Composed by Karol Szymanowski
Performed by Polish Chamber Philharmonic with Wieslaw Ochman
Conducted by Karol Stryja
2. Symphony No.4 ("Symphonie Concertante"), for piano & orchestra, Op. 60, M70
Composed by Karol Szymanowski
Performed by Polish Chamber Philharmonic with Tadeusz Zmudzinski
Conducted by Karol Stryja
3. Concert Overture, for orchestra in E major, Op. 12, M12
Composed by Karol Szymanowski
Performed by Polish Chamber Philharmonic Conducted by Karol Stryja
Symphonies 3 & 4 / Concert Overture,Szymanowski,Stryja,Polish State Symphony,Marco Polo,Classical
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Classical Wedding
Various Artists Manufacturer: Spring Hill ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000V1V Release Date: 1996-04-30 |
Tracks:
- Hornpipe from The Water Music
- Ode to Joy
- Psalm XIX
- Jesu, Joy of Man's Desiring
- Trumpet Tune
- Arioso in A
- La Rejoissance from The Royal Fireworks
- Ave Maria
- Trumpet Voluntary
- Canon in D
- Air from The Water Music
- Rondeau from Sinfonies de Fanfares
- The Lord's Prayer
- Bridal Chorus
- Fanfare and Bridal Chorus
- Wedding March
Customer Reviews:
wedding music.......2007-07-18
Great Product.......2007-05-31
Excellent Classical Wedding Music.......2007-05-14
Traditional and wonderful.......2007-04-10
Awesome!!!!.......2007-02-13
Thanks,
L Juarez
Texas
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Ludwig van Beethoven: The 9 Symphonies - Arturo Toscanini / NBC Symphony Orchestra
Ludwig van Beethoven (Composer) , Arturo Toscanini (Conductor) , and NBC Symphony Orchestra Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000CNTLU Release Date: 2003-12-09 |
Customer Reviews:
Toscanini's last Beethoven cycle -- a unique, bargain glimpse of the performing rite.......2007-06-30
Imagine being able to hear works played by musicians with direct links to performers who've remembered what the composer wanted in performance of his/her works during his/her lifetime. Such opportunities arise through listening to recordings made by maestros like Arturo Toscanini (born 1867, began orchestra conducting 1886) whose musicianship -- not just in terms of scholarship and technical powers -- take us to a view of the contemporary Beethoven performing rite that seems to have dimmed with successive generations. Not that every Toscanini performance of a work is the same -- indeed there's noticeable evolution -- but his basic underlying approach remained sufficiently consistent for it to be captured in recordings, like this set, made quite late in his career (it ended in mid-1954, he died early 1957).
This Beethoven cycle is ADD mono and may not be any sonic improvement over either RCA's "74321", or "GD", series CDs of the same cycle; and it's unlikely to be sonically better than the superb LP transfers in the 100-disc set released (in the late 1970s) by RCA Japan (n.l.a.). But if you don't already own this latest RCA CD package, then, at the 'Amazon' price, it'll be an indispensible part of your Beethoven cycle experience.
The NBC Symphony is in great form (Toscanini reportedly said it didn't really become a top symphony orchestra until around its 1950 continental US tour and these discs are from that period) and the recorded sound, for the most part (say except for the Seventh's last movement) captures the dynamics and unique, chrystaline fabric of the Toscanini orchestral sound.
There's apparently some confusion over whether the set's 'Eroica' is the 1949 "studio" or 1953 "live" (broadcast) performance, but the insert-booklet's per-movement timings indicate it's the 1953 one (which is broader and differently inflected compared to the '49, and some earlier, Toscanini Eroicas; the 1949 one is included in RCA's "GD" CD series). Anyhow, this kind of issue is more for discographers than those out on a journey of important musical discovery.
Buy this set, especially at the price, the performances shouldn't fail to stimulate and inspire!
Some suggested references:-
'The Toscanini Legacy' by Spike Hughes (pub. 'Dover')
'Toscanini and the Art of Conducting' by Robert C. Marsh (pub. 'Collier Books') (in UK, titled 'Toscanini and the Art of Orchestral Performance' (pub. 'Allen & Unwin'))
'Arturo Toscanini - The NBC Years' by Mortimer H. Frank (pub. 'Amadeus Press').
i can't take it anymore.......2007-06-02
which is just utterly not true!
don't get me wrong - i love furtwangler. he is one of the conductors i revere most, and i DO think that his beethoven is rarely surpassed. but there are a million ways to perform a piece! and most likely than not, this is not a matter of the cliched "subjective vs. objective" argument that most people put forward.
to argue that beethoven would not have conducted his music a la toscanini is absurd. very presumptious, of you ask me. actually, comparing beethoven's metronome markings with furtwangler's and tostanini's recordings, toscanini actually is closer to the norm. furtwangler actually disregards a lot of beethoven's instructions regarding tempi, phrasing, development, dynamics, etc.
many people, including me, would argue that furtwangler is not disregarding beethoven's intentions at all. beethoven's intention when, for instance, composing the first movement of the eroica, was not, as toscanini has said, "allegro con brio." it was the expression of beauty, the expression of the human soul. beethoven might've heard in his head the movement much faster than is usually performed. but music that occures in the mind and in the physical is significantly different (think of printing - the blue on your computer screen doesn't really turn out to be the blue you want when you print it out!). if furtwangler's performances best achieve this end (which i do believe they do), he has serviced beethoven immensly.
but who is to judge that furtwangler expressed what beethoven intended? perhaps beethoven intended a different kind of beauty? a different kind of soul? and this is why people who love music often have more than one record of the same music.
toscanini was a supreme maestro in his own right. he might not have the ability to direct a mind towards musical epiphany like furtwangler, or to steadily provoke the mind and heart to a state of climax like klemperer, but he does have a supreme sense of orchestral control. no one makes tuttis sound like tuttis as toscanini. he also has an insuperable talent of conveying musical excitement: not even erich kleiber, who in my opinion had one of the most powerful rhythmical senses amongst all the great conductors, can imbue a performance with as much explosive propulsion.
i must admit that i was also infected with the "toscanini-hate" for a while, particularly because sergiu celibidache, absolutely one of the greatest conductors, derided him as being a "note-factory." compared with celibidache or furtwangler, toscanini is a note factory. but this is merely because he prefers a more "absolute music" approach. to him, music is not an emotional, or spiritual language. it is just music. what the audience feels from the music is because of the innate quality of the notes themselves, not because the conductor tries to express them. one might say that people who prefer the first chords of the fifth symphony to be blatantly like "fate knocking on the door" would be disappointed by toscanini. but in a sense, such expectations are naive. to some performers and listeners, fate knocking on the door does not have to take on the gothic melodrama that most modern performances aim to achieve.
surely, there are sets out there that please me more - and this is not a collection of toscanini's best performances. there is a particularly noteworthy seventh on naxos coupled with an equally compelling fifth. this collection, however, serves as a worthy exponent of the virtues of toscanin's art.
for catharsis, look to furtwangler. for a sense of musical consummation, look to klemperer. elegance and liveliness, to erich kleiber. rough-edged and fiery, hawk-eyed execution, to schuricht. weingartner, walter, carlos kleiber, bohm, scherchen, and kempe also provide heartwrenching accounts. amongst the HIP performers, only gardiner had me convinced. actually, toscanini wouldn't be on top of my list of favorite beethoven conductors. but for others, he surely is, and it is more than a proper position.
Classic circa 1950 Beethoven Symphony Cycle.......2007-05-30
After seeing a great performance of Verdi's La Traviata, I bought Toscanini's rendition of the preludes from this opera. This was in 1978. Toscanini's music were on budget lps at the time. And being in college, I was on a budget. I have several of his budget lps plus this Beethoven Symphony cycle on the RCA plum dog label from the 1950s that I bought used. I have always enjoyed the performances and have always had misgivings about the at best AM radio like fidelity of the recordings.
I recently listened to Toscanini's Brahms Symphonies at Rhapsody and the remastering has almost brought the sonics into the space age. WOW! The Beethoven symphonies too are at Rhapsody. They sound pretty good, but far from the great Analog of the late 50s to when digital kicked in circa 1980. When the music intensifies, it seems to my ear to start to distort a little and get a little shrill. Kinda like a movie theater where you can enter and egress with abandon as long as no one yells "Fire!!"
If we look at the fidelity coming from the 1930s and 40s, all complaints would be dropped and instead our astonishment would be given at just how great they sound. For historical recordings, they do sound GREAT. I enjoyed listening again to them.
Toscanini has gone from being the best thing since sliced bread to being regarded as an out of favor commissar who is now commissaring in outer Siberia. By listening to these recordings I would hope that your perspective will improve and that you would realize that Toscanini was a pretty good conductor, who brought great classical music to the masses, who had wide influence that is still felt thru his understudies, and that he was not the boogie man!
Beethoven's symphonies.......2007-05-12
Great Historical Collection.......2007-05-07
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Beethoven: 9 Symphonies
Ludwig van Beethoven , Herbert Von Karajan , Gundula Janowitz , Waldemar Kmentt , Hilde Rossel-Majdan , and Berlin Philharmonic Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GBQ Release Date: 2007-06-05 |
Tracks:
- Symphony No.1 in C major, Op. 21: 1. Adagio molto - Allegro con brio - L.V. Beethoven
- Symphony No.1 in C major, Op. 21: 2. Andante cantabile con moto - L.V. Beethoven
- Symphony No.1 in C major, Op. 21: 3. Menuetto. Allegro molto e vivace - L.V. Beethoven
- Symphony No.1 in C major, Op. 21: 4. Adagio - Allegro molto e vivace - L.V. Beethoven
- Symphony No. 3 in E flat major, op.55 Eroica: 1. Allegro con brio - L.V. Beethoven
- Symphony No. 3 in E flat major, op.55 Eroica: 2. Marcia funebre. Adagio assai - L.V. Beethoven
- Symphony No. 3 in E flat major, op.55 Eroica: 3. Scherzo. Allegro vivace - L.V. Beethoven
- Symphony No. 3 in E flat major, op.55 Eroica: 4. Finale. Allegro molto - L.V. Beethoven
Tracks:
- Symphonie No. 2 D-dur Op.36: I. Adagio Molto - Allegro Con Brio - L.V. Beethoven
- Symphonie No. 2 D-dur Op.36: Larghetto - L.V. Beethoven
- Symphonie No. 2 D-dur Op.36: Menuet & Trio: Allegro Molto E Vivace - L.V. Beethoven
- Symphonie No. 2 D-dur Op.36: Adagio - Allegro Molto E Vivace - L.V. Beethoven
- Symphonie No. 4 B-dur Op. 60: I. Adagio - Allegro Vivace - L.V. Beethoven
- Symphonie No. 4 B-dur Op. 60: Adagio - L.V. Beethoven
- Symphonie No. 4 B-dur Op. 60: Allegro Vivace: Un Poco Meno Allegro - L.V. Beethoven
- Symphonie No. 4 B-dur Op. 60: Allegro Ma Non Troppo - L.V. Beethoven
Tracks:
- Symphonie No. 5: 1. Allegro Con Brio - L.V. Beethoven
- Symphonie No. 5: 2. Andante Con Moto - L.V. Beethoven
- Symphonie No. 5: 3. Allegro - L.V. Beethoven
- Symphonie No. 5: 4. Allegro - L.V. Beethoven
- Symphonie No. 6: 1. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande (Allegro Ma Non Troppo) - L.V. Beethoven
- Symphonie No. 6: 2. Szene Am Bach (Andante Molto Mosso) - L.V. Beethoven
- Symphonie No. 6: 3. Lustiges Zusammensein Der Landleute (Allegro) - L.V. Beethoven
- Symphonie No. 6: 4. Gewitter - Sturm (Allegro) - L.V. Beethoven
- Symphonie No. 6: 5. Hirtengesang, Frohe Und Dankbare Gef Hle Nach Dem Sturm (Allegretto) - L.V. Beethoven
Tracks:
- Symphony 7: 1 Poco Sostenuto - Vivace - Ludwig Van Beethoven
- Symphony 7: 2 Allegretto - Ludwig Van Beethoven
- Symphony 7: 3 Presto - Ludwig Van Beethoven
- Symphony 7: 4 Allegro Con Brio - Ludwig Van Beethoven
- Symphony 8: 1 Allegro Vivace I Con Brio - Ludwig Van Beethoven
- Symphony 8: 2 Allegretto Scherzando - Ludwig Van Beethoven
- Symphony 8: 3 Tempo Di Menuetto - Ludwig Van Beethoven
- Symphony 8: 4 Allegro Vivace - Ludwig Van Beethoven
Tracks:
- Symphony No. 9: Allegro ma non troppo, un poco maestoso - Ludwig Van Beethoven
- Symphony No. 9: Molto vivace - Ludwig Van Beethoven
- Symphony No. 9: Adagio molto e cantabile - Ludwig Van Beethoven
- Symphony No. 9: Presto - Ludwig Van Beethoven
- Symphony No. 9: Presto. - - Ludwig Van Beethoven
Amazon.com essential recording
By general consensus, Herbert von Karajan's first (1963) Beethoven cycle for Deutsche Grammophon is the best of the four (!) that he recorded. The Berlin Philharmonic was in top form, and they had not yet made an artistic fetish out of the bland smoothness that typified the conductor's later recordings of this music (and just about everything else). Karajan's squeaky clean, emotionally cool Beethoven will always be something of an acquired taste, but this set makes the best possible case for it. --David HurwitzCustomer Reviews:
Those who ignore repeats should be taken outside and shot.......2007-06-07
In 20 years, music notation software with masterful samples will sound exactly like this: the most perfect and beautiful sounds a computer can generate. These performances are soulless.
Give me Bernstein/VPO or Solti/Chicago any day over this rubbish.
One of the best cycles out there - if not the best!.......2007-05-05
I was most pleasantly surprised to discover that the sound quality is phenomenal for a 1963 recording, it is better than more recent ADD records. The sound engineering is also very good, it is like having the full orchestra play for you in youor living room. The deep notes of the double basses go right through you while the violins tease your ears in a most pleasent way. So, the sound quality is just great.
I also would like to talk about the CD design, which is something very important for me. I know it is strange but I like to own CDs that have good design. Of course the included material is a lot more important but... Anyway, there are two CD cases with the first one including the first 6 symphonies on 3 CDs, and the other presenting the remaining three on 2 CDs, with the last CD contains the 9th. CDs have mirror surface with the classic DG logo and the contents are listed on the CD itself as well as the booklet. The booklet offers a good read on the 9 symphonies and the cycle presented with the set.
I hope you will enjoy the set as much as I do...
Excellent set of Beethoven's 9 Symphonies.......2007-04-12
symphonies feel a bit rushed in my view, the tempo seems just a
little fast. Other than that, this is an excellent set of
Beethoven's 9 symphonies, well worth it.
SACD set is better.......2007-03-30
Thousands of analogue and digital discs later, I again purchased the same 5th and eight others on this CD set.
Karajan lived through the eternal dilemma of the all artists who came after the great predecessors.
At his last Saltsburg Festival, after conducted "Don Giovanni"He said to his wife,
"Furtwangler would have said it wasn't all that great."
She consoled the Maestro,
"It was! It was!"
Karajan had a life long struggle with legacy of Furtwangler and was not too sure if he won.
Well, his style and interpretations are definitely non-Furtwangler, or to more precisely put non-German.
It seems to me that Karajan tried to avoid playing Beethoven's music in conjunction with German culture and spirituality.
Whether his attempt was successful one or not, has been a topic of many music critics and connoisseurs.
Personally, I have a mixed feeling toward this cycle.
I like No.1, 2 and 7 very much. However, there are some flaws; for instance in the fourth movements of 5th and 9th,
cello, bass, tympani and all lower notes suddenly disappear. All you hear is the first violin all the way to coda with painfully
bright tone.(it is called Karajan glare and is more obvious if you own high resolution Audiophile stereo system)
Wonder if this deletion of bass is a part of Karajan's interpretations or a fault of old analog recorder, which is incapable of
recording loud passages?
In each symphonies, the first violin is always exaggerated over other instruments. I think that is the reason why some people
call these recordings "light" Beethoven.
If you must listen to Karajan's Beethoven Symphonies, I would recommend SACD reissue, which is more expensive and bass is
still thin but tonal quality is somewhat more acceptable.
And if you want to listen to the best Beethoven cycle, do yourself a favor:
Obtain the 9 symphonies by Furtwangler.
This set is not my first choice.
one of the best beethoven cycles.......2007-02-22
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Brahms: The Complete Symphonies / Karajan, Berlin PO
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007ODY Release Date: 1998-06-09 |
Tracks:
- Symphony No. 1 In C Minor Op. 68: 1. Un poco sostenuto - Allegro
- Symphony No. 1 In C Minor Op. 68: 2. Andante sostenuto
- Symphony No. 1 In C Minor Op. 68: 3. Un poco Allegretto e grazioso
- Symphony No. 1 In C Minor Op. 68: 4. Adagio - Piu Andante - Allegro non troppo, ma con brio
- Symphony No. 3 In F Major op.90: 1. Allegro con brio
- Symphony No. 3 In F Major op.90: 2. Andante
- Symphony No. 3 In F Major op.90: 3. Poco Allegretto
- Symphony No. 3 In F Major op.90: 4. Allegro
Tracks:
- Symphony No. 2 In D Major Op. 73: 1. Allegro non troppo
- Symphony No. 2 In D Major Op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso
- Symphony No. 2 In D Major Op. 73: 3. Allegretto grazioso (Quasi Andantino) - Presto ma non assai - Tempo l
- Symphony No. 2 In D Major Op. 73: 4. Allegro con spirito
- Symphony No. 4 In E Minor Op. 98: 1. Allegro non troppo
- Symphony No. 4 In E Minor Op. 98: 2. Andante moderato
- Symphony No. 4 In E Minor Op. 98: 3. Allegro giocoso - Poco meno presto - Tempo l
- Symphony No. 4 In E Minor Op. 98: 4. Allegro enerico e passionato - Piu Allegro
Amazon.com
These 1977-78 recordings are Karajan's best Brahms--better than his somewhat mannered digital set. The Berlin Philharmonic, as ever, is amazingly smooth and accomplished, playing with great class without losing any power--as an example, just listen to the finale of the second symphony. DG's engineers have turned this always-good recording into something truly magnificent to hear, and, at the price, this is a sure bet. --Robert LevineCustomer Reviews:
Karajan- Brahms symphonies.......2007-01-03
Symphonic Heaven.......2005-10-13
Karajan was always a champion of his own German music's history. He is still regarded as the first-rate exponent of Wagner and Strauss for example. Brahms, born in Austria, was another composer whose Germanic music Karajan was able to aptly depict through the magic of his baton. The impressive parts of this set include the entire 1st symphony- not reduced to the Beethoven parody some make it out to be. Instead, it holds its own as a work of compelling power. The finale is inspirational. The finale to the second is equally as moving. The 4th symphony is my favorite symphony of the post Beethoven Romantic Era. In this symphony we find a mixture of mysticism, romantic beauty and classical balance. In it we also find, in the last movement, the greatest example of theme and variations, Brahm's strongest suit as a composer. Karajan knows his stuff. You can never go wrong with any of his interpretations, though he, too, has his detractors. His Tchaikovsky tends to be too fiery and melodramatic for example and he was never at home with Italian opera as he was in German. Karajan is brilliant and his Berlin forces electrify. At a cheap price, this is a must have if you call yourself a true classical music fan.
A great part of your collection!.......2005-10-07
If I have to say the worst thing about these recordings is the first movement of the third symphony is not what I was expecting ( I was expecting much more on the recording)
The greatest Brahms twofer you could imagine.......2005-09-24
Very polished Brahms.......2004-08-28
That being said the Fourth and First of the 63 set are incredible and deserve to be in any serious Brahms collection ...
sonincally these are very fine readings!!!
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Beethoven's Wig 3: Many More Sing-Along Symphonies
Manufacturer: Rounder / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000F1IPPQ Release Date: 2006-05-02 |
Tracks:
- Bull in a China Shop
- Chap in a Cap
- Play My Song
- A Manly Man
- Whistling Happily
- Where Oh Where
- Silver Winds
- They're There
- Here Lies Homer Jones
- How to Succeed as Royalty
- King Henry
- Sawdust
- Ramona
- When the Angels Play
- Anybody In There?
- Take Me to Your Leader
- Toreador Song from Carmen
- Horn Concerto No. 4 in E flat major
- Work for Mandolin WoO 44a
- Elephant from Carnival of the Animals
- William Tell Overture
- Funeral March of a Marionette
- Dance of the Reed Flutes from The Nutcracker Suite
- The Sorcerer's Apprentice
- Fossils from Carnival of the Animals
- The Trophy from 4th Book of Harpsichord Pieces
- Recorder Concerto in C major
- Gavotte from Cello Suite No. 6 in D major, BWV 1012
- Minuet & Trio from Concerto in D Major
- Harp Concerto in Bb
- Toccata and Fugue in D minor, BWV 565
- Also Sprach Zarathustra
Product Description
This CD is a Grammy Award nominee and winner of 40 national awards for the series, Beethoven's Wig. Beethoven's Wig celebrates the instruments! With more zany lyrics set to the greatest hits of classical music, these Sing Along Symphonies feature a variety of different instruments from the familiar to the fascinating. The instrument performance of each piece is also included without lyrics. A fun foundation for classical music that will last a lifetime. Includes songs such as Bull in a China Shop (Cornet: Toreador Song from Carmen), Chap in a Cap (French Horn: Horn Concerto No. 4 in E flat major), and Whistling Happily (English Horn and Flute: William Tell Overture).Amazon.com
Outside of Kidz Bop and Disneymania!, you won't find a lot of kids' series racking up the kind of sales that merit three installment, which is why the creators of Beethoven's Wig ought to step out of the orchestra pit and take a bow. Not only have they made it to No. 3, they've done it with a concept that veers sharply and unswervingly into educational territory. From the toot of the first cornet to the timpani's final thump, not a tired note has surfaced yet. For newcomers, here's a primer: Head wig-flipper Richard Perlmutter leads a respectable-sounding ensemble of singers and musicians in the loopy lyricizing of classic symphonic pieces. Everything from Handel to Rossini gets the word treatment. Instead of random witticisms, though, the lyrics he ascribes are meant to impart something memorable about the music. Thus, Mozart's Horn Concerto No. 4 is wedded to a charming ditty called "Chap in a Cap" and Bizet's "Toreador" song from Carmen comes to life with images of a bull in a China shop. Where Beethoven's Wig 3 differs from the others is in its focus on individual instruments--clarinets, mandolins, bassoons and basses all get the Wig equivalent of a shout-out. Otherwise, it's a return to form: Liner notes crammed not only with lyrics, but with fun questions and answers (How many fingers do harpists use when they play? Eight), a second half devoted to unsullied versions of the sung symphonies, and blasts of familiar sound leeched of stuffiness. Cue it up for anybody under 12 and keep your fingers crossed. With any luck, Perlmutter and company will come through with a fourth volume. --Tammy La GorceCustomer Reviews:
Worse than BW 1 and 2.......2007-05-21
Looks more like leftovers compiled from failed BW 1 and 2 songs to me. I gave even 3 starts mostly out of respect to the artist. BW 1 and 2 are always in CD holder of our family van. Number three will not be there (However, if I decide to make them mp3, I would add one on two songs from BW3 to the playlist).
We love it!.......2007-03-09
I would not choose this exclusively to teach classical music and such - our kids first listened to a lot of classical music and opera before adding this for fun.
Beethoven's Wig 3.......2007-01-05
Good overview of orchestral instruments.......2007-01-03
Fun exposure to classical music.......2006-08-30
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Beethoven Collection: Symphonies Nos. 1-9, Complete Recording (Box Set)
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001VVY Release Date: 1990-10-25 |
Tracks:
- Symphony No. 5 Op. 67 C Minor: Allegro con brio
- Symphony No. 5 Op. 67 C Minor: Andante con motto
- Symphony No. 5 Op. 67 C Minor: Scherzo - Allegro
- Symphony No. 5 Op. 67 C Minor: Finale - Allegro
- Symphony No. 4 Op. 60 B Flat Major: Adagio - Allegro vivace
- Symphony No. 4 Op. 60 B Flat Major: Adagio
- Symphony No. 4 Op. 60 B Flat Major: Menuetto, Allegro vivace Trio: un poco meno allegro
- Symphony No. 4 Op. 60 B Flat Major: Allegro ma non troppo
Tracks:
- Symphony No. 3 Op. 55 E Flat Major, 'Eroica': Allegro con brio
- Symphony No. 3 Op. 55 E Flat Major, 'Eroica': Marcia funebre. Adagio assai
- Symphony No. 3 Op. 55 E Flat Major, 'Eroica': Scherzo-Allegro vivace
- Symphony No. 3 Op. 55 E Flat Major, 'Eroica': Finale-Allegro molto
- Symphony No. 8 Op. 93 F Major: Allegro vivace e con brio
- Symphony No. 8 Op. 93 F Major: Allegretto scherzando
- Symphony No. 8 Op. 93 F Major: Tempo di menuetto
- Symphony No. 8 Op. 93 F Major: Allegro vivace
Tracks:
- Symphony No. 6 Op. 68 F Major: Allegro ma non troppo
- Symphony No. 6 Op. 68 F Major: Andante molto mosso
- Symphony No. 6 Op. 68 F Major: Allegro
- Symphony No. 6 Op. 68 F Major: Allegro
- Symphony No. 6 Op. 68 F Major: Allegretto
- Symphony No. 2 Op. 36 D Major: Adagio molto - Allegro con brio
- Symphony No. 2 Op. 36 D Major: Larghetto
- Symphony No. 2 Op. 36 D Major: Scherzo Allegro
- Symphony No. 2 Op. 36 D Major: Allegro molto
Tracks:
- Symphony No. 7 Op. 92 A Major: Poco sostenuto - vivace
- Symphony No. 7 Op. 92 A Major: Allegretto
- Symphony No. 7 Op. 92 A Major: Presto - Assai meno presto
- Symphony No. 7 Op. 92 A Major: Allegro con brio
- Symphony No. 1 Op. 21 C Major: Adagio molto - Allegro con brio
- Symphony No. 1 Op. 21 C Major: Andante cantabile con moto
- Symphony No. 1 Op. 21 C Major: Menuetto (Allegro molto e vivace)
- Symphony No. 1 Op. 21 C Major: Finale Adagio - Allegro molto e vivace
Tracks:
- Symphony No. 9 Op. 125 In D Minor: Allegro ma non troppo, un poco maestoso - Beethoven
- Symphony No. 9 Op. 125 In D Minor: Molto vivace - Beethoven
- Symphony No. 9 Op. 125 In D Minor: Adagio molto e cantabile - Beethoven
- Symphony No. 9 Op. 125 In D Minor: Presto - Allegro assai - Beethoven
Customer Reviews:
Beethoven Collection.......2007-05-14
Amazing!.......2007-01-24
An excellent introduction to beethoven's symphonies........2007-01-11
Beethoven Collection.......2006-07-23
But the cheap CDs have poor quality. And the good ones are too expensive for me. When I found this collection, with such a good price on Amazon.com, I couldn't believe it. Shortly after I purchased it, I received it. The quality is great. I am enjoying it. Thank you
Hoda
Top music!.......2006-07-19
Think about it, they don't call it classical for nothing.
Average customer rating:
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Beethoven: The Complete Symphonies and Piano Concertos
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004YA0S Release Date: 2000-11-07 |
Tracks:
- I: Adagio Molto - Allegro Con Brio
- II: Andante Cantabile Con Moto
- III: Menuetto & Trio: Allegro Molto E Vivace
- IV: Adagio - Allegro Molto E Vivace
- I: Allegro Ma Non Troppo
- II: Andante Molto Mosso
- III: Allegro - In Tempo D'allegro - Tempo I
- IV: Allegro
- V: Allegretto
Tracks:
- I: Allegro Con Brio
- II: Marcia Funebre: Adagio Assai
- III: Scherzo & Trio: Allegro Vivace
- IV: Finale: Allegro Molto - Poco Andante - Presto
- Gross Fuge
Tracks:
- I: Adagio Molto - Allegro Con Brio
- II: Larghetto
- III: Scherzo & Trio: Allegro
- IV: Allegro Molto
- I: Allegro Con Brio
- II: Andante Con Moto - Piu Mosso - Tempo I
- III: Allegro -
- IV: Allegro - Presto
Tracks:
- I: Adagio - Allegro Vivace
- II: Adagio
- III: Menuetto: Allegro Vivace - Trio: Un Poco Meno Allegro
- IV: Allegro Ma Non Troppo
- I: Poco Sostenuto - Vivace
- II: Allegretto
- III: Presto - Assai Meno Presto
- IV: Allegro Con Brio
Tracks:
- I: Allegro Vivace Con Brio
- II: Allegretto Scherzando
- III: Tempo Di Menuetto
- IV: Allegro Vivace
- Overture
- Overture
- Overture
- Overture
Tracks:
- I: Allegro Non Troppo, Un Poco Maestoso - Christa Ludwig
- II: Molto Vivace - Presto - Christa Ludwig
- III: Adagio Molto E Cantabile - Andante Moderato - Christa Ludwig
- IV: Presto - Recitativo - Allegro Assai - Alla Marcia - Christa Ludwig
- Overture - Christa Ludwig
Tracks:
- I: Allegro Con Brio
- II: Largo
- III: Rondo: Allegro Scherzando
- I: Allegro Con Brio
- II: Adagio
- III: Rondo: Molto Allegro
Tracks:
- I: Allegro Con Brio
- II: Largo
- III: Rondo: Allegro
- I: Allegro Moderato
- II: Andante Con Moto
- III: Rondo: Vivace
Tracks:
- Fantasia For Piano, Chorus And Orchestra
- I: Allegro
- II: Adagio Un Poco Mosso -
- III: Rondo: Allegro
Amazon.com essential recording
Otto Klemperer's Beethoven is one of the towering achievements in the history of recordings. By today's standards, these performances are hopelessly old-fashioned: dark, heavy, and frequently very slow. But they are also the grandest, most unsentimental, most purposeful versions in the catalog. In addition, the relatively slow tempos (only in the fast movements--the slow ones are pretty swift) and forward wind balance permit more detail to be heard than in most original-instrument performances. At budget price and with the entire piano concerto cycle thrown in for good measure, this is greatness incarnate. --David HurwitzCustomer Reviews:
Great Performance.......2007-07-07
If you like it fast - go to Toscanini or Norrington. If you prefer slow, powerful and majestic, this is your set. Towards the end of his distinguished career, the great Otto Klemperer set down his final views of the performance of these symphonnies. The set is a coherent whole and will give great pleasure for ever. The challenging mix of the young Barenboim and the aged Klemperer worked surprisingly well and thus the concertos may also be recommended. There are odd additional items which add to the pleasure. Finally do not forget to purchase his memorable set of 'Fidelio' to complete your traversal of a great conductor giving great performances of a composer that he loved. Finally the price is ridiculously low and provides quality and quantity at a great price. Thus you should be able to buy the opera set from the savings made!
Great Analog Beethoven Cycle.......2007-05-07
Of all these Analog sets, I most enjoy the Leibowitz Spring 1961 cycle with the Royal Philharmonic. I have this cycle on an audiophile early 90s European import Edition Phoenix label special pressing "on extra virgin vinyl." These are by far the best analog symphonic lps I have ever heard from a recording standpoint. BY FAR! And they will rock your house.
You can almost justify Karajan's 4 recorded Beethoven cycles and one video based upon improvements in recording technology. Thru Rhapsody, I have listened to his mid 50s cycle and the orchestra sounds great, but the recording quality is sub par compared to Analog's golden age. So the rational for 4 cycles would be, (1) recent great improvements in recording technology (early 60s), (2) it has been 15 years and he has grown as an artist (late 70s), (3) we now have digital! Let's do one of the first Beethoven digital cycles (80s).
Klemperer is a no-brainer. I do not have to think twice about plopping one of his lps onto my turntable or hitting the play button at Rhapsody. When the music starts, the listening pleasure begins. Don't miss his Bruckner symphony recordings!
An essential collection.......2007-04-25
These performances were recorded with the Philharmonia Orchestra at its peak, in the sumptuous acoustics of Kingsway Hall in London and in fine and detailed sound, and mostly in the mid-1950's during one of the brief charmed periods of Klemperer's life. EMI's impresario Walter Legge had made him permanent conductor of the Philharmonia, and when Klemperer embarked on this project in his 70's, he was in relatively good mental and physical health (Klemperer could show symptoms of manic depression and survived many health crises - brain tumor, broken bones, paralysis - which would have stopped most people).
By this time Klemperer had slowed the tempi of the fast movements of the Beethoven symphonies (listen to his early 1950's recordings of the 5th and 6th on Vox to hear by how much). This tendency is more pronounced in these studio recordings than in the live performances which were recorded during that era. The slowness is mostly saved by Klemperer's use of "sprung" rhythms, which keep the slow tempi from feeling laggardly.
Klemperer's earliest recordings in this series - symphonies 3, 5 and 7 - predate stereo and were recorded in excellent monaural sound. He rerecorded all three of these symphonies in stereo, but those recordings were made after he burned himself by falling asleep while smoking in bed. All three performances feature slower tempi than the earlier ones (whether this was the conductor's preference or the result of physical incapacity is open to conjecture). In particular, the rerecorded 7th suffered from lax phrasing, inattentiveness and perverse tempi. That is NOT the version contained in this set: fortunately, EMI had simultaneously recorded the earlier version of the 7th in "experimental" stereo, and it is that earlier version which is released here (and in remarkably good stereo). The versions of the 3rd and 5th are the rerecorded stereo ones.
You will find no finer studio versions of the 2nd, 4th, 6th, 7th or 8th. All are insightful, beautifully detailed and powerful. The 2nd clearly looks forward to the 3rd and not back toward Hayden, the 4th is boisterous and vital, the 6th bucolic and sumptuous (not a quality normally associated with Klemperer), the 7th gains in drama what it loses in swiftness and lightness, and in the 8th in particular we see the conductor's empathy to Beethoven's sense of humor. Klemperer had a deep affinity for the "Eroica", and the rerecorded version here, while slower than the 1955 recording, was dubbed by "High Fidelity"'s Harris Goldsmith (no Klemperer fan, he) as "the best Eroica going slow" and is a monumental masterpiece (the second movement is shattering). The 1st, while leisurely, is a lovingly crafted.
That leaves the 5th and 9th. There is no doubt in my mind that the earlier, mono 5th is superior to the remake in this set. We lose that sense of an inevitable onslaught, especially in the outer movements. And the 9th, while similar in conception to the live versions recorded around the same time (on Testament with the Philharmonia and on Music&Arts with the Concertgebouw), suffers from diffuse sound and occasional lack of focus. I emphasize that these recordings of both symphonies are still head and shoulders above most of the competition; we're talking about different levels of greatness here.
Are there superior Klemperer recordings of these symphonies? Yes; but all are live, and despite the relatively good reprocessed sound, they don't reveal the same level of detail that these studio recordings do. Klemperer was a very different conductor in front of an audience, and there is more vitality and drama in the live versions of the 3rd (Testament, with the Danish Symphony), 6th 7th and 8th (Music&Arts with the Concertgebouw) and the 9th (see above). Music&Arts' set of the complete symphonies, recorded live in Vienna in 1960, is long out of print and had cramped sound with poor detail - a supplement to this set, not a replacement.
As to the piano concerti: they are better than one might expect. Barenboim, although steeped in the Germanic performance tradition, is more naturally aligned with the Furtwangler and Edwin Fischer than with Klemperer. However, the two of them actually work together extremely well and this is a fine, insightful set.
Any complete cycle of Beethoven, symphonies or concerti, will have drawbacks. There will be unevenness in the performances, as there are here. But there are advantages to hearing one musician's perspective on the works, especially when (as here) the performer has depth of understanding, integrity of vision, and a structural understanding of the pieces.
The digital remastering is excellent and the sound barely shows its age. This may not be your only complete set of Beethoven's symphonies, but it should be one of them. And at a price this low, it's a bargain too.
The best value in classical music on CD at the moment..........2007-01-02
Wonderful Performances.......2006-04-07
Average customer rating:
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Dvorák: The Symphonies
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041WV Release Date: 1992-02-11 |
Tracks:
- Symphony No. 1 In C Minor 'Zlonicke zvony': I: Allegro
- Symphony No. 1 In C Minor 'Zlonicke zvony': II: Adagio molto
- Symphony No. 1 In C Minor 'Zlonicke zvony': III: Allegretto
- Symphony No. 1 In C Minor 'Zlonicke zvony': IV: Finale - Allegro animato
- Symphony No. 2 In B Flat Major, Op. 4: Allegro con molto
Tracks:
- Symphony No. 2: II: Poco adagio
- Symphony No. 2: III: Scherzo: Allegro con brio
- Symphony No. 2: IV: Finale: Allegro con fuoco
- Symphony No. 3 In E Flat Major, Op. 10: I: Allegro moderato
- Symphony No. 3 In E Flat Major, Op. 10: II: Adagio molto
- Symphony No. 3 In E Flat Major, Op. 10: III: Finale: Allegro vivace
Tracks:
- Symphony No. 4 In D minor, Op. 13: I. Allegro
- Symphony No. 4 In D minor, Op. 13: II. Andante sostenuto e molto cantabile
- Symphony No. 4 In D minor, Op. 13: III. Allegro feroce
- Symphony No. 4 In D minor, Op. 13: IV. Allegro con brio
- Symphony No. 5 In F Major, Op. 76 (Beginning): I. Allegro ma non troppo
- Symphony No. 5 In F Major, Op. 76 (Beginning): II. Andante con moto
- Symphony No. 5 In F Major, Op. 76 (Beginning): III. Scherzo: Allegro scherzando
Tracks:
- Symphony No. 5 (Conclusion): IV. Finale: Allegro molto
- Symphony No. 6 In D Major, Op. 60: I. Allegro non tanto
- Symphony No. 6 In D Major, Op. 60: II. Adagio
- Symphony No. 6 In D Major, Op. 60: III. Scherzo (Furiant): Presto
- Symphony No. 6 In D Major, Op. 60: IV. Finale: Allegro con spirito
- 'V prirode', Op. 91: In Nature's Realm
Tracks:
- Symphony No. 7 In D Minor, Op. 70: I. Allegro maestoso
- Symphony No. 7 In D Minor, Op. 70: II. Poco adagio
- Symphony No. 7 In D Minor, Op. 70: III. Scherzo: Vivace - poco meno mosso
- Symphony No. 7 In D Minor, Op. 70: IV. Allegro
- Symphony No. 8 In G Major, Op. 88: I. Allegro con brio
- Symphony No. 8 In G Major, Op. 88: II. Adagio
- Symphony No. 8 In G Major, Op. 88: III. Allegretto grazioso
- Symphony No. 8 In G Major, Op. 88: IV. Allegro ma non troppo
Tracks:
- Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': I. Adagio - Allegro molto
- Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': II. Largo
- Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': III. Molto vivace
- Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': IV. Allegro con fuoco
- 'Karneval' Overture, Op. 92
- Scherzo capriccioso, Op. 66
- 'Domov muj' Overture, Op. 62
Amazon.com essential recording
For decades, there were only three complete collections of Dvorák's symphonies: this one; Rowicki's with the same orchestra; and Kubelik's with the Berlin Philharmonic. Kertész offers the most rustic, gutsy interpretations of all. Famous for his dislike of rehearsals, he allows the London Symphony to make a much rougher sound than his colleagues tolerate, and though not the last word in polish, the results have a spontaneous charm that's pretty hard to resist. More to the point, Dvorák's early symphonies (Nos. 1 to 5) remain sadly neglected, and each one of them is full of gorgeous tunes cloaked in mellifluous orchestration. At budget price, this set now costs less than it did on LP in the 1960s. How can you do better than that? --David HurwitzCustomer Reviews:
Heartfelt, passionate versions.......2007-06-23
Great Recording.......2007-06-03
Great set of music!.......2007-05-24
Kertesz or Kubelik in the Dvorak symphonies?.......2006-05-03
Now both sets are offered at basically the same price on 6 mid-line discs, with deep discounts on the used market. The difference between the two is quite marked musically, however. Kertesz comunicates the thrill of discovery in the early symphhonies. Amazingly, he had never conducted them before, and their vibrancy and inner life lift my spirits every time I hear them. The LSO didn't know these pieces, either, but play with rousing commitment and vivacity.
By comparison, Kubelik sounds rather correct and staid. He often chooses marginally slower tempos, and his enthusiasm for letting the dance rhytyms become exciting is limited. The Berlin Phil. seems not to catch on to the Slavonic folk idiom, which gets played far too straight (Dvorak had the same problem with Greman orchestras in his lifetime and was only accepted in Vienna and Berlin at first as a kind of naive, folk-flavored Brahms). As to sonics, the Decca set holds up well, being a bit bright at times but otherwise detailed and forward. DG, unforunately, gave Kubelik's later symphonies (#7-9) harsh, glaring sound that makes his readings sound brash; there's an unpleasant sting to the sound at higher volumes. This problem seems less in the earlier symphonies (the cycle was recorded over a longer period than Kertesz's and thus has more variable sound). I do not know if the current re-issue also includes remastering.
It's regrettable that in the interest of economics Decca has cut out several of Kertesz's most interesting fillers, such as the Hussite Over., though they can be found on other CDs from him. We get the Carnival Over. on both sets, after which Kertesz gives us the "My Homeland" and "In Nature's Realm" Over., while Kubelik offers the Scerzo capriccioso and The Wild Dove tone poem, both performed by his Bavarian State Orchestra rather than the Berliners.
As msut be obvious by now, I don't feel the two sets are competitive artistically. Kubelik was a major conductor and dedicated to Dvorak, but his best work isn't here. Kertesz, though not native born to the composer as Kubelik was, found a special affinity for Dvorak, and his cycle is one of the small miracles of Sixties recording. Perhaps not so minor considering that no one has bettered him in the early symphonies for forty years.
Amazing performances.......2005-03-28
Average customer rating:
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25 Thunderous Classics
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Y6SQ Release Date: 2000-09-05 |
Tracks:
- Also Sprach Zarathustra (Sunrise) - R. Strauss
- Mars (The Planets) - Holst
- Overture 1812 - Tchaikovsky
- Entry Of The Gladiadtors - Fucik
- Sabre Dance - Khachaturian
- Procession Of The Sardar - Ippolitov Ivanov
- Night On Bald Mountain - Mussorgsky
- Anvil Chor (II Trovatore) - Verdi
- The Thunderer March - Sousa
- Thunder & Lightening Polka - J. Strauss
- Prelude To Act III : Lohengrin - Wagner
- The Ride Of The Valkryies - Wagner
- Montagues & Capulets (Romeo & Juliet Ballet Suite) - Prokofiev
- The Storm: Symphony No. 6 In F Major, 'Pastorale' - Beethoven
- Rondeau - Edward Carroll
- Overture: Fireworks Music - Handel
- March To The Scaffold: Symphonie Fantastique - Berlioz
- LesToreadors - Bizet
- William Tell Overture: Finale - Rossini
- Revolutionary Study - Abbey Simon
- Fanfare For The Common Man - Copland
- Sym No. 1 'Titan' IV Sturmisch Bewegt (Excerpt) - Mahler
- Augurs Of Spring From Rite Of Spring - Stravinsky
- Russian Dance From Petrouchka - Stravinsky
- The Great Gate At Kiev From Pictures At An Exhibition - Mussorgsky
Customer Reviews:
Good selection.......2005-10-02
thunderous applause.......2005-08-31
This is a who's-who of great pieces of music you have heard all of your life, and never knew the names and stories! I listened to it over and over in the car and had my own concert! A friend borrowed it to add music to his Home Movies and it was perfect!
Good Music at a Great Price.......2004-03-06
You will like this!.......2004-02-19
This CD is at the top of them all. They may be short, but not that short. Wondrous music.
I can almost guarantee that you will like this music.
Well worth the price!
Good for the novice.......2002-06-08
Average customer rating:
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Johannes Brahms: The Symphonies
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041Z5 Release Date: 1992-02-11 |
Tracks:
- Symphony No. 1 In C Minor, Op. 68: I. Un poco sostenuto - Allegro
- Symphony No. 1 In C Minor, Op. 68: II. Adante sostenuto
- Symphony No. 1 In C Minor, Op. 68: III. Un poco allegretto e grazioso
- Symphony No. 1 In C Minor, Op. 68: IV. Adagio - Piu adante - Allegro non troppo ma con brio
Tracks:
- Symphony No. 2 In D Major, Op. 73: I. Allegro non troppo
- Symphony No. 2 In D Major, Op. 73: II. Adagio non troppo
- Symphony No. 2 In D Major, Op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai
- Symphony No. 2 In D Major, Op. 73: IV. Allegro con Spirito
- Tragic Overture, Op. 81
Tracks:
- Symphony No. 3 In F Major, Op. 90: I. Allegro con brio - Johannes Brahms
- Symphony No. 3 In F Major, Op. 90: II. Andante - Johannes Brahms
- Symphony No. 3 In F Major, Op. 90: III. Poco allegretto - Johannes Brahms
- Symphony No. 3 In F Major, Op. 90: IV. Allegro - Johannes Brahms
- Academic Festival Overture, Op. 80 - Johannes Brahms
Tracks:
- Symphony No. 4 In E Minor, Op. 98: I. Allegro non troppo
- Symphony No. 4 In E Minor, Op. 98: II. Andante moderato
- Symphony No. 4 In E Minor, Op. 98: III. Allegro giocoso
- Symphony No. 4 In E Minor, Op. 98: IV. Allegro energico e passionato
Customer Reviews:
Good but not memorable for me.......2007-05-17
Brahms symphonies.......2006-11-07
This set has several distinct advantages over some of the others out there. For starters each symphony occupies its own cd. Sounds simple enough but I'm quickly tiring of sets that split up symphonies under 80 minutes long just to pack each cd to the brink. Nothing's worse than having a complete symphony and half of another on one cd and the other half of the second symphony on disc number 2. No sense switching discs to listen to one work unless that work is over 80 mintues long(ie- Mahler). I'm also getting sick of sets that couple insequential symphonies together to fill up discs(ie- symphonies number 1 and 4 on one disc). I like to listen in sequential order.
This set allows that. One symphony per disc. Discs two and three each have an overture to fill up some time and that's fine since both are after the symphony. How about Abbado and others putting these overtures and other 'bonus' works _before_ the main attraction? What's that about?
I mentioned it early but the price issue is also huge. Sure, you could buy Abbado's Berlin set which is great but be ready to shell out over $120(!) on Amazon. You'll get a couple of additional short works with that set but come on. Is it worth another $100 or so? Your call but I'd say no way.
Pick this up for around $20 and be assured that your getting quality Brahms at a great price.
sloppy.......2006-02-28
One of Solti's better recordings in Chicago.......2005-10-14
The Chicago Symphony under Solti was "HOT" in recording sales during the 1970s. I was in college from 1977-81, and all the brass and woodwind players raved about Chicago's recordings of Strauss, Mahler, and other composers which were currently being released. I especially recall a flute player who was estatic because she received three Solti/Chicago LPs for Christmas gifts one year. The brass and woodwinds are often emphasized in many Solti/Chicago recordings, with the strings less prominent than some orchestras; but here the balance is very equal where needed, and the brass do yeoman service in the passages most needed, such as the running figures at the end of Symphony 2:IV.
Solti does take alot of repeats, especially in Symphony 2:I, which makes this movement several minutes longer than most recordings. And he isn't afraid to take his time - tempos aren't too fast, and never feel driven: not always the case in a Solti recording. I of Symphony 1 and Symphony 3 also have repeats, thus making these movements longer than in recordings of Bruno Walter or George Szell.
The companion works, Academic Festival Overture and Tragic Overture are also excellent in every way, recalling Bruno Walter/Columbia Symphony (Sony), who recorded these works in stereo 20 years before Solti/Chicago.
Very good.......2005-03-18
Track Listings:
- Symphony 1 ' Gothic '
- Symphony 1 / Sinfonia Concertante
- Symphony 3 / Suite on Russian Themes
- Szymanowski: Król Roger; Prince Potemkin
- The Yellow River: Piano Concerto
- Things Visible and Invisible
- Variations on Rossini Operas
- Villa-Lobos: String Quartets Nos. 2 & 7
- Villa-Lobos: String Quartets Nos. 3, 10 and 15
- Violin Concerti 1 & 2
Track Listings
Debussy: Vocal and Chamber Music
Hermann Max conducts Rheinische Kantorei & Das Kleine Konzert
Electricity - An Electropop Sampler
Ravel: Piano Concertos; De Falla: Nights in the Gardens of Spain