1.
Overture in G major, "Bourlesque de Quixotte", TWV55:G10
Composed by
Georg Philipp Telemann
Performed by
Freiburg Baroque Orchestra
Conducted by
Gottfried von der Goltz
2.
Overture for orchestra in F minor
Composed by
Georg Philipp Telemann
Performed by
Freiburg Baroque Orchestra
Conducted by
Gottfried von der Goltz
3.
Overture for 3 oboes, strings & continuo in D major
Composed by
Georg Philipp Telemann
Performed by
Freiburg Baroque Orchestra
Conducted by
Gottfried von der Goltz
Telemann: Suites (Overtures) Concerto,Georg Philipp Telemann,Gottfried von der Goltz,Freiburger Barockorchester,RCA,Baroque Suite/Partita for Orchestra,Classical,Classical Music,Orchestral
Average customer rating:
- poor sound quality
- SUPERB
- In this case: I'm baroque
- Come to laugh and stay to cry
- Great Introduction to Beautiful Music
|
25 Baroque Favorites
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Similar Items:
- 25 Vivaldi Favorites
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ASIN: B0000058I7
Release Date: 1996-08-20 |
Tracks:
- Canon
- Concerto In D Minor For 2 Oboes & Strings, Op. 42, No. 2: I. Largo
- Water Music: VI. Minuet
- Trumpet Concerto In D: II. Adagio
- Sarabande
- Oboe Concerto In D Minor: II. Adagio
- Concerto In D For Trumpet & Strings: III. Grave
- Air On The G String
- Adagio For Strings In G Minor
- The Four Seasons: Spring, II. Largo
- Brandenburg Concerto No. 4 in G, BWV 1049: II. Andante
- Concerto In D For 2 Trumpets & Strings: II. Largo
- Concerto Grosso In D Minor, Op.3 No. 11: I. Allegro
- Concerto In D For 6 Trumpets & Strings: II. Adagio
- Ombra mai fu: Handel's Largo
- Trumpet Sonata No. 1 In F: II. Grave
- Suite In F Major For Horn, 2 Oboes & Strings: III. Der Alster Echo
- Concerto In C For Viola Pomposa & Strings: II. Andante
- Concerto In D For Trumpet, 2 Violins, Viola, Basso & Continuo: I. Allegro
- Hapsichord Concerto In G Minor, BWV 1058: First Mvt.
- Sonata For Trumpet & Strings: I. Allegro
- Concerto Grosso No. 5 In D, Op. 6: I. Larghetto
- Concerto in D for Trumpet, 2 Oboes, Strings & Continuo: I. Allegro
- Concerto grosso In G Minor, Op. 6 No. 8: II. Allegro
- Trumpet Voluntary
Customer Reviews:
poor sound quality.......2004-09-29
a great selection of baroque favorites, but the sound quality, especially on the pachelbel canon, not great at all. for that reason, i cannot recommend getting it. what do you expect for five dollars, right !>? i would suggest spending a little more money and getting something that you can't bear to part with, for continued listening enjoyment.
SUPERB.......2004-02-19
An introduction to the best baroque music by famous composers.
Great sound on this CD. There are over 10 CD's in this Farorites collection, and this by far is one of the best ones.
If you like the classical sounds of music, then you will like this. Check out the samples on this page that they provide, that's the best way to review.
In this case: I'm baroque.......2004-02-07
I'm not usually a classical listener kind of gal. The only reason I stumbled onto this cd is because my favorite tune from a movie is on it. Sarabande is also played on the movie Persuasion (author: Jane Austen). I wanted to have that tune. Followed the links and landed on the Baroque cd. Ordered it. Sarabande is my favorite, followed by Canon, four seasons: spring, etc. I love this cd! It feels happy and light. For me, as a writer and an animator, it adds extra emotional impact when creating as well as influencing my imagination more. I recommend this cd when people want to feel like spring.
Come to laugh and stay to cry.......2003-11-26
Circumspect at first about buying any CD with a "best of" title, this one really exceeds expectations. Also bought the Vivaldi disc in this series which is likewise exceptional. With the caveat that "Ombra mai fu" is repeated in various of the "25 favorites" collections, I recommend these recordings wholeheartedly, especially in terms of cost per track.
"Canon" is the flagship piece on this CD, a lush arrangement that will move a strong man to tears. Almost as powerful are Bach's "Air on the G String" and of course, Handel's "Ombra mai fu". The disc ends on an up note with "Trumpet Voluntaire".
At this price, you can send "Baroque favorites" to every Classical music lover you know. I would recommend sending this CD even to people who don't like Classical...you might just change their minds.
Great Introduction to Beautiful Music.......2000-07-08
The Baroque period (1600-1750) was one of the most important in the history of music because many of our modern musical forms come from this time. The baroque style is diverse, including such elements as contrast and a deep emotionalism. Although orchestras perform the songs, many individual instruments are highlighted. The baroque composers especially loved strings, the trumpet, and the oboe. The songs range from the vibrant and the lively to the slow and the sad. I have found this CD is excellent as background music for studying, reading, or driving in rush hour traffic, mainly because the music is calming and relaxing. Baroque masters such as Bach and Handel are still popular today and their songs are loved by many. Fans of popular music will recognize a few of the songs on this CD. "Air on the G String" (Bach) was used by Procol Harum in their song "A Whiter Shade of Pale." "Canon," one of the most popular baroque songs today, is often performed at weddings and has been incorporated into pop songs by artists such as the Trans-Siberian Orchestra, Vitamin C, and Rod McKuen.
This CD is considered an introduction to baroque music. It includes some of the most famous composers and their best songs. For example, Bach, Handel, and Vivaldi each have three songs on this disc. The liner notes are sparse, but a brief history of baroque music is included. Because of the inexpensive price and the huge amount of music (25 songs, 74 minutes of music), I highly recommend this for anyone who already loves the baroque style or wants an excellent introduction to this beautiful music.
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Maurice André, Trumpet
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B00000E3MM
Release Date: 2003-01-16 |
Average customer rating:
- Much better than typical compilations.
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Pachelbel: Greatest Hits
Manufacturer: Decca
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Similar Items:
- Bach: Greatest Hits
- Vivaldi: Greatest Hits
- Mozart: Greatest Hits
- Mozart: Greatest Hits, Vol. 2
ASIN: B000088E4F
Release Date: 2003-02-11 |
Tracks:
- Canon In D - Stuttgart Chamber Orchestra
- Sonatine - Musica Antiqua Koln
- Allemande - Musica Antiqua Koln
- Gavotte - Musica Antiqua Koln
- Courante - Musica Antiqua Koln
- Aria - Musica Antiqua Koln
- Sarabande - Musica Antiqua Koln
- Gigue - Musica Antiqua Koln
- Finale. Adagio - Musica Antiqua Koln
- Adagio In G Minor For Strings And Organ - I Musici
- Rondeau (Masterpiece Theatre Theme) - Simon Preston
- The Trumpet Voluntary (The Prince Of Denmark's March) - Peter Hurford
- La Volta - Rafael Puyana
- I. Grave - Reinhold Friedrich
- II. Allegro - Reinhold Friedrich
- III. Adagio - Reinhold Friedrich
- Prelude (Rondeau) - Marc Minkowski
- Passacaille - George Malcolm
- Overture In C 'Hamburger Ebb Und Flut' - Musica Antiqua Koln
- Keyboard Sonata In G, Kk2 - Clara Haskil
- Adagio - Staatskapelle Dresden
- Trumpet Tune And Air - Philip Jones
- La Poule - Cristophe Rousset
- Largo (Pastorale Ad Libitum) - I Musici
- Canon And Gigue In D For 3 Violins And Continuo - Musica Antiqua Koln
Customer Reviews:
Much better than typical compilations........2007-04-02
This and the other compilations in this DECCA series are excellent. Much thought went into the choices of recordings, with high caliber artists performing the selections. If only all compilations were this good . . .
Average customer rating:
- Counterpoint to stereotyped and outdated criticism by Behrens
- Snappy classical -- you will love this.
- Sparkling Chamber Music
- Great Music at a Great Price
- Absolutely Divine
|
Telemann: Darmstadt Overtures (Suites)
Manufacturer: Naxos
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Telemann, Georg Philipp
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- Telemann: Don Quixote; Orchestral Suites
ASIN: B000038I7S
Release Date: 2000-01-25 |
Tracks:
- Ov (Ste) in g, TWV 55 g4: Ov: Grave - Allegro - Grave
- Ov (Ste) in g, TWV 55 g4: Rondeau: Gayement
- Ov (Ste) in g, TWV 55 g4: Les Irresoluts
- Ov (Ste) in g, TWV 55 g4: Les Capricieuses
- Ov (Ste) in g, TWV 55 g4: Loure
- Ov (Ste) in g, TWV 55 g4: Gasconnade
- Ov (Ste) in g, TWV 55 g4: Menuet I/II
- Ov (Ste) in C, TWV 55 C6: Ov: Grave - Allegro - Grave
- Ov (Ste) in C, TWV 55 C6: Harlequinade
- Ov (Ste) in C, TWV 55 C6: Espangiol
- Ov (Ste) in C, TWV 55 C6: Bouree En Trompette
- Ov (Ste) in C, TWV 55 C6: Sommeille
- Ov (Ste) in C, TWV 55 C6: Rondeau
- Ov (Ste) in C, TWV 55 C6: Menuet I/II
- Ov (Ste) in C, TWV 55 C6: Gigue
- Ov (Ste) in C, TWV 55 D15: Ov: Grave - Allegro - Grave
- Ov (Ste) in D, TWV 55 D15: Menuet I/II
- Ov (Ste) in D, TWV 55 D15: Harlequinade
- Ov (Ste) in D, TWV 55 D15: Loure
- Ov (Ste) in D, TWV 55 D15: Rondeau
- Ov (Ste) in D, TWV 55 D15: Rejouissance
- Ov (Ste) in D, TWV 55 D15: Prld
- Ov (Ste) in D, TWV 55 D15: Gigue
Customer Reviews:
Counterpoint to stereotyped and outdated criticism by Behrens.......2007-01-28
F. Behrens repeats a criticism often heard in the past: that Georg Philipp Telemann diluted his output by "writing too much". That idea, dropped by an obscure early 19th Century critic and mindlessly repeated until recently, has increasingly receded with the rollout of editions of Telemann compositions since World War II. Many have appeared for the first time in the publications of the Telemann Archiv, formerly in Kassel Germany, and now in Telemann's home town of Magdeburg.
In recent decades we've heard for the first time T's late choral orchestral works. These demonstrate startling originality and continuing innovation in form and style even in his 80's (e.g. Day of Judgment, around 1762).
I admit I had no high opinion of T. in my early music training. Little duets and chamber pieces suited for beginning recorder students were the only works I'd heard. A breakthrough for me came when the late great radio music host, Robert J. Lurtsema, at Boston's WGBH radio presented all availble recordings of Telemann compositions for the 300th anniversary of his birth in 1681.
I was astounded to her the variety and unique qualities in Telemann's compositions. Many times I was late to work because I couldn't bear to leave Lurtsema's Morning Pro Musica while he was playing a new Telemann work.
I learned that Telemann was "the boss" in contemporary eyes in high baroque Germany. He was also an admirable man in many respects. He was a democrat by philosophy and the first in Germany to open the aristocratic collegium musica concerts to the public in Leipzig (while still a student). He was the first classical composer to incorporate authentic folk music (Polish Hanaka) in "concert music" - in much the same way Joseph Haydn later did with Hungarian gypsy music.
Next was discovery of Telemann's unlimited imagination in terms of concocting new forms and instrumental combinations, and harmonic and rhythmic variety. He was the first to develop the quartet form, and used it for a variety of instruments. T. played all the instruments of the then orchestra and exhibited an unmatched gift for exploiting instrumental sonorities - something one of the reviewers mentioned in her comments.
Thus, for example, in addition to the wild Polish folk dance n the last movement of the Concerto for Flute and Recorder in E, Telemann utilized and contrasted the special character of flute and recorder in this fine concerto. He was the first to capture the special qualities of the low register of the clarinet (chalumeau) in the dark and brooding opening of the Concerto for Two Clarinets, and even coupled two double basses with a piccolo in the solo instrument group for his "Cricket Symphony"
Comparisons with Bach? Early in his career Telemann rejected what he called formalism, e.g. the strict counterpoint which J.S. Bach developed to its highest level in music. Instead, he brought orchestral counterpoint, or simultaneous use of instrumental color and melodic interactions, to a level never before seen.
This is a feature that I find immediately distinguishes T. from other baroque composers, namely that in his hands, the orchestra, or different parts of it interact on even level with the soloists in concerti.
But there's a potential pitfall in contemporary authentic instrument performance of Telemann. He was a "pre"romantic, who revelled in emotions, mood, and subtle harmonic, melodic and rhythmic shifts. Performances that are too focused on stylistic issues and ornamentation can make Telemann sound like just any other baroque work. The recent trends to loosen up emotional expression in baroque performance promises to reveal new values in Telemann works that didn't come forth to full efect in the past decades. Incidentally, this is less of a problem with Bach works, because of the importance of his contrapuntal motives, as contrasted with shades of mood and emotion and dynamics in Telemann.
I realize that I may not reach many of the previous viewers - or even Behrens - with this commentary, but felt that I should try to create a better balance of information about a composer who has been regaining his proper appreciation in recent decades.
Snappy classical -- you will love this........2005-07-20
I made a wise choice in buying this CD. Or was it luck? Some of both, I suppose. What matters now is that I have it and it's awesome! I had some JP Sousa and Spitfire Band CDs. Now I also have the superbly elegant, snappy Darmstadt Overtures (Suites) by Georg P Telemann. Wow! It's great and five stars is no exaggeration.
Sparkling Chamber Music.......2003-12-30
This is light and breezy chamber music at its best. Although not having the depth of Bach, Telemann's compositions here while in the employ of the court at Frankfurt are entertaining and inventive.
With lots of playfulness and color, these overtures or dances are just right for enjoyful baroque listening sessions. Just wonderful for a meal's background, or anytime.
The Cologne Chamber Orchestra plays with enthusiasm and sparkle, led by Helmut Muller-Bruhl.
Great Music at a Great Price.......2003-05-27
If you like baroque music then it would be hard not to like this. This is a great CD to play while sitting down for dinner with a good bottle of red wine. I own some much more highly acclaimed baroque CD's that are less enjoyable than this. At this price it is worth all 5 stars.
Absolutely Divine.......2001-10-11
I had been searching for a baroque CD which would come as close as possible to the soundtrack for Restoration (which was original composition as well as Purcell). I found it incredibly difficult to find suites that capture the aristocratic feel as well as a rich baroque flare. Jean-Baptiste Lully came mighty close as well as some Purcell CD's I purchased. I had heard of Telemann but was not really familiar with his style and had heard him compared to Vivaldi, which for me is sort of baroque lite.
I went ahead, closed my eyes and added this CD to my cart. Out of three other classical/baroque purchases, including the new Yo-Yo Ma, "Simply Baroque II" (which is beautiful), my breath was taken away at the first listen of this. I cannot express how stunning the arrangements are!
If you are looking for sweeping baroque suites that have an ability to catapult you into the world of baroque, this is for you. If you prefer more "traditional" classical style, stick with Vivaldi.
Average customer rating:
- Great mix of baroque music
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Pachelbel Canon in D and Other Baroque Favorites
Manufacturer: Delta
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Similar Items:
- The Most Relaxing Classical Music in the Universe
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- Pachelbel's Greatest Hit: Canon in D
ASIN: B00000IJSB
Release Date: 2004-01-01 |
Tracks:
- Water Music: Alla Hornpipe - Wind Ens/Budapest Strs
- Canon in D - New Leipzig Bach Collegium Musicum/Max Pommer
- Orchestral Ste No.2 in b: Menuet & Badinerie - German Bach Soloists/Helmut Winschermann
- Con Grosso, Op.3, No.11: Siciliano - Franz Liszt CO/Janos Rolla
- Con: III. Presto - Gunther Holler/Konrad Hunteler/Capella Coloniensis/Georg Fischer
- Christmas Oratorio: Pastoral Sym - Con Koln/Ralf Otto
- Dardanus Ste: Tambourin - Collegium Aureum/Reinhard Peters
- Fl Con in e: II. Andante - Eckart Haupt
- Mandoline Con in C: I. Allegro - Lajos Mayer
- Brandenburg Con No.4 in G: II. Andante - German Bach Soloists/Helmut Winschermann
- Tpt Con in D: IV. Allegro - Reinhold Friedrich
- Org Con in F, Op.4, No.5: Alla Siciliana-Presto - Gabor Lehotka
- The Four Seasons: Con No.4 in f 'Winter' (II. Largo) - Bela Banfalvi
- Vn Con in E: I. Allegro - Christian Altenburger
- Con A Cinque in d, Op.9, No.2: Adagio - Reinhold Friedrich
- Fl Con in F, Op.10, No.1 'La Tempesta Di Mare': Allegro-Largo-Presto - Eberhard Zumach
Customer Reviews:
Great mix of baroque music.......2007-07-19
Most people think of Bach and Vivaldi when the phrase Baroque music comes up, and imagine old white men in white wigs playing instrumental pieces that are mathematical than musical. I though so too until buying and listening to this CD. It does contain pieces from both Vivaldi and Bach, but only less popular pieces. It also includes works from many other Baroque composers, such as Albonini, Telemann, Buffardin, Handel and Rameau. The type of music is quite melodious and is actually closer to Classical classic music than Baroque music, with some tunes having tinges of Romanticism. The instrumentation is great as all the pieces are full orchestral scores. The sound quality is also great, and for the price, this is a great CD.
Average customer rating:
|
Classical Music Start-Up Kit, Vol. 1 (1500-1825)
Manufacturer: Naxos
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ASIN: B0000014CD
Release Date: 1996-01-04 |
Tracks:
- The Young Person's Guide to the Orch: Final Fugue - Czechoslovak RSO/Ondrej Lenard
- Pope Marcellus Mass: Kyrie - Oxford Camerata
- Galliard a 5 - Capella Istropolitana/Adrian Leaper
- Les Barricades Misterieuses - Alan Cuckston
- Con Grosso, Op.6 No.4: Adagio-Allegro - Capella Istropolitana/Jaroslav Krechek
- The Four Seasons: 'Spring' - Takako Nishizaki
- Toccata and Fugue in d - Wolfgang Rubsam
- Brandenburg Con No. 3: Allegro - Capella Istropolitana/Richard Edlinger
- Cant No.208: 'Sheep May Safely Graze' - Phil SO/Hayman
- Water Music: Bourree - Capella Istropolitana/Bohdan Warchal
- Messiah: Hallelujah Chor - Bratislava City Choir
- Rcr Ste in a - Jiri Stivin
- Sym No.104 in D, 'London' - Capella Istropolitana/Barry Wordsworth
- Pno Con No.21 in C, K.467: Second movt - Jeno Jando
- Sym No.35 in D, K.385: Thrid movt - Capella Istropolitana/Barry Wordsworth
- Cl & Orch in A, K.622: Rondo from Con - Ernst Ottensamer
- Sym No.5 in c, Op.67: First movt - Zagreb Phil/Richard Edlinger
- Sym No.9 in d, 'Choral': Finale - Gabriele Lechner/Michael Pabst/Diane Elias/Robert Holzer
Customer Reviews:
Good.......2000-12-27
This CD is great. It covers a lot of different areas of classical and uses songs that act as a good introduction.
Average customer rating:
|
Telemann: Suites (Overtures) Concerto
Georg Philipp Telemann , Gottfried von der Goltz , and Freiburger Barockorchester
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
Telemann, Georg Philipp
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ASIN: B000001TYH
Release Date: 1994-09-05 |
Tracks:
- Overture In G Major, Twv 55 "Bourlesque De Quixotte"
- Overture In F Minor For 2 Recorders, Strings And B.C.
- Concerto No.7 In E Minor For 2 Viola/Alto, Bassi In Repieno
- Overture In D Major For 3 Oboes, Strings And B.C.
Average customer rating:
- First rate Telemann orchestral music; very fine sound
|
Telemann: Six Orchestral Suites after "Die Kleine Kammermusik" 1716
Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD
Telemann, Georg Philipp
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ASIN: B00029CXCW
Release Date: 2004-07-20 |
Tracks:
- Ouverture
- Perludio: Affetuoso
- Aria I: Presto
- Aria II: Vivace
- Aria III: Tempo Di Ciacona
- Aria IV: Allegro
- Aria V: Allegro
- Aria VI: Tempo Di Minue (Allegro)
- Ouverture
- Preludio: Con Affetto
- Aria I: Presto
- Aria II: Dolce
- Aria II: Vivace
- Aria IV: Sarabande
- Aria V: (Presto)
- Aria VI: Allegro
- Overture
- Preludio: Grave
- Aria I: Allegro
- Aria II: Allegro
- Aria III: Tempo Di Menuet
- Aria IV: Allegro
- Aria V: Tempo Giusto (With Double)
- Aria VI: Allegro Assai
Tracks:
- Ouverture
- Preludio: Andante
- Aria I: (Vivace)
- Aria II: (Presto)
- Aria III: (Vivace)
- Aria IV: (Siciliana)
- Aria V: Presto
- Aria VI: (Vivace)
- Ouverture
- Preludio: Siciliana
- Aria I: Allegro
- Aria II: Allegro
- Aria III: Vivace
- Aria IV: Affettuoso
- Aria V: Presto
- Aria VI: Tempo Di Menuet
- Ouverture
- Preludio: Adagio
- Aria I: Presto
- Aria II: Vivace
- Aria III: Vivace
- Aria IV: Allegro
- Aria V: Vivace
- Aria VI: Presto
Customer Reviews:
First rate Telemann orchestral music; very fine sound.......2006-02-27
This music was originally composed as chamber music, then revised later by Telemann as orchestral music. The origins of the orchestral manuscripts are described in the notes. Telemann appended French overtures to the original music when placing it in an orchestral framework.
If you know Telemann's Water Music (not to be confused with Handel's Water Music), you will have an idea of the sound of these Orchestral Suites. The French overtures are gems, rich and stately, and are followed by various relatively short movements that display Telemann's incredible fecundity of melodic ideas.
Schneider and La Stagione Frankfurt are an excellent band of musicians that have recorded several other fine discs for CPO. The recording, as is often but not always the case with CPO, is very fine.
Average customer rating:
|
Georg Philipp Telemann: Nouveaux Quatuors En Six Suites
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD
Telemann, Georg Philipp
| ( T )
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| Telemann, Georg Philipp
| Composers
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ASIN: B000000SLK
Release Date: 1993-10-05 |
Tracks:
- Qt No.1 in D, TWV 43, D 3: Prelude, Vivement
- Qt No.1 in D, TWV 43, D 3: Tendrement
- Qt No.1 in D, TWV 43, D 3: Vite
- Qt No.1 in D, TWV 43, D 3: Gaiment
- Qt No.1 in D, TWV 43, D 3: Moderement
- Qt No.1 in D, TWV 43, D 3: Vite
- Qt No.2 in a, TWV 43, a 3: Allegrement
- Qt No.2 in a, TWV 43, a 3: Flatteusement
- Qt No.2 in a, TWV 43, a 3: Legerement
- Qt No.2 in a, TWV 43, a 3: Un peu vitement
- Qt No.2 in a, TWV 43, a 3: Vite
- Qt No.2 in a, TWV 43, a 3: Coulant
- Qt No.3 in G, TWV 43, G4: Prelude, Un peu vivement
- Qt No.3 in G, TWV 43, G4: Legerement
- Qt No.3 in G, TWV 43, G4: Gracieusement
- Qt No.3 in G, TWV 43, G4: Vite
- Qt No.3 in G, TWV 43, G4: Modere
- Qt No.3 in G, TWV 43, G4: Gai
- Qt No.3 in G, TWV 43, G4: Lentement (- Vite-Lentement-Vite)
- Qt No.4 in b, TWV 43, h2: Prelude, Vivement
- Qt No.4 in b, TWV 43, h2: Flatteusement
- Qt No.4 in b, TWV 43, h2: Coulant
- Qt No.4 in b, TWV 43, h2: Gai
- Qt No.4 in b, TWV 43, h2: Vite
- Qt No.4 in b, TWV 43, h2: Triste
- Qt No.4 in b, TWV 43, h2: Menuet, Modere
Tracks:
- Qt No.5 in A, TWV 43, A3: Prelude, Vivement
- Qt No.5 in A, TWV 43, A 3: Gai
- Qt No.5 in A, TWV 43, A 3: Modere
- Qt No.5 in A, TWV 43, A 3: Modere
- Qt No.5 in A, TWV 43, A 3: Pas vite
- Qt No.5 in A, TWV 43, A 3: Un peu gai
- Qt No.6 in e, TWV 4 3, e 4: Prelude, A discretion (-tres vite-A discretion)
- Qt No.6 in e, TWV 4 3, e 4: Gai
- Qt No.6 in e, TWV 4 3, e 4: Vite
- Qt No.6 in e, TWV 4 3, e 4: Gracieusement
- Qt No.6 in e, TWV 4 3, e 4: Distrait
- Qt No.6 in e, TWV 4 3, e 4:Modere
- St in F: Presto - Jaap Schroder
- St in F: Corsicana - Jaap Schroder
- St in F: Allegrezza - Jaap Schroder
- St in F: Scherzo - Jaap Schroder
- St in F: Gigue - Jaap Schroder
- St in F: Polacca - Jaap Schroder
- St in F: Minuetto - Jaap Schroder
- St ' La Lyra ' in E flat, TWV 55, Es 3: Ouverture (Andante/Allegro/Andante) - Concerto Amsterdam/Frans Bruggen
- St ' La Lyra ' in E flat, TWV 55, Es 3: Menuet I/Menuet II (Doucement)/Menuet I - Concerto Amsterdam/Frans Bruggen
- St ' La Lyra ' in E flat, TWV 55, Es 3: La Vielle - Concerto Amsterdam/Frans Bruggen
- St ' La Lyra ' in E flat, TWV 55, Es 3: Sicilienne avec Cadence - Concerto Amsterdam/Frans Bruggen
- St ' La Lyra ' in E flat, TWV 55, Es 3: Rondeau - Concerto Amsterdam/Frans Bruggen
- St ' La Lyra ' in E flat, TWV 55, Es 3: Bourree/ Bourree II/Bourree I - Concerto Amsterdam/Frans Bruggen
- St ' La Lyra ' in E flat, TWV 55, Es 3: Gigue - Concerto Amsterdam/Frans Bruggen
Average customer rating:
- Absolutely Delightful
- Thoroughly Delightful Telemann
|
Telemann: Don Quixote; Orchestral Suites
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Telemann, Georg Philipp
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Similar Items:
- Telemann: Darmstadt Overtures (Suites)
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- Telemann: Wassermusik (Water Music); 3 Concertos /Musica Antiqua Koln * Goebel
ASIN: B00009NJ1B
Release Date: 2003-07-15 |
Tracks:
- Ouverture
- Le Reveil De Quixotte
- Son Attaque Des Moulins A Vent
- Les Soupirs Amoureux Apres La Princesse Dulcinee
- Sanche Panche Berne
- Le Galop De Rosinante/Celui d'Ane De Sanche
- Le Couche De Don Quixotte
- Ouverture
- Menuets I And II
- Gavotte
- Courante
- Air
- Loure
- Hornepipe
- Canaries
- Gigue
- Ouverture
- Menuets I And II
- La Vielle
- Sicilienne Avec Cadenze
- Rondeau
- Bourrees I And II
- Gigue
Customer Reviews:
Absolutely Delightful.......2006-06-13
Telemann's "Quixote" is as bright and delightful a suite as I've ever heard. I'm giddy and can not recommend this particular CD sufficiently.
Thoroughly Delightful Telemann.......2003-09-10
Telemann, four years Bach's elder and outliving him by almost twenty years, enjoyed a renown during his lifetime that Bach never did. He was a church musician--he wrote far more cantatas than Bach--but he was also a man of the theater and an astute businessman in Hamburg where he lived most of his adult life. And on this disc we have some of his most delightful secular music.
The 'Don Quixote' suite celebrates Cervantes' novel in which 'life is a dream, and even dreams are dreams.' We have sections from the book illustrated with pointed tone-painting, e.g. Quixote's sighs after the 'lovely Dulcinea' or the somewhat lame trotting of Quixote's broken-down 'steed,' Rosinante. This is a late piece and shows a good deal of French influence, as do the two other suites included here, each opening with a French 'ouverture' with typical dotted rhythms.
The other two suites are the 'Ouverture in d minor' consisting of mostly French dances (but including a not-very-English-sounding hornpipe) and the E Flat Suite, subtitled 'La Lyra.' The word 'lyra' refers to the third movement which imitates, by means of droning fifths, the hurdy-gurdy, once known as the 'lyra mendicorum' ('beggar's lyre').
I tend to prefer baroque orchestral music played on modern instruments but with some modicum of baroque performance practice. The playing by the conductorless modern-instrument group, the Northern Chamber Orchestra, is exemplary. These Manchester musicians play with impeccable ensemble, an apt lightness of tone and striking rhythmic alertness. The recorded sound is remarkably lifelike. All in all, this is a wonderful issue. There's lots more secular Telemann to be recorded--he was an indefatigable worker--and one can hope that this group records more of it.
Recommended.
A slightly short timing at TT=57:08.
Scott Morrison
Track Listings:
- Tovey: Elegiac Variations / Cello Sonatas in F, Op. 4 / Bridge: Cello Sonata / Melodie / Scherzo
- Varen ar kommen - Traditional Swedish Songs of Spring and Summer
- Velasquez: Piano Works
- Victory: Ultima Rerum
- William Sterndale Bennett: Piano Works, Vol. 3
- Alexander Von Zemlinsky: The Mermaid/Sinfonietta, Op. 23
- Arvo Part - Symphony No. 3 · Fratres ~ Giya Kancheli - Symphony No. 3 / LPO · Welser-Möst
- Asturias; Spanish Guitar Music
- Bach: Brandenburg Concertos, BWV 1046-51
- Bach: Italianisches Konzert
Track Listings
track listings
Track Listings
Dance Floor Hits:'90s Classics
Gunilla von Bahr; Diego Blanco
Hello Dolly/What a Wonderful World [CD-single] [Import] [Original recording remastered]
Music: Hymns from the Bayou, Vol. 2
I Fought the Law: The Best of the Bobby Fuller Four
Live Again
Launch Out
Fuchs: Violin Sonata / Fantasy Pieces
Finger Style Guitar/Stringin' Along With Chet Atkins
El Triste y los Mas Grandes Exitos de Jorge Valente
Evil Empire [Explicit Lyrics]
Kill Themselves
DJ's Homebase, Vol. 3
Mozart: "Kegelstatt" Trio, K. 498; Clarinet Quartets, K. 317d & K. 496
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