracks:
- Str Qt in f#, Op.50 No.4: I. Allegro Spirito
- Str Qt in f#, Op.50 No.4: II. Andante
- Str Qt in f#, Op.50 No.4: III. Menuetto
- Str Qt in f#, Op.50 No.4: IV. Fuga: Allegro Moderato
- Str Qt in F, Op.50 No.5: I. Allegro Moderato
- Str Qt in F, Op.50 No.5: II. Poco Adagio
- Str Qt in F, Op.50 No.5: III. Menuetto
- Str Qt in F, Op.50 No.5: IV. Finale: Vivace
- Str Qt in D, Op.50 No.6 'The Frog': I. Allegro
- Str Qt in D, Op.50 No.6 'The Frog': II. Poco Adagio
- Str Qt in D, Op.50 No.6 'The Frog': III. Menuetto: Allegretto
- Str Qt in D, Op.50 No.6 'The Frog': IV. Finale: Allegro Con Spirito
Tracks:
- Str Qt inG, Op.54 No.1: I. Vivace Assai
- Str Qt inG, Op.54 No.1: II. Allegretto
- Str Qt inG, Op.54 No.1: III. Menuet
- Str Qt inG, Op.54 No.1: IV. Vivace
- Str Qt in C, Op.54 No.2: I. Vivace
- Str Qt in C, Op.54 No.2: II. Adagio -
- Str Qt in C, Op.54 No.2: III. Menuetto: Allegretto
- Str Qt in C, Op.54 No.2: IV. Adagio
- Str Qt in E, Op.54 No.3: I. Allegretto
- Str Qt in E, Op.54 No.3: II. Largo
- Str Qt in E, Op.54 No.3: III. Menuetto: Allegretto
- Str Qt in E, Op.54 No.3: IV. Finale: Presto
Tracks:
- Str Qt in A, Op.55 No.1: I. Allegro
- Str Qt in A, Op.55 No.1: II. Adagio Cantabile
- Str Qt in A, Op.55 No.1: III. Menuet
- Str Qt in A, Op.55 No.1: IV. Finale: Vivace
- Str Qt in f, Op.55 No.2 'The Razor': I. Andante
- Str Qt in f, Op.55 No.2 'The Razor': II. Allegro
- Str Qt in f, Op.55 No.2 'The Razor': III. Menuetto: Allegretto
- Str Qt in f, Op.55 No.2 'The Razor': IV. Presto
- Str Qt in B flat, Op.55 No.3: I. Vivace Assai
- Str Qt in B flat, Op.55 No.3: II. Adagio Ma Non Troppo
- Str Qt in B flat, Op.55 No.3: III. Menuetto
- Str Qt in B flat, Op.55 No.3: IV. Presto
Tracks:
- Str Qt in C, Op.64 No.1: I. Allegro Moderato
- Str Qt in C, Op.64 No.1: II. Menuet: Allegro Ma Non Troppo
- Str Qt in C, Op.64 No.1: III. Allegretto Scherzando
- Str Qt in C, Op.64 No.1: IV. Finale: Presto
- Str Qt in b, Op.64 No.3: I. Allegro Spirito
- Str Qt in b, Op.64 No.3: II. Adagio Ma Non Troppo
- Str Qt in b, Op.64 No.3: III. Menuet: Allegretto -
Amazon.com's Best of 2001
A massive set--67 string quartets on 21 discs in a budget-priced, shelf-friendly, compact box. So the obvious question is: do you need it? The equally obvious answer is a resounding "yes" if you love these endlessly inventive quartets and if you appreciate superbly played performances that capture both the letter and the spirit of Haydn's genius. The Angeles String Quartet isn't as well known as some ensembles that have recorded complete Haydn sets, but they are superior to all, with the arguable exception of the Tatrai Quartet. They demonstrate technical polish and rich, warm sound that's never cloying. And they give these works the forward-moving impetus they need within a classical framework, eschewing both anachronistic Romanticism and the mechanical astringency of period specialists.The Angeles Quartet is unique in its mastery of early as well as late works, in tune with Haydn's stylistic development and sensitive to the attractions of each of these remarkable pieces. So they infuse the visionary slow movements of the late quartets with the appropriate depth and at the same time revel in the muscularity of the Opus 76 No.2's catchy Menuetto, the humor of the "Joke" Quartet, Opus 33 No.2, and the power of the Allegro con spirito of Opus 76 No.1. Most impressive is their way with the early quartets--no small matter when you consider that the contents of the first six discs precede the Opus 20 set generally considered as signaling the maturity of the form. The Angeles make even the earliest quartets, five-movement divertimentos for four strings, a habit-forming delight. Their playing here is full of exuberance, wittily playful and rough, peasantlike by turns. The sonics are outstanding, too, well-balanced, warm, and lifelike. An indispensable recording. --Dan Davis
Customer Reviews:
A superb Haydn benchmark.......2007-06-28
But there are nonetheless good reasons trying to grasp Haydn's music, at least partly. This bargain set - 68 string quartets on 21 CDs - is a perfectly good reason. Haydn's string quartets contain some of his finest music. And the present recordings with Angeles Quartet are simply superb. Unlike many period instrument performers, Angeles Quartet avoids meticulous mannerism and plays this music with energy and passion, without loosing structural control. Furthermore, the recordings are excellent, with a rich, creamy and spacious sound. In short, great performances and excellent engineering. A benchmark recording, no less.
There are some rival complete sets: Aeolian Quartet (Decca), Festetics Quartet (period instrument performances, Arcana), Tátrai (Hungaroton), and Kodaly Quartet (Naxos). In terms of sound, the present set is clearly preferable. In terms of performances, the only serious rival is Tátrai Quartet's classic collection from the sixties. But Angeles Quartet is not a second choice. If you hesitate, you need both. Budget and shelf space minded collectors need not hesitate.
Perfect Dinner Music.......2007-05-14
I have found that after listening to it hundreds of times that using iTunes in shuffle mode keeps it fresh.
Delightful Background Music.......2006-03-04
The Angeles String Quartet does an excellent job, and all of the works are so tuneful that I frequently found myself walking around the house humming the tunes after hearing a quartet for the first time.
He truly is the father of string quartets!.......2005-09-27
If you've already explored Haydn's universe through some of his glorious symphonies, these string quartets are an excellent way of further expanding your appreciation of Haydn's music. There are very few dull moments in this lot (and almost all of them are to be found in his early quartets, while there are a few in his very latest works, where he seems to have lost the energy and brio that had established him as one of the best composers of his time). His first works have five movements and ressemble the divertimenti or serenatas. Later on, his quartets took a form which was to become standard, both for Haydn and other composers: four movements - a fast one, a slow one, a minuet and trio and a fast finale.
If one listens to Haydn's string quartes in chronological order, one can feel and appreciate his growth and maturity as a composer. The motives introduced during the first movement are developed over the entire work entity, the increasing use of first movements that are monothematic, the expansion of harmonic usage, the combination of serious with funny, intellectual with ridicule, etc.
Both Mozart and Beethoven wrote famous series of string quartets, but I've always liked Haydn's quartets the most. My personal favorites are op. 76 (especially no 3, which later on became the German National Anthem), op. 64 (especially no 5 called "The lark") and op. 33 (where Haydn introduced special effects, like a birdcall, which gave the third quartet its name).
A matter of taste?.......2005-05-31
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Beethoven: Complete String Quartets
Juilliard String Quartet Manufacturer: Sbme Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006OA6A Release Date: 2002-11-11 |
Tracks:
- 1-4 String Quartet No.1 In F Major, Op. 18 No.1
- 5-8 String Quartet No.2 In G Major, Op.18 No.2
- 9-12 String Quartet No.3 In D Major, Op.18 No.3
- 1-4 String Quartet No.4 In D Minor, Op. 18 No.3
- 5-8 String Quartet No.5 In A Major, Op.18 No.5
- 9-12 String Quartet No.6 In B-Flat Major, Op.18 No.6
- 1-4 String Quartet No.7 In F Major, Op.59 No.1
- 1-4 String Quartet No.8 In E Minor, Op.59 No.2
- 5-8 String Quartet No.9 In C Major, Op.59 No.3
- 1-4 String Quartet No.10 In E-Flat Major, Op. 74 "Harp"
- 5-8 String Quartet No.11 In F Minor Op.95
- 1-4 String Quartet No.12 In E-Flat Major, Op.127
- 5-11 String Quartet No.13 In C-Sharp Minor, Op. 131
- 1-7 String Quartet No.14 In B-Flat Major, Op. 130
- 1-5 String Quartet No.15 In A Minor, Op.132
- 6-9 String Quartet No.16 In F Major, Op. 135
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Mendelssohn: The Complete String Quartets / Pacifica Quartet
Felix Mendelssohn , and Pacifica Quartet Manufacturer: Cedille ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00082ZSIY Release Date: 2005-04-26 |
Album Description
One of today's most dynamic and exciting ensembles, the Pacifica Quartet celebrates its 10th anniversary with a three-CD set of Mendelssohn's complete string quartet cycle. Known for its "stunningly expressive performances" (The Guardian) and "ideal balance" (Washington Post), the youthful Pacifica is a perfect match for this early Romantic composer's exuberant chamber music.Customer Reviews:
Be Certain to Preview Before Buying.......2006-02-24
To sum up my impression of this CD, while they are very competent performances, they are far from excellent in my opinion. Perhaps it is just me, but I can swear the first violinist is SLIGHTLY off pitch in certain moments, noticeably the second movement in Op. 80. I am not fond of her technique either. She at times "feels" for the notes, rather than immediately hitting them right away, producing a glissando effect where none is called for. To me they draw attention to themselves performing the pieces. In other words, I can hear them in the process, not just the music itself being itself, which is overall the good mark of an excellent recording. This might be their youth, and I see this ensemble perhaps being one of the great ones down the road.
In sum, don't go by my word, or all the over-positive hype either. Listen to this recording before you purchase it. If you can't, then I personally would stick with the Talich Quartet's version (which Classics Today rightly praised), or for an older analogue version, the Melos Quartet on DG.
Young Contenders.......2005-08-03
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Schubert Complete String Quartets Vol. 6: Quartet No. 15 (1826); Five German Dances with seven trios and a coda, D. 9
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009JMEHY Release Date: 2005-06-21 |
Tracks:
- Allegro Molto Moderato
- Andante Un Poco Moto
- Scherzo: Allegro Vivace
- Allegro Assai
- No.1 In C Major
- No.2 In G Major
- No.3 In D Major
- No.4 In F Major
- No.5 In C Major
Customer Reviews:
Often expressive and dramatic, at times a little plodding and not too concerned with architectural coherence.......2006-08-14
In the first movement "Allegro molto moderato", the Kodaly Quartet is quite dramatic, very attentive to the movement diverse moods, from harrowing vehemence to hushed mystery, and nicely retains the dance-like lilt of the second theme; there is a price to pay, however, in the multiplication of tempo transitions, none of them prescribed by Schubert ; one senses musicians interested in immediate dramatic impact rather than architectural coherence. The second movement "Andante un poco moto" is taken by the Kodaly quartet at a very deliberate, not very "motorized" tempo (almost as slow as the Quartetto Italiano in their recording from 1976), making it sound more like an adagio in plaintive tone, almost a funeral march, with accents that evoke not so much cries of revolt or pain as moans; the approach is effective in its own way, but it is not exactly what Schubert wrote. And here again, in the more animated passages, the Kodalys do not hesitate to perceptibly accelerate tempo; Quartetto Italiano was more consistent in that respect.
Under the Kodaly's bows, the Scherzo's "Allegro vivace" (3rd movement) is not particularly vivacious, but nonetheless sufficiently light and full of bounce, as befits this musical invention which suggests the bumblebee's flight or the butterfly's flutter (and the elve's dance will do, too). The middle trio however is rather mawkish, and again the Kodalys imperceptibly speed up their tempo in the second part. Their Finale is somewhat disappointing, due to a tempo that is too deliberate to evoke the race to the abyss that others conjure (Gidon Kremer and friends on Sony take as much time to get through the movement - but with the repeat) and, while the ensemble's tone production until then had been not exceptional but unexceptionable, the 1st violin becomes a bit sour in its upper registers.
Not an exceptional version then, but at that price one that remains very acceptable.
A Fine Budget Version of Schubert's Last String Quartet.......2005-06-25
The first movement opens in a very direct fashion - it lacks the usual formal introduction. There are some ethereal soft echo effects here from the cello, accompanied by tremolos in the upper strings. Schubert knew he was dying at the time he wrote this music, and it is a very moving mixture of defiance, anguish and resignation. The second movement is a songful and serene night piece that is disturbed by two violent outbursts. Again the cello plays a very important part here, introducing the first plaintive motif and repeating the songful theme after each outburst. The scherzo, which is based on a quavering figure that is interspersed with some short spiccato themes, has been likened to a dance of elves. The finale was once described by writer J. A. Westrup as "a mad rondo, violent in rhythm and wild in harmony." Abrupt alternations between major and minor lead to some very unexpected harmonic progressions - this is Schubert at his most creative and audacious.
This budget stereo Naxos recording by the Kodaly Quartet concludes its survey of Schubert's string quartets. I feel this is the finest single-disc stereo version, and the inclusion of the lovely German Dances as a filler makes this CD a most attractive purchase. I certainly prefer the warm, mellow playing here by the Kodaly to the brash and rather hard-boiled Sony CD account by the Juilliard Quartet (I absolutely love the latter's Bartok & Schoenberg recordings, but they tend to be too assertive in Schubert). Likewise, I think the Kodaly's account is far better than the Lindsay Quartet's (ASV), which has some dreadfully out of tune playing (I have weeded both the Juilliard and the Lindsay recordings).
To my ears, the main stereo competition here is the extremely polished Quartetto Italiano (available in an inexpensive Philips "two-fer" of Schubert's four last quartets). While I prefer the latter, I'm also keeping the Kodaly (the German Dances, while brief, are pretty indispensable). If memory serves, an orchestrated version of the first Dance was used in a highly-effective way with other Schubert works (especially the Piano Trio #1) in Stanley Kubrick's brilliant film "Barry Lyndon."
However, this Vol. 6 of the Kodaly Quartet's Schubert is the only one in their series that I will be keeping. That's not to say that the series is in any way unattractive. But Schubert's first seven quartets are fairly early, immature works, and I can't see owning multiple versions of them. And there are simply better versions of the later quartets. All 15 quartets were once available on mono Westminster LPs from the early 1950's (in excellent sound). These were performed by the wonderful Vienna Konzerthaus Quartet (Kamper, Titze, Weiss and Kvarda), all of whose members were players in the Vienna Philharmonic under conductor Wilhelm Furtwangler. This remains my "desert island" version of the complete quartets (they have been issued on CDs in Japan on the MCA label).
The great Busch String Quartet (Adolf Busch, Gosta Andreassen, Karl Doktor, and Hermann Busch) recorded the "ne plus ultra" account of #8, a superb #14 (unfortunately, due to 78 rpm constraints, the latter is shorn of all the repeats), and #15. These are available, along with the Fantasie in C (Busch & Serkin) and the Piano Trio #1, on a Pearl CD set.
My personal favorites in the last three Schubert quartets:
#13. The Vienna Konzerthaus captures like no other ensemble the intensely Brucknerian span of this gorgeous work.
#14. In chronological order, my all-time favorites of this stunning masterpiece are the ORIGINAL 1927 Budapest Quartet (Emil Hauser, Joseph Roisman, Istvan Ipolyi, and Harry Son) on a hard to find Novello CD; the 1927/28 Capet Quartet (a reading of extraordinary spiritual purity on Biddulph); the heartbreakingly beautiful 1936 Busch Quartet (Pearl); the c. 1950 Vienna Konzerthaus (a uniquely warm and gemutlich account on Westminster LP and Japanese MCA CD); and the gloriously well-played c.1951 Hollywood Quartet (mine is on a Capitol LP).
#15. The Busch and the Vienna Konzerthaus are both supremely eloquent here, but my ultimate allegiance is to the latter's inimitable warmth and lyricism.
All of those versions are, of course, in monophonic sound. For a single CD version of #15 in good stereo sound, I feel this effort by the Kodaly Quartet is clearly the one to own.
Jeff Lipscomb
A Beautiful Conclusion to This Series.......2005-06-25
When we get to Schubert's last quartet, though, we have an undisputed masterpiece that every quartet worthy of the name plays. Its opening movement is one of the most marvelous (and harmonically complicated) works he ever composed. It takes fifteen minutes to play and works its magic in subtle ways. For instance, when it comes time for the recapitulation the first theme is changed from minor to major, and the second from major to minor. Had anyone ever thought to do that before? The minor key cello theme that opens the Andante is one of Schubert's patented melodies; it almost tears your heart out with its gentle pathos. In the Scherzo we are in familiar elfin Schubertian territory that evolves into ländlerisch folk dance rhythms in the Trio, gentle, not turbulent. And this prepares us for the high spirits of the Finale, a rowdy tarantella. The Kodály play this quartet with a maximum of relish, a minimum of gratuitous edge. They make this complex quartet what it is really meant to be, a thoroughly comprehensible compendium of 1826 quartet writing, easy on the ear and rewarding for the analytic mind. This is a beautiful performance worthy to stand beside any of the earlier treasured recordings (Busch, Alban Berg, Quartetto Italiano) this marvelous quartet has been afforded.
The disc is rounded out by five German Dances written when Schubert was sixteen. They are notable for their rough good humor. No. 4 lasts a mere 50 seconds but is infectious enough to have this listener up and stomping his feet in an enthusiastic approximation of dancing. The Kodály's approach is, fittingly, more rough and ready in these pieces than in the subtleties of the 15th Quartet, evidence that they are really entering into the spirit of the music itself rather than applying a one-size-fits-all approach.
Although with a timing of only 59+ minutes, this CD is heartily recommended for its marvelous musicmaking.
Scott Morrison
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Franz Joseph Haydn: Complete String Quartets (Box Set)
Kodly Quartet Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004SSJF Release Date: 2000-08-15 |
Tracks:
- String Quartet In G Major, Op. 76, No. 1, Hob. III: 75: Allegro con spirito
- String Quartet In G Major, Op. 76, No. 1, Hob. III: 75: Adagio sostenuto
- String Quartet In G Major, Op. 76, No. 1, Hob. III: 75: Menuetto: Presto
- String Quartet In G Major, Op. 76, No. 1, Hob. III: 75: Finale: Allegro ma non troppo
- String Quartet In D Minor, Op. 76, No. 2, Hob. III: 76: Allegro
- String Quartet In D Minor, Op. 76, No. 2, Hob. III: 76: Andante o piu tosto allegretto
- String Quartet In D Minor, Op. 76, No. 2, Hob. III: 76: Menuetto: Allegro ma non troppo
- String Quartet In D Minor, Op. 76, No. 2, Hob. III: 76: Vivace assai
- String Quartet In C Major, Op. 76, No. 3, Hob. III: 77: Allegro
- String Quartet In C Major, Op. 76, No. 3, Hob. III: 77: Poco adagio, cantabile
- String Quartet In C Major, Op. 76, No. 3, Hob. III: 77: Menuetto: Allegro
- String Quartet In C Major, Op. 76, No. 3, Hob. III: 77: Finale: Presto
Tracks:
- String Quartet In B Flat Major, Op. 76, No. 4, Hob. III: 78: Allegro con spirito
- String Quartet In B Flat Major, Op. 76, No. 4, Hob. III: 78: Adagio
- String Quartet In B Flat Major, Op. 76, No. 4, Hob. III: 78: Menuetto: Allegro
- String Quartet In B Flat Major, Op. 76, No. 4, Hob. III: 78: Finale: Allegro ma non troppo
- String Quartet In D Major, Op. 76, No. 5, Hob. III: 79: Allegretto - Allegro
- String Quartet In D Major, Op. 76, No. 5, Hob. III: 79: Largo cantabile e mesto
- String Quartet In D Major, Op. 76, No. 5, Hob. III: 79: Menuetto: Allegro
- String Quartet In D Major, Op. 76, No. 5, Hob. III: 79: Finale: Presto
- String Quartet In E Flat Major, Op. 76, No. 6, Hob. III: 80: Allegretto - Allegro
- String Quartet In E Flat Major, Op. 76, No. 6, Hob. III: 80: Fantasia: Adagio
- String Quartet In E Flat Major, Op. 76, No. 6, Hob. III: 80: Menuetto: Presto
- String Quartet In E Flat Major, Op. 76, No. 6, Hob. III: 80: Finale: Allegro spirituoso
Tracks:
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: L'Introduzione: Maestoso ed adagio
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata I: Pater, dimitte illis, non enim sciunt, quid faciunt (Largo)
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata II: Amen dico tibi: hodie mecum eris in paradiso (Grave e cantabile)
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata III: Mullier, ecce fillus tuus, et tu, ecce mater tua! (Grave)
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata IV: Eli, Eli, lama asabthani? (Largo)
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata V: Sitio (Adagio)
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata VI: Consummatum est! (Lento)
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Sonata VII: Peter! in manus tuas commendo spiritum meum - (Largo)
- The Seven Last Words Of Jesus Christ - Op. 51, Hob. III: 50-56: Il terrmoto (Presto e con tutta la forza)
- String Quartet No. 68 In D Minor, Op. 103 Hob. III: 83: Andante graziso
- String Quartet No. 68 In D Minor, Op. 103 Hob. III: 83: Menuetto ma non troppo presto
Tracks:
- String Quartet In B Flat Major, Op. 71, No. 1, Hob. III: 69: Allegro
- String Quartet In B Flat Major, Op. 71, No. 1, Hob. III: 69: Adagio
- String Quartet In B Flat Major, Op. 71, No. 1, Hob. III: 69: Menuetto: Allegretto
- String Quartet In B Flat Major, Op. 71, No. 1, Hob. III: 69: (Finale): Vivace
- String Quartet In D Major, Op. 71, No. 2, Hob. III: 70: Adagio-Allegro
- String Quartet In D Major, Op. 71, No. 2, Hob. III: 70: Adagio (cantobile)
- String Quartet In D Major, Op. 71, No. 2, Hob. III: 70: Menuetto: Allegretto
- String Quartet In D Major, Op. 71, No. 2, Hob. III: 70: Finale: Allegretto
- String Quartet In E Flat Major, Op. 71, No. 3, Hob. III: 71: Vivace
- String Quartet In E Flat Major, Op. 71, No. 3, Hob. III: 71: Andante con moto
- String Quartet In E Flat Major, Op. 71, No. 3, Hob. III: 71: Menuetto
- String Quartet In E Flat Major, Op. 71, No. 3, Hob. III: 71: Finale: Vivace
Tracks:
- String Quartet In C Major, Op. 54, No. 2, Hob. III: 57: Vivace
- String Quartet In C Major, Op. 54, No. 2, Hob. III: 57: Adagio
- String Quartet In C Major, Op. 54, No. 2, Hob. III: 57: Menuetto: Allegretto
- String Quartet In C Major, Op. 54, No. 2, Hob. III: 57: Finale: Adagio-Presto-Adagio
- String Quartet In G Major, Op. 54, No. 2, Hob. III: 58: Allegro con brio
- String Quartet In G Major, Op. 54, No. 2, Hob. III: 58: Allegretto
- String Quartet In G Major, Op. 54, No. 2, Hob. III: 58: Menuetto: Allegretto
- String Quartet In G Major, Op. 54, No. 2, Hob. III: 58: Finale: Presto
- String Quartet In E Major, Op. 54, No. 3, Hob. III: 59: Allegro
- String Quartet In E Major, Op. 54, No. 3, Hob. III: 59: Largo cantobile
- String Quartet In E Major, Op. 54, No. 3, Hob. III: 59: Menuetto: Allegretto
- String Quartet In E Major, Op. 54, No. 3, Hob. III: 59: Finale: Presto
Tracks:
- String Quartet In C Major, Op. 74, No. 1, Hob. III: 72: Allegro (moderato)
- String Quartet In C Major, Op. 74, No. 1, Hob. III: 72: Andantino (grazioso)
- String Quartet In C Major, Op. 74, No. 1, Hob. III: 72: Menuetto: Allegro
- String Quartet In C Major, Op. 74, No. 1, Hob. III: 72: Finale: Vivace
- String Quartet In F Major, Op. 74, No. 2, Hob. III: 73: Allegro spiritoso
- String Quartet In F Major, Op. 74, No. 2, Hob. III: 73: Andadnte grazioso
- String Quartet In F Major, Op. 74, No. 2, Hob. III: 73: Menuetto
- String Quartet In F Major, Op. 74, No. 2, Hob. III: 73: Finale: Presto
- String Quartet In G Major, Op. 74, No. 3, Hob. III: 74: Allegro
- String Quartet In G Major, Op. 74, No. 3, Hob. III: 74: Largo assai
- String Quartet In G Major, Op. 74, No. 3, Hob. III: 74: Menuetto: (Allegretto)
- String Quartet In G Major, Op. 74, No. 3, Hob. III: 74: Finbale: Allegro con brio
Tracks:
- String Quartet No. 45 In A Major, Op. 55, No. 1, Hob. III: 60: Allegro
- String Quartet No. 45 In A Major, Op. 55, No. 1, Hob. III: 60: Adagio cantabile
- String Quartet No. 45 In A Major, Op. 55, No. 1, Hob. III: 60: Menuetto
- String Quartet No. 45 In A Major, Op. 55, No. 1, Hob. III: 60: Finale: Vivace
- String Quartet No. 46 In A Major, Op. 55, No. 2, Hob. III: 61 'The Razor': Andante o piu tosto allegretto
- String Quartet No. 46 In A Major, Op. 55, No. 2, Hob. III: 61 'The Razor': Allegro
- String Quartet No. 46 In A Major, Op. 55, No. 2, Hob. III: 61 'The Razor': Menuetto: Allegretto
- String Quartet No. 46 In A Major, Op. 55, No. 2, Hob. III: 61 'The Razor': Finale: Presto
- String Quartet No. 47 In A Major, Op. 55, No. 3, Hob. III: 62: Vivace assai
- String Quartet No. 47 In A Major, Op. 55, No. 3, Hob. III: 62: Adagio ma non troppo
- String Quartet No. 47 In A Major, Op. 55, No. 3, Hob. III: 62: Menuetto
- String Quartet No. 47 In A Major, Op. 55, No. 3, Hob. III: 62: Finale: Presto
Tracks:
- String Quartet In B Flat Major Op. 1, No. 1: Presto
- String Quartet In B Flat Major Op. 1, No. 1: Minuet
- String Quartet In B Flat Major Op. 1, No. 1: Adagio
- String Quartet In B Flat Major Op. 1, No. 1: Minuet
- String Quartet In B Flat Major Op. 1, No. 1: Finale: Presto
- String Quartet In E Flat Major Op. 1, No. 2: Allegro molto
- String Quartet In E Flat Major Op. 1, No. 2: Minuet
- String Quartet In E Flat Major Op. 1, No. 2: Adagio
- String Quartet In E Flat Major Op. 1, No. 2: Minuet
- String Quartet In E Flat Major Op. 1, No. 2: Finale: Presto
- String Quartet In D Flat Major Op. 1, No. 3: Adagio
- String Quartet In D Flat Major Op. 1, No. 3: Minuet
- String Quartet In D Flat Major Op. 1, No. 3: Scherzo: Presto
- String Quartet In D Flat Major Op. 1, No. 3: Menuet
- String Quartet In D Flat Major Op. 1, No. 3: Finale: Presto
- String Quartet In G Flat Major Op. 1, No. 4: Presto
- String Quartet In G Flat Major Op. 1, No. 4: Minuet
- String Quartet In G Flat Major Op. 1, No. 4: Adagio ma non tanto
- String Quartet In G Flat Major Op. 1, No. 4: Minuet
- String Quartet In G Flat Major Op. 1, No. 4: Finale: Presto
Tracks:
- String Quartet In E Flat Major Op. 1, No. 0: Presto
- String Quartet In E Flat Major Op. 1, No. 0: Minuet
- String Quartet In E Flat Major Op. 1, No. 0: Adagio
- String Quartet In E Flat Major Op. 1, No. 0: Minuet
- String Quartet In E Flat Major Op. 1, No. 0: Finale: Presto
- String Quartet In C Major Op. 2, No. 6: Presto assai
- String Quartet In C Major Op. 2, No. 6: Minuet
- String Quartet In C Major Op. 2, No. 6: Adagio
- String Quartet In C Major Op. 2, No. 6: Minuet
- String Quartet In C Major Op. 2, No. 6: Finale: Allegro
- String Quartet In D Major Op. 2, No. 1: Allegro
- String Quartet In D Major Op. 2, No. 1: Minuet
- String Quartet In D Major Op. 2, No. 1: Adagio
- String Quartet In D Major Op. 2, No. 1: Minuet
- String Quartet In D Major Op. 2, No. 1: Finale: Allegro molto
- String Quartet In G Major Op. 2, No. 2: Allegro molto
- String Quartet In G Major Op. 2, No. 2: Minuet
- String Quartet In G Major Op. 2, No. 2: Adagio
- String Quartet In G Major Op. 2, No. 2: Minuetto
- String Quartet In G Major Op. 2, No. 2: Finale: Presto
Tracks:
- String Quartet In C Major, Op. 64, No. 1, Hob. III: 65: Allegro moderato
- String Quartet In C Major, Op. 64, No. 1, Hob. III: 65: Menuetto: Allegretto ma non troppo
- String Quartet In C Major, Op. 64, No. 1, Hob. III: 65: Allegretto scherzando
- String Quartet In C Major, Op. 64, No. 1, Hob. III: 65: Finale: Presto
- String Quartet In B Minor, Op. 64, No. 2, Hob. III: 68: Allegro spiritoso
- String Quartet In B Minor, Op. 64, No. 2, Hob. III: 68: Adagio ma non troppo
- String Quartet In B Minor, Op. 64, No. 2, Hob. III: 68: Menuetto: Allegretto
- String Quartet In B Minor, Op. 64, No. 2, Hob. III: 68: Finale: Presto
- String Quartet In B Flat Major, Op. 64, No. 3, Hob. III: 67: Vivace assai
- String Quartet In B Flat Major, Op. 64, No. 3, Hob. III: 67: Adagio
- String Quartet In B Flat Major, Op. 64, No. 3, Hob. III: 67: Menuetto: Allegretto
- String Quartet In B Flat Major, Op. 64, No. 3, Hob. III: 67: Finale: Allegro con spirito
Tracks:
- String Quartet In G Major, Op. 64, No. 4, Hob. III: 66: Allegro con brio
- String Quartet In G Major, Op. 64, No. 4, Hob. III: 66: Menuetto: Allegretto
- String Quartet In G Major, Op. 64, No. 4, Hob. III: 66: Adagio - Cantabile e sostenuto
- String Quartet In G Major, Op. 64, No. 4, Hob. III: 66: Finale: Presto
- String Quartet In D Major, Op. 64, No. 5, Hob. III: 63: Allegro moderato
- String Quartet In D Major, Op. 64, No. 5, Hob. III: 63: Adagio - Cantabile
- String Quartet In D Major, Op. 64, No. 5, Hob. III: 63: Menuetto: Allegretto
- String Quartet In D Major, Op. 64, No. 5, Hob. III: 63: Finale: Vivace
- String Quartet In E Flat Major, Op. 64, No. 6, Hob. III: 64: Allegro
- String Quartet In E Flat Major, Op. 64, No. 6, Hob. III: 64: Andante
- String Quartet In E Flat Major, Op. 64, No. 6, Hob. III: 64: Menuetto: Allegretto
- String Quartet In E Flat Major, Op. 64, No. 6, Hob. III: 64: Finale: Presto
Tracks:
- Quartet No. 28 In E Flat Major, Op. 20, No. 1: Allegro moderato
- Quartet No. 28 In E Flat Major, Op. 20, No. 1: Minuet: Un poco allegretto
- Quartet No. 28 In E Flat Major, Op. 20, No. 1: Affetuoso e sostenuto
- Quartet No. 28 In E Flat Major, Op. 20, No. 1: Finale: Presto
- Quartet No. 25 In C Major, Op. 20, No. 2: Moderato
- Quartet No. 25 In C Major, Op. 20, No. 2: Capriccio: Adagio
- Quartet No. 25 In C Major, Op. 20, No. 2: Minuet: Allegretto
- Quartet No. 25 In C Major, Op. 20, No. 2: Fuga a quattro soggetti
- Quartet No. 26 In G Minor, Op. 20, No. 3: Allegro con spirito
- Quartet No. 26 In G Minor, Op. 20, No. 3: Minuet: Allegretto
- Quartet No. 26 In G Minor, Op. 20, No. 3: Poco adagio
- Quartet No. 26 In G Minor, Op. 20, No. 3: Finale: Allegro di molto
Tracks:
- Quartet No. 27 In D Major, Op. 20, No. 4: Allegro di molto
- Quartet No. 27 In D Major, Op. 20, No. 4: Un poco adagio e affettuoso
- Quartet No. 27 In D Major, Op. 20, No. 4: Menuet alla Zingarese: Allegretto
- Quartet No. 27 In D Major, Op. 20, No. 4: Presto e scherzando
- Quartet No. 23 In F Minor, Op. 20, No. 5: Moderato
- Quartet No. 23 In F Minor, Op. 20, No. 5: Menuet
- Quartet No. 23 In F Minor, Op. 20, No. 5: Adagio
- Quartet No. 23 In F Minor, Op. 20, No. 5: Finale: Fuga a due soggetti
- Quartet No. 24 In A Major, Op. 20, No. 6: Allegro di molto e scherzando
- Quartet No. 24 In A Major, Op. 20, No. 6: Adagio
- Quartet No. 24 In A Major, Op. 20, No. 6: Menuet
- Quartet No. 24 In A Major, Op. 20, No. 6: Fuga con tre soggetti
Tracks:
- Quartet No. 35 In D Minor, Op. 42: Andante ed Innocentemente
- Quartet No. 35 In D Minor, Op. 42: Menuetto: Allegretto
- Quartet No. 35 In D Minor, Op. 42: Adagio e cantabile
- Quartet No. 35 In D Minor, Op. 42: Finale: Presto
- Quartet No. 9 In F Major, Op. 2, No. 4: Presto
- Quartet No. 9 In F Major, Op. 2, No. 4: Menuet
- Quartet No. 9 In F Major, Op. 2, No. 4: Adagio
- Quartet No. 9 In F Major, Op. 2, No. 4: Menuet: Allegretto
- Quartet No. 9 In F Major, Op. 2, No. 4: Finale: Allegro
- Quartet No. 10 In B Flat Major, Op. 2, No. 6: Adagio With Variations
- Quartet No. 10 In B Flat Major, Op. 2, No. 6: Menuet
- Quartet No. 10 In B Flat Major, Op. 2, No. 6: Scherzo: Presto
- Quartet No. 10 In B Flat Major, Op. 2, No. 6: Menuet
- Quartet No. 10 In B Flat Major, Op. 2, No. 6: Finale: Presto
Tracks:
- Quartet No. 11 In D Minor, Op. 9, No. 4: Moderato
- Quartet No. 11 In D Minor, Op. 9, No. 4: Menuet
- Quartet No. 11 In D Minor, Op. 9, No. 4: Adagio - Cantabile
- Quartet No. 11 In D Minor, Op. 9, No. 4: Finale: Presto
- Quartet No. 12 In C Major, Op. 9, No. 1: Moderato
- Quartet No. 12 In C Major, Op. 9, No. 1: Menuet: Un poco allegretto
- Quartet No. 12 In C Major, Op. 9, No. 1: Adagio
- Quartet No. 12 In C Major, Op. 9, No. 1: Finale: Presto
- Quartet No. 13 In G Major, Op. 9, No. 3: Moderato
- Quartet No. 13 In G Major, Op. 9, No. 3: Menuet: Allegretto
- Quartet No. 13 In G Major, Op. 9, No. 3: Largo
- Quartet No. 13 In G Major, Op. 9, No. 3: Finale: Presto
Tracks:
- Quartet No. 14 In E Flat Major, Op. 9, No. 2: Moderato
- Quartet No. 14 In E Flat Major, Op. 9, No. 2: Menuet
- Quartet No. 14 In E Flat Major, Op. 9, No. 2: Adagio
- Quartet No. 14 In E Flat Major, Op. 9, No. 2: Finale: Allegro di molto
- Quartet No. 15 In B Flat Major, Op. 9, No. 5: Poco adagio
- Quartet No. 15 In B Flat Major, Op. 9, No. 5: Menuet: Allegretto
- Quartet No. 15 In B Flat Major, Op. 9, No. 5: Largo: Cantabile
- Quartet No. 15 In B Flat Major, Op. 9, No. 5: Finale: Presto
- Quartet No. 16 In A Major, Op. 9, No. 6: Presto
- Quartet No. 16 In A Major, Op. 9, No. 6: Menuet
- Quartet No. 16 In A Major, Op. 9, No. 6: Adagio
- Quartet No. 16 In A Major, Op. 9, No. 6: Finale: Presto
Tracks:
- Quartet No. 29 In G Major, Op. 33, No. 5 'How Do You Do?': Vivace assai
- Quartet No. 29 In G Major, Op. 33, No. 5 'How Do You Do?': Largo e cantabile
- Quartet No. 29 In G Major, Op. 33, No. 5 'How Do You Do?': Scherzo
- Quartet No. 29 In G Major, Op. 33, No. 5 'How Do You Do?': Finale
- Quartet No. 30 In E Flat Major, Op. 33, No. 2 'The Joke': Allegro moderato
- Quartet No. 30 In E Flat Major, Op. 33, No. 2 'The Joke': Scherzo
- Quartet No. 30 In E Flat Major, Op. 33, No. 2 'The Joke': Largo e sostenuto
- Quartet No. 30 In E Flat Major, Op. 33, No. 2 'The Joke': Finale
- Quartet No. 31 In B Minor, Op. 33, No. 1: Allegro moderato
- Quartet No. 31 In B Minor, Op. 33, No. 1: Scherzo
- Quartet No. 31 In B Minor, Op. 33, No. 1: Andante
- Quartet No. 31 In B Minor, Op. 33, No. 1: Finale
Tracks:
- Quartet No. 32 In C Major, Op. 33, No. 3 'The Bird': Allegro moderato
- Quartet No. 32 In C Major, Op. 33, No. 3 'The Bird': Scherzo: Allegretto
- Quartet No. 32 In C Major, Op. 33, No. 3 'The Bird': Adagio ma non troppo
- Quartet No. 32 In C Major, Op. 33, No. 3 'The Bird': Finale: Rondo - Presto
- Quartet No. 33 In D Major, Op. 33, No. 6: Vivace assai
- Quartet No. 33 In D Major, Op. 33, No. 6: Andante
- Quartet No. 33 In D Major, Op. 33, No. 6: Scherzo: Allegretto
- Quartet No. 33 In D Major, Op. 33, No. 6: Finale: Rondo - Presto
- Quartet No. 34 In B Flat Major, Op. 33, No. 4: Allegro moderato
- Quartet No. 34 In B Flat Major, Op. 33, No. 4: Scherzo: Allegretto
- Quartet No. 34 In B Flat Major, Op. 33, No. 4: Largo
- Quartet No. 34 In B Flat Major, Op. 33, No. 4: Finale: Presto
Tracks:
- String Quartet Op. 17 No. 2 In F Major: Moderato
- String Quartet Op. 17 No. 2 In F Major: Menuetto: Allegretto
- String Quartet Op. 17 No. 2 In F Major: Adagio
- String Quartet Op. 17 No. 2 In F Major: Finale: Allegro di molto
- String Quartet Op. 17 No. 1 In E Major: Moderato
- String Quartet Op. 17 No. 1 In E Major: Menuetto: Allegretto
- String Quartet Op. 17 No. 1 In E Major: Adagio
- String Quartet Op. 17 No. 1 In E Major: Finale: Presto
- String Quartet Op. 17 No. 4 In C Minor: Moderato
- String Quartet Op. 17 No. 4 In C Minor: Menuetto
- String Quartet Op. 17 No. 4 In C Minor: Adagio cantabile
- String Quartet Op. 17 No. 4 In C Minor: Finale: Allegro
Tracks:
- String Quartet In D Major, Op. 17, No. 6: Presto
- String Quartet In D Major, Op. 17, No. 6: Menuetto
- String Quartet In D Major, Op. 17, No. 6: Largo
- String Quartet In D Major, Op. 17, No. 6: Presto
- String Quartet In E Flat Major, Op. 17, No. 3: Andate grazioso
- String Quartet In E Flat Major, Op. 17, No. 3: Menuetto: Allegretto
- String Quartet In E Flat Major, Op. 17, No. 3: Adagio
- String Quartet In E Flat Major, Op. 17, No. 3: Allegro molto
- String Quartet In G Major, Op. 17, No. 5: Moderato
- String Quartet In G Major, Op. 17, No. 5: Menuetto
- String Quartet In G Major, Op. 17, No. 5: Adagio
- String Quartet In G Major, Op. 17, No. 5: Presto
Tracks:
- Quartet No. 66 In G Major, Op. 77, No. 1: Allegro moderato
- Quartet No. 66 In G Major, Op. 77, No. 1: Adagio
- Quartet No. 66 In G Major, Op. 77, No. 1: Menuetto: Presto
- Quartet No. 66 In G Major, Op. 77, No. 1: Finale: Presto
- Quartet No. 67 In F Major, Op. 77, No. 2: Allegro moderato
- Quartet No. 67 In F Major, Op. 77, No. 2: Menuet: Presto
- Quartet No. 67 In F Major, Op. 77, No. 2: Andante
- Quartet No. 67 In F Major, Op. 77, No. 2: Finale: Vivace assai
Tracks:
- String Quartet In B Flat Major, Op. 50, No. 1: Allegro
- String Quartet In B Flat Major, Op. 50, No. 1: Adagio non lento
- String Quartet In B Flat Major, Op. 50, No. 1: Menuetto: Poco allegretto
- String Quartet In B Flat Major, Op. 50, No. 1: Finale: Vivace
- String Quartet In C Major, Op. 50, No. 2: Vivace
- String Quartet In C Major, Op. 50, No. 2: Adagio: Cantabile
- String Quartet In C Major, Op. 50, No. 2: Menuetto: Allegretto
- String Quartet In C Major, Op. 50, No. 2: Finale: Vivace assai
- String Quartet In E Flat Major, Op. 50, No. 3: Allegro con brio
- String Quartet In E Flat Major, Op. 50, No. 3: Andante piu tosto Allegretto
- String Quartet In E Flat Major, Op. 50, No. 3: Menuetto: Allegretto
- String Quartet In E Flat Major, Op. 50, No. 3: Finale: Presto
Tracks:
- String Quartet Op. 50 No. 4 In F Sharp Minor: Allegro spirituoso
- String Quartet Op. 50 No. 4 In F Sharp Minor: Andante
- String Quartet Op. 50 No. 4 In F Sharp Minor: Menuetto: Poco allegretto
- String Quartet Op. 50 No. 4 In F Sharp Minor: Finale: Fuga: Allegro moderato
- String Quartet Op. 50 No. 5 In F Major: Allegro moderato
- String Quartet Op. 50 No. 5 In F Major: Poco adagio
- String Quartet Op. 50 No. 5 In F Major: Menuetto: Allegretto
- String Quartet Op. 50 No. 5 In F Major: Finale: Vivace
- String Quartet Op. 50 No. 6 In D Major: Allegro
- String Quartet Op. 50 No. 6 In D Major: Poco adagio
- String Quartet Op. 50 No. 6 In D Major: Menuetto: Allegretto
- String Quartet Op. 50 No. 6 In D Major: Finale: Allegro con spirito
Customer Reviews:
Many Hours of Magnificent Listening Pleasure.......2007-02-20
The allegro movements on these CDs have a wonderful rhythmic vitality.
While listening to them, one can imagine elegantly dressed men and women in the 18th century, with the women in long, flowing silk dresses, moving across the dance floor to the sounds of this wonderful music. Although this chamber music was originally composed for small private gatherings, the fast movements have a lively rhythm that evokes the image of dancing couples.
The slow movements are played with a beautiful tenderness that invites the listener to float upwards with closed eyes into a serene musical heaven, floating in the clouds like an albatross with its wings outspread, being lifted by air currents as it slowly glides through an azure sky on a warm summer day.
These digital recordings have an excellent crystal clear sound quality, capturing the KQ's precision and their sensitivity to every nuance of every note. The sound engineering is truly first-rate, giving a feeling of immediacy and physical presence to the instruments. It is only one step away from having the musicians actually performing in front of you, in your own living room.
I am absolutely delighted with this series of the complete Haydn string quartets by the KQ. As it turns out, every CD in the series has been a delight, including the ones with "spurious arrangements" and quartets that may very well not have been composed by Haydn at all, but by Romanus Hoffstetter (1742 - 1815).
Even the early string quartets are more than mere historical footnotes. They are also beautiful music, irrespective of who composed them, Haydn or Hoffstetter. They are delightful and very worthy compositions in their own right. As stated by Allan Badley in the booklet notes to one of the CD's of the earliest quartets: "There is much to admire in the Op. 3 Quartets, whoever the composer may have been. They are elegant, neatly composed works with lively outer movements, gentle, graceful slow movements, and the kind of lilting, intoxicating minuets that are an integral part of Austrian music of the period." The fact that these string quartets are less musically complex than Haydn's later masterpieces, such as the Opus 71, "Apponyi" quartets, does not detract from their beauty.
I would gladly have paid twice as much for this set of CDs and still felt it was an excellent value. The CD booklet notes are well-written, with historical information, musical analysis, and information on the Kodaly Quartet. Very highly recommended.
Average customer rating:
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Mozart: String Quartets (Complete Mozart Edition, Vol. 12)
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000410T Release Date: 1991-04-05 |
Tracks:
- String Quartets Nos.1-15: Quartet No.1In G - Adagio
- String Quartets Nos.1-15: Quartet No.1In G - Allegro
- String Quartets Nos.1-15: Quartet No.1In G - Menuetto
- String Quartets Nos.1-15: Quartet No.1In G - Rondeau
- String Quartets Nos.1-15: Quartet No.2 In D - Allegro
- String Quartets Nos.1-15: Quartet No.2 In D - Andante
- String Quartets Nos.1-15: Quartet No.2 In D - Molto allegro
- String Quartets Nos.1-15: Quartet No.3 In G - Presto
- String Quartets Nos.1-15: Quartet No.3 In G - Adagio
- String Quartets Nos.1-15: Quartet No.3 In G - Tempo Di Menuetto
- String Quartets Nos.1-15: Quartet No.3 In G - Adagio
- String Quartets Nos.1-15: Quartet No.4 In C - Allegro
- String Quartets Nos.1-15: Quartet No.4 In C - Andante
- String Quartets Nos.1-15: Quartet No.4 In C - Presto
- String Quartets Nos.1-15: Quartet No.5 In F - Allegro
- String Quartets Nos.1-15: Quartet No.5 In F - Andante Un Poco Allegretto
- String Quartets Nos.1-15: Quartet No.5 In F - Tempo Di Menuetto
Tracks:
- String Quartets Nos.1-15: Quartet No.6 In B Flat - Andante
- String Quartets Nos.1-15: Quartet No.6 In B Flat - Allegro
- String Quartets Nos.1-15: Quartet No.6 In B Flat - Rondo, Allegro Grazioso
- String Quartets Nos.1-15: Quartet No.7 In E Flat - Allegro
- String Quartets Nos.1-15: Quartet No.7 In E Flat - Un Poco Adagio
- String Quartets Nos.1-15: Quartet No.7 In E Flat - Presto
- String Quartets Nos.1-15: Quartet No.8 In F - Allegro
- String Quartets Nos.1-15: Quartet No.8 In F - Andante
- String Quartets Nos.1-15: Quartet No.8 In F - Menuetto
- String Quartets Nos.1-15: Quartet No.8 In F - Allegro
- String Quartets Nos.1-15: Quartet No.9 In A - Molto Allegro
- String Quartets Nos.1-15: Quartet No.9 In A - Andante
- String Quartets Nos.1-15: Quartet No.9 In A - Menuetto
- String Quartets Nos.1-15: Quartet No.9 In A - Rondeaux, Allegro
Tracks:
- String Quartets Nos.1-15: Quartet No.10 In C - Andante
- String Quartets Nos.1-15: Quartet No.10 In C - Menuetto
- String Quartets Nos.1-15: Quartet No.10 In C - Un Poco Adagio
- String Quartets Nos.1-15: Quartet No.10 In C - Rondeaux, Allegro
- String Quartets Nos.1-15: Quartet No.11 In E Flat - Adagio - Allegro Assai - Adagio
- String Quartets Nos.1-15: Quartet No.11 In E Flat - Menuetto
- String Quartets Nos.1-15: Quartet No.11 In E Flat - Andante
- String Quartets Nos.1-15: Quartet No.11 In E Flat - Allegro Assai
- String Quartets Nos.1-15: Quartet No.12 In B Flat - Allegro Spiritoso
- String Quartets Nos.1-15: Quartet No.12 In B Flat - Adagio
- String Quartets Nos.1-15: Quartet No.12 In B Flat - Menuetto
- String Quartets Nos.1-15: Quartet No.12 In B Flat - Allegro Assai
- String Quartets Nos.1-15: Quartet No.13 In D Minor - Allegro Ma Molto Moderato
- String Quartets Nos.1-15: Quartet No.13 In D Minor - Andantino Grazioso
- String Quartets Nos.1-15: Quartet No.13 In D Minor - Menuetto
- String Quartets Nos.1-15: Quartet No.13 In D Minor - Allegro
Tracks:
- String Quartets Nos.1-15: The Six Haydn Quartets - Quartet No.14 In G - Allegro Vivace Assai
- String Quartets Nos.1-15: The Six Haydn Quartets - Quartet No.14 In G - Allegretto
- String Quartets Nos.1-15: The Six Haydn Quartets - Quartet No.14 In G - Andante Cantabile
- String Quartets Nos.1-15: The Six Haydn Quartets - Quartet No.14 In G - Molto Allegro
- String Quartets Nos.1-15: The Six Haydn Quartets - Quartet No.15 In D Minor - Allegro Moderato
- String Quartets Nos.1-15: The Six Haydn Quartets - Quartet No.15 In D Minor - Andante
- String Quartets Nos.1-15: The Six Haydn Quartets - Quartet No.15 In D Minor - Menuetto, Allegretto
- String Quartets Nos.1-15: The Six Haydn Quartets - Quartet No.15 In D Minor - Allegretto Ma Non Troppo - Piu Allegro
Tracks:
- String Quartets Nos.1-15: Quartet No.16 In E Flat - Adagio
- String Quartets Nos.1-15: Quartet No.16 In E Flat - Allegro
- String Quartets Nos.1-15: Quartet No.16 In E Flat - Minuetto
- String Quartets Nos.1-15: Quartet No.16 In E Flat - Rondeau
- String Quartets Nos.1-15: Quartet No.17 In B Flat - Allegro
- String Quartets Nos.1-15: Quartet No.17 In B Flat - Andante
- String Quartets Nos.1-15: Quartet No.17 In B Flat - Molto Allegro
- String Quartets Nos.1-15: Quartet No.17 In B Flat - Presto
Tracks:
- Quartet No.18 In A - Allegro
- Quartet No.18 In A - Menuetto
- Quartet No.18 In A - Andante
- Quartet No.18 In A - Allegro Non Troppo
- Quartet No.19 In C - Adagio - Allegro
- 2: Andante cantabile
- Quartet No.19 In C - Allegretto
- Quartet No.19 In C - Allegro Molto
Tracks:
- String Quartets Nos. 16-23: Quartet No.20 In D - Allegretto
- String Quartets Nos. 16-23: Quartet No.20 In D - Menuetto, Allegretto
- String Quartets Nos. 16-23: Quartet No.20 In D - Adagio
- String Quartets Nos. 16-23: Quartet No.20 In D - Allegro
- String Quartets Nos. 16-23: The Three Prussian Quartets - Quartet No.21 In D - Allegretto
- String Quartets Nos. 16-23: The Three Prussian Quartets - Quartet No.21 In D - Andante
- String Quartets Nos. 16-23: The Three Prussian Quartets - Quartet No.21 In D - Menuetto, Allegro
- String Quartets Nos. 16-23: The Three Prussian Quartets - Quartet No.21 In D - Allegretto
Tracks:
- String Quartets Nos.16-23: Quartet No.22 In B Flat - Allegro
- String Quartets Nos.16-23: Quartet No.22 In B Flat - Larghetto
- String Quartets Nos.16-23: Quartet No.22 In B Flat - Menuetto, Moderato
- String Quartets Nos.16-23: Quartet No.22 In B Flat - Allegro Assai
- String Quartets Nos.16-23: Quartet No.23 In F - Allegro Moderato
- String Quartets Nos.16-23: Quartet No.23 In F - Allegretto
- String Quartets Nos.16-23: Quartet No.23 In F - Menuetto (Allegretto)
- String Quartets Nos.16-23: Quartet No.23 In F - Allegro
Customer Reviews:
Outstanding and a Remarkable Bargain.......2005-08-11
Nobilissima visione!.......2005-04-01
All the possible adjectives are not enough to describe the status of these performances.
Don't miss these golden recordings under no pretext!
a remarkable set.......2002-11-08
It is fascinating to listen to the quartets chronologically and hear Mozart's development as a composer (even the earliest quartets have many fine moments). While the sound quality of the quartets recorded in 1966 are not as crisp as those recorded in the 70s, every disc has acceptable sound and is a treasure in itself.
Highest of recommendations!
Average customer rating:
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Complete String Quartets
Dmitry Shostakovich , and Emerson String Quartet Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00003XAGO Release Date: 2000-01-11 |
Tracks:
- Quartet No. 1 In C Major Op. 49: 1. Moderato
- Quartet No. 1 In C Major Op. 49: 2. Moderato
- Quartet No. 1 In C Major Op. 49: 3. Allegro molto
- Quartet No. 1 In C Major Op. 49: 4. Allegro
- Quartet No. 2 In A Major Op. 68: 1. Overture: Moderato con moto
- Quartet No. 2 In A Major Op. 68: 2. Recitative And Romance: Adagio
- Quartet No. 2 In A Major Op. 68: 3. Waltz: Allegro
- Quartet No. 2 In A Major Op. 68: 4. Theme With Variations: Adagio - Moderato con moto - Allegretto - Piu mosso - Allegro non troppo - Allegro - Adagio
- Quartet No. 3 In F Major Op. 73: 1. Allegretto
- Quartet No. 3 In F Major Op. 73: 2. Moderato con moto
- Quartet No. 3 In F Major Op. 73: 3. Allegro non troppo
- Quartet No. 3 In F Major Op. 73: 4. Adagio - attacca:
- Quartet No. 3 In F Major Op. 73: 5. Moderato - Adagio
Tracks:
- Quartet No. 4 In D Major Op. 83: 1. Allegretto
- Quartet No. 4 In D Major Op. 83: 2. Andante
- Quartet No. 4 In D Major Op. 83: 3. Allegretto - attacca:
- Quartet No. 4 In D Major Op. 83: 4. Allegretto
- Quartet No. 5 In B Flat Major Op. 92: 1. Allegro non troppo - attacca:
- Quartet No. 5 In B Flat Major Op. 92: 2. Andante - Andantino - Andante - Andantino - Andante - attacca:
- Quartet No. 5 In B Flat Major Op. 92: 3. Moderato - Allegretto - Andante
- Quartet No. 6 In G Major Op. 101: 1. Allegretto
- Quartet No. 6 In G Major Op. 101: 2. Moderato con moto
- Quartet No. 6 In G Major Op. 101: 3. Lento - attacca:
- Quartet No. 6 In G Major Op. 101: 4. Lento - Allegretto - Andante - Lento
Tracks:
- Quartet No. 7 In F Sharp Minor Op. 108: 1. Allegretto - attacca:
- Quartet No. 7 In F Sharp Minor Op. 108: 2. Lento - attacca:
- Quartet No. 7 In F Sharp Minor Op. 108: 3. Allegro - Allegretto - Andante - Lento
- Quartet No. 8 In C Minor Op. 110: 1. Largo - attacca:
- Quartet No. 8 In C Minor Op. 110: 2. Allegro molto - attacca:
- Quartet No. 8 In C Minor Op. 110: 3. Allegretto - attacca:
- Quartet No. 8 In C Minor Op. 110: 4. Largo - attacca:
- Quartet No. 8 In C Minor Op. 110: 5. Largo
- Quartet No. 9 In E Flat Major Op. 117: 1. Moderato con moto - attacca:
- Quartet No. 9 In E Flat Major Op. 117: 2. Adagio - attacca:
- Quartet No. 9 In E Flat Major Op. 117: 3. Allegretto - attacca:
- Quartet No. 9 In E Flat Major Op. 117: 4. Adagio - attacca:
- Quartet No. 9 In E Flat Major Op. 117: 5. Allegro
- Quartet No. 10 In A Flat Major Op. 118: 1. Andante
- Quartet No. 10 In A Flat Major Op. 118: 2. Allegretto furioso
- Quartet No. 10 In A Flat Major Op. 118: 3. Adagio - attacca:
- Quartet No. 10 In A Flat Major Op. 118: 4. Allegretto - Andante
Tracks:
- 'Lady Macbeth Of The Mtsensk District', Op. 29: Adagio (Elegy) For String Quartet
- 'The Age Of Gold', Op. 22: Allegretto (Polka) For String Quartet
- Quartet No. 11 In F Minor Op. 122: 1. Introduction: Andantino - attacca:
- Quartet No. 11 In F Minor Op. 122: 2. Scherzo: Allegretto - attacca:
- Quartet No. 11 In F Minor Op. 122: 3. Recitative: Adagio - attacca:
- Quartet No. 11 In F Minor Op. 122: 4. Etude: Allegro - attacca:
- Quartet No. 11 In F Minor Op. 122: 5. Humoresque: Allegro - attacca:
- Quartet No. 11 In F Minor Op. 122: 6. Elegy: Adagio - attacca:
- Quartet No. 11 In F Minor Op. 122: 7. Finale: Moderato - Meno mosso - Moderato
- Quartet No. 12 In D Flat Major Op. 133: 1. Moderato - Allegretto - Moderato - Allegretto - Moderato
- Quartet No. 12 In D Flat Major Op. 133: 2. Allegretto - Adagio - Moderato - Adagio - Moderato - Allegretto
- Quartet No. 13 In B Flat Minor Op. 138: Adagio - Doppio movimento - Tempo primo
Tracks:
- Quartet No. 14 In F Sharp Major Op. 142: 1. Allegretto - Meno mosso - Allegretto - Meno mosso - Allegretto
- Quartet No. 14 In F Sharp Major Op. 142: 2. Adagio - attacca:
- Quartet No. 14 In F Sharp Major Op. 142: 3. Allegretto - Poco meno mosso - Adagio
- Quartet No. 15 In E Flat Minor Op. 144: 1. Elegy: Adagio - attacca:
- Quartet No. 15 In E Flat Minor Op. 144: 2. Serenade: Adagio - attacca:
- Quartet No. 15 In E Flat Minor Op. 144: 3. Intermezzo: Adagio - attacca:
- Quartet No. 15 In E Flat Minor Op. 144: 4. Nocturne: Adagio - attacca:
- Quartet No. 15 In E Flat Minor Op. 144: 5. Funeral March: Adagio molto - attacca:
- Quartet No. 15 In E Flat Minor Op. 144: 6. Epilogue: Adagio - Adagio molto
Amazon.com's Best of 2000
Can an American string quartet grasp the power of Shostakovich's 15 string quartets? By the sounds of this incredible cycle, the answer is a resounding Yes! Capturing every nuance of Shostakovich's emotionally gripping, sometimes humorous, often angst-filled compositions, the Emersons deliver very likely the finest performances of these works available. --Jason VerlindeCustomer Reviews:
Musical Must Have.......2007-06-01
Powerful, sometimes devastating.......2006-11-10
a shame!.......2006-09-25
Could not be a better 8th.......2006-06-25
Fitzwilliam versus Ermerson -- which to choose?.......2006-03-09
Fitzwilliam: This set, made between 1975-77 in a church in Surrey, has the advantage of price. Although the 15 quartets are spread out over 6 CDs as compared to 5 for the Emersons, Decca offers this cycle at roughly half the cost of the DG cycle (it's even cheaper on the used market). The performances eschew Russian soul, grit, and emotional extremes such as one hears from the Borodin Quartet. The Fitzwilliam Quartet sounds soulful but stops short of impassioned. As much as it is possible, they make this music friendly and easy to listen to without sacrificing all of its bite and sarcasm. They are not a virtuoso group (English critics actually praise them for this lack, as if the Emersons' technical mastery was a sign of glibness), so individual solo lines, of which there are many in these quartets, sound medium well played, not dazzling. Decca's sound as transfered to CD can be a bit shrill and congested but is certainly good enough. One large missing ingredient is tonal variation--the Fitzwilliam doesn't search out the peculiar tonalities that are implied in Shostakovich's string writing, which can be eerie, ghostly, brutal, and caustic by turns.
Emerson: Recorded in Aspen at intervals between 1994 and 1999, these are live performances from the music festival and are thus not ideal sonically. What's sometimes lacking is solidity and warmth. Even so, the recorded sound is considerably more detailed than in the Fitzwilliam set, or any other of the four I listened to. When this cycle was first issued in 1999 it swept the field for good reason. The Emersons are head and shoulders above any other quartet for sheer virtuosity in this music. Not that virtuosity is required very often, but the many solo lines are rendered with exquisite technique, and the Emersons pay very close attention to changes in tonality. As a result, these performances are more varied and interesting to listen to than any competitor that I sampled (including the Fitzwilliam, Brodsky, Borodin, St. Petersburg, and Shostakovich quartets on various labels).
The drawbacks are price (it's hard to find even a used set for under $70) and the prevalent accusation, from some quarters, that the Emersons lack Russian soul--they are supposedly too cool, detached, and efficient. Yet this charge can be turned around to say that the Emersons make Shostakovich sound more modern by removing a layer of sentiment. It's really up to the listener to decide, yet I found that cool detachment is not prevalent here--not by any means--and the reviewer below who thinks that the tempos are uniformly too fast is not aware of the field; the Emersons are not extreme in their allegros, at least not very often, and when they paly a movement for virtuosic speed, it's almost alwaays to good effect.
I bbught this set because I heard the Emersons play Shostakovich in concert on two occasions, and I was deeply struck by how much better these quartets sound when they are given superlative musicianship. I am not one to believe that Shostakovich was a great master of quartet writing, not compared to Bartok, Schoenberg, and Janacek among moderns. But he found an idiom, often spare and therefore one-dimenisonal, that is easy to absorb. The Emersons go a step further and give that idiom all kinds of shading and colors that often make it sound better than it is.
In sum, I did what many collectors befoe me have done. I gave away the Fitzwilliam set, which was a good stop gap for many years, and relish the Emerson set as a great achievement, especially for a non-Russian ensemble.
Average customer rating:
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Complete Beethoven Edition, Vol. 14: Misc. Chamber Works
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GZH Release Date: 1997-12-09 |
Tracks:
- No. 1 In E Flat Major: 1. Adagio assai - attacca - Ludwig Van Beethoven
- No. 1 In E Flat Major: 2. Allegro con spirito - Ludwig Van Beethoven
- No. 1 In E Flat Major: 3. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto - Ludwig Van Beethoven
- No. 2 In D Major: 1. Allegro moderato - Ludwig Van Beethoven
- No. 2 In D Major: 2. Andante con moto - Ludwig Van Beethoven
- No. 2 In D Major: 3. Rondo. Allegro - Ludwig Van Beethoven
- No. 3 In C Major: 1. Allegro vivace - Ludwig Van Beethoven
- No. 3 In C Major: 2. Adagio con expressione - Ludwig Van Beethoven
- No. 3 In C Major: 3. Rondo. Allegro - Ludwig Van Beethoven
Tracks:
- Trio For Piano, Flute, And Bassoon In G Major: 1. Allegro - Ludwig Van Beethoven
- Trio For Piano, Flute, And Bassoon In G Major: 2. Adagio - Ludwig Van Beethoven
- Trio For Piano, Flute, And Bassoon In G Major: 3. Tema andante con Variazioni - Ludwig Van Beethoven
- Sonata For Piano And Horn In F Major: 1. Allegro moderato - Ludwig Van Beethoven
- Sonata For Piano And Horn In F Major: 2. Poco Adagio, quasi Andante - Ludwig Van Beethoven
- Sonata For Piano And Horn In F Major: 3. Rondo. Allegro moderato - Ludwig Van Beethoven
- Sextet For 2 Horns, 2 Violins, Viola And Cello In E Flat Major: 1. Allegro con brio - Ludwig Van Beethoven
- Sextet For 2 Horns, 2 Violins, Viola And Cello In E Flat Major: 2. Adagio - Ludwig Van Beethoven
- Sextet For 2 Horns, 2 Violins, Viola And Cello In E Flat Major: 3. Rondo. Allegro - Ludwig Van Beethoven
Tracks:
- Quintet For Piano, Oboe, Clarinet, Horn And Bassoon In E Flat Major: 1. Grave - Allegro, ma non troppo
- Quintet For Piano, Oboe, Clarinet, Horn And Bassoon In E Flat Major: 2. Andante cantabile
- Quintet For Piano, Oboe, Clarinet, Horn And Bassoon In E Flat Major: 3. Rondo. Allegro, ma non troppo
- Serenade For Flute, Violin And Viola In D Major, Op. 25: 1. Entrada. Allegro
- Serenade For Flute, Violin And Viola In D Major, Op. 25: 2. Tempo ordinario d'un Minuetto
- Serenade For Flute, Violin And Viola In D Major, Op. 25: 3. Allegro molto
- Serenade For Flute, Violin And Viola In D Major, Op. 25: 4. Andante con Variazioni
- Serenade For Flute, Violin And Viola In D Major, Op. 25: 5. Allegro scherzando e vivace
- Serenade For Flute, Violin And Viola In D Major, Op. 25: 6. Adagio - Allegro vivace e disinvolto
- Sonatina In C Minor: Adagio
- Adagio In E Flat Major: Adagio (ma non troppo)
- Sonatine In C Major: Allegro
- Variations In D Major
Tracks:
- Trio For Piano Clarinet And Cello In B Flat Major: 1. Allegro con brio
- Trio For Piano Clarinet And Cello In B Flat Major: 2. Adagio
- Trio For Piano Clarinet And Cello In B Flat Major: 3.Tema. 'Pria ch'io l'impegno'. Allegretto - Allegro
- Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E Flat Major: 1. Adagio - Allegro con brio
- Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E Flat Major:: 2. Adagio cantabile
- Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E Flat Major:: 3. Tempo di Menuetto
- Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E Flat Major: 4. Tema. Andante con Variazioni
- Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E Flat Major: 5. Scherzo. Allegro molto e vivace
- Septet For Violin, Viola, Clarinet, Horn, Bassoon, Cello And Double Bass In E Flat Major: 6. Andante con moto alla Marcia - Presto
- Fugue For String Quintet In D Major: Allegretto
Tracks:
- Quintet For 2 Violins, 2 Violas And Cello In C Major: I. Allegro
- Quintet For 2 Violins, 2 Violas And Cello In C Major: II. Adagio molto espressivo
- Quintet For 2 Violins, 2 Violas And Cello In C Major: III. Scherzo. Allegro
- Quintet For 2 Violins, 2 Violas And Cello In C Major: IV. Presto
- Prelude And Fugue For 2 Violins And Cello In E Minor: Praeludium
- Prelude And Fugue For 2 Violins And Cello In E Minor: Fuge
- Six Minuets For Two Violins And Bass: No. 1 In E Flat Major
- Six Minuets For Two Violins And Bass: No. 2 In G Major
- Six Minuets For Two Violins And Bass: No. 3 In C Major
- Six Minuets For Two Violins And Bass: No. 4 In F Major
- Six Minuets For Two Violins And Bass: No. 5 In D Major
- Six Minuets For Two Violins And Bass: No. 6 In G Major
- Duet For Viola And Cello In E Flat Major: Allegro
- Duet For Viola And Cello In E Flat Major: Allegretto
- Six Landler For Two Violins And Bass: No. 1 In D Major
- Six Landler For Two Violins And Bass: No. 2 In D Major
- Six Landler For Two Violins And Bass: No. 3 In D Major
- Six Landler For Two Violins And Bass: No. 4 In D Minor
- Six Landler For Two Violins And Bass: No. 5 In D Major
- Six Landler For Two Violins And Bass: No. 6 In D Major
- Duet For Two Violins In A Major
- Canon In A Major (Probably For Two Violins)
Tracks:
- Six Themes With Variations For Piano And Flute: 1. Air ecossais: 'The Cottage Maid'. Tema. Andantino quasi Allegretto - Var. I-II - Var. III. Allegro - Tempo I
- Six Themes With Variations For Piano And Flute: 2. Air ecossais: 'Von edlem Geschlect war Shinkin'. Tema. Allegretto scherzoso - Var. I-II - Var. III. Allegretto-Allegro
- Six Themes With Variations For Piano And Flute: 3. Air autrichien: 'A Schusserl und a Reindl'. Tema. Andantino - Var. I-IV - Var. V. Adagio sostenuto, ma non troppo - Var. VI. Andante con moto
- Six Themes With Variations For Piano And Flute: 4. Air ecossais: 'The Last Rose Of Summer'. Tema. Andante expressivo assai - Var. I-III
- Six Themes With Variations For Piano And Flute: 5. Air ecossais: 'Chiling O'Guiry'. Tema. Allegretto spiritoso - Var. I-II - Var. III. Allegro assai
- Six Themes With Variations For Piano And Flute: 6. Air ecossais: 'Paddy Whack'. Tema. Allegretto piu tosto vivace - Var. I-IV
- Ten Themes With Variations For Piano And Flute: 1. Air tirolien: 'I bin a Tiroler Bua'. Tema. Moderato - Var. I-III - Var. IV. Allegro
- Ten Themes With Variations For Piano And Flute: 2. Air ecossais: 'Bonnie Laddie, Highland Laddie'. Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro
- Ten Themes With Variations For Piano And Flute: 3. Volkslied aus Kleinrussland. Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I
- Ten Themes With Variations For Piano And Flute: Air ecossais: 'St .Patrick's Day'. Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I
- Ten Themes With Variations For Piano And Flute: 5. Air tirolien: 'A Madel, ja a Madel'. Tema. Moderato - Var. I-II - Var. III. Maestoso - Allegro
- Ten Themes With Variations For Piano And Flute: 6. Air ecossais: 'Peggy's Daughter'. Tema. Andante comodo - Var. I-III - Var. IV. Vivace
- Ten Themes With Variations For Piano And Flute: 7. Air russe: 'Schone Minka'. Tema. Andante - Var. I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante commodo - Poco vivace
- Ten Themes With Variations For Piano And Flute: 8. Air ecossais: 'O Mary At Thy Window Be'. Tema. Andantino quasi Allegretto - Var. I-III - Var. IV. Un poco piu mosso - Allegro assai
- Ten Themes With Variations For Piano And Flute: 9. Air ecossais: 'Oh, Thou Art The Lad Of My Heart'. Tema. Allegretto piu tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace
- Ten Themes With Variations For Piano And Flute: 10. Air ecossais: 'The Highland Watch'. Tema. Spiritoso e marziale - Var. I-II - Var. III. Piu moto - Var. IV. Adagio espressivo - Var. V. Allegro
- Duo For Two Flute In G Major: Allegro con brio
- Duo For Two Flute In G Major: Minuetto quasi Allegretto
Customer Reviews:
The "Unknown" Beethoven..........2005-01-03
I think it would not be wrong to say that most casual listeners of classical music know Beethoven mostly by his orchestral works--the symphonies, piano concertos, violin concerto, and overtures. Those who go a little deeper might know him by the piano sonatas, violin sonatas, and string quartets; however, this misses a significant portion of his oeuvre--and a major facet of his ethos and art: specifically, the chamber works and lieder: this is the "unknown" Beethoven.
This collection is absolutely the best, finest, and most excellent presentation of Beethoven's chamber works: the Horn Sonata; the Piano-Wind Quintet; the Serenade for Flute, Violin, and Viola; the Clarinet Trio; the Septet for mixed strings & winds; and the String Quintet.
Plus, some really nice esoterica: the early piano quartets; trio for piano, flute & bassoon; pieces for mandolin & piano; and pieces for flute & piano.
All of these works fall into Beethoven's First Period; yet, they must not be considered "juvenalia": Beethoven was the greatest artist/poet who ever lived, and his genius was manifest from his teenage years.
Simply Delightful!.......2004-12-23
Brilliant if sometimes odd rhythm and tempo.......2001-01-10
Although there are the rare rhythmic, and very rare tempo peculiarities this must remain as one of the finest renditions of Beethoven's Chamber Works. This is of course to be expected from works produced by DDG.
A highly recommended set of CDs that should have pride of place in any serious collector of Beethoven's music and these CDs have the brilliant quality associated with the plastics produced by DDG.
Track Listings:
- Couperin: Harpsichord Works
- d'Indy: String Quartets 1 & 2
- Domenico Scarlatti: Sonatas, Volume II
- Du Mingxin: Violin Concerto/Piano Concerto "Spirit of Spring"
- Enescu: Vox Maris Op31; Symphony No2
- Engelbert Humperdinck: Moorish Rhapsody / Sleeping Beauty
- Esclarmonde Suite / Cendrillon Suite
- Fantaisie / Concertstuck
- Festive Symphony
- Flowings
Track Listings
Keystroke [CD-single] [Import]
Portrait of Di Bari: 6 New Etudes, Sta #1, Etc
Pop Hits Monthly Karaoke - URBAN June 2005
R.I.O.T. (Righteous Invasion of Truth)
Ravel: Boléro; Pavane pour une infante défunte [Enhanced]
Sanctuary: Reflection [Original recording remastered]