This ensemble is clearly out to entertain. The program includes three genuine Baroque trio sonatas (Telemann, Quantz, and Vivaldi), all stylishly played on modern flute, oboe, and guitar. The remainder of the program includes lightweight Baroque and accessible contemporary pieces, mostly in arrangements. None of this is very important, perhaps, but the members of the group all play extremely well, individually and together; and their performances are stylish and entertaining throughout. One new piece, an arranged song by Torgerson called, "Clear out of Touch with Time," has proven to be the group's biggest "hit," and it's lovely. Highly recommended for quiet times or cocktail parties. --Leslie Gerber
Stereo Review
Exquisite as a jewel
Trio Sonata: Music for Flute, Oboe and Guitar,Johann Sebastian Bach,Jacques Ibert,David Loeb,Johann Joachim Quantz,Georg Philipp Telemann,Thomas Tomkins,Walter Torgerson,Heitor Villa-Lobos,Antonio Vivaldi,Anton Kuskin,Gary Kessler,Donald Bender,Trio Sonata,Boston Skyline,Cello Solo,Chamber,Chamber Music,Concerto,Guitar Solo,Mixed Chamber Ensemble with Keyboard,Trio Sonata
Average customer rating:
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Baroque at Bathtime: A Relaxing Serenade to Wash Your Cares Away
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041DS Release Date: 1995-08-15 |
Tracks:
- Guitar Concerto in D: Largo
- Oboe Concerto In D Minor: Adagio
- Oboe Concerto In D Minor: Siciliano
- The Four Seasons ( Winter): Largo
- Flute Concerto No. 3 In D: Cantabile
- Guitar Concerto in A minor: Largo
- Oboe d'Amore Concerto In G: Adagio
- Flute Concerto In G: Arioso
- Concerto No 1 In B Flat For Oboe, Strings & Continuo: Adagio
- Oboe Concerto No 1 In B Flat: Largo
- Concerto In A: Sicilienne
- Concerto In G For Two Guitars: Andante
- Concerto In D For Oboe, Strings & Continuo: Grazioso
- Concerto In C For Oboe, Strings & Continuo: Introduzione (Larghetto)
- Oboe Concerto In C: Siciliana
- Water Music (Suite No 1 In F): Air
- Oboe Concerto No 2 In B Flat: Andante
- Suite No 1: Andante
- Concerto In F: Preludio
- Canon In D
Customer Reviews:
PLEASE BE AWARE.......2007-02-25
The Vivaldi was great, though.
Bubble Bath Baroque.......2005-09-27
Cleansing Sounds To Wash Away Tensions.......2003-01-09
Turn on this excellent baroque collection from the likes of Vivaldi, Telemann, Handel and Pachelbel (among others) superbly played by such virtuosos as Rampal, Holliger et al.
Sweeping instrumental arias are so relaxing! This one will soothe the savage beast as well as those tired bods.
Great Classical Music Series Gorgeous Music.......2002-12-22
On this recording, specifically designed to accompany your bubble bath, there are beautiful, slower-paced movements from Baroque flute, violin and oboe concertos. There are the Sicilian style movements of such composers as Vivaldi, Bach and Telemann. The largo from the Winter movement is a richly melodic and dreamy piece for strings, and the concluding work, Canon In D Major, is an elegant, graceful and heartfelt chamber piece that has become iconic in Baroque music. It was used in the film, Ordinary People and is very popular in classical music for weddings. I strongly recommend all the cds in the series. They are a perfect way to get you into some of the most beautiful classical music ever written, and are a great way to involve music as the wordless, instrumental soundtrack in your life.
A relaxing serenade.......2000-12-28
Average customer rating:
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Rendezvous of Angels - Concert Collection [20 CD Set]
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DV5E Release Date: 2003-12-09 |
Tracks:
- Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings
- Concerto No. 1 in E Major RV 269 Spring: Largo (E Pianissimo Sempre) - Budapest Festival Orchestra, Miklos Perenyi
- Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings,
- Concerto No. 2 in G Minor RV 315 Summer: Allegro Non Molto - ... - The Berlin Chamber Orchestra
- Concerto No. 2 in G Minor RV 315 Summer: Adagio E Piano - Presto E ... - The Berlin Chamber Orchestra
- Concerto No. 2 in G Minor RV 315 Summer: Presto - German Bach Soloists
- Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
- Concerto No. 3 in F Major RV 293 Autumn: Largo - New Leipzig Bach Collegium Musicum
- Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
- Concerto No. 4 in F Minor RV 297 Winter: Allegro Non Molto - Budapest Strings
- Concerto No. 4 in F Minor RV 297 Winter: Largo - Budapest Strings
- Concerto No. 4 in F Minor RV 297 Winter: Allegro - Budapest Strings
- Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
- Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
- Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Franz Liszt Chamber Orchestra, Miklos Perenyi
- Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: Largo - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Budapest Symphony Orchestra, Emmy Verhey
- Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Symphony Orchestra, Emmy Verhey
- Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Festival Orchestra, Miklos Perenyi
- Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Bulgarian National Choir, Stoika Milanova
Tracks:
- Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Allegro - Monika Rost
- Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Largo - Budapest Strings,
- Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Presto - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto (Fantasmi) - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo (Il Sonno) - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Allegro - Budapest Strings
- Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
- Flute Concerto in D, Op.10, No. 3, Il Gardellino: [Without Indication] - Budapest Strings,
- Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
- Flute Concerto in F, Op.10, No. 5: Allegro Ma Non Tanto - The Berlin Chamber Orchestra
- Flute Concerto in F, Op.10, No. 5: Allegro Cantabile - The Berlin Chamber Orchestra
- Flute Concerto in F, Op.10, No. 5: Allegro - The Berlin Chamber Orchestra
- Flute Concerto in C, RV 443: (Allegro) - The Berlin Chamber Orchestra
- Flute Concerto in C, RV 443: Largo - The Berlin Chamber Orchestra
- Flute Concerto in C, RV 443: Allegro Molto - The Berlin Chamber Orchestra
- Flute Concerto in C, RV 444: Allegro Non Molto - Budapest Strings
- Flute Concerto in C, RV 444: Largo - The Berlin Chamber Orchestra
- Flute Concerto in C, RV 444: Allegro Molto - The Berlin Chamber Orchestra
Tracks:
- Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 1 in F Major BWV 1046: Adagio - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 1 in F Major BWV 1046: Menuet-Trio-Menuet ... - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 2 in F Major BWV 1047: Andante - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro Assai - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - Budapest Strings
- Brandenburg Concerto No. 3 in G Major BWV 1048: Adagio (Cadenza) - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - The Berlin Chamber Orchestra
- Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
- Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
- Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
Tracks:
- Brandenburg Concerto No. 4 in G Major BWV 1049: Allegro - Daniel Gerard
- Brandenburg Concerto No. 4 in G Major BWV 1049: Andante - German Bach Soloists
- Brandenburg Concerto No. 4 in G Major BWV 1049: Presto - German Bach Soloists
- Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
- Brandenburg Concerto No. 5 in D Major BWV 1050: Affettuoso - Budapest Strings
- Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
- Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists
- Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Adagio Ma Non ... - German Bach Soloists
- Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists
Tracks:
- Violin Concerto in E, BWV 1042: Allegro - German Bach Soloists
- Violin Concerto in E, BWV 1042: Adagio - German Bach Soloists
- Violin Concerto in E, BWV 1042: Allegro Assai - German Bach Soloists
- Violin Concerto in a Minor, BWV 1041: Allegro - New Leipzig Bach Collegium Musicum
- Violin Concerto in a Minor, BWV 1041: Andante - New Leipzig Bach Collegium Musicum
- Violin Concerto in a Minor, BWV 1041: Allegro Assai - Budapest Strings
- Concerto for Two Violins in D Minor, BWV 1043: Vivace - New Leipzig Bach Collegium Musicum
- Concerto for Two Violins in D Minor, BWV 1043: Largo Ma Non Tanto - New Leipzig Bach Collegium Musicum
- Concerto for Two Violins in D Minor, BWV 1043: Allegro - New Leipzig Bach Collegium Musicum
- Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum
- Concerto for Three Violins in D Minor, BWV 1063: Alla Siciliana - New Leipzig Bach Collegium Musicum
- Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum
Tracks:
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - Budapest Strings
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin] - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5
- Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6
- Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
Tracks:
- Organ Concerto No. 6 in B Flat Major - Erzst Achim, Budapest Strings
- Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 1 in G Minor - Erzst Achim, Budapest Strings
- Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 3 in G Minor - Erzst Achim, Budapest Strings
- Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 2 in B Flat Major - Erzst Achim, Budapest Strings
- Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 4 in F Major - Erzst Achim, Budapest Strings
- Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 5 in F Major - Erzst Achim, Budapest Strings
- Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
Tracks:
- Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
- Concerto in D Major No.116 for Flute, Strings and Continuo QV ... - Budapest Strings
- Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
- Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Budapest Strings
- Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Tracks:
- Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: ... - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Adagio - Budapest Strings
- Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Presto - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Violin and Orchestra No. 2 in D Major, K.211: Allegro ... - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Violin and Orchestra No. 2 in D Major, K.211: Andante - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Violin and Orchestra No. 2 in D Major, K.211: ... - Dresdner Philharmonic, Sebastian Weigle
- Adagio in E Major for Violin and Orchestra, K.261 - Dresdner Philharmonic, Sebastian Weigle
- Rondo in B Flat Major for Violin and Orchestra, K.269 - Dresdner Philharmonic, Sebastian Weigle
- Rondo in C Major for Violin and Orchestra, K.373 - Dresdner Philharmonic, Sebastian Weigle
Tracks:
- Concerto for Horn and Orchestra in E Flat, K.495: Allegro Maestoso - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Horn and Orchestra in E Flat, K.495: Romance. Andante ... - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Horn and Orchestra in E Flat, K.495: Rondo. Allegro ... - New Bach Collegium Musicum
- Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Horn and Orchestra in E Flat, K.447: Romance. Larghetto - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
- Rondo in D Horn and Orchestra [Horn Concerto, K.412, Second Movement] - Daniel Gerard, Vienna Mozart Ensemble
- Concerto for Horn and Orchestra in E Flat, K.417: Allegro - Daniel Gerard, Vienna Mozart Ensemble
- Concerto for Horn and Orchestra in E Flat, K.417: Andante - Daniel Gerard, Vienna Mozart Ensemble
- Concerto for Horn and Orchestra in E Flat, K.417: Rondo. Allegro - Daniel Gerard, Vienna Mozart Ensemble
- Concerto in E for Horn and Orchestra K.494a (First Movement; Fragment) - Daniel Gerard, Vienna Mozart Ensemble
- Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - Daniel Gerard, Vienna Mozart Ensemble
- Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - New Bach Collegium Musicum
- Rondo in E Flat for Horn and Orchestra, K.371 - Franz Liszt Chamber Orchestra, Miklos Perenyi
- Concerto Movement in E Flat for Horn and Orchestra - Franz Liszt Chamber Orchestra, Miklos Perenyi
Tracks:
- Piano Concerto No.23 in a Major, K.488: Allegro - Franz Liszt Chamber Orchestra, Miklos Perenyi
- Piano Concerto No.23 in a Major, K.488: Andante - Franz Liszt Chamber Orchestra, Miklos Perenyi
- Piano Concerto No.23 in a Major, K.488: Presto - Franz Liszt Chamber Orchestra, Miklos Perenyi
- Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Allegro - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Andante - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Rondo. ... - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Tracks:
- Cello Concerto No. 1 in C Major: Moderato - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Cello Concerto No. 1 in C Major: Adagio - New Bach Collegium Musicum
- Cello Concerto No. 1 in C Major: Allegro Molto - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Cello Concerto No. 2 in D Major: Allegro Moderato - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Cello Concerto No. 2 in D Major: Adagio - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Cello Concerto No. 2 in D Major: Allegro - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Tracks:
- Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Allegro - Budapest Philharmonic Orchestra, Jennd
- Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Adagio - Budapest Philharmonic Orchestra, Jennd
- Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
- Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
- Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - New Bach Collegium Musicum
- Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
- Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
- Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
Tracks:
- Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Gary Karr, The London Symphony Orchestra
- Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: ... - Maria Balint, Radio Symphony Orchestra Ljubljana
- Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Budapest Philharmonic Orchestra, Miklos Szenthelyi
- Concerto for Violin and Orchestra in D Major, Op.35: Allegro Moderato - Budapest Philharmonic Orchestra, Miklos Szenthelyi
- Concerto for Violin and Orchestra in D Major, Op.35: Andante - Budapest Philharmonic Orchestra, Miklos Szenthelyi
- Concerto for Violin and Orchestra in D Major, Op.35: Allegro ... - Budapest Symphony Orchestra, Emmy Verhey
Tracks:
- Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Allegro ... - Budapest Strings
- Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Adagio ... - New Bach Collegium Musicum
- Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Rondo. ... - Budapest Symphony Orchestra, Emmy Verhey
- Introduction and Variations on a Theme by Rossini - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
- Po, Op. 25 - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
Tracks:
- Violin Concerto No. 1 in G Minor, Op.26: Vorspiel. Allegro Moderato - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
- Violin Concerto No. 1 in G Minor, Op.26: Adagio - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
- Violin Concerto No. 1 in G Minor, Op.26: Finale. Allegro Energico - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
- Violin Concerto in E Minor, Op.64: Allegro Molto Appassionato - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
- Violin Concerto in E Minor, Op.64: Andante - Budapest Festival Orchestra, Miklos Perenyi
- Violin Concerto in E Minor, Op.64: Allegretto Non Troppo - Allegro ... - New Bach Collegium Musicum
Tracks:
- Concerto for Violin and Orchestra in D Major, Op.77: Allegro Non ... - Budapest Festival Orchestra, Miklos Perenyi
- Concerto for Violin and Orchestra in D Major, Op.77: Adagio - Budapest Festival Orchestra, Miklos Perenyi
- Concerto for Violin and Orchestra in D Major, Op.77: Allegro Giocoso - - Budapest Festival Orchestra, Miklos Perenyi
- Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
- Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
- Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
Tracks:
- Cello Concerto in B Minor, Op.104: Allegro - Bulgarian National Choir, Stoika Milanova
- Cello Concerto in B Minor, Op.104: Adagio Ma Non Troppo - Bulgarian National Choir, Stoika Milanova
- Cello Concerto in B Minor, Op.104: Finale. Allegro Moderato - Bulgarian National Choir, Stoika Milanova
- Cello Concerto: Allegro Moderato - Budapest Strings,
- Cello Concerto: Andante Con Moto - Bulgarian National Choir, Stoika Milanova
- Cello Concerto: Allegro Marciale - Bulgarian National Choir, Stoika Milanova
Tracks:
- Concerto for Violin and Orchestra No. 1 in D Major Op.19 - Bulgarian National Choir, Stoika Milanova
- Concerto for Violin and Orchestra in a Minor Op.82 - Budapest Strings, Zoltan Tokos
- Concerto for Violin and Orchestra No. 1 in a Minor Op.77 - Budapest Strings, Zoltan Tokos
Tracks:
- Concierto de Aranjuez: Allegro Con Spirito - Monika Rost
- Concierto de Aranjuez: Adagio - Monika Rost
- Concierto de Aranjuez: Allegro Gentile - Budapest Strings,
- Sonata Op.22: Allegro - Budapest Strings,
- Sonata Op.22: Adagio - Budapest Strings,
- Sonata Op.22: Menuetto - Budapest Strings,
- Sonata Op.22: Rondo. Allegretto - Budapest Strings,
- Spanish Dance No. 2 - Budapest Strings
- Castilla No. 7 - Budapest Strings,
- Hommage Debussy - Budapest Strings,
- Spanish Dance - Budapest Strings,
Album Description
This heavenly 20-CD set brings together the most beautiful music of all time...it must be what angels listen to! Float in the clouds as you listen to Vivaldi's Four Seasons, Bach's Brandenburg Concertos and Rodrigo's Concierto de Aranjuez... to name just a few. This Concert Collection will take a winning position in anyone's music library.Customer Reviews:
Heavenly.......2007-06-06
What a value!.......2005-07-26
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Vivaldi for Relaxation
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059SV2 Release Date: 2001-03-06 |
Tracks:
- Concerto in D, RV 93: Largo
- Concerto in G, Op. 10 No. 4: Largo
- Concerto in F, RV 544: Largo
- Trio in C, RV 82: Larghetto
- Concerto in G minor, Op. 10 No. 2: Largo
- Concerto in A minor, RV 357: Largo e sempre piano
- Concerto in G, RV 413: Largo
- Concerto in D minor, RV 535: Largo
- Concerto in G, RV 436: Largo
- Concerto in C minor, RV 197: Adagio
- Concerto in D minor, RV 540: Largo
- Concerto in A minor, RV 419: Andante
- Concerto in A minor, F.I. No. 61: Largo
- Concerto in G, RV 532: Andante
- Concerto in D, RV 403: Andante e spiritoso
- Concerto in D, RV 429: Andante
- Concerto in E flat, RV 408: Largo
- The Four Seasons, Op. 8: Winter: Largo
Customer Reviews:
Nectar of the Gods.......2007-05-12
So Soothing.......2006-12-28
An excellent addition to your collection.......2001-08-27
Average customer rating:
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Vivaldi: The Masterworks (Box Set)
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00062FLHY Release Date: 2004-11-30 |
Customer Reviews:
Focus on the Recordings.......2007-07-23
The price is killer and you HAVE to buy it, but be warned: these are not the best recordings, you get what you pay for.
First of all, I'm not a Vivaldi expert, but I've heard his compositions throughout my life in so many different places and recordings and have a vague idea of how some have to be played. Secondly, I'm not a classical music connoisseur, but I love it and have over 300 discs of various composers and styles. Third, I know what a good audio recording should sound like and this will influence my critique of some discs in the collection. Finally, it's easy to get lost among all the tracks contained, so in some cases I will give you my favorite tracks in a disc.
I'm sorry, but I've only reached disc 20 of the box-set, as I listen to more this review will be expanded.
DISC 1:
Why would you use an AAD recording as a first impression for a 40 disc box-set and for the "Four Seasons", which is probably Vivaldi's best know work. The concertos are played enthusiastically, but lack any additional virtuosity to put it ahead of other much better recordings out there.
DISC 2:
Same as DISC 1, played and recorded by the same people.
DISC 3:
The pieces in this disc are VERY well played, nonetheless, you can hear heavy breathing from the soloist which can be a bit annoying.
DISC 4:
Very well performed as well, heavy breathing is less present.
DISC 5:
A very good recording, excellent execution by the hapsichord and good by the recorder.
Tracks 4, 6, 7 and the whole "La Notte" are extraordinary.
DISC 6:
Exquisitely recorded and performed by the Budapest Strings.
DISC 7:
Marvelous performance on the whole disc.
Tracks 22 & 24 are non-plus-ultra.
DISC 8:
Great performance too.
Suggested tracks: 7, 12, 15, 24
DISC 9:
To have an original baroque organ playing is a plus.
Solo strings are lacking in quality (for example: tracks 6 & 7).
Suggested tracks: 1, 4, 8, 15
DISC 10:
Despite being and ADD recording, the quality is fairly good. The cello is very well played.
Suggested tracks: 3, 4, 12
Excellent track: 13
DISC 11:
Same musical group and soloist as DISC 10. The contrabass is extremely distorted sometimes, and if you take into consideration that this is an ADD recording, it can get pretty bad. Some background noise is perceived.
Suggested tracks: 3, 6, 9
DISC 12:
The compositions are somewhat boring, either way the performance is plain decent.
Suggested tracks: 10, 12
DISC 13:
Good performance and sound quality.
Suggested tracks: 1, 4, 6, 7
Excellent track: 12
DISC 14:
Good performance and sound quality too.
Suggested tracks: 10, 14, 16
Excellent track: 5
DISC 15:
Badly mixed, the basoon is blocking the whole ensamble by being in the foreground.
The playing precision is lacking.
An AWEFUL thing about this recording is that you can hear the basson key-sticking with the instrument and the saliva. It's horrible.
Such a pity, the sound of the basson with other instruments can be pretty interesting.
DISC 16:
Violins sound a bit off tempo.
Suggested tracks: 4, 8
DISC 17:
Good sound quality and performance.
Suggested tracks: 1, 7, 9
DISC 18:
Despite being an old recording, it is a very welcome one.
The performance is very well above par. Tempo is fantastic.
The quality of the recording could have been better due to some string plucking that is heard and which can become bothersome.
These are some of Vivaldi's best know tunes.
Suggested tracks: 4, 6, 13
Excellent tracks: 1, 3
DISC 19:
Lively recording.
Track 6 is the same piece found in another disc in the collection, but with a better performance.
DISC 20:
By now you've heard all of this pieces before in the other discs. Nothing new here, nor better.
This is a fantastic deal!.......2007-02-25
With that context in mind I do hope I am able to recognize quality and this work is of the highest. It helps when you are starting with good ingredients in the first place. You can't bake great bread without great ingredients and Vivaldi's music library has some of the greatest musical ingredients of the last 300 years. They are very much the foundation for modern western culture and music. His talent is woven through what we are
The first 26 CDs are instrumental starting with the four seasons and working through many of the Master's many popular works. I will admit the four seasons are not the best interpretation I have heard but it is definitely acceptable. The rest of the music shows us many facets of the Baroque style and you can see themes emerging through some of the pieces that give us a 'fingerprint' of Vivaldi's style and the parameters of the stylistic leanings of the genre at the time. If you want to immerse yourself in 18th century music this is your chance
This music would be ideal for someone who owns a store and is looking for background music. With over 26 CDs of instrumental music alone you could have those constantly looping and you'd probably never get bored of them(OK I may be stretching it a little there). The reason is that the music does not leave a bad 'aftertaste' in your mind. It fits into the background as easily and naturally as it is to listen to it consciously in the foreground. If you are a fan of classical Baroque you don't usually need to be in the mood for this, it will adjust your mood to itself and Vivaldi's music is almost always of an uplifting sort if this collection is any indication. If you want something to listen to at your job 8 hours per day this is good for the mind and it would take you over a week to get through it if you listened to it every minute of every work day. You will also work without the worry of the music distracting your concentration. I find it enhances it when I'm working. I don't know how well this would work on school kids but teachers might want to try playing this during school time. You may create a few geniuses, we certainly could use more!
If you are looking for something to ease your sleep and oil your dreams I have put these CD's on in the background. Not only can I easily fall asleep when they are playing quietly in the background but it helps you sleep and you wake up in a very pleasant atmosphere if the music is still playing quietly when you wake(you probably would need to rip them to your MP3 player to do that). It's like napping at a classical music concert without the worry of being nudged by your spouse or offending the other concert goers with your snoring. That will be quite a unique experience for you and possibly give you some real sweet dreams. It has for me
So to wrap it up this is very intelligent, uplifting music that is great for your mind and your soul. It is definitely worth the purchase if you are a fan of the Four Seasons and the Baroque genre in my novice classical music fan's opinion
Excellent, Broad Selection.......2007-01-25
But when you work your way systematically from CD 1 through 40, you're sure to find many pleasant surprises. I've been skipping through everything I already know -- in some cases, it has only taken me about a minute to get through a whole CD (first 3 seconds of each track is usually enough). But then I stop and listen carefully three or four times to anything that's new.
Ah, what a pleasure. I've already acquired some new favorites. And some old standbys have proved even more rewarding, e.g. at first I thought RV 127 (CD 7, tracks 10-12) was performed too slowly (Naxos No: 8.553742 is much faster), but now I'm not sure; maybe it's BETTER that way! I can't recommend this set highly enough.
$70....when was this???.......2006-11-25
$70/40... you do the math........2006-04-07
Average customer rating:
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Classical Kids: Collection
Manufacturer: Children's Book Store Distribution ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000212C Release Date: 1995-01-09 |
Tracks:
- Orchestral Suite #3, 1/Minuet in G+/Gigue in G+ (French Suite #5) - Studio Arts Orchestra, The Toronto Boys' Choir
- Jesu, Joy of Man's Desiring/Chromatic Fantasy/Prelude in B - (WTC1) - Studio Arts Orchestra, The Toronto Boys' Choir
- Introducing the Orchestra/Organ: Chorale Preludes, "Allein Gott" - Studio Arts Orchestra, The Toronto Boys' Choir
- Brandenberg Concerto #5, MVT. 3 - Studio Arts Orchestra, The Toronto Boys' Choir
- Flute Sonata C+, MVT. 2/Organ; "Es Ist das Heil"/Orchestral Suite ... - Studio Arts Orchestra, The Toronto Boys' Choir
- Prelude in C (WTC1)/Orchestral Suite #2, MVT. 2 - Studio Arts Orchestra, The Toronto Boys' Choir
- Bist du Bei Mir - Studio Arts Orchestra, The Toronto Boys' Choir
- Orchestral Suite #2, Badinerie - Studio Arts Orchestra, The Toronto Boys' Choir
- Orchestrak Suite #3, Air for the G-String - Studio Arts Orchestra, The Toronto Boys' Choir
- Orchestral Suite #3, Gigue - Studio Arts Orchestra, The Toronto Boys' Choir
- "Adventure in Music" - Studio Arts Orchestra, The Toronto Boys' Choir
- Goldberg Variations/Art of Fugue - Studio Arts Orchestra, The Toronto Boys' Choir
- "Liebster Jesu"/Flute Sonata in C, MVT. 4 - Studio Arts Orchestra, The Toronto Boys' Choir
- "We Hasten, " Cantata #78 - Studio Arts Orchestra, The Toronto Boys' Choir
Tracks:
- Symphony #7, MVT. 2
- Symphony #5, MVT. 1
- Piano Sonata, Op 90, MVT. 2/Flute Serenade, Op 23, MVT. 3/Violin ...
- Pathue Sonata, Op 13, MVT. 2/Contradanse #1 in Major
- Symphony #5, MVT. 2/Piano Sonata, Op 14 #2, MVT. 2/Flute Serenade, ...
- Polonaise/La Marmotte/Country Dance in a Major/Fse/Flutnuhr
- Sonatina in G Major/Minuet in G Major/Violin "Spring" Sonata, MVT. 1
- Moonlight Sonata, Op 27 #2, MVT. 1
- Flute Serenade, MVT. 2
- Symphony #6, Storm
- Nel Cor Piu Variations
- Piano Concerto #1, MVT. 1/Piano Concerto #5, MVT. 2
- Bass Excerpts from Symphony #9/Violin"Spring Sonata"/Rage Over a ...
- Symphony #9, MVT. 4
- Sonata Opus 49 #2, MVT. 2
- Symphony #6, Shepherd's Theme
Tracks:
- Lost in the Opera House: Oh Help Me (Zu Hilfe) - Nils Brown, St. Simon's Choir, Studio Arts Orchestra
- Papageno and the Birds: The Best Birdcatcher (Der Vogelfer) - Russell Braun, St. Simon's Choir, Studio Arts Orchestra
- Queen of the Night: You Must Free My Daughter (O Zittre Nicht) - Marjorie Sparks, St. Simon's Choir, Studio Arts Orchestra
- Pamina Arrives, Papageno's Magic Bells: A Girlfriend (Ein Mhen) - Russell Braun, St. Simon's Choir, Studio Arts Orchestra
- Castle of Sarastro: O Endless Night (O Ew'ge Nacht) - Nils Brown, St. Simon's Choir, Studio Arts Orchestra
- Magic Flute: O Listen (Wie Stark) - Nils Brown, St. Simon's Choir, Studio Arts Orchestra
- Escape: Let Us Hurry (Schnelle FWhat Tinkles So Brightly ... - Russell Braun, St. Simon's Choir, Studio Arts Orchestra, Monica Whicher
- Sarastro's Welcome: The Gods Above (O Isis) - Gordon McLeod, St. Simon's Choir, Studio Arts Orchestra
- Attack of the Queen: The Powers of Night (Der H Rache)/This ... - Marjorie Sparks, St. Simon's Choir, Studio Arts Orchestra
- Pamina's Lament: Oh, My Heart Is Broken (Ach, Ich F - St. Simon's Choir, Studio Arts Orchestra, Monica Whicher
- In the Labrynth: Seekers of the Light (Der, Welcher ...) - Nils Brown, Gordon McLeod, Marjorie Sparks, St. Simon's Choir, Studio Arts Orchestra, Monica Whicher
- Papageno and Papagena: Ring, O Bells (Klinget Glhen) - Adriana Braun, Russell Braun, St. Simon's Choir, Studio Arts Orchestra
- Conclusion: Our Journey Is Over [Bei Mern] - St. Simon's Choir, Studio Arts Orchestra
Tracks:
- Four Seasons, Spring, I, RV 269
- Piccolo Concerto, II, RV 293
- Arriving at the Pietour Seasons, Autumn, I RV 293/Guitar/Flute ...
- Violin Concerto in a Minor, I, RV 356
- Four Seasons, Winter, II, RV 297
- Guitar Concerto, II, RV 93
- Venice by Day/Guitar Concerto, III, RV 93/Four Seasons, Autumn, ...
- Sonata for Two Violins, II, RV 50/"Farnace", RV 711, [Recording Premier
- Violin Concerto in a Minor, II, RV 356
- Venice by Night/La Notte, I, II, III, RV 439
- Island of the Dead/Four Seasons, Autumn, II, RV 293
- Gardellino, RV 90/Beatus Vir, RV 597/Alma del Core/Violin Sonata ...
- Concert Preparations/Piccolo Concerto, I, RV 443/Guitar Concerto, III,
- Conclusion/Double Orchestra Concerto, II, RV 585/Guitar Concerto, ...
Customer Reviews:
It stays with them..........2005-10-24
It all started with Beethoven.......2004-02-03
Imagine my delight that they are now in one boxed set! Now when asked, I suggest this set. What a great way to get it ALL! I truly believe that by surrounding our children with a variety of good music (including POP music) and information they will grow up with a greater appreciation for music and the arts.
Not What I expected.......2002-09-20
Music, history, culture, & intriguing story -Amazing!.......2002-04-08
I only can wonder...what took whomever so long to broaden our horizons in such a way! BRAVO!
Great series, great collection.......2001-04-22
Average customer rating:
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Vivaldi for Valentines: Romantic Interludes for the One You Love
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041ER Release Date: 1996-01-23 |
Tracks:
- The Four Seasons: (Winter): Largo
- Guitar Concerto in D: Largo
- Flute Concerto In D (II gardellino): Cantabile
- Concerto In C For Diverse Instruments: Andante molto
- String Concerto in G minor: Andante molto
- Concerto in D for 2 violins & 2 cellos: Largo
- Oboe & Violin Concerto in G minor: Larghetto
- Guitar Concerto in A minor: Laro
- Triple Violin Concerto in F: Andante
- Flute Concerto in F: Largo
- Viola d'amore Concerto in D minor: Largo
- Violin Concerto in E (II riposo): Allegro
- Oboe & Bassoon Concerto in G: Largo
- Violin Concerto No. 6 in B-flat: Largo
- Concerto in A for Guitar, Violin, Viola & Cello: Larghetto
- Violin Concerto in E (L'amoroso): Allegro
- Flute Concerto No.4 in G: Largo
- Violin Concerto in A (with echo violin): Larghetto
- Violin Concerto in C minor (II sospetto): Andante
- Double Oboe Concerto in A minor: Largo
- Concerto in G minor for the Dresden Orchestra: Largo non molto
- Violin Concerto in A minor: Largo
- Oboe Concerto In C: Adagio
- Flue Concerto No.2 in G minor (La notte): Largo
Amazon.com
Another installment in Philips's Set Your Life to Music series (which has included Mozart for Your Mind, Baroque at Bathtime, and Rachmaninoff for Romance, among others), Vivaldi for Valentines is loosely built around the aura of romance that Venice continues to evoke. Vivaldi captured it for all time in his music, inspired by the often melancholy beauty of his native city, one that has been known through the ages as La Serenissima. Along with such ultrafamiliar pieces as the "Winter" largo movement from The Four Seasons (in which the violin sighs a rapturous melody against sounds imitating a crackling, cozy fire) and the Largo of the Guitar Concerto in D--Vivaldi's slow movements, with all their gentle dreaminess, being given the limelight in this compilation--are many gems you've likely not heard before. The list of performers and approaches is too expansive even to mention but predominantly features performances by I Musici. It's hard to believe that Vivaldi's music, having sunk into oblivion, resurfaced again only a few decades ago. This is a pleasant compilation that makes a perfect entrée if you'd like to learn more about classical music--and Vivaldi in particular--than The Four Season. And, as for setting a romantic mood, this will give your mojo all the help it needs. --Thomas MayCustomer Reviews:
More of Vivaldi's great music........2001-08-24
Just great!.......2000-07-10
Heard "Four Seasons"? Want more? GET THIS!.......1999-03-16
Average customer rating:
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Evening Adagios
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000069HLY Release Date: 2002-07-16 |
Tracks:
- Clair De Lune: Suite Bergamasque - Frederick Fennell
- Adagio For Strings - David Zinman
- Concierto De Aranjuez: Adagio - Marisa Robles
- Intermezzo - National Philharmonic Orchestra
- Serenade In G Major, K525 'Eine Kleine Nachtmusik': Romance: Andante - Academy Of St. Martin In The Fields
- Pavane, Op.50 - Choeur De L'Orchestre Symphonique De Montreal
- Nocturne In E Flat Major, Op.9 No.2 - Vladimir Ashkenazy
- The Swan: Carnival Of The Animals - Samuel Sanders
- String Quintet In C Major, D956: Adagio (Excerpt) - Weller Quartet
- Orchestral Suite No.3 In D Major, BWV 1068: Air (Air On A G String) - Karl Munchinger
- Songs My Mother Taught Me, Op.55 No.4 - Arthur Grumiaux
- Romance (Jeux Interdits) - Pepe Romero
- Nocturne, Op.33 No.1 - Pascal Roge
- Serenade In B Flat Major, K361/370a 'Gran Partita': Adagio - Neville Marriner
- sospiri For Strings, Harp And Organ, Op.70 - Academy Of St. Martin In The Fields
- Bailero (Songs Of The Auvergne) - Kiri Te Kanawa
Tracks:
- Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 'Moonlight': Adagio Sostenuto - Vladimir Ashkenazy
- Clarinet Concerto In A Major, K622: Adagio - Jack Brymer
- Nocturne (A Midsummer Night's Dream) - Charles Dutoit
- Impromptu In G Flat Major, D899 No.3 - Radu Lupu
- String Quartet No.2 In D Major: Notturno: Andante - Borodin String Quartet
- Oboe Concerto In D Minor: Adagio - I Musici
- Piano Quintet In A Major, D667 'The Trout': Andante - Willi Boskovsky
- Concerto For Flute And Harp In C Major, K299/297c: Andantino - Maria Graf
- Guitar Concerto In D Major, RV93: Largo - Eduardo Fernandez
- Serenade: Andante Cantabile - I Musici
- Romance (The Gadfly) - Alexander Kerr
- Suite For 2 Violins, Cello And Piano: Lied - Bengt Forsberg
- Concerto For 2 Violins In D Minor, BWV 1043: Largo, Ma Non Tanto - Henryk Szeryng
- Soave Sia Il Vento (Trio): Cosi Fan Tutte - Tom Krause
Customer Reviews:
It's good and all but..........2006-02-03
My Opinion.......2005-08-11
Mood music collection with plenty of good selections.......2003-12-28
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Vivaldi Adagios
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000J9GP Release Date: 1999-06-15 |
Tracks:
- The Four Seasons: Concerto No. 4 In F Minor: 'Winter' - (Largo)
- The Four Seasons: Concerto No. 1 In E Major: 'Spring' - (Largo)
- The Four Seasons: Concerto No. 2 In G Minor: 'Summer' - (Adagio)
- The Four Seasons: Concerto No. 3 In F Major: 'Autumn' - (Adagio)
- Concerto For Guitar In D Major - (Largo)
- Concerto For 2 Mandolins In G Major - (Andante)
- Concerto For 2 Oboes In D Minor - (Largo)
- Concerto For 2 Violins & 2 Cellos In D Major - (Largo)
- Concerto For Piccolo In C Major - (Largo)
- La Stravaganza, Op. 4: Concerto No. 12 In G Major - (Largo)
- La Stravaganza, Op. 4: Concerto No. 1 In B-Flat Major - (Largo)
- La Stravaganza, Op. 4: Concerto No. 2 In E Minor - (Largo)
- La Stravaganza, Op. 4: Concero No. 3 In G Major - (Largo)
- La Stravaganza, Op. 4: Concerto No. 4 Iin A Minor - (Grave)
- La Stravaganza, Op. 4: Concerto No. 5 In A Major - (Largo)
- La Stravaganza, Op. 4: Concerto No. 6 In G Minor - (Largo)
- La Stravaganza, Op. 4: Concerto No. 7 In C Major - (Largo)
- La Stravaganza, Op. 4: Concerto No. 7 In C Major - (Largo)
- La Stravaganza, Op. 4: Concerto No. 9 In F Major - (Largo)
- La Stravaganza, Op. 4: Concerto No. 10 In C Minor - (Adagio)
- La Stravaganza, Op. 4: Concerto No. 11 In D Major - (Largo)
- Concerto For Recorder In A Minor - (Largo)
- Concerto For Oboe In F Major - (Largo)
- Concerto For Flute In C Minor - (Largo)
- Concerto For Guitar And Viola D'Amore in D Minor - (Largo)
- Concerto In A Major - (Largo)
Tracks:
- Concerto For Recorder In G Minor, 'La Notte': Largo
- Concerto For 2 Oboes, Bassoon, 2 Horns & Violin In F Major: Grave
- Concerto For 2 Oboes, Bassoon, 2 Horns & Violin In F Major: Grave
- Concerto For 2 Horns In F Major: Larghetto
- Concerto For Bassoon In A Minor: Larghetto
- La Cetra, Op. 9: Concerto No. 8 In D Minor - Largo
- La Cetra, Op. 9: Concerto No. 9 In B-Flat Major - Largo e spiccato
- La Cetra, Op. 9: Concerto No. 10 In G Major - Largo cantabile
- La Cetra, Op. 9: Concerto No. 11 In C Minor - Adagio
- La Cetra, Op. 9: Largo
- La Cetra, Op. 9: Concerto No. 6 In A Major - Largo
- La Cetra, Op. 9: Concerto No. 7 In B-Flat Major - Largo
- ll Cimento dell'Inventione, Op. 8: Concerto No. 5 In E-Flat Major - Largo
- ll Cimento dell'Inventione, Op. 8: Concerto No. 6 In C Major - Largo
- ll Cimento dell'Inventione, Op. 8: Concerto No. 7 in D Minor - Largo
- ll Cimento dell'Inventione, Op. 8: Concerto No. 8 In G Minor - Largo
- ll Cimento dell'Inventione, Op. 8: Concerto No. 9 In D Minor - Largo
- ll Cimento dell'Inventione, Op. 8: Concerto No. 10 In B-Flat Major 'La Caccia' - Adagio
- ll Cimento dell'Inventione, Op. 8: Concerto No. 11 In D Major - Largo
- ll Cimento dell'Inventione, Op. 8: Concerto No. 12 In C Major - Largo
- Concerto For 2 Cellos In G Minor: Largo
- Concerto For 2 Flutes In C Major: Largo
Customer Reviews:
Outstanding Selection From Beginning To End.......2005-11-13
Heavenly beautiful.......2004-12-09
Celestial beauty, magnificent recording.......2000-09-01
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Takemitsu: Garden Rain
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006VXF3C Release Date: 2005-02-08 |
Tracks:
- Garden Rain
- Le Son Calligraphie I
- Le Son Calligraphie II
- Le Son Calligraphie III
- Hika/Elegy
- Folio I
- Folio II
- Folio III
- Distance
- Voice
- Stanza II
- Eucalypts I
- Eucalypts II
Customer Reviews:
A welcome reissue of some early and middle-period works in historical performances.......2006-12-04
Two works are fairly early. The earliest material here is "Le Son calligraphie" (1958/60), three pieces for strings written while Takemitsu was still looking to Messiaen and Webern for inspiration. Their soundworld is quite reminiscent of the "Requiem" for strings dating from the same era, Takemitsu's first big hit. The work is performed by an ensemble of Japanese players conducted by Hiroshi Wakasugi. "Hika | Elegy" for violin and piano (1966), performed here by Ida Kavafian and Peter Serkin, takes much of its musical material from the third movement of Takemitsu's early piano piece "Uninterrupted rests". That movement was titled "A song of love", and this duet is certainly one of the most passionate violin and piano pairings in modern repertoire.
Several works here date from the height of Takemitsu's modernist period around the turn of the 70s. In "Eucalypts I & II" (1970) the first piece is for flute, oboe, harp, and strings, while the second is for flute, oboe, and harp. The music is defined by the seeming separate activities of the performers, but unlike the Western contrast of sonata-allegreo form, Takemitsu seeks to show all parts organically growing from the same origin in spite of their independent existence. Jurg Wittenbacher conducts the Basel Ensemble, and the soloists here appear in several works from the same period.
"Voice" for solo flute (1971) was written for Aurele Nicolet, who performs here. What sets the work apart is Takemitsu's having the performer shout, sing, and hum into the instrument, amplifying and treating his voice. The opening, with some bold words by Japanese poet Shuzo Takiguchi, will snap you out of any trance entered from the other works. At times it sounds like flute-meets-Ligeti's "Aventures", and so comes across as rather dated, but all in all it's an innovative effort. The work has also been recorded on Naxos in performance by Robert Aiken. Nicolet gives a rougher and more primal go at it, while Aiken's is more polished.
"Stanza II" for harp and tape (1971) is a sort of sequel to a rather zany piece for small ensemble and mezzo-soprano which Takemitsu had composed a few years previously. If that first piece was oddly reminiscent of Boulez's "Pli selon pli" with its supple rhythms and soprano role, this second one foreshadows the French composer's "Repons" with its glittery metallic colours. Still, the use of bird song and the snippets of conservation briefly heard on the tape keeps it rooted in personal experience and away from total abstraction. Ursula Holliger performs on harp. "Distance" for oboe and sho (1972) features one of the most striking features of Takemitsu's modernism, the pairing of Western instruments with traditional Japanese instruments. The sho remains constantly in the backgroup, while the oboe darts here and there. The oboe soloist is Heinz Holliger, while Tadamaro Ono performs on sho.
I'm hestitant to comment on the three "Folios" for guitar (1974), since solo guitar music is the only modern-classical repertoire I really don't get. The next piece, however, is probably the best on the disc. "Garden Rain" for brass ensemble (1974) was written after Takemitsu read a poem by an Australian schoolgirl with the lines "Hours are the leaves of life. And I am their gardener. Each hour falls down slow." In thinking about the connection between tone colour and time, he has the instrumentalists play each note as slowly and softly as possible. The result is lovely, and if you like Takemitsu's "Signals from Heaven" brass fanfares, you'll enjoy this one as well.
The liner notes here are fairly uninformative. Fans of the composer would do well to seek out Peter Burt's THE MUSIC OF TORU TAKEMITSU (Cambridge University Press, paperback 2006). If you know little about the music of this great Japanese composer, the chamber music disc on Naxos makes a great introduction. And if you're drawn to further explore his intriguing body of work, the several DG reissues are a good purchase.
Track Listings:
- Trumpet Concertos: Vivaldi/Telemann/L. Mozart/Hummel
- Verdi - Messa da Requiem / Varady, Palmer, Olsen, Scandiuzzi, Plasson
- Alma Anima [Import]
- American Legends: Enrico Caruso
- American Portraits: George Gershwin
- American Portraits: Leonard Bernstein
- Bach: 4 Orchestral Suites; Concerti for 3 & 4 Harpsichords
- Bach: Three Partitas, Vol. 2
- Barroco Espaņol, Vol.3
- Beethoven: Missa Solemnis; Messe en ut majeur [Box set]
Track Listings
Hvoslef: Sextet; Double Concerto for flute & guitar
Last Recordings (Limited Edition)
Joseph Haydn: String Quartet, Op. 76,3/String Quartet, Op. 64,5/String Quartet, Op. 74,3
Interpreta A Juan Gabriel En Bolero
Hard to Say I'm Sorry Pt.2 [CD-single] [Enhanced] [Import]